3928:" without citing a shred of actual evidence to back that up. (I couldn't find one in my own research, and I'd never heard that claim in my decades of being a Beatle fanatic, either.) I'd say their editorial policy reads like word salad, especially considering the questionable content they've produced. Perusing the four-person staff on LinkedIn, Lee Thomas-Mason is the founder and Editor-in-Chief, but all of his experience appears to be in sports journalism and online betting. Looks like Karlien Engelen comes from a similar background. The only one who looks like he has some experience in the actual music industry is Ryan Kitching
850:... It's better that regular editors proactively ask about non-listed sources if they are using them more than a couple of times. Another problem is great-looking sites, like The Vinyl District or Vinyl Me, Please, where the primary commerciality overwhelms everything (in the case of The Vinyl District, its long reviews of older albums always just seem like syntheses of decades of writing that never add up to anything fresh or anything that isn't already mentioned in the WP article on, as an example,
641:'s edit there is perfectly valid and standard practice for those lists which we've been doing for multiple years now. Nothing unserious about it. And I think you're misunderstanding their point by stating the inverse; I believe they are saying that if what you say is held to be true, then the inverse should be as well, as to call out the absurdity of the notion. i.e. They disagree with the idea that the source should be removed. I don't see anything that reads as intentionally provocational here.
445:
default. I had stated that if I looked at it the other way, any citation refused must be unreliable, and thus must be included in the unreliable list. I was using this as an example of a bad argument, because of course one would not automatically put a refused citation on the unreliable list, which then leads to the realization that of course, one would not put a used citation automatically on the reliable list. There is a procedure to get a citation on the reliable list. It can be used for
31:
3750:, which seems to have far fewer citations than perhaps it should (among other issues). So my next question is: does the lack of citation requirement still hold true if I'm talking about prose rather than a personnel or track listing section? Or should prose that lists credits like that be removed, since it usually sounds kind of promotional? I'd appreciate any advice, and thanks for your patience as I'm still learning the ropes. :-) @
115:. I disagreed with Justin, and seeing that the discussion was going nowhere and not particularly healthy for either of us, I'm bringing it here. Should this review (or any review from an undiscussed/underdiscussed source) be removed without consensus for its inclusion? Or is it fine as is until proven otherwise? The latter is the way I've been operating for a long time (including multiple occasions where I've sourced from
842:, has a poor (nonexistent?) resume, and ends his review with "Production-wise, this album sounds much cleaner and articulate than LOUDMOUTH and is a lot more fun to boot. It doesn’t always hit, but maybe it doesn’t need to. If you don’t like a song, you’re onto the next before you know it." Incisive!--but there have been AllMusic, etc., reviews along similar lines. And "Contributor X has published in
3524:
baffled that a more reliable database for this hasn't surfaced yet and I'm wondering if I'm missing something. I know some people have used the databases of particular record labels (I think UMG has one?) but I just wanted to poll others and see if they have strategies they could recommend as I work on cleaning up the
American women record producers category. Thanks in advance!
3490:
2511:
3251:. Articles are typically reviewed for two weeks. If substantial concerns are not addressed during the review period, the article will be moved to the Featured Article Removal Candidates list for a further period, where editors may declare "Keep" or "Delist" in regards to the article's featured status. The instructions for the review process are
696:
Mburrell used the term "self-notable" in the edit summary, which I like to think is fairly self-explanatory given the content of the edit. I guess it could be potentially confusing to some, but I would hope experienced editors could figure it out themselves instead of calling it out mid-discussion in an accusatory fashion without any context.
2880:
plenty of reliable publications covering music news so I wouldn't expect much need for it. On top of that, we don't know who's running the show or what writers will be involved (they could all end up being
Fantano fans for all we know) so the potential for reliability is up in the air. I wouldn't get my hopes up too much about this.
2903:, the last conversation about him on a music talk page just kind of trickled away, which is fine; I still have yet to see a case for his credentials as a "subject matter expert". Not to repeat myself, but citing a short blurb due to his (somewhat dwindling) popularity as an entertainer is, for now, still the only option.
3915:
Honestly, the little I've seen from that website in the past almost seems on par with a content farm. They also have a YouTube channel (abandoned for nine months now), and I've found a good deal of their work is clickbaity and dubious. For example, they had a viral article and video where they boldly
3461:
I really wish I could find the guideline buried somewhere here that suggested you should elide between two adjacent numbers with an en dash. Separating them with commas makes the most sense to me as well, and that was how I used to do it...until I ran across the aforementioned text that suggested you
3395:
I think it's usually just hyphens when it's cover a range. So, for example, to express tracks 3, 4, 5, and 6, you'd just write 3-6, but if it's just single or paired numbers, you don't use a hyphen. So if it was tracks 1, 2, 9, 10, you'd just write out 1, 2, 9, 10. That's only what I've observed over
3715:
makes it clear that you should explicitly cite anything that's not in the liner notes. I will sometimes also do it if I'm cleaning up a lot of mistakes or omissions in a personnel section (which is a frequent problem, I find) as a sort of signal to future editors that the credits were verified. I've
2879:
The announcement mentions that there'll be no reviews or features, just news coverage, so this probably won't make much of a difference regarding
Fantano's reviews. Those will probably be separate from this and unchanged, so everything that's been said about him previously still applies, and we have
2176:
Wanted to start a discussion about this source as I can't find anything about it and its music-related so I didn't want to take it to RSN. Would you guys think that Uproxx is a reliable source? I would say that it'd be useful to add to the source table as a case-by-case scenario. A few articles from
1940:
Whether consensus is required or not, or even whether he disagrees or not, there's no rule saying he can't bring it up for discussion just for the sake of clearing the air. I don't disagree that it's potentially controversial, especially with how many subcategories have been made (there are ones for
578:
Nope, don't understand you as an editor. Let's just leave it that I am serious about my edits, you are serious about your edits, we both deserve to be here, and we think differently. Please do not go into ad hominem attacks and assume I am joking or that I am throwing out disruptive edits. I find
396:
Holding an issue hostage? No. I'm trying to get clarity on what your proposal is. To answer your question, yes, we should assume that something published on the
Internet is unreliable until we know otherwise. As for your suggestion, maybe you haven't actually read the thread that we're in, because I
3523:
verifying particular credits on an album (for example, who is listed as a producer vs. a songwriter, etc.)? I understand that there have been many discussions about
Discogs, and I'm not trying to challenge that, but does anyone have any alternatives that they use to cite artist credits? I'm kind of
2788:
unreliable in the case of Seely, just that they were not unquestionable passes and GA nominators should always be ready to justify source use; as it was, the nom had other significant issues so it never came to that being discussed. But as to their reliability in a broader sense, are there examples
816:
Yes, this is generally how it has functioned historically, and largely how other WikiProjects handle their similar lists. Some of it is contextual - it doesn't take a full investigation to find that "FooFightersWikia" or "FrankiePoopz420.blogspot" are unreliable sources, but other publications that
3379:
Quick question regarding number ranges: if you're noting duties in the personnel section and someone appeared on two tracks adjacent to one another, do you list them individually or connect them with an en dash? For example, if someone played guitar on tracks 4 and 5, do you list them as "4, 5" or
3809:
Yeah, it took me years to learn the ropes here, and there's always more to learn. Don't be afraid to ask for help. And as for your last question, credits in prose definitely require sourcing, as voorts mentioned. The citation non-requirement QuietHere was referring to only applies to things like
833:
I haven't really engaged with this site since I asked about it four years ago--Richard probably said it best when he noted that farming out freelancing is how things are going (along with memoir/autobiographical-heavy criticism and constant listicle/retrospective stuff like "The 15 best shoegaze
695:
Well maybe
Mburrell does think it's absurd to assume unreliability. That seems like a potentially overly strict practice to me. And who says anything was assumed in the first place? In this case, we've even discussed the reliability of the source before, so there's no assumptions being made. And
381:
as a source. No, that does not qualify it for the
Reliable Source list without analysis and a vote. We can turn this around too. If we can't use it as a source, does it automatically go on the unreliable list? I would say that items on the unreliable list also need a discussion and a vote. My
3412:
That makes sense to me, but now I'm wondering if in your second example, it should be 1-2, 9-10, since some of those numbers are consecutive? As opposed to a group of tracks in which none of the numbers are consecutive (1,3,5,7 for example). Not suggesting an answer, just adding more questions,
523:
Sorry, did not read your post thoroughly, I agreed that citations were not inherently reliable, but that is not what you said. Let's just leave it that I cannot agree with your position, I have clearly stated my argument two times and I don't understand how it is not clear with you. So, I am
444:
onto the reliable list, or won't let anyone use it for a citation. I never implied or stated that you asked for it to be on the unreliable list. I was just turning your argument around. You state that any citation used must be then reliable, thus, it must be included in the reliable list by
659:
Thanks. It is not absurd to say "Sources should be assumed to be unreliable until we know otherwise" but it is absurd to say "sources should be assumed to be reliable until we know otherwise". Additionally, the comment he left here was "if a source is not inherently unreliable, leave it in a
3745:
and sometimes I see disputes on talk pages about whether an artist is truly a "producer" or not, so I thought it might be helpful to verify credits for that purpose, as well as when credits are mentioned in prose, rather than in a personnel or track listing section, as in the case of
524:
clearly stating that if a source is not known to be unreliable, go ahead and use it, and if someone can then show it is unreliable, state the reasons why it is unreliable when you remove it. As others have said, the
Reliable List is not a whitelist of the only acceptable sources.
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sites (The Boot, Taste of
Country, etc.) -- seems to have editorial oversight and a stable team of writers, therefore should be considered reputable (was also questioned on the failed GA of Jeannie Seely, but passed muster in several other GA-class country music articles).
792:
Being unlisted doesn't imply anything - I make no assumption either way. We as editors, when using such sources, should be able to make those judgements. In particular, a source that has been discussed here, but for which no consensus was reached, is not automatically
3885:, where the four main editors all appear to have experience in other publications (whether or not those publications are high quality is a different story, though). However, they also appear to accept articles from writers that aren't part of these main four (ex.
593:
Samesies. The comment you struck (thank you for doing that) seemed like pure provocation for the purpose of being... something? But since you evidently misread me and maybe somehow I'm being unclear, then that's a perfectly plausible explanation. Anyway.
2898:
I agree, still way too early, and another site that's going to rewrite press releases or report what other sites have reported ... got enough of those. We'll have to see if a reliably edited staff is actually going to "break news". Beyond his status at
463:
You have the direction of causality backwards and are making up things about my perspective. Either way, I'm just trying to clarify what your perspective is and the assumption that sources are reliable until you know otherwise is the opposite of what
3631:
That's definitely relevant to my question-- when you say you use liner notes, you mean physical ones, right? and if so, do you limit yourself to records you own? or do you find them at record stores or at libraries or? (Just asking out of curiosity)
3339:
source contradicts the previous one.I don't know what sources in general say regarding this, but if there is a disagreement among them, some of options are: list several dates, say "...was written in mid-late 1970s", or remove this phrase entirely.
802:. But the practical reality is that sometimes discussions here don't reach a "consensus-like" threshold, or take several attempts to do so. Even more so if a source is harder to access, e.g. by being mostly offline or in a different language.
3462:
should use an en dash between them, at which point I changed. Now it appears I'll have to go back to the style I was using before, and I'll probably spend hours fixing the ones I did elide, because I'm OCD that way. I have a headache.—
3617:. If there are additional credits that aren't in the liner notes, or credits that were amended or corrected some time after the initial release, and they are backed up by a reliable source, I'll add those as well, properly cited.—
1985:
To be clear, I am not strictly opposed to the new categories, I was just responding to PSW regarding the justification for the discussion. And my typing "by year" was a mistake; I meant to refer to "by language" and "album types".
2800:
No objections either. They are all reputable sources. Oermann is a writer and a music historian. The Boot and Taste of
Country all have editors. Their not blogs either which some Knowledge editors seem to assume but they are not.
3646:
I'd say the majority of the time I use liner notes from physical media in my own collection. Sometimes I will work from a scanned image of the liner notes, if I can find it online, but you must cite the notes directly using the
2789:
of clearly unimpeachable sources using or referencing their coverage? That means a lot more than "they've got a masthead and an editorial policy", which is really the bare minimum we should be looking for in any non-SP source.
1864:. I don't necessarily think these are bad or wrong (tho I wouldn't have done it or advocated for it), but this is a very large change that impacts tens of thousands of articles, so I think it should 1.) have a clear consensus
2617:
I've seen it floated before, but I feel it should be made official. Several sources have come up with concerns as to their reliability, especially within country music. I feel all of these sources are reputable enough:
449:. If the procedure fails to get it on the list, then it is not inherently reliable, but also it is not inherently unreliable. So yes, let other people use the source unless you can actually prove it is unreliable.
3777:, you should be looking for secondary, reliable sources that describe someone as a producer. Liner notes are a primary source. Notwithstanding MOS:ALBUM, I think it's always a good idea to cite the liner notes.
3810:
track listings and personnel sections, and only when it's a straightforward case. If you're editing an album/song page and including information beyond what the liner notes contain, you need to cite a source.—
2031:, which started as a print magazine in 1991. Many of its editors write to other reliable sources. I believe it is a clear case of a reliable source, but would like to discuss here before adding it to the list.
2234:
so that may no longer be an issue. They had also been consistent about disclosing their connection to their parent company over the years so I don't think it was a huge problem, or at least not compared to
3356:
For those interested--not many, I assume--please weigh in on this ongoing edit war, in the article and on the talk page. I imagine that editors, including myself, are close to receiving blocks. Thank you.
2316:, which I've already incorporated into some articles after looking through some of the magazine author's credentials and considering it reliable. The list in question was written by Sophie Walker, which
3711:
Yeah, GA/FA is part of why I often put a citation for the liner notes in the personnel section. I also frequently find that an album's liner notes are incomplete or don't contain credits at all, and
1920:
Consensus isn't required for change. If you don't disagree, why are you requesting others to comment? The categories were overly large and so its understandable that Jevansen would split them. —
3288:"? A newish editor recently changed all mentions of the date from 1976 to 1980, despite a majority of reliable sources pointing to 1976 (Bunny released/copyrighted a version in 1980). So far,
3716:
often found that editors will come into a personnel section and make changes that do not accurately reflect the liner notes, and leaving a ref seems to (usually) thwart that. In the case of
3335:
edit and to me it neither supports 1980 (it says he was working on the song in 1979) nor refutes 1976 (he could have started working on it in 1976 and was still working on it by 1979). Then
382:
suggestion is to not revert sourced citations that are not specifically listed as unreliable, and if a source causes you heartburn, propose it here as a title to add to the unreliable list.
3284:
Never posted about an actual content/sourcing dispute here before, but this is getting close to edit warring. Please weigh in on this disagreement: In which year did Bunny Wailer write "
377:
Are you holding an issue hostage? Answer to #2 is a yes. Only forbidden sources are on the unreliable list. Answer to #1 is not a yes or a no, it is a yes and a no. Yes, you can use
3889:
is not listed on the LinkedIn page, but he also appears to have experience himself). I'm personally not sure whether or not this site is reliable, I'd like to hear what y'all think.
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Only if there are three or more consecutives numbers in a row, e.g. "1, 2" and "1–3". The point is that it elides track numbers, and there's nothing to be elided between 1 and 2.
660:
citation, don't just remove it" and then immediately went to an article and removed citations that were made up of reliable sources. I hope you can see how that is confounding. ―
3160:
I know, that's what I meant by "to be created". Either way, I think it's unfair to consider it unreliable when it really isn't. I'd say even "reliable" is more fair, because it
3931:, and apparently all he does for the site is photo editing and design. Long story short, the whole operation rubs me the wrong way. I personally wouldn't use it as a source.—
2063:
1884:
be broken up by decade..."). Jevansen, can you please comment on what your rationale is, what you're planning on doing, and if there's some consensus that I've missed? ―
3012:
Someone once called him Melon (presumably because his bald head looks like one) and ever since his fans call him that. Eventually, he also started using this nickname.
2222:
then it would be, but as far as I'm aware that just means they're freelancers and not staff writers. I am aware there were concerns regarding a conflict of interest as
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articles when they pop up on my newsfeed because it feels like they're always drawn-out clickbait articles. You know, stuff like "You won't believe this crazy reason
2231:
535:
You did not read what I wrote. I just wrote: we should assume that sources are unreliable until we know otherwise and you wrote the exact inverse. Is this a joke?
579:
that approach offensive and non-collaborative. Please back off and think about how your comments may be taken before posting something that seems like an attack.
3084:
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Chaz Kangas wrote for Bandcamp Daily, Complex UK, Los Angeles Times, LA Weekly, Newsbreak, Phoenix New Times, Riverfront Times, The Village Voice (source:
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list isn't exhaustive, turning it into a whitelist isn't right IMO. Certainly not while it takes several attempts to add a single site to the list. As for
633:
The removal of sources in that instance was because the listed releases have articles which display their own clear notability. We do that for all of the
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that are considered by Wikipedians to be of poor and/or questionable quality, which could raise some potential concerns. The editor in chief, however,
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Darryl G. Wright (author of the piece) has been "critiquing pop culture and music since the 80's." From what I can find, he's written for PopMatters
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3722:, I did it because the deluxe edition credits differ dramatically from the original 1996 liner notes and are much more detailed and extensive.—
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has used original research, personal opinion, and sources that don't actually report what they're being used to report. Thanks for any help.
1968:
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1945:), and with how much emptier this could make the main albums by year categories if these are kept as diffusing. Clarification never hurts.
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is only an issue because it is known that there is little to no editorial oversight for those articles (see the same problem discussed at
508:
Agreed. So if a source is not inherently unreliable, leave it in a citation, don't just remove it. I am glad we are on the same page.
3087:), so I would expect some decent quality control going foward with the news section. Said editor's profile on the website can be found
1963:
Well I've finished anyway. For what it's worth, I'm not using any diffusing methods that weren't already in place. There were existing
2590:
Editors still disagree about whether a Guardian review of MJ the Musical should be included in the "Critical response" section of the
3795:
God, it looks like I have a lot of documentation I've yet to read. Thanks for all the support and guidance-- I really appreciate it!
1814:
The Cure FAQ: All That’s Left to Know About the Most Heartbreakingly Excellent Rock Band the World Has Ever Known by Christian Gerard
342:
be used as a source (and therefore added to the list) and 2.) should we use sources that aren't on the list? What say you about #1? ―
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There is an RfC at the above page on how the article's lede should be written. Please contribute if you are interested. Thank you.
3877:(which uses this source). They don't have an about page or a staff list on the site itself, but they do have a decently detailed
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assume that and need to and we certainly must not assume the inverse where sources are just assumed to be reliable ipso facto. ―
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A music publication that provides that information would also be reliable. Some reviews will note songwriters, producers, etc.
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Human Rights, Social Movements and Activism in Contemporary Latin American Cinema by Mariana Cunha and Antônio Márcio da Silva
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s editorial page and where some of its contributors have published; I sympathize with Justin, as Bill Cooper, the reviewer of
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split by decade and I have diffused some of the very large language categories (eg Spanish which had over 1000) in line with
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Except for the part where that citation isn't required at all because it is assumed that the liner notes are the source, as
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Over the next few days I plan to open a few threads about some really popular music magazines that are still not listed in
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We appear to be no closer to reaching consensus here, so if any other editors would like to contribute, please check in.
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I see multiple staff writers/editors with work at numerous reliable publications (including one of my favorite writers,
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3834:. I usually look on discogs. Once, I joined a Discord server for the artist and asked for a picture of the physical. —
3380:"4–5"? I ask because I could have sworn the MOS specified to do it the second way, but now I can't find the guideline.—
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was "created by a collective of female-led music journalists, creatives and photographers" and founded by the former
880:. I collected these credentials early last year so if the links no long work or are otherwise outdated, I apologise.
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related to music. This really doesn't mean much right now, but will this affect TND's reliability in the long run?
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be used, just depends on the context, and this could be added as a note in the "Discussions/Limitations" column.
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Based on this, I believe it can be assessed as reliable. Opening this thread for discussion before adding it to
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https://en.wikipedia.org/search/?title=Last_Man_Standing_(Jerry_Lee_Lewis_album)&diff=0&oldid=1222282604
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The Screen Music of Trevor Jones: Technology, Process, Production by David Cooper, Ian Sapiro and Laura Anderson
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The Afterlife in Popular Culture: Heaven, Hell, and the Underworld in the American Imagination by Kevin O'Neill
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Wikipedia_talk:WikiProject_Albums/Archive_67#Proposed_reliable_sources_for_Wikipedia:WikiProject_Albums/Sources
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3331:. They start using sources in later edits, so that's better. However, I read the part from the source used in
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You make a plenty convincing case, and my experiences with the source have been good. I support its addition.
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Agreed 100%. And thank you for bringing my attention to the term "churnalism," which I was unfamiliar with.—
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The Battle over America's Origin Story: Legends, Amateurs, and Professional Historiographers by Brian Regal
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Die Narrativität der Musik im Film: Audiovisuelles Erzählen als performatives Ereignis by Alexander Lederer
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Am I correct in thinking that physical albums are the only source considered reliable for the purposes of
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See also two times when it was discussed, including one where I was the person asking for it to be added:
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specifically), and I'm sure many other editors have been as well. But does this behavior need to change?
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I don't have an answer for this question. However, I do agree with you. Knowledge operates under the "
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Not sure if this is what you're asking, but I always use liner notes and cite them directly, as per
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tl;dr: if my old Roughstock reviews from 2009 are reliable, then so are all of these. What say you?
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has been making a number of album article edits lately to diffuse larger categories by decade. E.g.
440:
First, this is not my proposal. Second, of course I have read the article. You are trying to force
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1991:
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701:
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3969:." I haven't observed outright falsehoods, but its generally not a good sign when websites have a
3543:($ 200 a year for the lowest subscription level) has data direct from dozens of album publishers.
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https://en.wikipedia.org/search/?title=XOXO_(Jeon_Somi_album)&diff=prev&oldid=1236202837
1770:
Post-9/11 Heartland Horror: Rural horror films in an era of urban terrorism by Victoria McCollum
3881:
that basically supplements the about page. And the staff list can be supplemented by the sites
2851:
2336:. I've also looked through the credentials of some authors that are currently appearing on the
775:
should be used as a sufficient criterion for reliability, but not as a necessary one. That is:
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https://en.wikipedia.org/search/?title=List_of_2024_albums&diff=prev&oldid=1233895068
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993:
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158:
2463:. Staff is composed of people who have worked for other sources we consider credible here.
834:
albums of 1992" or "The most awesome albums from the first 7.23 weeks of 2023"). ATA noted
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Films of the New French Extremity: Visceral Horror and National Identity by Alexandra West
1802:
Acting Indie: Industry, Aesthetics, and Performance by Cynthia Baron and Yannis Tzioumakis
1737:
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921:
3311:" principle. We report what reliable sources say, even if it seems they are wrong (like
3964:
3925:
3751:
3738:
Oh, I totally missed that part of the style advice guide. Thanks for pointing that out.
3676:
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pages because of concerns regarding the size of and number of templates in the list.
580:
525:
509:
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383:
303:
should be in the list, as I also said in one of the discussions Justin linked above.
150:
3929:
3186:
The description is pretty clear, and there hasn't been any confusion on the matter.
909:
3960:
3954:
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3328:
3140:
We don't currently keep a "situational" classification. Perhaps you're thinking of
2384:
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1329:
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782:
implies reliability (which is a spectrum, and each source has its own notes there).
465:
97:
3886:
2648:
credits Billy Dukes as the sites' main editor, and lists his journalism backgorund
798:
I acknowledge the argument that if a source is reliable, it should be included at
3878:
3202:
I'd still say that "reliable" would be slightly more accurate, but you're right.
3071:
Quick update: Applications have closed. As for Fantano's new staff, it seems ok.
537:
It seems like it is because literally your last edit was removing valid sources:
248:, they have an editorial team, which includes writers who previously appeared in
3921:
3778:
3755:
3694:
3578:
3544:
3076:
2317:
1645:
1313:
1225:
46:
If you wish to start a new discussion or revive an old one, please do so on the
321:"The WP:RSMUSIC list isn't exhaustive, turning it into a whitelist isn't right"
3970:
3950:
3917:
3257:
3029:
2978:
2958:
2924:
2722:
2661:
2660:
journalist Jonathan Keefe. Was accepted as an RS in GA-class articles such as
1885:
1541:
1285:
969:
937:
875:
715:
661:
595:
544:
473:
406:
343:
176:
104:
3869:
This is a source that I've come across many times while source searching for
3113:
be moved from "unreliable" to a (to be created?) "situational", according to
3072:
2241:. There is plenty of promise in their staff, as with just a quick perusal of
3672:
3540:
2378:
2368:
2059:
1685:
1657:
1169:
1125:
981:
2242:
3657:, I had a relative send me images from their copy of the deluxe edition.—
2341:
1589:
1521:
268:
140:
Wikipedia_talk:WikiProject_Albums/Archive_62#OndaRock_and_Spectrum_Culture
3831:
2622:
1786:
Kenneth Goldsmith's Recent Works on Paper: Exactly Wrong by Daniel Morris
1477:
973:
945:
262:
3489:
3080:
2510:
1449:
1353:
1101:
2752:
for media sources. Sometimes even the reliable ones let loose a doozy.
1665:
1637:
1569:
1513:
1469:
1289:
1229:
1161:
1137:
1077:
1053:
1001:
256:
249:
3693:
If you want to bring an article to GA or FA, it will need a citation.
2291:
1481:
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1389:
1345:
1261:
1065:
3718:
3653:
2359:
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1782:
Popular Music, Critique and Manic Street Preachers by Mathijs Peters
1677:
1605:
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1321:
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714:
Thank you for the analysis and to him for giving his perspective. ―
3566:
3562:
2920:
2847:
2519:
Talk:The Truth About Love (Pink album)#Requested move 25 July 2024
2505:
Talk:The Truth About Love (Pink album)#Requested move 25 July 2024
2277:
2027:
2014:
1757:
1457:
1377:
1213:
3741:
I'm mostly asking because I'm working on cleaning up articles in
2651:
1868:
being made at all and 2.) there should be some language added to
1705:
1241:
1041:
274:
1852:. Another example which is not by language but by album type is
1465:
1117:
846:" could very well mean that Contributor X has only published in
3247:. Please join the discussion on whether this article meets the
2784:
To clarify, I didn't discount that the above-mentioned sources
2735:
due to his involvement in the aforementioned Jeannie Seely GA.
1352:
Colin Fitzgerald wrote for PopMatters, Tiny Mix Tapes (source:
2919:
Forgive me as I'm not very smart, but did you mean to link to
2286:
1489:
25:
3498:
Talk:Busted (2002 Busted album)#Requested move 20 August 2024
3484:
Talk:Busted (2002 Busted album)#Requested move 20 August 2024
3488:
2961:, yes. That was a horrible attempt at making an inside joke.
2509:
2337:
2594:
article. Any interested editors, please contribute to the
2232:
WMG sold them and other media properties earlier this year
817:
aren't so obviously shouldn't be rejected so immediately.
541:. If you are not being a serious person, why are you here?
3675:
makes clear about track listings and personnel sections.
2629:(came up and ultimately accepted in passed GA review for
2548:
should be included in "Critical response" section of the
2312:). I first encountered this source very recently through
2189:. Would you guys consider this source to be situational?
1396:
Tim Sentz wrote for Beats Per Minute, Soundblab (source:
3500:
that may be of interest to members of this WikiProject.
3028:
Thanks for being patient with us out-of-step xennials. ―
2766:
Seconded. No objections based on what's presented here.
2521:
that may be of interest to members of this WikiProject.
1388:, No Ripcord, Our Culture Mag, Under the Radar (source:
2477:
2092:
1876:
be broken up by decade..." or "Once a category reaches
1853:
1841:
1568:
Matthew Apadula wrote for GIGsoup, PopMatters (source:
1424:
Aymeric Dubois wrote for The Line of Best Fit (source:
538:
3241:
Arthur (Or the Decline and Fall of the British Empire)
3234:
Arthur (Or the Decline and Fall of the British Empire)
2095:
as I believe it is fairly uncontroversially reliable.
1829:
By-decade album categories diffusing larger categories
1794:
On the Inconvenience of Other People by Lauren Berlant
1124:
Domenic Strazzabosco wrote for Riff Magazine (source:
1872:
once a consensus is reached (e.g. "Larger categories
1588:
Charles Lyons-Burt wrote for Slant Magazine (source:
210:
I'm indifferent to its use, and anyone is free to be
2187:
some have sources written by staff editors of Uproxx
2552:article. More voices would be appreciated. Thanks.
218:shouldn't be an auto-revert unless its actively on
111:telling me to remove it because it isn't listed at
3945:Yeah, I know what you mean. I've stopped reading
1540:Max Heilman wrote for Exclaim!, Metal Injection,
1520:Lydia Pudzianowski wrote for PopMatters (source:
1798:Why It's OK to Love Bad Movies by Matthew Strohl
952:Jesse Cataldo wrote for Slant Magazine (source:
401:proposed the said source should be added to the
3396:the years though, I can't cite any MOS for it.
2153:"How Ibrahim Kamara Found His Place in Fashion"
960:Justin Cober-Lake (assistant editor) wrote for
2218:). If we had the same evidence in the case of
2066:for the magazine have their work published in
1360:Josh Goller wrote for Slant Magazine (source:
2654:-- has editorial oversight, including former
88:Removal of undiscussed/underdiscussed sources
8:
3830:Many independent albums have liner notes on
2596:Request for comment on the article talk page
1636:Matthew Dwyer wrote for PopMatters (source:
872:My apologies for the late reply to the ping
1144:Joe Marvilli wrote for No Ripcord (source:
1064:, The Washington Post, a lot more (source:
1008:Linda Levitt wrote for PopMatters (source:
338:These are two different issues: 1.) should
3920:'s "Only a Fool Would Say That" was about
2613:Recommendations for additions to this list
1296:Mick Jacobs wrote for PopMatters (source:
895:
1764:Used as a source in the following books:
1384:Carlo Thomas wrote for Beats Per Minute,
3743:Category:American women record producers
3496:There is a requested move discussion at
2633:, was questioned in failed GA review of
2517:There is a requested move discussion at
1488:Grady Penna wrote for Beats Per Minute,
919:1001 Albums You Must Hear Before You Die
635:Category:Lists of albums by release date
299:Yeah, for what it's worth, I do believe
2143:
1744:, Under the Radar, few others (source:
214:and challenge things, but not being on
3957:and its 10 paragraphs that amount to "
2151:Paton, Elizabeth (15 September 2021).
1696:Jake Cole wrote for The Mercury News,
1624:Casey Neill wrote for Bandcamp Daily,
44:Do not edit the contents of this page.
2625:-- has editorial oversight including
1969:Category:Films by decade and language
1850:Category:2020s Korean-language albums
1612:Derek Staples wrote for Consequence,
1480:, DIY, The Line of Best Fit (source:
1476:Christopher Hamilton-Peach wrote for
1268:Colin Dempsey wrote for Consequence,
7:
3875:The United States of America (album)
3515:Reliable sources for artist credits?
1766:I Won't Grow Up! by Anthony Balducci
3595:OMG, amazing, thank you so much!!!
900:Spectrum Culture writer credentials
3873:, and while reviewing the GAN for
2748:These seem okay to me. As always,
1676:, several radio stations (source:
24:
3279:Carousel (Marcia Griffiths album)
2848:The Internet's busiest music nerd
2540:Editors disagree about whether a
1456:Dominic Griffin wrote for DCist,
18:Knowledge talk:WikiProject Albums
3561:To verify writers, there's also
3077:written for a handful of sources
2344:has written for sources such as
1714:The Atlanta Journal-Constitution
29:
3081:is a writer at Beats Per Minute
2977:Have at it and enjoy, friend. ―
2841:Anthony Fantano/The Needle Drop
1846:Category:Korean-language albums
3871:Wake Me Up When September Ends
1672:Joe Sherwood wrote for Fores,
1414:The Telegraph (Macon, Georgia)
996:, California Literary Review,
911:, which has been reprinted in
1:
2843:(probably) becoming reliable?
2290:editor Charlotte Gunn (which
1240:, Wellsboro Gazette (source:
3245:featured article review here
3109:Slightly related: shouldn't
1943:2010s French-language albums
1862:Category:2000s covers albums
1338:The Sentinel (Staffordshire)
936:Thomas Bedenbaugh wrote for
3999:10:20, 20 August 2024 (UTC)
3985:16:16, 19 August 2024 (UTC)
3941:08:01, 19 August 2024 (UTC)
3910:07:06, 19 August 2024 (UTC)
3850:16:37, 19 August 2024 (UTC)
3820:10:17, 20 August 2024 (UTC)
3805:22:03, 19 August 2024 (UTC)
3791:21:06, 19 August 2024 (UTC)
3767:20:43, 19 August 2024 (UTC)
3732:10:06, 20 August 2024 (UTC)
3707:15:30, 19 August 2024 (UTC)
3689:15:18, 19 August 2024 (UTC)
3667:06:30, 19 August 2024 (UTC)
3642:06:13, 19 August 2024 (UTC)
3627:01:56, 19 August 2024 (UTC)
3605:22:01, 18 August 2024 (UTC)
3591:21:07, 18 August 2024 (UTC)
3557:21:03, 18 August 2024 (UTC)
3534:20:41, 18 August 2024 (UTC)
3510:02:46, 20 August 2024 (UTC)
3472:01:39, 19 August 2024 (UTC)
3455:22:02, 18 August 2024 (UTC)
3441:21:17, 18 August 2024 (UTC)
3423:20:50, 18 August 2024 (UTC)
3408:22:04, 13 August 2024 (UTC)
3390:07:42, 12 August 2024 (UTC)
3367:23:09, 18 August 2024 (UTC)
3273:20:03, 13 August 2024 (UTC)
3103:21:16, 12 August 2024 (UTC)
2835:00:26, 12 August 2024 (UTC)
2716:Starcheerspeaksnewslostwars
2177:the website have been from
2117:Yeah, most print mags are.
1432:Jacob Nierenberg wrote for
1228:, The Young Folks (source:
1084:Susan Darlington wrote for
109:this notice on my talk page
4019:
3352:19:03, 6 August 2024 (UTC)
3315:). What HumbleWise did in
3302:12:15, 6 August 2024 (UTC)
2854:of his website and is now
2811:00:59, 8 August 2024 (UTC)
2796:19:00, 7 August 2024 (UTC)
2778:12:34, 7 August 2024 (UTC)
2762:12:30, 7 August 2024 (UTC)
2743:05:39, 7 August 2024 (UTC)
2608:20:59, 3 August 2024 (UTC)
2577:13:39, 2 August 2024 (UTC)
2528:00:24, 1 August 2024 (UTC)
1704:, several others (source:
1644:Mike McClelland wrote for
1448:, several others (source:
1284:Danny Kilmartin wrote for
1152:Konstantin Rega wrote for
1132:Holly Hazelwood wrote for
1072:Thomas Stremfel wrote for
972:, several others (source:
3651:template. In the case of
3249:featured article criteria
3220:01:24, 23 July 2024 (UTC)
3198:00:39, 23 July 2024 (UTC)
3182:00:21, 23 July 2024 (UTC)
3156:22:03, 22 July 2024 (UTC)
3135:21:51, 22 July 2024 (UTC)
3059:10:52, 20 July 2024 (UTC)
3024:08:12, 20 July 2024 (UTC)
3008:00:44, 20 July 2024 (UTC)
2972:00:43, 20 July 2024 (UTC)
2954:00:01, 20 July 2024 (UTC)
2913:01:24, 23 July 2024 (UTC)
2894:23:07, 19 July 2024 (UTC)
2873:22:29, 19 July 2024 (UTC)
2792:Der Wohltemperierte Fuchs
2562:19:58, 22 July 2024 (UTC)
2498:04:32, 29 July 2024 (UTC)
2472:13:54, 26 July 2024 (UTC)
2456:00:28, 26 July 2024 (UTC)
2436:21:15, 25 July 2024 (UTC)
2414:20:16, 25 July 2024 (UTC)
2263:06:47, 26 July 2024 (UTC)
2206:06:13, 26 July 2024 (UTC)
2129:19:53, 25 July 2024 (UTC)
2113:19:28, 25 July 2024 (UTC)
2087:17:36, 24 July 2024 (UTC)
2054:From what I see, I'd say
2049:01:46, 23 July 2024 (UTC)
2000:02:40, 24 July 2024 (UTC)
1981:02:10, 24 July 2024 (UTC)
1959:22:50, 23 July 2024 (UTC)
1936:16:09, 23 July 2024 (UTC)
1915:12:47, 23 July 2024 (UTC)
1544:, Riff Magazine (source:
1344:, couple others (source:
1328:Jeffrey Davies wrote for
1172:, Riff Magazine (source:
1048:Alan Zilberman wrote for
1022:Barrington Courier-Review
890:16:31, 23 July 2024 (UTC)
864:16:33, 11 July 2024 (UTC)
829:16:31, 11 July 2024 (UTC)
812:15:47, 11 July 2024 (UTC)
745:14:47, 11 July 2024 (UTC)
710:14:37, 11 July 2024 (UTC)
691:14:12, 11 July 2024 (UTC)
655:14:01, 11 July 2024 (UTC)
625:13:47, 11 July 2024 (UTC)
589:13:43, 11 July 2024 (UTC)
574:13:34, 11 July 2024 (UTC)
518:13:30, 11 July 2024 (UTC)
503:13:04, 11 July 2024 (UTC)
459:12:59, 11 July 2024 (UTC)
436:05:16, 11 July 2024 (UTC)
392:05:12, 11 July 2024 (UTC)
373:02:05, 11 July 2024 (UTC)
334:01:33, 11 July 2024 (UTC)
317:09:07, 10 July 2024 (UTC)
295:06:59, 10 July 2024 (UTC)
234:12:54, 10 July 2024 (UTC)
206:05:19, 10 July 2024 (UTC)
133:05:13, 10 July 2024 (UTC)
3773:For categorization, per
3309:verifiability, not truth
3073:One of the staff members
2372:; and Hannah Mylrea for
1941:languages now too, e.g.
1736:Aaron Passman wrote for
1684:Greg Vellante wrote for
1552:Jedd Beaudoin wrote for
1528:Brendan Nagle wrote for
1500:John McIntyre wrote for
1224:Hunter Church wrote for
1212:Peter Tabakis wrote for
1168:Rachel A. Alm wrote for
917:. He has contributed to
3963:because his prior band
3959:Dave Grohl started the
3344:AstonishingTunesAdmirer
3016:AstonishingTunesAdmirer
2583:Request for comment at
1596:Laura Dzubay wrote for
1576:Nathan Kamal wrote for
1248:Sam Franzini wrote for
1202:The Independent Journal
1200:Kevin Korber wrote for
992:David Harris wrote for
980:John Garratt wrote for
287:AstonishingTunesAdmirer
3493:
3327:edit to me looks like
2514:
2179:"Contributing" authors
1858:Category:Covers albums
1754:The Connecticut Mirror
1742:National Mortgage News
1728:, few others (source:
1712:Eric Nguyen wrote for
1702:Telegram & Gazette
1598:Baltimore Jewish Times
1560:, PopMatters (source:
1512:, few others (source:
1406:The Herald (Rock Hill)
1404:Will Layman wrote for
1320:, few others (source:
1204:, PopMatters (source:
1180:Todd Dedman wrote for
1094:Yorkshire Evening Post
1040:, a lot more (source:
1000:, few others (source:
984:, PopMatters (source:
966:The News & Advance
923:(click on credits tab)
789:implies unreliability.
324:Seconding this 1000%.
92:I added a review from
3973:problem like this...
3492:
3445:Makes sense, thanks!
2513:
2243:their Muck Rack page,
2025:. One such source is
1752:Matt Dwyer wrote for
1654:The New York Observer
1368:Evan Welsh wrote for
42:of past discussions.
3837:PerfectSoundWhatever
3290:User talk:HumbleWise
2364:The Line of Best Fit
2322:The Line of Best Fit
2320:for sources such as
2309:The Line of Best Fit
2294:for sources such as
1965:Category:Album types
1923:PerfectSoundWhatever
1722:The Spokesman-Review
1674:The Tribune-Democrat
1502:The American Scholar
1342:Western Mail (Wales)
1304:Greg Hyde wrote for
1274:Yahoo! Entertainment
1236:Don Kelly wrote for
1190:The Line of Best Fit
1016:Pat Padua wrote for
913:Times Union (Albany)
852:Exile on Main Street
3649:cite AV media notes
3375:Track number ranges
2856:looking for writers
2533:Opinions needed at
2269:Source discussion:
2012:Source discussion:
1602:Electric Literature
1554:American Songwriter
1108:Bob Fish wrote for
1038:The Washington Post
276:The Washington Post
3494:
3482:Requested move at
2852:an entire overhaul
2515:
2503:Requested move at
2360:Tyler Damara Kelly
2228:Warner Music Group
2157:The New York Times
2064:editorial director
1718:The New York Times
1238:Sports Illustrated
1098:The Yorkshire Post
962:The Daily Progress
103:earlier, to which
3521:crediting artists
3329:original research
3239:I have nominated
3215:
3177:
3130:
2820:Talk:Tupac Shakur
2750:WP:CONTEXTMATTERS
2627:Robert K. Oermann
2493:
2409:
2108:
2044:
1848:is replaced with
1825:
1824:
1446:The Seattle Times
1442:Portland Observer
998:Salt Lake Tribune
882:MusicforthePeople
171:MusicforthePeople
117:Spectrum Culture
85:
84:
54:
53:
48:current talk page
4010:
3982:
3977:
3908:
3906:
3899:
3879:editorial policy
3838:
3405:
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3345:
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3122:
3115:WP:THENEEDLEDROP
3105:
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2793:
2775:
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2740:
2738:Ten Pound Hammer
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2652:Country Universe
2641:Townsquare Media
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2470:
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2342:Jenessa Williams
2318:has also written
2292:has also written
2278:their About page
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1530:Portland Monthly
1386:Drowned in Sound
1186:Beats Per Minute
1030:The Mercury News
994:American Thinker
896:
879:
826:
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785:Being listed at
778:Being listed at
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3111:The Needle Drop
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3085:this discussion
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2727:. Also pinging
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2238:uDiscover Music
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2019:
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1738:American Banker
1626:Star News Group
1600:, Consequence,
1506:The Daily Beast
1438:Idaho Statesman
1318:Under the Radar
1258:Our Culture Mag
1250:Atwood Magazine
1158:Virginia Living
1156:, Treble Zine,
1026:Chicago Tribune
901:
873:
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729:
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2649:
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2592:MJ the Musical
2587:
2585:MJ the Musical
2581:
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2550:MJ the Musical
2546:MJ the Musical
2537:
2535:MJ the Musical
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2507:
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2282:The Forty-Five
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2271:The Forty-Five
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968:, PopMatters,
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3563:this database
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3464:The Keymaster
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2874:
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2861:
2860:breaking news
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2631:The Mavericks
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2524:Safari Scribe
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2194:Cowboygilbert
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2069:British Vogue
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3447:Violetstork
3415:Violetstork
3097:lunaeclipse
2967:lunaeclipse
2868:lunaeclipse
2754:Binksternet
2731:David Fuchs
2709:Binksternet
2467:lunaeclipse
2424:per above.
2297:Consequence
2082:lunaeclipse
1646:The Baffler
1314:The Quietus
1226:Screen Rant
1134:Consequence
804:GanzKnusper
793:unreliable.
258:Consequence
159:Richard3120
36:This is an
3971:churnalism
3951:Dave Grohl
3918:Steely Dan
3502:Aprilajune
3206:Skyshifter
3168:Skyshifter
3121:Skyshifter
3075:there has
2693:Sammi Brie
2678:Martin4647
2662:Pam Tillis
2600:Popcornfud
2569:Popcornfud
2554:Popcornfud
2544:review of
2484:Skyshifter
2400:Skyshifter
2139:References
2099:Skyshifter
2035:Skyshifter
1542:MetalSucks
1286:GoldenPlec
970:Sojourners
938:PopMatters
800:WP:RSMUSIC
780:WP:RSMUSIC
773:WP:RSMUSIC
264:PopMatters
242:WP:RSMUSIC
216:WP:RSMUSIC
79:Archive 76
73:Archive 75
68:Archive 74
60:Archive 70
3775:WP:NONDEF
3752:QuietHere
3677:QuietHere
3673:MOS:ALBUM
3541:This site
3429:QuietHere
2882:QuietHere
2850:just did
2646:This page
2444:QuietHere
2379:MusicTech
2369:Flipboard
2355:Pitchfork
2338:main page
2314:this list
2251:QuietHere
2216:HUFFPOCON
2212:FORBESCON
1988:QuietHere
1947:QuietHere
1756:(source:
1700:, Slant,
1688:(source:
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1664:(source:
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1628:(source:
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