438:. By the looks of it, the magazine mentions look quite promising, but without being able to see them, I can't say whether they are actual coverage or just mentions. But with the large number of mentions, I'll assume that they are indeed about the group and thus, it would be the coverage required to pass
454:: Beyond the articles I found above, I found some additional articles in Aera (昭和４０年生まれの展覧会, 1996.7.22 p. 73) and in the Asahi Shinbun (アートの中で過ごす夜 触って寝そべり鑑賞, 2005.11.11, Evening ed. p. 7; タカの絵、対比の妙, morning ed. p. 33). I believe there is enough coverage here to satisfy criterion 3 of
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The first version was a copy vio (deleted) and last year I tried to find info for this with very little luck. Note that there isn't even a mention of the group in the BLP
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Been unable to find reliable sources on this group. Had a lot of content, but I've removed it as promotional, barely sourced, and closely paraphrased. —
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in Europe funded by the Japan
Foundation (a semi-independent branch of the Japanese government) that did have some press coverage (for instance,
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365:(the main art journal in Japan) (Document 昭和40年会in大阪+名古屋ツアー-いったいなにが平成の世を生きる彼らをこんなにも魅力的にしているのか, 52(794) / 2000.10 / / p.160～166), and
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is the most famous of these artists. I checked one of the
Japanese article databases and found several more articles on them in
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369:(昭和40年会緊急シンポジウム-おまえの何が現代美術(アート)なのか, 通号17 / 2000.1 / / p.22～45). The weight of coverage seems to point towards keeping it.
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A merge would not make sense since this is a group. Also, my sense of the
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The following discussion is an archived debate of the proposed deletion of the article below.
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Subsequent comments should be made on the appropriate discussion page (such as the article's
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to generate a more thorough discussion so a clearer consensus may be reached.
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The above discussion is preserved as an archive of the debate.
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281:. I have been able to find this rather interesting
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