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not a paid editor. London is enjoying a Golden Age in the Arts and my contributions try to reflect that. I agree that the article needed serious resourcing and restructuring and just did that. All the 15 current references are secondary sources. If some of the secondary sources are not appropriate, then, it might be a good idea to look for a better one or to remove it, if the editor prefers. Secondary sources like: the
University of the Arts London, Greater London Authority, The Independent, etc, are highly respected. RTVE/RNE Radio 3 is the equivalent of the Spanish BBC Radio, not sure that can be seen as unreliable. Belenguer was given an interview because of the Testimonies project for the Cultural Olympiad London 2012. I agree that the Absolute Arts article may look a bit unreliable and it might be best to remove it. I've repositioned references that were in the wrong place.
690:. It contains the basic information for any artist: biographical data, information about his works and exhibitions. He has exhibited or participated in performances at these prestigious places: Tate Modern, Tate Liverpool and Serpentine Gallery. 15 third-party references has been produced, of which 8 are solo features, from 3 different countries.
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Belenguer's works are rather unique. I've never seen anybody applying oil paint directly onto metal in three-dimensions as a painting or the way he uses old masterpieces. He seems to be highly respected by his peers, because I keep seeing his works in very interesting exhibitions. This type of quite
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Thank you for the feedback. I removed the previous “for deletion in seven day” note, because I thought the issues were addressed and resolved. I don't know any of the other editors, including
Belenguer, so there's no COI here. As I've never met Hirst or Emin. As I said in a previous statement, I'm
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A previous, and highly experienced, editor removed parts of the article that could be seen as advertising and thought that issue were already settled by then. It doesn't look advertising to me. It directly deals with explaining his works, exhibitions and awards in a very straight forward manner.
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No secondary reference has been found for the
Florence Trust Residency Award. However a primary source from the Florence Trust has been provided under external links that might be considered to validate the entrance.
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The following 4 Notes to
Editors has been removed and the sources to support it which were in the external links section too. Please let's try to respect each other's point of view.
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Artist in
Residency/Florence link was in external links because is a primary source. I don't know why it's been changed to References when it's obviously not a secondary source.
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artworks never get picked up by the sensationalist media. His last show “We Could Not Agree” was selected by
Artlyst as one of the top ten alternative shows during Frieze Week
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http://www.thedailybeast.com/articles/2014/01/17/joshua-compston-was-once-the-wunderkind-of-the-british-art-world-and-now-he-s-been-practically-forgotten.html
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BLP sourcing issues. Lots of sources but dig deeper and most are routine exhibition announcements (PR), some passing mentions (e.g.
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and "This type of quite artworks never get picked up by the sensationalist media" aren't very strong arguments where we depend on
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The citation needed for the Red
Gallery exhibition was already in the following phrase. It's better located now.
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No works in permanent collections of a major museum yet, and apparently no major individual shows either.
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See the nom - adding lots of shallow depth sources in no way addresses the nom - the complete failure per
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http://www.lasprovincias.es/culturas/201407/01/lorenzo-belenguer-conquista-londres-20140701211646.html
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NOTE TO EDITORS: The link in external links validates the mention of
Residency in the Florence Trust.
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http://www.lasprovincias.es/culturas/201407/01/lorenzo-belenguer-conquista-londres-20140701211646.html
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and to India. I haven't found any secondary sources yet, but other editors might do a better search.
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The year of birth/age is referenced in the following 4 secondary references included in the article:
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a means of promotion, and the undisclosed paid editing on this article is against our Terms of Use.
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http://www.fadwebsite.com/2012/07/24/lorenzo-belenguer-art-opening-at-nellie-dean-tuesday-24th-july/
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http://www.publico.es/deportes/440001/londres-1948-de-los-juegos-de-la-austeridad-a-los-de-la-crisis
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http://www.lasprovincias.es/culturas/201407/01/lorenzo-belenguer-conquista-londres-20140701211646
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http://www.lasprovincias.es/culturas/201407/01/lorenzo-belenguer-conquista-londres-20140701211646
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NOTE TO EDITORS: The link in external links validates the mention of Tate
Liverpool and INIVA.
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He's been invited to exhibit in Madrid's Ateneo, the
Spanish equivalent of the Royal Academy.
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The following discussion is an archived debate of the proposed deletion of the article below.
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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http://www.iniva.org/exhibitions_projects/2013/keywords_investigations/investigations_sublime
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http://www.iniva.org/exhibitions_projects/2013/keywords_investigations/investigations_sublime
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thedailybeast fails verification (there's no mention of Belenguer) so does not aid notability
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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http://www.artlyst.com/articles/paul-carey-kent-reveals-his-ten-hot-allternatives-to-frieze
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The article published in the FAD website was published by the editor Mark Westall (N. 6)
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NOTE TO EDITORS: The link in external links validates the mention of Serpentine Gallery.
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Apologies for the long discourse. I'm trying to address all the issues the best I can. --
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A google search provides with a very good secondary reference regarding Joshua Compton
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http://www.getwestlondon.co.uk/news/local-news/artist-who-keeping-gallery-free-5972001
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I'd think that an article published in the University of the Arts is reliable. (N.5)
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http://www.ateneodemadrid.com/index.php/esl/Agenda/Exposiciones/Retorno-al-Paraiso
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http://www.serpentinegalleries.org/exhibitions-events/saturdays-live-leah-capaldi
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to generate a more thorough discussion so a clearer consensus may be reached.
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to generate a more thorough discussion so a clearer consensus may be reached.
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The above discussion is preserved as an archive of the debate.
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establishing that is what is needed. Quality not quantity.
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http://www.absolutearts.com/artsnews/2005/11/25/33490.html
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Please, let's play clean whatever your point of view.
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is sourced (update: just no inline citation). May be
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http://www.florencetrust.org/artists/artist.php?id=1
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There's just not much depth of coverage, indicating
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