619:
Subject-Project: Metaformance and
Endoesthetics” of Claudia Giannetti. Design: AndrĂ© Lenz FILE’s book 2005:"Hypermedia" 265 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “the Form of the Technique” of CĂcero Inácio Da Silva. Design: AndrĂ© Lenz and Gabriel Borges FILE’s book 2004: 224 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “From Criticism to Creative Games in the Digital Age”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon FILE’s book 2003 “Novas MĂdias/New Media”  : 224 pages. Authors: Ricardo Barreto and Paula Perissinotto. text “The Anarcho-Culture”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon FILE’s book 2002 “Internet Art”  : 160 pages. Authors: Ricardo Barreto and Paula Perissinotto. text “the_culture_of_immanence”, of Ricardo Barreto and Paula Perissinotto. Design: Fábio Prata and MaĂra Ramos
769:
To the editor who keeps posting anonymously in defense of this artice (User:Ricardobarreto22), you are not using the AfD talk space appropriately. The way you are formatting the information is disruptive to conversation and much of what you are posting isn't helping. Please, please look at other
618:
FILE’s book 2006:"Machine Art", 305 pages. Authors: Ricardo
Barreto and Paula Perissinotto. Text: “the Universal Viral Machine” of Jussi Parikka. Design: Cássia Buitoni and Silvia Amstalden FILE’s Rio book: (2006) 190 pages. Authors: Ricardo Barreto and Paula Perissinotto. Introduction: text “The
437:
important? And, although we are willing to accept sources in another language, it is generally important to have at least one or two sources in
English since this is the English Knowledge (XXG) and the average editor should be able to read the sources and know that they establish notability. --
436:
To whoever posted the above info, please try to keep a proper format as the way you posted it really disrupts the AfD. Also, the sources above don't really seem to establish notability since they aren't from legitimate enough sources, are there any newspaper articles detailing why this man is
770:
AfD's to see how they are supposed to be formatted and please read our policies and guidelines on notability and verifiability. It appears that you are writing an article about yourself and this is not appropriate under most circumstances. --
199:
FILE’s book 2004: "File2004" 224 pages. Authors: Ricardo
Barreto and Paula Perissinotto. Introduction: text “From Criticism to Creative Games in the Digital Age”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon. ISBN
283:. Appears to be an autobio, just a list of things he has published. No references whatsoever given in the article. Though there might be some notability, the whole article reads like an advertisement and is certainly a
210:
FILE’s book 2002 “Internet Art”  : 160 pages. Authors: Ricardo
Barreto and Paula Perissinotto. text “the_culture_of_immanence”, of Ricardo Barreto and Paula Perissinotto. Design: Fábio Prata and MaĂra Ramos ISBN:
179:
FILE’s book 2006:"Machine Art", 305 pages. Authors: Ricardo
Barreto and Paula Perissinotto. Text: “The Universal Viral Machine” of Jussi Parikka. Design: Cássia Buitoni and Silvia Amstalden. ISBN: 85-89730-05-0.
711:
The UNESCO link is an interesting citation, but to me it looks like they comment on almost any press release sent to them. I'll let other editors weigh in, but it doesn't seem like a proper reference source. --
205:
FILE’s book 2003 “Novas MĂdias/New Media”  : 224 pages. Authors: Ricardo
Barreto and Paula Perissinotto. text “The Anarcho-Culture”, of Ricardo Barreto. Design: Fábio Prata and Flávia Nalon. ISBN: 85-89730018.
184:
FILE’s Rio book: (2006) 190 pages. Authors: Ricardo
Barreto and Paula Perissinotto. Introduction: text “The Subject-Project: Metaformance and Endoesthetics” of Claudia Giannetti. Design: André Lenz. ISBN:
322:
The UNESCO reference in particular indicates that this man may be notable enough for inclusion, but as it stands now the article currently does not establish notability and is a clear conflict of interest.
374:
Do you have any comments to make about this discussion? And please do not remove the AfD banner from the page. Its purpose is to let people know this discussion is happening and comment on it. --
117:
801:
723:
681:
656:
447:
301:
140:
551:
can attend a festival if they pay the entry fee. How does this make him notable? You're just slapping any link that has his name in it up, now. --
751:
702:
635:
577:
538:
497:
403:
365:
263:
90:
85:
684:
165:
420:
remember to sign your comments here by typing four ~ signs at the end of your comment. Would you care to discuss the article, now? --
94:
17:
300:. This seems to be a blatant self-promotion article created by Ricardo himself. I would also suggest speedying his other creation
77:
345:
823:
36:
520:
1-Ricardo
Barreto international symposium ISEA 2000 the most important symposium about Electronic Art in the world:
245:
747:
698:
631:
573:
534:
493:
822:
Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a
399:
361:
259:
35:
Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a
190:
FILE’s book 2005:"Hypermedia" 265 pages. Authors: Ricardo
Barreto and Paula Perissinotto. Introduction: text
808:
792:
774:
716:
674:
602:
555:
514:
466:
451:
441:
424:
378:
327:
308:
291:
128:
59:
758:] Interview with Paul a Perissinotto about Electronic Language International Festival in Cuba habana radio
743:
739:
694:
690:
627:
623:
569:
565:
530:
526:
489:
485:
391:
353:
251:
191:
81:
395:
357:
255:
652:
73:
65:
685:
http://portal.unesco.org/culture/fr/ev.php-URL_ID=17211&URL_DO=DO_TOPIC&URL_SECTION=201.html
166:
http://portal.unesco.org/culture/es/ev.php-URL_ID=21129&URL_DO=DO_TOPIC&URL_SECTION=201.html
53:
735:] Interview with Paul a Perissinotto about Electronic Language International Festival in Cuba
666:
Third, you cannot use things you wrote yourself as references on Knowledge (XXG). Please read
139:
1- He is the most important curator about Electronic Art in Brasil and South of America. vide:
29:
The following discussion is an archived debate of the proposed deletion of the article below.
478:
462:
rolled into one. Can we add that article to this AfD, or should it be created seperately? --
455:
297:
276:
804:
already, after it was speedy deleted. It's not as bad, but still reads like a brochure. --
660:
595:
591:
459:
284:
280:
385:
145:
2-He won the Sergio Mota's Award in Brazil and participation in XXV BIENAL OF SAO PAULO
610:
50:
667:
598:. It's considered bad form to write articles about yourself and your own projects. --
346:
http://bienalsaopaulo.globo.com/artes/artistas/artista_descritivo.asp?IDArtista=11799
125:
789:
771:
438:
324:
111:
416:. We cannot take his word for it that he's famous. We need other sources. Also,
648:
remember to sign your name here. It's becoming tiresome adding it in for you.
506:
The first link is from Richard's own website about his own festival. That is
805:
713:
671:
599:
552:
511:
463:
421:
375:
305:
288:
454:
and the festival is run by he and his wife. This seems more and more like
651:
Second, I was referring to your articles here on Knowledge (XXG):
296:
Per information below, I've changed my vote to Speedy Delete per
816:
The above discussion is preserved as an archive of the debate.
219:
a-O Espaço Fluido da XXV Bienal de São Paulo Priscila Arantes
659:. It's not good to write articles about yourself here. Read
479:
http://www.file.org.br/works.php?works_id=2636&lang=en
194:
Design: André Lenz and Gabriel Borges. ISBN: 8589730034.
386:
http://www.web3dart.org/print_ctxt.php?lid=1&sid=75
107:
103:
99:
344:
3-Ricardo Barreto biography in SĂŁo Paulo Art Biennial
124:
Almost certainly an autobiography. Is he notable? --
611:
http://netartreview.net/logs/2003_11_23_backlog.html
615:My books don't about me, but about Electronic Art:
244:f-Hentschläger, Ursula und Wiener, Zelko (germay)
39:). No further edits should be made to this page.
192:“The Form of Technique” by Cicero Inacio Da Silva.
826:). No further edits should be made to this page.
762:] e-journal barcelona text: Claudia Giannetti
481:2- Ricardo Barreto biography and work list
412:Most of these links are things Richard wrote
8:
802:Electronic Language International Festival
724:Electronic Language International Festival
682:Electronic Language International Festival
657:Electronic Language International Festival
448:Electronic Language International Festival
339:2- Authors and references in the internet
302:Electronic Language International Festival
141:Electronic Language International Festival
800:- It appears another user has recreated
609:Which articles about myself this one ?:
477:1- Ricardo Barreto biography and work:
334:1-Ricardo Barreto work and biography:
510:acceptable as a verifiable source. --
547:So, he's attending another festival.
18:Knowledge (XXG):Articles for deletion
7:
216:5-Publication about Ricardo Barreto
24:
320:no discrimination to recreation.
1:
590:Ricardo Barreto. Please read
170:3a- Itau Cultural Biography:
809:00:43, 26 January 2007 (UTC)
793:12:22, 21 January 2007 (UTC)
775:06:46, 21 January 2007 (UTC)
717:02:41, 21 January 2007 (UTC)
675:02:21, 21 January 2007 (UTC)
603:02:10, 21 January 2007 (UTC)
556:02:01, 21 January 2007 (UTC)
515:01:50, 21 January 2007 (UTC)
467:01:40, 21 January 2007 (UTC)
442:01:35, 21 January 2007 (UTC)
425:01:33, 21 January 2007 (UTC)
379:01:27, 21 January 2007 (UTC)
328:00:56, 21 January 2007 (UTC)
309:03:12, 21 January 2007 (UTC)
292:21:55, 20 January 2007 (UTC)
129:18:56, 20 January 2007 (UTC)
60:05:06, 26 January 2007 (UTC)
561:i was invited by ISEA 2000
843:
754:) 03:06, January 21, 2007
705:) 02:34, January 21, 2007
638:) 02:18, January 21, 2007
580:) 02:07, January 21, 2007
541:) 01:56, January 21, 2007
500:) 01:45, January 21, 2007
406:) 01:28, January 21, 2007
368:) 01:24, January 21, 2007
819:Please do not modify it.
384:4-Ricardo Barreto work:
32:Please do not modify it.
241:] KISHIDA Maya (japan)
452:User:Ricardo Barreto22
164:3- Unesco Biography:
450:was also created by
446:Further, I see that
722:global guide about
756:
742:comment added by
707:
693:comment added by
640:
626:comment added by
582:
568:comment added by
543:
529:comment added by
502:
488:comment added by
408:
394:comment added by
370:
356:comment added by
268:
254:comment added by
228:] Cristine Mello
133:Ricardo Barreto:
834:
821:
755:
744:Ricardobarreto22
736:
706:
695:Ricardobarreto22
687:
639:
628:Ricardobarreto22
620:
581:
570:Ricardobarreto22
562:
542:
531:Ricardobarreto22
523:
501:
490:Ricardobarreto22
482:
407:
388:
369:
350:
267:
248:
236:] Mirna Feitoza
231:c- Carina Flosi
175:4-Publications:
115:
97:
56:
34:
842:
841:
837:
836:
835:
833:
832:
831:
830:
824:deletion review
817:
737:
688:
653:Ricardo Barreto
621:
563:
524:
483:
389:
351:
249:
136:Is he notable?
88:
74:Ricardo Barreto
72:
69:
66:Ricardo Barreto
54:
44:The result was
37:deletion review
30:
22:
21:
20:
12:
11:
5:
840:
838:
829:
828:
812:
811:
795:
778:
777:
720:
719:
678:
677:
664:
649:
608:
606:
605:
559:
558:
518:
517:
476:
474:
473:
472:
471:
470:
469:
428:
427:
396:201.52.106.132
382:
381:
358:201.52.106.132
333:
331:
330:
313:
312:
311:
256:201.52.106.132
215:
213:
212:
211:85-7060-038-0.
207:
206:
202:
201:
200:85-89730-02-6.
196:
195:
187:
186:
185:85-89730-04-2.
181:
180:
122:
121:
68:
63:
42:
41:
25:
23:
15:
14:
13:
10:
9:
6:
4:
3:
2:
839:
827:
825:
820:
814:
813:
810:
807:
803:
799:
796:
794:
791:
787:
783:
782:Speedy delete
780:
779:
776:
773:
768:
765:
764:
763:
761:
759:
757:
753:
749:
745:
741:
734:
732:
730:
728:
726:
725:
718:
715:
710:
709:
708:
704:
700:
696:
692:
686:
683:
680:unesco about
676:
673:
669:
665:
662:
658:
654:
650:
647:
643:
642:
641:
637:
633:
629:
625:
616:
613:
612:
604:
601:
597:
593:
589:
585:
584:
583:
579:
575:
571:
567:
557:
554:
550:
546:
545:
544:
540:
536:
532:
528:
521:
516:
513:
509:
505:
504:
503:
499:
495:
491:
487:
480:
468:
465:
461:
457:
453:
449:
445:
444:
443:
440:
435:
432:
431:
430:
429:
426:
423:
419:
415:
411:
410:
409:
405:
401:
397:
393:
387:
380:
377:
373:
372:
371:
367:
363:
359:
355:
348:
347:
342:
340:
337:
335:
329:
326:
321:
317:
314:
310:
307:
303:
299:
295:
294:
293:
290:
286:
282:
278:
274:
273:Speedy Delete
271:
270:
269:
265:
261:
257:
253:
247:
242:
240:
237:
235:
232:
229:
227:
225:
222:
220:
217:
209:
208:
204:
203:
198:
197:
193:
189:
188:
183:
182:
178:
177:
176:
173:
171:
168:
167:
162:
160:
158:
156:
154:
152:
150:
148:
146:
143:
142:
137:
134:
131:
130:
127:
119:
113:
109:
105:
101:
96:
92:
87:
83:
79:
75:
71:
70:
67:
64:
62:
61:
58:
57:
52:
47:
40:
38:
33:
27:
26:
19:
818:
815:
797:
785:
784:, tagged as
781:
766:
760:
738:— Preceding
733:
731:
729:
721:
689:— Preceding
679:
645:
622:— Preceding
617:
614:
607:
587:
564:— Preceding
560:
548:
525:— Preceding
519:
507:
484:— Preceding
475:
433:
417:
413:
390:— Preceding
383:
352:— Preceding
349:
343:
338:
332:
319:
315:
272:
250:— Preceding
243:
238:
233:
230:
223:
218:
214:
174:
169:
163:
147:
144:
138:
135:
132:
123:
49:
45:
43:
31:
28:
586:Ah, so you
246:Interview
752:contribs
740:unsigned
703:contribs
691:unsigned
636:contribs
624:unsigned
578:contribs
566:unsigned
539:contribs
527:unsigned
498:contribs
486:unsigned
404:contribs
392:unsigned
366:contribs
354:unsigned
264:contribs
252:unsigned
126:RHaworth
118:View log
798:Comment
790:Sigma 7
772:The Way
767:Comment
644:First,
549:Anybody
456:WP:SPAM
439:The Way
434:Comment
414:himself
325:The Way
298:WP:SPAM
277:WP:SPAM
91:protect
86:history
786:db-bio
661:WP:COI
646:please
596:WP:BIO
592:WP:COI
460:WP:COI
418:please
316:Delete
285:WP:COI
281:WP:BIO
95:delete
46:delete
670:. --
318:with
304:. --
287:. --
112:views
104:watch
100:links
55:desat
16:<
806:Kesh
748:talk
714:Kesh
699:talk
672:Kesh
668:WP:V
655:and
632:talk
600:Kesh
594:and
574:talk
553:Kesh
535:talk
512:Kesh
494:talk
464:Kesh
458:and
422:Kesh
400:talk
376:Kesh
362:talk
306:Kesh
289:Kesh
279:and
275:per
260:talk
108:logs
82:talk
78:edit
51:Core
48:. --
588:are
508:not
116:- (
788:--
750:•
727:]
701:•
634:•
576:•
537:•
522:]
496:•
402:•
364:•
341:]
336:]
323:--
266:)
262:•
239:e-
234:d-
226:]
224:b-
221:]
172:]
161:]
159:]
157:]
155:]
153:]
151:]
149:]
110:|
106:|
102:|
98:|
93:|
89:|
84:|
80:|
746:(
697:(
663:.
630:(
572:(
533:(
492:(
398:(
360:(
258:(
120:)
114:)
76:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.