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Willem Pijper

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25: 133: 309:) attacks upon Van Gilse forced the latter to demand that the orchestra board refuse Pijper admittance to concerts; after the board had stalled on the issue for some time, Van Gilse resigned in 1921. Pijper has since been criticised for his role in the affair, also because his combined functions of critic and advisor for the Tivoli concert hall at least suggested a conflict of interest ( 363:; 1917) (in which Mahler's influence is evident) and the Second (1921) is significant, and between 1918 and 1922 he grew into one of the more advanced composers in Europe. In each successive work he went a step further, starting from his conception that every work of art arises out of a number of "germ 389:
has been called the "Pijper scale" in Dutch. As a teacher, Pijper had a great influence on modern Dutch music, teaching many prominent Dutch composers of the 1950s, 1960s, and 1970s. He was senior teacher of instrumentation at the Amsterdam Conservatoire, and from 1930 until his death in 1947 he
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working-class parents. His father, who sometimes played psalm accompaniments on the harmonium, taught him the names of the notes of the treble clef when he was five. Willem subsequently discovered the use of sharps and flats and began composing simple melodies. His fascination with symmetrical
382:, but his music does not quite reach the ecstatic level of Vermeulen's. Nonetheless, Pijper remained a composer of strong emotional character, to which his Third Symphony (1926) bears witness. In Pijper's later works the harmonic expression seems at times to approach monotonality. 378:. Yet there is no question of Pijper's consciously abandoning tonality; rather his polyphonic way of thinking and his sense of counterpoint made his harmonic style evolve in that direction. In that sense, he stands quite close to the music of his contemporary 289:
Poor health as a child meant that he was educated at home until age 13, but in 1912, after three years study at the gymnasium (high school), Pijper entered the Utrecht Academy of Music, where he was taught composition by
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Pijper occasionally gave piano recitals, but his activity as a critic was of greater importance. At the end of the First World War, he became a critic for the
1005: 1000: 951: 966: 294:, passing examinations in theoretical subjects in 1915. Apart from his brief study with Wagenaar he was entirely self-taught as a composer. 1035: 1020: 914: 108: 1015: 1030: 46: 42: 89: 973:
Kooij, Hans Eduard. "COMPOSITION BY USE OF GERM CELLS- A Botanical-Musical Analogy in the Willem Pijper Sonata for Piano".
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musical structures was evident even at this early age. At ten he began formal piano lessons and made rapid progress.
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Pijper quickly chose his own path as a composer. The difference in style between his First Symphony (
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Septet for flute/piccolo, oboe/English horn, clarinet, bassoon, horn, double bass & piano (1920)
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Phantasie for flute, oboe, clarinet, bassoon, horn & piano (1927) on Mozart's
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Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis
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The complete String Quartets. The Schönberg Quartet, Olympia Explorer, 1994
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Pijper spent much of his time during the war years working on a new opera,
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Quintet for woodwinds: flute, oboe, clarinet, bassoon & horn (1929)
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Willem Pijper: Biography & list of works (in English and French)
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The part of the first violin in this quartet has to be played by a
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Sextet for flute, oboe, clarinet, bassoon, horn & piano (1923)
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for piano solo (1926) in the series "Folk Dances of the World"
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In 1926, with Paul F. Sanders, he established the periodical
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Roots of the Classical: The Popular Origins of Western Music
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Quattro Pezzi Antichi for 3 violins & violoncello (1923)
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nos. 1 & 2 (1934) from "Deux Ballades de Paul Fort"
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Concerto for Violoncello Solo & Orchestra (1936/47)
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Trio No. 2 for violin, violoncello & piano (1921)
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Trio No. 1 for violin, violoncello & piano (1914)
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Dutch composer, music critic and teacher (1894–1947)
964:Dierick, Augustinus P. "WILLEM PIJPER: AN APERCU". 819:(1939–42) (Unfinished), Symphonic drama in 3 acts ( 390:acted as principal of the Rotterdam Conservatoire. 221: 201: 193: 174: 148: 123: 49:. Unsourced material may be challenged and removed. 1011:Academic staff of the Conservatorium van Amsterdam 894:http://www.ripm.org/?page=JournalInfo&ABB=MZK 881:The New Grove Dictionary of Music & Musicians 477:Trio for flute, clarinet & bassoon (1926–27) 548:Theme and Five Variations for piano solo (1913) 498:Sonata No. 2 for violoncello & piano (1924) 495:Sonata No. 1 for violoncello & piano (1919) 374:From 1919, Pijper's music can be described as 430:Concerto for Violin & Orchestra (1938–39) 8: 647:, C'est le chien de Jean de Nivelle (1921) ( 829:Adapted with permission from John Craton's 719: 351:. Pijper died in Utrecht on 18 March 1947. 311:Article about the Van Gilse/Pijper conflict 230: 492:Sonata No. 2 for violin & piano (1922) 489:Sonata No. 1 for violin & piano (1919) 131: 120: 952:International Music Score Library Project 424:Concerto for Piano & Orchestra (1927) 109:Learn how and when to remove this message 967:Canadian Journal of Netherlandic Studies 612:Vocal (with instrumental accompaniment) 562:(1921) from "Deux Ballades de Paul Fort" 873: 849: 811:(1932–34), Symphonic drama in 9 scenes 349:Concerto for Violoncello and Orchestra 551:Three Aphorisms for piano solo (1915) 248: 7: 47:adding citations to reliable sources 486:Sonata for flute & piano (1925) 427:Orchestral Piece with Piano (1915) 14: 1006:20th-century Dutch male musicians 1001:20th-century classical composers 782:of Reuckelose Stoutheit (1937) ( 682:Two Songs on Ancient Dutch Texts 281:, on 8 September 1894 of strict 23: 970:, Volume XXIII,I [2002[: 11-31. 545:Sonatina No. 3 for piano (1925) 542:Sonatina No. 2 for piano (1925) 539:Sonatina No. 1 for piano (1917) 242:Willem Frederik Johannes Pijper 153:Willem Frederik Johannes Pijper 34:needs additional citations for 635:" (1930) (William Shakespeare) 560:La fille morte dans ses amours 1: 977:. Volume LIV-2, 2004: 119-131 905:Van der Merwe, Peter (2004). 712:Acht oud-Hollandsche liederen 706:Acht oud-Hollandsche liederen 501:Sonata for violin solo (1931) 421:Six Symphonic Epigrams (1928) 138: 948:Free scores by Willem Pijper 536:Sonata for two pianos (1935) 371:'s early "cell technique"). 776:(1925) (Euripides/Verhagen) 741:Zestiende-eeuwsch Marialied 729:Vieilles chansons de France 605:Vanden Coning van Castilien 524:Het Patertje Langs den Kant 471:String Quartet No. 5 (1946) 468:String Quartet No. 4 (1928) 465:String Quartet No. 3 (1923) 462:String Quartet No. 2 (1920) 459:String Quartet No. 1 (1914) 451:Phantasie für eine Spieluhr 225:Having the Dutch term for " 1057: 1036:Dutch male opera composers 896:(accessed 10 August 2017). 566:Le marchand de sable geork 1021:Dutch classical composers 130: 690:(1916) (Bertha de Bruyn) 197:Utrecht Academy of Music 668:(1916) (René de Clercq) 639:Die Nächliche Heerschau 626:Pieter Cornelis Boutens 587:(1918) (René de Clercq) 581:(1917) (René de Clercq) 533:Sonata for piano (1930) 250:[ˈʋɪləmˈpɛipər] 1016:Composers for carillon 831:Willem Pijper web page 720: 714:, second series (1935) 618:(1916) (Paul Verlaine) 573:Réveilles-vous piccars 231: 1031:Dutch opera composers 708:, first series (1924) 641:(1922/43) (Carl Löwe) 415:Symphony No. 3 (1926) 412:Symphony No. 2 (1921) 835:Selected recordings 784:Joost van den Vondel 760:/Balthazar Verhagen) 735:Twee Wachterliederen 700:Huit Noëls de France 662:(1914) (H. von Gilm) 645:Romance sans paroles 367:" (somewhat akin to 246:Dutch pronunciation: 43:improve this article 1026:Dutch music critics 941:Het papieren gevaar 794:William Shakespeare 273:Pijper was born at 229:" named after him ( 418:Six Adagios (1940) 380:Matthijs Vermeulen 299:Utrechtsch Dagblad 1041:People from Zeist 330:De Quintencirckel 239: 238: 232:Pijper toonladder 119: 118: 111: 93: 1048: 943:(online at dbnl) 921: 903: 897: 890: 884: 878: 861: 854: 749:Incidental music 723: 718:Oud-Hollandsche 656:Voice and piano 585:Op den Weefstoel 345:Arthurian legend 328:under the title 252: 247: 234: 181: 163:8 September 1894 162: 160: 143: 140: 135: 121: 114: 107: 103: 100: 94: 92: 51: 27: 19: 1056: 1055: 1051: 1050: 1049: 1047: 1046: 1045: 981: 980: 961: 959:Further reading 939:Willem Pijper: 930: 925: 924: 904: 900: 891: 887: 879: 875: 870: 865: 864: 855: 851: 846: 405:Symphony No. 1 396: 387:octatonic scale 369:Igor Stravinsky 357: 343:, based on the 271: 245: 227:octatonic scale 217: 189: 183: 179: 170: 164: 158: 156: 155: 154: 144: 141: 126: 115: 104: 98: 95: 58:"Willem Pijper" 52: 50: 40: 28: 17: 12: 11: 5: 1054: 1052: 1044: 1043: 1038: 1033: 1028: 1023: 1018: 1013: 1008: 1003: 998: 993: 983: 982: 979: 978: 971: 960: 957: 956: 955: 945: 936: 929: 928:External links 926: 923: 922: 909:, p.217, 106. 898: 885: 872: 871: 869: 866: 863: 862: 848: 847: 845: 842: 841: 840: 827: 826: 825: 824: 821:Simon Vestdijk 812: 799: 798: 797: 787: 777: 771: 761: 746: 745: 744: 738: 732: 726: 715: 709: 703: 697: 691: 685: 679: 672:Fêtes Galantes 669: 663: 654: 653: 652: 642: 636: 629: 619: 610: 609: 608: 602: 594: 591:Heer Danielken 588: 582: 576: 569: 563: 554: 553: 552: 549: 546: 543: 540: 537: 534: 531: 511: 510: 509: 504:Passepied for 502: 499: 496: 493: 490: 487: 484: 481: 478: 475: 472: 469: 466: 463: 460: 457: 454: 447: 444: 436: 435: 434: 431: 428: 425: 422: 419: 416: 413: 410: 395: 392: 356: 353: 292:Johan Wagenaar 270: 267: 237: 236: 223: 222:Known for 219: 218: 216: 215: 212: 209: 205: 203: 199: 198: 195: 191: 190: 184: 182:(aged 52) 176: 172: 171: 165: 152: 150: 146: 145: 136: 128: 127: 124: 117: 116: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1053: 1042: 1039: 1037: 1034: 1032: 1029: 1027: 1024: 1022: 1019: 1017: 1014: 1012: 1009: 1007: 1004: 1002: 999: 997: 994: 992: 989: 988: 986: 976: 972: 969: 968: 963: 962: 958: 953: 949: 946: 944: 942: 937: 935: 932: 931: 927: 919: 916: 915:9780191513268 912: 908: 902: 899: 895: 889: 886: 882: 877: 874: 867: 859: 853: 850: 843: 838: 837: 836: 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323: 318: 317:(in Dutch)). 316: 315:De Volkskrant 312: 308: 304: 303:Jan van Gilse 300: 295: 293: 287: 284: 280: 276: 268: 266: 264: 263:music teacher 260: 256: 251: 243: 233: 228: 224: 220: 214:music teacher 213: 210: 207: 206: 204: 200: 196: 192: 188:, Netherlands 187: 178:18 March 1947 177: 173: 169:, Netherlands 168: 151: 147: 134: 129: 125:Willem Pijper 122: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 974: 965: 940: 906: 901: 888: 880: 876: 852: 834: 828: 814: 806: 789: 779: 773: 763: 753: 740: 734: 728: 717: 711: 705: 699: 694:La Maumariée 693: 687: 681: 671: 665: 659: 644: 638: 632: 631:Songs from " 621: 615: 604: 596: 590: 584: 578: 572: 565: 559: 527: 523: 519: 450: 406: 384: 373: 360: 358: 348: 340: 338: 333: 329: 321: 319: 306: 298: 296: 288: 272: 259:music critic 241: 240: 211:music critic 180:(1947-03-18) 105: 99:January 2013 96: 86: 79: 72: 65: 53: 41:Please help 36:verification 33: 996:1947 deaths 991:1894 births 858:mute violin 823:, libretto) 792:(1929–30) ( 790:The Tempest 731:(1918/1946) 725:(1920/1942) 666:Douwdeuntje 660:Allerseelen 633:The Tempest 624:(1941–43) ( 575:" (1932–33) 334:De Stemvork 202:Occupations 142: 1935 985:Categories 868:References 774:De Cycloop 770:/Verhagen) 688:Four Songs 400:Orchestral 307:ad hominem 159:1894-09-08 69:newspapers 768:Euripides 758:Sophocles 696:(1919–20) 571:Chanson " 528:Scharmoes 520:De Boufon 376:polytonal 322:De Muziek 283:Calvinist 194:Education 917:. Also: 808:Halewijn 766:(1924) ( 754:Antigone 674:(1916) ( 506:carillon 255:composer 208:Composer 954:(IMSLP) 950:at the 816:Merlijn 556:Choral 341:Merlijn 326:Querido 279:Utrecht 277:, near 186:Utrecht 137:Pijper 83:scholar 913:  780:Faëton 743:(1929) 737:(1934) 702:(1919) 684:(1923) 607:(1936) 601:(1920) 593:(1925) 516:music 508:(1916) 453:, 1791 409:(1917) 402:music 85:  78:  71:  64:  56:  844:Notes 802:Opera 622:Hymne 514:Piano 365:cells 355:Music 275:Zeist 167:Zeist 90:JSTOR 76:books 911:ISBN 892:See 385:The 332:and 269:Life 261:and 175:Died 149:Born 62:news 407:Pan 361:Pan 313:in 45:by 987:: 526:, 522:, 336:. 257:, 139:c. 920:. 860:. 796:) 786:) 678:) 651:) 628:) 244:( 235:) 161:) 157:( 112:) 106:( 101:) 97:( 87:· 80:· 73:· 66:· 39:.

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"Willem Pijper"
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A man playing a piano
Zeist
Utrecht
octatonic scale
[ˈʋɪləmˈpɛipər]
composer
music critic
music teacher
Zeist
Utrecht
Calvinist
Johan Wagenaar
Jan van Gilse
Article about the Van Gilse/Pijper conflict
De Volkskrant
Querido
Arthurian legend
cells
Igor Stravinsky

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