Knowledge (XXG)

:Articles for deletion/Erika Tazawa - Knowledge (XXG)

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1185:. Finally, small labels like this draw their notability from the notability of the artists and ensembles who record for them. If none of them are independently notable, then neither is the label. In my view, this is not helpful. The decision should be made on each of the artist/ensemble articles separately. This kind of transclusion of a sub-discussion also causes a potential mess in AfDs. 401:. While undoubtedly accomplished and with the possibility of having a significant and notable career as a pianist in the future, there is simply not enough here to support a stand-alone article. Since there is no significant coverage of this person in independent sources, we'd have to rely on passing one of the criteria at 444:. I can find no evidence of her recording or performances ever being broadcast by the BBC or NPR. I'm going to hold off on a final opinion in case something else surfaces, but at the moment I'm leaning pretty strongly to deletion. In my view, the other articles in this "suite" should also be carefully scrutinized. 517:
I'm sure there probably is some COI editing going on, but that isn't a consideration in the decision to delete an article if the subject is notable, unless the article is such a blatant advert that it would need to be completely rewritten, which is not the case here. The primary problem is there is
547:– as it happens a biography of one of the composers of Tazawa's CD) – In the case such editor would cast a !vote here, it would make a difference, when assessing the weight of that opinion, whether there is a COI or not. So, for this AfD, just a heads up for what may result from the COIN thread. -- 1177:, who at least has a marginal notability. It is basically no different than a self-published book. It has very few recordings, and all of them including or devoted to Susman's work. And note that it is marketed through Naxos Direct, which, as has been pointed out. is no different to Amazon or 337:
This seems a minor competition (takes place in church halls apparently), and there is no coverage of the competition from major sources or institutions as far as I can see from Googling. It does not imo contribute to making the article subject notable and I would be in favour of
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This is a GNG fail. Apart from the article in the Japanese community magazine, the rest seems to be all trivial and routine coverage. Concert dates and simply being part of an ensemble doesn't confer notability. I don't see any notable albums either. Overall, the illusion of the
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concert venues or festivals (and not even reviews available for the minor ones—I've looked). There is only one recording as a soloist. The label, Belarca Records, is very marginally notable if at all, and was basically founded by
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suggests a lot more notability, possibly. I am not familiar enough with the competitions and awards to evaluate it accurately. I think we need to call over some classical music editors to check this out.
1087: 224: 588:- I'm not voting because I'm only providing sources and don't have time to dig on this otherwise at present. There's a few Japanese sources. I've sourced her name in Japanese, but that source 1138: 1258:
No it isn't. Take it to the Belarca AfD or Belarca talk if it's about the Belarca article. We never "centralize" discussion on AfDs, because once the AfD closes, that's it.
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might be converted into a redirect to that article. I'm not sure myself whether that would be a good idea, but I suppose here is the place to discuss such ideas right now. --
993: 988: 120: 1290:. None of the reference sources included in the article constitutes anything approaching the "in-depth third-party coverage" normally demanded for biographical articles. -- 1153:(sorry for the unusual presentation of this plan: I created this reply on a separate page in my userspace in order to post it as a template on several AfDs concurrently) -- 495:
hoping this would bring some clarity on whether or not there are undiclosed COIs that needs to be taken into consideration for this AfD. Otherwise, on first sight, I'd say
1060: 1055: 997: 969: 565:). Lacking the edit history of the deleted article I wasn't sure whether to add them to the COIN thread (and finally didn't because they have only one remaining edit). -- 1064: 561:
Also, possibly there is a fourth editor in the pool: this editor created an article on yet another composer of Tazawa's CD, but that article has since been deleted (see
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is for one of the artists which they are promoting, and not at all independent of the subject. None of the awards are notable. There is no evidence of performances in
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OK, I'll "subst:" the template content to the AfD pages in order to avoid creating AfD confusion. Can we keep the centralised discussion on this idea
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per the ] assessment of the classical music editors. I am willing to reconsider my position should additional source material be found.
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In view of Voceditenore's comments above (... considerable overlap in the creators and main editors of all three of those articles and of
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would be viable as stand-alone article, however, this may be sufficient independent reliable sources on their CDs for such article:
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confer notability - I only used it because it's an independent entry unrelated to the subject. There's a focused article
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So the article could be somewhat like this: its lead section about the label's founder and the Naxos distribution;
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Updated my comment above to a definite delete. Nothing has emerged which indicates that the subject passes either
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influence (otherwise I wouldn't have started a separate topic on a noticeboard), but I can, for instance, see
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as a member of the ensemble "Kanade" that is performing. Kanade gets a performace reference for a festival
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No substance at all to suggest the independent notability and my searches are not finding anything better.
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First section about artists and ensembles: current AfD articles that may redirect to this section:
665: 324: 248: 228: 199: 175: 1312: 1308: 1237: 874: 488: 427: 76: 68: 604:, bnack from 2003-04. She also gets a mention for a concert at the Japanese Embassy in Atlanta 430:. The article under consideration here was created shortly after the release of her Belarca cd, 397:. I've done a pretty through search including the specialist music press via my subscription to 1263: 1186: 643: 625: 605: 519: 470: 445: 398: 370: 294: 29:
The following discussion is an archived debate of the proposed deletion of the article below.
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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The problem with this, if I have understood you correctly, is that Belarca Records is
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counteracted the deletion of another article of the same pool of connected articles
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Second section about the label's releases. Current AfDs that may redirect here:
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then (no need to do the same discussion over in the different places)? --
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User talk:Contemporarymuslover#Proposed deletion of Francesco di fiore
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Knowledge (XXG):Articles for deletion/Piccola Accademia degli Specchi
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Knowledge (XXG):Articles for deletion/Fate of the Lhapa (soundtrack)
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Knowledge (XXG):Conflict of interest/Noticeboard § Susman / Sommacal
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Knowledge (XXG):Articles for deletion/William Susman#William Susman
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Knowledge (XXG):Conflict of interest/Noticeboard#Susman / Sommacal
434:. Excerpts from the CD were played once on a local radio station 1336:
The above discussion is preserved as an archive of the debate.
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seems likely to survive its AfD: the "Plan" above (resucitate
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per the analyses provided above by Smerus and Voceditenore. --
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as a separate article) might still be applied, in which case
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Knowledge (XXG):Articles for deletion/Oil on Ice (soundtrack)
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to generate a more thorough discussion and clearer consensus.
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Other titles can be made into redirects to this section too.
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deceived me for a while, but now it is a clear delete. --
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This fails GNG for English language sources. I'm pinging
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list of Bands and musicians-related deletion discussions
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as "redirect to Belarca Records" instead of delete/keep
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as "redirect to Belarca Records" instead of delete/keep
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as "redirect to Belarca Records" instead of delete/keep
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as "redirect to Belarca Records" instead of delete/keep
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as "redirect to Belarca Records" instead of delete/keep
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as "redirect to Belarca Records" instead of delete/keep
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as "redirect to Belarca Records" instead of delete/keep
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no evidence that subject meets the inclusion critera.
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to ask if there are any Japanese sources available. --
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Knowledge (XXG):Articles for deletion/Matteo Sommacal
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Knowledge (XXG):Articles for deletion/Octet Ensemble
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Knowledge (XXG):Articles for deletion/William Susman
275:Please add new comments below this notice. Thanks, 188: 919:Knowledge (XXG):Articles for deletion/Erika Tazawa 538:a potentially COI editor being invited to this AfD 43:). No further edits should be made to this page. 1350:). No further edits should be made to this page. 395:Knowledge (XXG) talk:WikiProject Classical music 682:articles and COI (recommend !voters to read it) 8: 243:Note: This debate has been included in the 223:Note: This debate has been included in the 1173:a notable label and currently redirects to 289:Note: This discussion has been notified to 673: 245:list of Japan-related deletion discussions 242: 222: 418:to promote his own compositions and his 18:Knowledge (XXG):Articles for deletion 7: 540:(as it happens the same editor who 24: 407:Classical Pianists of the Future 977:Piccola Accademia degli Specchi 678:Discussion about other related 1044:Fate of the Lhapa (soundtrack) 704:Originally I had said, at the 1: 1181:. It is not a sub-label of 727:discussion of the Tazawa CD 291:WikiProject Classical music 1367: 1030:Also the formerly deleted 696: 1329:13:47, 25 July 2016 (UTC) 1300:12:46, 23 July 2016 (UTC) 1268:05:10, 23 July 2016 (UTC) 1250:05:02, 23 July 2016 (UTC) 1225:09:33, 22 July 2016 (UTC) 1195:09:16, 22 July 2016 (UTC) 1163:08:15, 22 July 2016 (UTC) 757:Music for Moving Pictures 668:00:02, 22 July 2016 (UTC) 652:10:39, 21 July 2016 (UTC) 630:18:08, 20 July 2016 (UTC) 575:14:59, 20 July 2016 (UTC) 557:14:27, 20 July 2016 (UTC) 528:13:26, 20 July 2016 (UTC) 509:13:20, 20 July 2016 (UTC) 479:14:20, 25 July 2016 (UTC) 454:11:00, 20 July 2016 (UTC) 379:10:37, 20 July 2016 (UTC) 352:07:21, 20 July 2016 (UTC) 327:04:37, 17 July 2016 (UTC) 303:11:00, 20 July 2016 (UTC) 282:10:54, 15 July 2016 (UTC) 63:21:52, 25 July 2016 (UTC) 1339:Please do not modify it. 257:04:18, 9 July 2016 (UTC) 237:04:18, 9 July 2016 (UTC) 217:21:25, 8 July 2016 (UTC) 32:Please do not modify it. 1095:Oil on Ice (soundtrack) 1321:Pharaoh of the Wizards 708:, that I didn't think 440:. KBFA is not part of 1032:Francesco Di Fiore 755:discussion of the 747:discussion of the 706:William Susman AfD 618:here, mirror of #2 614:with coverage here 596:which is mirrored 532:Wasn't implying a 1283: 1282: 1034:may redirect here 432:Rhythm of Silence 405:. The profile at 399:HighBeam Research 305: 284: 259: 239: 1358: 1341: 1242:Francis Schonken 1217:Francis Schonken 1155:Francis Schonken 1136: 1118: 1085: 1067: 1018: 1000: 967: 949: 916: 898: 865: 847: 814: 796: 749:Scatter my Ashes 744: 724: 674: 663: 567:Francis Schonken 549:Francis Schonken 501:Francis Schonken 424:Scatter My Ashes 322: 288: 280: 274: 272: 270: 214: 209: 193: 192: 178: 130: 118: 100: 58: 48:The result was 34: 1366: 1365: 1361: 1360: 1359: 1357: 1356: 1355: 1354: 1348:deletion review 1337: 1284: 1234:Belarca Records 1109: 1093: 1058: 1042: 991: 975: 940: 926:Matteo Sommacal 924: 889: 873: 838: 822: 787: 771: 741: 739: 737: 735: 732: 721: 719: 716: 710:Belarca Records 701: 683: 680:WP:WALLEDGARDEN 661: 640:WP:WALLEDGARDEN 320: 285: 276: 265: 263: 212: 200: 135: 126: 91: 75: 72: 56: 41:deletion review 30: 22: 21: 20: 12: 11: 5: 1364: 1362: 1353: 1352: 1332: 1331: 1302: 1281: 1280: 1279: 1278: 1277: 1276: 1275: 1274: 1273: 1272: 1271: 1270: 1253: 1252: 1230:William Susman 1227: 1198: 1197: 1175:William Susman 1151: 1150: 1149: 1145: 1144: 1143: 1142: 1091: 1036: 1035: 1027: 1026: 1025: 1024: 973: 922: 871: 824:Octet Ensemble 820: 773:William Susman 763: 762: 761: 736:.acousticmusic 729: 695: 694: 685: 684: 677: 672: 671: 670: 654: 632: 582: 581: 580: 579: 578: 577: 559: 512: 511: 491:) I initiated 484: 483: 482: 481: 457: 456: 420:Octet Ensemble 416:William Susman 381: 359: 358: 357: 356: 355: 354: 330: 329: 307: 306: 273: 262: 261: 260: 249:NewYorkActuary 240: 229:NewYorkActuary 196: 195: 132: 71: 66: 46: 45: 25: 23: 15: 14: 13: 10: 9: 6: 4: 3: 2: 1363: 1351: 1349: 1345: 1340: 1334: 1333: 1330: 1326: 1322: 1318: 1314: 1310: 1306: 1303: 1301: 1297: 1293: 1289: 1286: 1285: 1269: 1265: 1261: 1257: 1256: 1255: 1254: 1251: 1247: 1243: 1239: 1235: 1231: 1228: 1226: 1222: 1218: 1214: 1211: 1210: 1209: 1202: 1201: 1200: 1199: 1196: 1192: 1188: 1184: 1183:Naxos Records 1180: 1176: 1172: 1168: 1167: 1166: 1165: 1164: 1160: 1156: 1152: 1147: 1146: 1140: 1137:– i.e. close 1134: 1130: 1126: 1122: 1117: 1113: 1108: 1104: 1100: 1096: 1092: 1089: 1086:– i.e. close 1083: 1079: 1075: 1071: 1066: 1062: 1057: 1053: 1049: 1045: 1041: 1040: 1038: 1037: 1033: 1029: 1028: 1022: 1019:– i.e. close 1016: 1012: 1008: 1004: 999: 995: 990: 986: 982: 978: 974: 971: 968:– i.e. close 965: 961: 957: 953: 948: 944: 939: 935: 931: 927: 923: 920: 917:– i.e. close 914: 910: 906: 902: 897: 893: 888: 884: 880: 876: 872: 869: 866:– i.e. close 863: 859: 855: 851: 846: 842: 837: 833: 829: 825: 821: 818: 815:– i.e. close 812: 808: 804: 800: 795: 791: 786: 782: 778: 774: 770: 769: 767: 766: 764: 760: 758: 752: 750: 743: 730: 728: 723: 714: 713: 711: 707: 703: 702: 700: 692: 689: 688: 687: 686: 681: 676: 675: 669: 666: 664: 658: 655: 653: 649: 645: 641: 636: 633: 631: 627: 623: 619: 615: 611: 607: 603: 599: 595: 591: 587: 584: 583: 576: 572: 568: 564: 560: 558: 554: 550: 546: 543: 539: 535: 531: 530: 529: 525: 521: 516: 515: 514: 513: 510: 506: 502: 498: 494: 490: 486: 485: 480: 476: 472: 469: 465: 461: 460: 459: 458: 455: 451: 447: 443: 439: 437: 433: 429: 425: 421: 417: 412: 408: 404: 400: 396: 392: 389:I'm here via 388: 387: 382: 380: 376: 372: 368: 364: 361: 360: 353: 349: 345: 341: 336: 335: 334: 333: 332: 331: 328: 325: 323: 316: 312: 309: 308: 304: 300: 296: 292: 287: 286: 283: 279: 278:North America 271: 268: 258: 254: 250: 246: 241: 238: 234: 230: 226: 221: 220: 219: 218: 215: 210: 207: 203: 191: 187: 184: 181: 177: 173: 169: 166: 163: 160: 157: 154: 151: 148: 145: 141: 138: 137:Find sources: 133: 129: 125: 122: 116: 112: 108: 104: 99: 95: 90: 86: 82: 78: 74: 73: 70: 67: 65: 64: 61: 60: 59: 51: 44: 42: 38: 33: 27: 26: 19: 1338: 1335: 1304: 1287: 1238:Erika Tazawa 1212: 1206: 1204: 1187:Voceditenore 1170: 918: 875:Erika Tazawa 756: 748: 690: 656: 644:Lemongirl942 634: 589: 585: 542:successfully 533: 520:Voceditenore 496: 489:Erika Tazawa 471:Voceditenore 446:Voceditenore 431: 428:Erika Tazawa 410: 393:'s query at 385: 383: 371:Lemongirl942 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340:delete 208:wister 204:wister 140:Google 98:delete 50:Delete 1133:views 1125:watch 1121:links 1082:views 1074:watch 1070:links 1015:views 1007:watch 1003:links 964:views 956:watch 952:links 913:views 905:watch 901:links 862:views 854:watch 850:links 811:views 803:watch 799:links 740:/fame 411:major 183:JSTOR 144:books 128:Stats 115:views 107:watch 103:links 16:< 1325:talk 1311:and 1296:talk 1292:DAJF 1264:talk 1246:talk 1221:talk 1213:here 1191:talk 1159:talk 1129:logs 1103:talk 1099:edit 1078:logs 1052:talk 1048:edit 1011:logs 985:talk 981:edit 960:logs 934:talk 930:edit 909:logs 883:talk 879:edit 858:logs 832:talk 828:edit 807:logs 781:talk 777:edit 738:.com 722:.org 648:talk 626:talk 616:and 610:here 606:here 602:here 598:here 594:here 571:talk 553:talk 524:talk 505:talk 475:talk 450:talk 436:KPFA 375:talk 348:talk 299:talk 253:talk 233:talk 213:talk 176:FENS 150:news 111:logs 85:talk 81:edit 1205:at 1171:not 734:www 731:at 718:www 715:at 466:or 442:NPR 342:.-- 313:: 190:TWL 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Index

Knowledge (XXG):Articles for deletion
talk page
deletion review
Hut 8.5
21:52, 25 July 2016 (UTC)
Erika Tazawa
Erika Tazawa
edit
talk
history
protect
delete
links
watch
logs
views
View log
Stats
Google
books
news
scholar
free images
WP refs
FENS
JSTOR
TWL
SwisterTwister
talk
21:25, 8 July 2016 (UTC)

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