595:, John Bartlett, and Andre Walker, among many others. While WilliWear was very successful, the company had experienced creative, quality, and merchandising problems in the year before Smith's death. In an effort to remedy these problems, Smith's business partner Laurie Mallet hired a new staff and brought in additional designers in an effort to appeal to a more sophisticated demographic. After Smith's death, Mallet vowed to continue the line. In late 1987 and 1988, she opened WilliWear stores in
440:. From 1982 to 1987, WilliWear showrooms and boutiques in New York City and London were designed by the conceptual design and architecture studio SITE, led by partners Alison Sky and James Wines. For the WilliWear showroom on 209 W 38th Street in New York City, SITE partnered with Smith and Mallet to design a monochrome streetscape with a sidewalk doubling as a runway and chain-link fencing serving as display racks.
566:. Smith also sourced natural fabrics from India for WilliWear collections. The designer blurred the lines of gendered fashion in American sportswear with garments created for both his WilliWear Men's and Women's collections. Smith also played a key role in the democratization of fashion by keeping WilliWear at an affordable price-point, as well as by partnering with pattern companies
165:. As a boy, Smith spent hours sketching on the floor of his home and at the Philadelphia Museum College of Art. When reflecting on his childhood, Smith once stated, "I loved to draw and design clothes, and my mother told me I was born to be an artist or designer." After his parents divorced, his grandmother, Gladys Bush, nurtured and motivated Smith to pursue his dreams in design.
145:, continued the line with various designers creating collections. Without Smith, the company floundered and due to financial problems and poor sales, WilliWear Limited ceased production in 1990. WilliWear was the first clothing company to create womenswear and menswear under the same label. The accessibility and affordability of Smith's clothing helped to democratize fashion.
629:) exhibition Art As Damaged Goods. Smith and Mallet also collaborated with local art galleries, which hosted early WilliWear and WilliWear Productions fashion shows. The line of artist T-shirts for WilliWear Productions was first exhibited at the Ronald Feldman Gallery, then during the Artventure fundraiser hosted at AREA by the Public Art Fund in 1984.
234:. Smith resigned from Digits later that same year and Digits went bankrupt shortly after. In 1974, Smith partnered with his sister Toukie Smith and close friend Harrison Rivera-Terreaux to form his own label Willi Smith Designs, Inc. Unfamiliar at the time with the business aspect of running a label, the company struggled and closed a few months later.
608:
collection. Upon its debut in April, the line was panned by critics. To save money, Mallet closed the WilliWear stores and tried to generate revenue by convincing chain stores to carry the line. Mallet's efforts failed and, in 1990, the women's division of WilliWear ceased production. Shortly thereafter, the men's division also ceased production.
522:. Mallet later said that while the designer was always "fragile" and often too sick to work, she did not feel that he was seriously ill. When asked if Smith had any idea that he had AIDS, Mallet said that Smith never confided this to her, but she felt "maybe he had some idea, some feeling." Smith's funeral was held on April 20 at the
241:) India with Mallet to produce a small collection of women's separates in natural fibers. The collection was a success, and soon after, Smith and Mallet formed the label WilliWear Ltd., with Mallet as President of the company and Willi Smith as Vice President and lead designer. The first Williwear fashion show was held at the
639:, Curator of Contemporary Design, and Hintz Secretarial Scholar at Cooper Hewitt with Curatorial Assistants Julie Pastor and Darnell Jamal Lisby. The collaborative and accessible nature of Willi Smith's work was highlighted through the exhibition and will be incorporated to a greater extent through the
253:
WilliWear produced several hallmark collections from 1982 to 1986, and in 1986 the company reached $ 25 million in sales. Smith and Mallet further enriched the reputation of the brand through artist collaborations. After Smith's death, on April 17, 1987, Mallet continued to run WilliWear. In 1989,
249:
WilliWear was a massive success, providing chic, stylish clothing for the modern woman, and later men, at affordable prices and in natural fabrics. In 1982, Smith produced the first WilliWear men's collection with Stuart Lazar as
Executive Vice President of menswear. Smith also hired Mark Bozek as
217:
In 1967, Smith left
Parsons and pursued a career designing on his own. He first sought design inspiration from what people wore on the streets of New York. He befriended model Bethann Hardison in 1967 after striking up a conversation about her style on the street. Hardison became the fit model for
607:
location was opened before Smith's death which proved to be very successful). However, Mallet struggled to maintain the success the line had when Smith was alive. By 1989, sales had decreased. In
November 1989, Mallet hired then up and coming designer Andre Young to design the line's Fall 1990
579:
and WalkerWear. Smith's gender-neutral collections for WilliWear can be seen as precursors for contemporary gender-neutral brands such as One DNA and the Phluid
Project. Smith's influence can also be seen in brands such as Supreme, Off-White, Telfar, Vaquera, Eckhaus Latta and Pyer Moss.
574:
to produce home sewing patterns of his collections. He sought not to target an exclusive clientele with his work, but instead to ensure that his clothing could be worn by people from varied backgrounds. Smith's label WilliWear set the stage for later streetwear brands such as
141:. At the time of his death, Smith was regarded as one of the most successful African-American designers in the fashion industry. His company, WilliWear Limited, launched in 1976 and by 1986 grossed over $ 25 million in sales. After Smith's death, his business partner,
245:
in the Spring of 1978 and showcased a collection of garments “influenced by nautical uniforms and
Southeast Asian dress.” Subsequent WilliWear fashion shows were held in unconventional locations such as Alvin Ailey Studio and the Puck Building.
624:
exhibition. He designed a two-piece wedding ensemble consisting of “a rajah style jacket in cotton satin and velveteen jodhpurs,” which was prominently displayed during the show. The following year, Smith participated in the
Project Space One
643:, which the public can contribute to. The archive serves as a resource for scholars and enthusiasts to gain greater insight and understanding into the life, work, and legacy of the visionary American designer. Due to the
391:, was the first short film project that WilliWear commissioned to present Smith's clothes in motion on the street and to combine the disciplines of art, fashion, and film in one form. In 1985, Smith also worked with
229:
for his work as lead designer at Digits. In 1973, Smith was nominated for the Coty
American Fashion Critics’ Winnie Award for the second time, and began designing patterns for the commercial pattern company
157:, to Willie Lee Smith, an iron worker, and June Eileen Smith, a homemaker, both of whom were extremely clothes-conscious. Smith's grandmother was the housekeeper for a family that was close with designer
562:
Willi Smith was one of the first
American designers to create clothing inspired by and for everyday people and what they wore on city streets – making his sportswear a bridge to commercial
799:
Willi Smith Coty Award
Biography. 1979. Folder 6. CFDA Lambert, 1944-1979. Gladys Marcus Library Special Collections & College Archives. Fashion Institute of Technology, New York, NY.
309:
Smith and Mallet also collaborated with twenty-one contemporary artists in 1984 to design T-shirts with silk-screened artwork. These T-shirts displayed original work by artists including
1751:
1876:
428:, music by Jorge Socarras, and makeup by Linda Mason. The presentation of the Spring 1983 WilliWear collection "City Island", featured video art, which was created by artist
432:. Other significant WilliWear collections include the Fall 1984 collection "SUB-Urban", Spring 1985 collection "Sightseeing", the 1984 collection for WilliWear Productions’
420:(1987), creating the homecoming court costumes. Elements of film were also included in the presentation of the Fall 1983 WilliWear collection "Street Couture", held at the
270:
Willi Smith was an avid patron of the arts and collaborated with an extensive group of artists from 1973 up until his death in 1987. He designed costumes for choreographer
250:
head of communications for WilliWear that same year. After receiving his fifth Coty Award nomination, Willi Smith won the Coty
American Fashion Critics’ Award in 1983.
225:
in 1970 while Mallet was in New York for a holiday break and hired her as his design assistant at Digits in 1971. The following year, 1972, Smith was nominated for the
1821:
1459:"Art: Commentary: A Stitch in Time : The NAMES Project AIDS Memorial Quilt returns to Washington, its 21,000 panels casting a shadow that reaches the White House"
1846:
518:-related. Smith was apparently unaware that he had contracted the virus and had shown no symptoms. It was only after he was hospitalized that tests revealed he was
514:
in February 1987. He died of pneumonia complicated by shigellosis the following day at the age of 39. According to Smith's lawyer Edward Hayes, Smith's death was
1881:
635:
hosted the first retrospective exhibition on Willi Smith from March 13, 2020. The show was scheduled to end on October 25, 2020. The exhibition was curated by
1816:
1886:
460:
530:, after which his remains were cremated. On May 1, 1987, a memorial service was held for Smith at his alma mater, Parsons The New School for Design.
1871:
1826:
632:
259:
399:, which was shot in Senegal and showcased ensembles inspired by Senegalese street fashion. Expedition debuted in New York at the Ziegfeld theater.
226:
1861:
291:
221:
From 1969 to 1973, Smith worked as lead designer for the junior sportswear label Digits. Smith met future business partner and lifelong friend
720:
1851:
1735:
1603:
1521:
1290:
1213:
1188:
1158:
1096:
963:
938:
898:
90:
775:
1399:
1831:
1782:
583:
Additionally, many young designers and artists worked at WilliWear before launching their own successful careers and labels, including
258:
to revive the brand. Following a poorly received Fall 1990 collection and loss of sales at the Fifth Avenue store, Williwear filed for
1836:
675:
178:
1811:
1493:
1442:
542:
299:
190:
94:
1564:
980:
523:
495:
1341:
1856:
1645:
1594:
Nichols, Elaine; Jones, Adrienne (2020). "Wedding Dress for the Black Fashion Museum". In Cunningham Cameron, Alexandra (ed.).
376:
174:
86:
20:
1841:
1113:
636:
567:
231:
1006:
1866:
379:, and Andrew "Zephyr" Witten. The shirts were a part of the WilliWear Productions’ collection and video presentation
689:
668:
154:
865:
471:
316:
1698:
657:
1230:
255:
161:, and she helped her grandson get an internship with Scaasi. Smith helped with the design of clothing for
1538:
1458:
1310:
1256:
584:
1369:
1806:
1801:
617:
358:
197:. He received two scholarships to fund his studies at Parsons. In 1965, Smith interned for couturier
182:
667:
for women's fashion. He was the second African American designer to win the award, the first being
222:
202:
142:
1087:
Barber, Tiffany E. (2020). "Real Clothes for Real Dance". In Cunningham Cameron, Alexandra (ed.).
839:
1138:
Bozek, Mark (March 9, 1984). "Artist T-shirts" (Press release). New York: WilliWear Productions.
1033:
746:
201:, and began studying fashion design at Parsons in the fall while taking liberal arts classes at
1731:
1599:
1576:
1517:
1489:
1438:
1434:
1427:
1286:
1209:
1184:
1154:
1092:
959:
934:
894:
874:
but his lasting legacy was mentoring burgeoning African American talent, including Willi Smith
644:
444:
338:
1779:
809:
889:
Square, Jonathan (2020). "WilliWear to Streetwear". In Cunningham Cameron, Alexandra (ed.).
551:
452:
448:
162:
138:
1786:
1281:
Earnest, Jarrett (2020). "Willi Smith in Pieces". In Cunningham Cameron, Alexandra (ed.).
271:
352:
194:
125:
1795:
682:
600:
588:
499:
429:
421:
242:
198:
186:
158:
74:
547:
519:
464:
456:
364:
310:
206:
120:
55:
1619:
685:
proclaimed February 23 "Willi Smith Day" in honor of the designer's achievements.
1486:
A History of the Paper Pattern Industry: The Home Dressmaking Fashion Revolution
592:
571:
546:. Smith is also lamented in a poem "Speak: A Poem for the Millennium March", by
503:
425:
416:
392:
688:
In 2002, Smith was honored with a bronze plaque for Fashion Walk of Fame along
664:
563:
534:
388:
370:
332:
326:
1580:
1149:
Silva, Horacio (2020). "Artventure". In Cunningham Cameron, Alexandra (ed.).
1054:
Furman, Phyllis; Moss, Linda (May 20, 1990). "Los of Identity of Williwear".
527:
507:
411:
1671:
1311:"Pioneered 'Street Couture' : Fashion Designer Willi Smith Dies at 39"
1069:
Campbell, Roy H. (June 25, 1990). "Chapter 11 Papers Filed by Williwear".
1429:
Africana: The Encyclopedia of the African and African American Experience
626:
640:
604:
238:
470:
comic in 1987. Smith also designed the uniforms for the workers on
840:"WilliWear Designer Creates 'Basic Clothes with a Sense of Humor'"
596:
511:
483:
1400:"Though The 'Real' Willi Is Gone, Williwear Plans To Forge Ahead"
576:
515:
537:
776:"A Thriving Digital Space for Willi Smith, Streetwear Genius"
721:"Willi Smith, Clothes Designer; Creator of Vivid Sportswear"
237:
Smith continued to design and, in 1976, traveled to Bombay (
137:(February 29, 1948 – April 17, 1987) was an American
1620:"Fashion (Winter 1982): Willi Smith: Art as Damaged Goods"
1370:"Fashion Designer Willi Smith Had AIDS, His Attorney Says"
1204:
Bullock, Michael (2020). "SITE's Iconic Ghost Cityscape".
663:
In September 1983, Smith won an American Fashion Critics'
1646:"Cooper Hewitt to Present "Willi Smith: Street Couture""
981:"Willi Smith Snags a Coty with His Street-Smart Threads"
647:, the exhibit was closed at the end of its opening day.
1007:"Andre Walker: Trying To Put Spunk Back Into WilliWear"
1514:
Free Stylin': How Hip Hop Changed the Fashion Industry
116:
108:
100:
82:
63:
37:
30:
1426:
1231:"Caroline Wants Private Wedding, But Won't Get It"
929:Cunningham Cameron, Alexandra (2020). "Timeline".
451:, in 1986, and designed the wedding dress worn by
1114:"Dance: Jones and Zane Offer 'Secret Pastures'"
1726:Price Alford, Holly; Stegemeyer, Anne (2014).
1488:. New York: Bloomsbury Academic. p. 186.
1208:. New York: Rizzoli Electa. pp. 188–197.
1091:. New York: Rizzoli Electa. pp. 100–111.
554:on Washington for Equality on April 29, 2000.
8:
1877:University of the Arts (Philadelphia) alumni
1730:. Bloomsbury Publishing USA. p. XLIII.
1425:Gates, Henry Louis; Appiah, Anthony (1999),
1285:. New York: Rizzoli Electa. pp. 48–53.
1183:. New York: Rizzoli Electa. pp. 15–16.
402:Smith showcased his designs through film in
443:Additionally, Smith designed the suits for
1364:
1362:
1304:
1302:
27:
1507:
1505:
1335:
1333:
1331:
1153:. New York: Rizzoli Electa. p. 174.
866:"The 25 Greatest Black Fashion Designers"
616:In 1981, Willi Smith participated in the
494:On April 16, 1987, Smith was admitted to
19:For other people with similar names, see
1721:
1719:
1598:. New York: Rizzoli Electa. p. 77.
958:. New York: Rizzoli Electa. p. 12.
933:. New York: Rizzoli Electa. p. 18.
893:. New York: Rizzoli Electa. p. 71.
656:Smith earned two scholarships to attend
633:Cooper Hewitt, Smithsonian Design Museum
1822:AIDS-related deaths in New York (state)
1672:"Willi Smith Digital Community Archive"
1539:"Toukie Smith Puts New Angles on Style"
1457:Knight, Christopher (October 4, 1992).
1393:
1391:
702:
298:(1984), as well as for Ellen Stewart's
1847:Deaths from pneumonia in New York City
1565:"Strapped Williwear Hangs By a Thread"
1537:Hawkins, Timothy (February 23, 1990).
1179:Cunningham Cameron, Alexandra (2020).
1112:Kisselgoff, Anna (November 17, 1984).
979:Shapiro, Harriet (November 14, 1983).
954:Cunningham Cameron, Alexandra (2020).
714:
712:
710:
708:
706:
292:Bill T. Jones/Arnie Zane Dance Company
1340:Smith, Marguerite T. (May 17, 1987).
1174:
1172:
1170:
1082:
1080:
1032:Hochswender, Woody (April 10, 1990).
641:Willi Smith Digital Community Archive
290:Smith also designed costumes for the
16:American fashion designer (1948–1987)
7:
1882:20th-century African-American people
1005:Chua, Lawrence (November 23, 1989).
924:
922:
920:
918:
916:
914:
912:
910:
884:
882:
833:
831:
769:
767:
227:Coty American Fashion Critics’ Award
218:Smith's designs and a close friend.
745:Hochswender, Woody (June 5, 1990).
1817:African-American fashion designers
1398:Buck, Genevieve (April 29, 1987).
864:Deleon, Jian (February 28, 2013).
838:Rayner, Polly (October 21, 1984).
681:In 1988, then New York City mayor
447:and his groomsmen when he married
179:Philadelphia Museum College of Art
14:
1887:20th-century American LGBT people
1699:"Coty Winners: Smith and Flusser"
1697:Duka, John (September 30, 1983).
1563:Walls, Jeanette (June 11, 1990).
1309:Belcher, Jerry (April 20, 1987).
1206:Willi Smith : Street Couture
543:NAMES Project AIDS Memorial Quilt
510:while on a fabric buying trip to
300:La MaMa Experimental Theatre Club
191:Parsons The New School for Design
95:Parsons The New School for Design
719:James, George (April 19, 1987).
524:Frank E. Campbell Funeral Chapel
424:, and incorporated video art by
193:, the art and design college of
173:Smith studied commercial art at
1872:Parsons School of Design alumni
1827:American fashion businesspeople
1575:(23). New York Media, LLC: 14.
1433:, Basic Civitas Books, p.
1342:"Sustaining Williwear's Spirit"
1255:Gross, Michael (June 2, 1987).
1229:Slagle, Alton (July 19, 1986).
774:Dorris, Jesse (July 11, 2020).
622:Bridal Gowns of Black Designers
410:(1985), as well as for film in
262:and ceased production in 1990.
676:Cutty Sark Men's Fashion Award
540:, has a panel in the original
436:, and the 1985 collection for
284:Take-Off From a Forced Landing
209:had served as Smith's mentor.
175:Mastbaum Technical High School
87:Mastbaum Technical High School
21:William Smith (disambiguation)
1:
1862:LGBT people from Pennsylvania
550:, read by its author for the
466:The Amazing Spider-Man Annual
1852:African-American LGBT people
1516:. ABC-CLIO. pp. 37–44.
637:Alexandra Cunningham Cameron
1596:Willi Smith: Street Couture
1283:Willi Smith: Street Couture
1181:Willi Smith: Street Couture
1151:Willi Smith: Street Couture
1089:Willi Smith: Street Couture
956:Willi Smith: Street Couture
931:Willi Smith: Street Couture
891:Willi Smith: Street Couture
1903:
1832:American fashion designers
155:Philadelphia, Pennsylvania
18:
1837:Artists from Philadelphia
1785:October 31, 2006, at the
1257:"Spider-Man to Wed Model"
1071:The Philadelphia Inquirer
472:Jeanne-Claude and Christo
395:to direct the short film
1812:African-American artists
658:Parsons School of Design
496:Mt. Sinai Medical Center
1011:St. Louis Post-Dispatch
128:(former brother-in-law)
1857:LGBT fashion designers
1512:Romero, Elena (2012).
254:Mallet hired designer
91:University of the Arts
674:In 1985, Smith won a
585:Antthony Mark Hankins
474:'s 1983 installation
260:Chapter 11 bankruptcy
243:Holly Solomon Gallery
181:, taking a course in
1842:American gay artists
1728:Who's Who In Fashion
1406:. chicagotribune.com
645:coronavirus pandemic
618:Black Fashion Museum
280:The Deep South Suite
183:fashion illustration
58:, Pennsylvania, U.S.
1484:Emery, Joy (2014).
203:New York University
185:. He then moved to
135:Willi Donnell Smith
42:Willi Donnell Smith
1867:Menswear designers
1678:. December 3, 2019
1626:. January 17, 1982
1261:The New York Times
1118:The New York Times
751:The New York Times
725:The New York Times
502:after contracting
476:Surrounded Islands
461:a live performance
348:Jose Gracia Severo
153:Smith was born in
1737:978-1-609-01969-3
1605:978-0-8478-6819-3
1569:New York Magazine
1543:Los Angeles Times
1523:978-0-313-38646-6
1463:Los Angeles Times
1374:Los Angeles Times
1315:Los Angeles Times
1292:978-0-8478-6819-3
1215:978-0-8478-6819-3
1190:978-0-8478-6819-3
1160:978-0-8478-6819-3
1098:978-0-8478-6819-3
965:978-0-8478-6819-3
940:978-0-8478-6819-3
900:978-0-8478-6819-3
480:Pont Neuf Wrapped
455:when she married
445:Edwin Schlossberg
339:Edwin Schlossberg
132:
131:
112:WilliWear Limited
52:February 29, 1948
1894:
1767:
1766:
1764:
1762:
1748:
1742:
1741:
1723:
1714:
1713:
1711:
1709:
1694:
1688:
1687:
1685:
1683:
1676:cooperhewitt.org
1668:
1662:
1661:
1659:
1657:
1650:cooperhewitt.org
1642:
1636:
1635:
1633:
1631:
1616:
1610:
1609:
1591:
1585:
1584:
1560:
1554:
1553:
1551:
1549:
1534:
1528:
1527:
1509:
1500:
1499:
1481:
1475:
1474:
1472:
1470:
1454:
1448:
1447:
1432:
1422:
1416:
1415:
1413:
1411:
1395:
1386:
1385:
1383:
1381:
1376:. April 24, 1987
1366:
1357:
1356:
1354:
1352:
1337:
1326:
1325:
1323:
1321:
1306:
1297:
1296:
1278:
1272:
1271:
1269:
1267:
1252:
1246:
1245:
1243:
1241:
1226:
1220:
1219:
1201:
1195:
1194:
1176:
1165:
1164:
1146:
1140:
1139:
1135:
1129:
1128:
1126:
1124:
1109:
1103:
1102:
1084:
1075:
1074:
1066:
1060:
1059:
1051:
1045:
1044:
1042:
1040:
1029:
1023:
1022:
1020:
1018:
1002:
996:
995:
993:
991:
976:
970:
969:
951:
945:
944:
926:
905:
904:
886:
877:
876:
861:
855:
854:
852:
850:
844:The Morning Call
835:
826:
825:
823:
821:
806:
800:
797:
791:
790:
788:
786:
771:
762:
761:
759:
757:
742:
736:
735:
733:
731:
716:
552:Millennium March
453:Mary Jane Watson
449:Caroline Kennedy
434:Made in New York
404:Made in New York
385:Made in New York
381:Made in New York
304:Cotton-Club Gala
163:Elizabeth Taylor
139:fashion designer
104:Fashion designer
70:
51:
49:
28:
1902:
1901:
1897:
1896:
1895:
1893:
1892:
1891:
1792:
1791:
1787:Wayback Machine
1780:Willi Smith bio
1776:
1771:
1770:
1760:
1758:
1750:
1749:
1745:
1738:
1725:
1724:
1717:
1707:
1705:
1696:
1695:
1691:
1681:
1679:
1670:
1669:
1665:
1655:
1653:
1652:. July 24, 2019
1644:
1643:
1639:
1629:
1627:
1618:
1617:
1613:
1606:
1593:
1592:
1588:
1562:
1561:
1557:
1547:
1545:
1536:
1535:
1531:
1524:
1511:
1510:
1503:
1496:
1483:
1482:
1478:
1468:
1466:
1456:
1455:
1451:
1445:
1424:
1423:
1419:
1409:
1407:
1404:Chicago Tribune
1397:
1396:
1389:
1379:
1377:
1368:
1367:
1360:
1350:
1348:
1339:
1338:
1329:
1319:
1317:
1308:
1307:
1300:
1293:
1280:
1279:
1275:
1265:
1263:
1254:
1253:
1249:
1239:
1237:
1228:
1227:
1223:
1216:
1203:
1202:
1198:
1191:
1178:
1177:
1168:
1161:
1148:
1147:
1143:
1137:
1136:
1132:
1122:
1120:
1111:
1110:
1106:
1099:
1086:
1085:
1078:
1073:. pp. 4-E.
1068:
1067:
1063:
1058:. pp. L-5.
1053:
1052:
1048:
1038:
1036:
1031:
1030:
1026:
1016:
1014:
1013:. pp. 24WF
1004:
1003:
999:
989:
987:
978:
977:
973:
966:
953:
952:
948:
941:
928:
927:
908:
901:
888:
887:
880:
863:
862:
858:
848:
846:
837:
836:
829:
819:
817:
816:. July 24, 2019
808:
807:
803:
798:
794:
784:
782:
773:
772:
765:
755:
753:
744:
743:
739:
729:
727:
718:
717:
704:
699:
669:Stephen Burrows
653:
614:
560:
533:Smith, who was
492:
478:as well as for
296:Secret Pastures
294:’s performance
274:’s productions
272:Dianne McIntyre
268:
215:
171:
151:
124:
93:
89:
78:
72:
68:
59:
53:
47:
45:
44:
43:
33:
24:
17:
12:
11:
5:
1900:
1898:
1890:
1889:
1884:
1879:
1874:
1869:
1864:
1859:
1854:
1849:
1844:
1839:
1834:
1829:
1824:
1819:
1814:
1809:
1804:
1794:
1793:
1790:
1789:
1775:
1774:External links
1772:
1769:
1768:
1743:
1736:
1715:
1703:New York Times
1689:
1663:
1637:
1611:
1604:
1586:
1555:
1529:
1522:
1501:
1494:
1476:
1449:
1443:
1417:
1387:
1358:
1346:New York Times
1327:
1298:
1291:
1273:
1247:
1221:
1214:
1196:
1189:
1166:
1159:
1141:
1130:
1104:
1097:
1076:
1061:
1046:
1024:
997:
971:
964:
946:
939:
906:
899:
878:
856:
827:
801:
792:
780:The New Yorker
763:
737:
701:
700:
698:
695:
694:
693:
690:Seventh Avenue
686:
679:
672:
661:
652:
649:
613:
610:
559:
556:
491:
488:
387:, directed by
353:Barbara Kruger
302:'s production
267:
266:Collaborations
264:
214:
211:
195:The New School
170:
167:
150:
147:
130:
129:
126:Robert De Niro
118:
114:
113:
110:
106:
105:
102:
98:
97:
84:
80:
79:
73:
71:(aged 39)
67:April 17, 1987
65:
61:
60:
54:
41:
39:
35:
34:
31:
15:
13:
10:
9:
6:
4:
3:
2:
1899:
1888:
1885:
1883:
1880:
1878:
1875:
1873:
1870:
1868:
1865:
1863:
1860:
1858:
1855:
1853:
1850:
1848:
1845:
1843:
1840:
1838:
1835:
1833:
1830:
1828:
1825:
1823:
1820:
1818:
1815:
1813:
1810:
1808:
1805:
1803:
1800:
1799:
1797:
1788:
1784:
1781:
1778:
1777:
1773:
1757:
1753:
1747:
1744:
1739:
1733:
1729:
1722:
1720:
1716:
1704:
1700:
1693:
1690:
1677:
1673:
1667:
1664:
1651:
1647:
1641:
1638:
1625:
1621:
1615:
1612:
1607:
1601:
1597:
1590:
1587:
1582:
1578:
1574:
1570:
1566:
1559:
1556:
1544:
1540:
1533:
1530:
1525:
1519:
1515:
1508:
1506:
1502:
1497:
1495:9780857858313
1491:
1487:
1480:
1477:
1464:
1460:
1453:
1450:
1446:
1444:0-465-00071-1
1440:
1436:
1431:
1430:
1421:
1418:
1405:
1401:
1394:
1392:
1388:
1375:
1371:
1365:
1363:
1359:
1347:
1343:
1336:
1334:
1332:
1328:
1316:
1312:
1305:
1303:
1299:
1294:
1288:
1284:
1277:
1274:
1262:
1258:
1251:
1248:
1236:
1232:
1225:
1222:
1217:
1211:
1207:
1200:
1197:
1192:
1186:
1182:
1175:
1173:
1171:
1167:
1162:
1156:
1152:
1145:
1142:
1134:
1131:
1119:
1115:
1108:
1105:
1100:
1094:
1090:
1083:
1081:
1077:
1072:
1065:
1062:
1057:
1050:
1047:
1035:
1028:
1025:
1012:
1008:
1001:
998:
986:
982:
975:
972:
967:
961:
957:
950:
947:
942:
936:
932:
925:
923:
921:
919:
917:
915:
913:
911:
907:
902:
896:
892:
885:
883:
879:
875:
871:
867:
860:
857:
845:
841:
834:
832:
828:
815:
814:newschool.edu
811:
810:"Willi Smith"
805:
802:
796:
793:
781:
777:
770:
768:
764:
752:
748:
741:
738:
726:
722:
715:
713:
711:
709:
707:
703:
696:
691:
687:
684:
683:David Dinkins
680:
677:
673:
670:
666:
662:
659:
655:
654:
650:
648:
646:
642:
638:
634:
630:
628:
623:
619:
611:
609:
606:
602:
601:New York City
598:
594:
590:
589:James Mischka
586:
581:
578:
573:
569:
565:
557:
555:
553:
549:
545:
544:
539:
536:
531:
529:
525:
521:
517:
513:
509:
505:
501:
500:New York City
497:
489:
487:
485:
481:
477:
473:
469:
467:
462:
458:
454:
450:
446:
441:
439:
435:
431:
430:Nam June Paik
427:
423:
422:Puck Building
419:
418:
413:
409:
405:
400:
398:
394:
390:
386:
382:
378:
375:
372:
369:
366:
363:
360:
359:Lynn Hershman
357:
354:
351:
347:
343:
340:
337:
334:
331:
328:
325:
321:
318:
315:
312:
307:
305:
301:
297:
293:
289:
285:
281:
277:
273:
265:
263:
261:
257:
251:
247:
244:
240:
235:
233:
228:
224:
223:Laurie Mallet
219:
212:
210:
208:
204:
200:
199:Arnold Scaasi
196:
192:
188:
187:New York City
184:
180:
177:and attended
176:
168:
166:
164:
160:
159:Arnold Scaasi
156:
148:
146:
144:
143:Laurie Mallet
140:
136:
127:
122:
119:
115:
111:
107:
103:
99:
96:
92:
88:
85:
81:
76:
75:New York City
66:
62:
57:
40:
36:
29:
26:
22:
1759:. Retrieved
1755:
1746:
1727:
1706:. Retrieved
1702:
1692:
1680:. Retrieved
1675:
1666:
1654:. Retrieved
1649:
1640:
1628:. Retrieved
1623:
1614:
1595:
1589:
1572:
1568:
1558:
1546:. Retrieved
1542:
1532:
1513:
1485:
1479:
1467:. Retrieved
1462:
1452:
1428:
1420:
1408:. Retrieved
1403:
1378:. Retrieved
1373:
1349:. Retrieved
1345:
1318:. Retrieved
1314:
1282:
1276:
1264:. Retrieved
1260:
1250:
1238:. Retrieved
1235:Sun Sentinel
1234:
1224:
1205:
1199:
1180:
1150:
1144:
1133:
1121:. Retrieved
1117:
1107:
1088:
1070:
1064:
1055:
1049:
1037:. Retrieved
1027:
1015:. Retrieved
1010:
1000:
988:. Retrieved
984:
974:
955:
949:
930:
890:
873:
869:
859:
847:. Retrieved
843:
818:. Retrieved
813:
804:
795:
783:. Retrieved
779:
754:. Retrieved
750:
740:
728:. Retrieved
724:
631:
621:
615:
582:
561:
548:Keith Boykin
541:
532:
520:HIV positive
493:
479:
475:
465:
457:Peter Parker
442:
437:
433:
415:
407:
403:
401:
396:
384:
380:
377:Dan Friedman
373:
367:
365:Jenny Holzer
361:
355:
349:
345:
341:
335:
329:
323:
319:
313:
311:Keith Haring
308:
303:
295:
287:
283:
282:(1976), and
279:
276:The Lost Sun
275:
269:
256:Andre Walker
252:
248:
236:
220:
216:
207:Arthur McGee
172:
152:
134:
133:
121:Toukie Smith
69:(1987-04-17)
56:Philadelphia
25:
1807:1987 deaths
1802:1948 births
1761:October 12,
1708:January 22,
1682:January 16,
1656:January 16,
1630:January 16,
1548:January 22,
1469:January 22,
1465:. p. 2
1410:January 22,
1380:January 21,
1351:January 22,
1320:January 21,
1266:January 16,
1240:January 16,
1123:January 16,
990:January 16,
849:January 16,
820:January 15,
756:January 16,
730:January 15,
612:Exhibitions
593:Jon Coffelt
504:shigellosis
426:Juan Downey
417:School Daze
406:(1984) and
393:Max Vadukul
205:. Designer
149:Early years
32:Willi Smith
1796:Categories
1056:The Record
1034:"Patterns"
985:people.com
747:"Patterns"
697:References
665:Coty Award
564:streetwear
486:, France.
482:(1985) in
438:Expedition
408:Expedition
397:Expedition
389:Les Levine
344:Kim Steele
333:Les Levine
327:Suzan Pitt
101:Occupation
48:1948-02-29
1581:0028-7369
1039:March 13,
1017:March 14,
568:Butterick
528:Manhattan
508:pneumonia
463:based on
412:Spike Lee
371:Tod Siler
232:Butterick
189:to go to
169:Education
117:Relatives
83:Education
1783:Archived
1756:cfda.com
1624:moma.org
785:July 14,
660:in 1965.
627:MoMA PS1
572:McCall's
383:(1984).
306:(1985).
278:(1973),
123:(sister)
870:Complex
317:Christo
1752:"CFDA"
1734:
1602:
1579:
1520:
1492:
1441:
1289:
1212:
1187:
1157:
1095:
962:
937:
897:
651:Awards
605:London
558:Legacy
535:openly
286:(1984)
239:Mumbai
213:Career
77:, U.S.
597:Paris
512:India
490:Death
484:Paris
109:Label
1763:2020
1732:ISBN
1710:2017
1684:2020
1658:2020
1632:2020
1600:ISBN
1577:ISSN
1550:2017
1518:ISBN
1490:ISBN
1471:2017
1439:ISBN
1412:2017
1382:2017
1353:2017
1322:2017
1287:ISBN
1268:2020
1242:2020
1210:ISBN
1185:ISBN
1155:ISBN
1125:2020
1093:ISBN
1041:2024
1019:2024
992:2020
960:ISBN
935:ISBN
895:ISBN
851:2020
822:2020
787:2020
758:2020
732:2020
599:and
577:FUBU
570:and
516:AIDS
506:and
322:SITE
64:Died
38:Born
1435:774
620:’s
603:(a
538:gay
526:in
498:in
468:#21
459:in
414:’s
1798::
1754:.
1718:^
1701:.
1674:.
1648:.
1622:.
1573:23
1571:.
1567:.
1541:.
1504:^
1461:.
1437:,
1402:.
1390:^
1372:.
1361:^
1344:.
1330:^
1313:.
1301:^
1259:.
1233:.
1169:^
1116:.
1079:^
1009:.
983:.
909:^
881:^
872:.
868:.
842:.
830:^
812:.
778:.
766:^
749:.
723:.
705:^
591:,
587:,
1765:.
1740:.
1712:.
1686:.
1660:.
1634:.
1608:.
1583:.
1552:.
1526:.
1498:.
1473:.
1414:.
1384:.
1355:.
1324:.
1295:.
1270:.
1244:.
1218:.
1193:.
1163:.
1127:.
1101:.
1043:.
1021:.
994:.
968:.
943:.
903:.
853:.
824:.
789:.
760:.
734:.
692:.
678:.
671:.
625:(
374:,
368:,
362:,
356:,
350:,
346:,
342:,
336:,
330:,
324:,
320:,
314:,
288:.
50:)
46:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.