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public since the 1960s, and are broken up and scattered. Now, we don't - at this time - have an article on the book itself. I'm working on that, but want to get my sources together first, and that will, unfortunately, take a while. Hopefully by the next set from this book. If necessary, I'm fine with breaking up the set; I think 1, at the very least, should pass without question?
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paintings based on the subjects are usually categorised under "Theatre" then this needs to be re-thought and the works sorted into a different category. The might belong under a category named "Shakespeare" but they do not belong under the category "Theatre". These present works do not belong under "Theatre" either. They belong under "Book illustration".
400:. Despite the fact that they illustrate plays, they have have not been produced for anything to do with theatrical production. They are not theatre posters, and do not belong to the scripts that actors would use. They are essentially book illustrations, for home reading and fit into exactly the same category as the contemporary
440:
I would go for a much more encyclopedic degree of accuracy in the cataloguing. I would put photos of productions, and theatrical posters and the like under "Theatre" and everything in this class under illustration. Where do you draw the line between an illustration to J.M. Barrie's novel "Peter Pan"
426:
There's a large number of
Shakespeare works in the Theatre category that likewise don't come from productions; I think people looking for illustrations of a play will not make the distinction you're making, and would be very surprised to find these in the Literary illustrations category. Given the
152:
A fine set of images, taken from the first edition of the work. This book contains four operas, but I'm going to nominate them separately for ease of review, and because they're a bit of a nightmare to sort out. There is some half-toning, but the originals apparently haven't been available to the
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theatrical, in the sense of being associated with the theatre. In fact, in common with all the other works that I have mentioned, most people who know
Shakespeare's plays well, know them from reading them rather than from seeing theatrical productions. If book Illustrations for publications and
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That's in the original. When I looked carefully at the originals, they were a little dark. I spent a huge amount of time trying to match the exact colours, with reasonable success, I think. Do you want me to reevaluate any in particular?
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This is one of those things that readers don't know or care about, but I (or whoever handles POTD when these run in about a year and a half ) have to worry about. It's very doable. We've also done montages, such as with the
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That is, indeed true. However, not having access to a second copy, I can only judge off of my own. =) If I get to go to
Wikimania this year, I think I might well bring my copy and see what people think.
521:- though I agree that the colours are rather dark. My observation of illustrated books of this date is that the intensity of colour in the prints can vary from book to book, and sometimes within a book.
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In any case, this is getting off-topic, as the categorization is, in the end, up tot he closer, and has nothing to do with the FP. If you want to discuss it further, let's do it on the talk page.
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and J.M. Barrie's play of "Peter Pan"? Likewise all the countless 19th century oil paintings based on
Shakespearian subjects are not substantially different to all the similar pictures based on
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Generally speaking, either one is chosen as a main image, or there's a script that can show different images throughout the day. We had a 20-image set last year for
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categories always have ambiguity, I'm pretty sure fitting unambiguously into them shouldn't be an FP criterion. We'd lose too many good images.
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They all look pretty dark, but I guess "Daughters of the Plough" especially. If you could double-check them, I would be satisfied with that.
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453:'s "Canterbury Tales". They are first and foremost narrative paintings that are about the characters and stories of the plays. They are
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It's actually somewhat easier with very early half-toning. It gets funny spots, and there's scratches, but the rest isn't too bad.
295:
Checking, I'd say they're about right, I'm afraid. If anything, a smidgen light, but I don't think I'll act on that.
412:'s "Peter Pan and Wendy". If there is a class for "Literary illustrations", then that is where they belong.
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Promoted File:William
Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 5 (Frontispiece).jpg
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set. Nice to see you back, Adam. Colour halftones must have been a nightmare to sort out. My own
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Promoted File:William
Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 8.jpg
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Promoted File:William
Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 7.jpg
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Promoted File:William
Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 6.jpg
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Promoted File:William
Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 4.jpg
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Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 3.jpg
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Promoted File:William Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 2.jpg
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Promoted File:William Russell Flint - W. S. Gilbert - Savoy Operas - Princess Ida 1.jpg
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Knowledge:Featured_pictures/Culture,_entertainment,_and_lifestyle/Theatre
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Knowledge:Featured_pictures/Culture,_entertainment,_and_lifestyle/Theatre
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498:, above, that it is good to see such high quality contributions from
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illustrations to "East of the Sun and West of the Moon" and
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Knowledge:Featured pictures/Artwork/Literary illustrations
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4. Enter the "Daughters of the Plough," bearing Luncheon.
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1. "I can tell a woman's age in half a minute—and I do!"
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Voting period is over. Please don't add any new votes.
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7. "Though I am but a girl, / Defiance thus I hurl."
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6. The Gate yields. Hildebrand and Soldiers rush in.
253:. They seem a tad on the dark side. Is it just me?
177:Literary illustrations is possible, but I suspect
71:2. "Must we, till then, in prison cell be thrust?"
221:with black and white weren't all that good. —
337:— I can't imagine all eight images as a TFP.
8:
502:, again. Hope all is well by both of you, —
676:Featured picture nominations/January 2014
404:'s illustrations to "Arabian Night's,
396:- Re FP- these have little to do with
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167:(admittedly just now), and all are in
18:Knowledge:Featured picture candidates
7:
156:Articles in which this image appears
666:Ended featured picture nominations
375:set (Howcheng set that one up). —
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143:8. "Where are your rifles, pray?"
181:is where most would expect them.
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671:Featured picture nominations
651:10:47, 7 February 2014 (UTC)
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545:10:55, 30 January 2014 (UTC)
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514:17:59, 29 January 2014 (UTC)
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422:08:50, 29 January 2014 (UTC)
385:23:31, 28 January 2014 (UTC)
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322:19:26, 30 January 2014 (UTC)
304:10:49, 30 January 2014 (UTC)
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210:07:24, 28 January 2014 (UTC)
83:3. Enter Princess, reading.
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308:Well I guess I'll have to
174:FP category for this image
449:'s "Paradise Lost" or
39:Voting period ends on
372:Extermination of Evil
188:William Russell Flint
169:William Russell Flint
199:Support as nominator
165:Gilbert and Sullivan
159:1 and 5 are used in
353:Puck of Pook's Hill
445:'s "Decameron",
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107:5. Frontispiece
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45:07:24:38 (UTC)
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540:Adam Cuerden
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406:Kai Nielsens
402:Edmund Dulac
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161:Princess Ida
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496:Crisco 1492
377:Crisco 1492
223:Crisco 1492
41:7 Feb 2014
660:Categories
443:Boccaccio
648:Armbrust
634:Armbrust
623:Armbrust
612:Armbrust
601:Armbrust
590:Armbrust
579:Armbrust
568:Armbrust
557:Armbrust
523:Amandajm
460:Amandajm
414:Amandajm
312:then :)
519:Support
492:Support
451:Chaucer
394:Comment
335:Comment
314:Kaldari
310:support
283:Kaldari
255:Kaldari
251:Comment
219:efforts
215:Support
184:Creator
447:Milton
149:Reason
16:<
527:talk
510:talk
505:Cirt
464:talk
418:talk
381:talk
343:talk
318:talk
287:talk
259:talk
227:talk
455:not
339:Sca
43:at
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
