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William O. Beeman

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treats indigenous performance traditions of Iran. An important aspect of Beeman's work has been in the field of performance studies, particularly the study of non-Western theatrical traditions. In Iran, this includes the Iranian ritual passion drama,
408:, where he was Chair of the Department of Anthropology for 13 years until his retirement in 2000. For 34 years previous to his appointment in Minnesota he was Professor of Anthropology; Theatre, Speech and Dance; and East Asian Studies at 350:, where he was Chair of the Department of Anthropology for 13 years until his retirement in 2020. He has authored many articles and fourteen books on Iranian politics, theatre, language, and culture. 439:, and its effects on national attitudes toward the Bush administration's policy towards Iran, as well as the possibility of military conflict between the two nations. His publication, 458:) He has also studied traditional performance in Japan, China and South Asia. His interest in the art world is also shown in his contribution to the co-authored volume 927: 967: 957: 937: 972: 952: 194: 94: 74: 702:
He also holds courtesy appointments in Music and in Theatre Arts and Dance. He is a linguistic anthropologist and a professional opera singer.
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Helfgot, Daniel, and William O. Beeman. 1993. The Third Line: The Opera Performer as Interpreter. New York: Schirmer Books .
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Understanding Ourselves: Theory and Method in the Anthropology of Contemporary Western Society. Papers by Margaret Mead
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Beeman, William O. 2000. Introduction: Margaret Mead and Cultural Studies. In William O. Beeman, ed.
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Understanding Ourselves: Theory and Method in the Anthropology of Contemporary Western Society
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starting in 1968, where he received his Master's degree in 1972 and his Ph.D. degree in 1976.
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The "Great Satan" vs. the "Mad Mullahs": How the United States and Iran Demonize Each Other
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The "Great Satan" vs. the "Mad Mullahs": How the United States and Iran Demonize Each Other
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Beeman, William O. 2003. Introduction: Margaret Mead: America's Premier Analyst. in
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the ritual use of language to mark social hierarchy and politeness. His book,
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contentious material about living people that is unsourced or poorly sourced.
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He is also a professional opera singer; from 1996 until 1999 he sang
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Bakewell, Elizabeth, William O. Beeman, and Carol McMichael Reese.
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in 1964. In his final year of high school from 1963-64 he was an
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from the article and its talk page, especially if potentially
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William O. Beeman published papers op-eds and lectures
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Object, Image and Inquiry: The Art Historian at Work
420:) in the Institute of Social and Cultural Sciences. 656:Bonine, Michael E.; Keddie, Nikki R. (1981-01-01). 464:
The Third Line: The Opera Performer as Interpreter.
323: 308: 300: 285: 269: 806:Object, image, inquiry: The art historian at work. 687:"Notes from the Field with Dr. William O. Beeman" 743:Exotic No More: Anthropology on the Front Lines 450:and the comic improvisatory theatre tradition, 503:Culture, Performance and Communication in Iran 338:is an American scholar whose specialty is the 8: 858:Wesleyan International Relations Association 740:MacClancy, Jeremy; Bennett, Gillian (2002). 423:Beeman's study of Iranian sociolinguistics, 382:where he attended Leopoldinum II Gymnasium. 53:Learn how and when to remove these messages 770:Bloomington, IN: Indiana University Press. 277: 266: 97:about living persons that is unsourced or 255:Learn how and when to remove this message 237:Learn how and when to remove this message 168:Learn how and when to remove this message 560:. Chicago: University of Chicago Press. 491:; the two had been together since 1984. 882:digitaleditions.walsworthprintgroup.com 593: 468:An admirer of the late anthropologist, 828:The Study of Culture at a Distance< 928:21st-century American anthropologists 7: 843:New York: Berghahn Books, pp. x-xxii 768:Language, Status, and Power in Iran. 716:Guide to Departments of Anthropology 681: 679: 651: 649: 647: 619: 617: 615: 968:21st-century American opera singers 425:Language, Status, and Power in Iran 787:. Florida Public Radio. 2017-04-24 520:Language, Status and Power in Iran 474:The Study of Culture at a Distance 14: 958:American male non-fiction writers 907:Culture and International Affairs 393:. He studied Anthropology at the 304:William Orman Beeman, W.O. Beeman 34:This article has multiple issues. 938:Linguists from the United States 400:Beeman is Professor Emeritus of 206:, as its only attribution is to 184: 64: 23: 973:University of Minnesota faculty 953:American foreign policy writers 878:"MAA Focus February/March 2019" 746:. University of Chicago Press. 602:A history of Libya and blowback 42:or discuss these issues on the 539:Iranian Performance Traditions 487:in Europe. In 2014 he married 441:Iranian Performance Traditions 342:. He is Professor Emeritus of 1: 691:Religious Studies at UC Davis 600:Elliott, Justin (2011-03-21) 215:reliable, independent sources 983:University of Chicago alumni 195:biography of a living person 75:biography of a living person 662:. SUNY Press. p. 447. 627:The Persian Gulf in History 556:Beeman, William O. (2008). 537:Beeman, William O. (2011). 518:Beeman, William O. (1986). 501:Beeman, William O. (1982). 102:must be removed immediately 1009: 978:Wesleyan University alumni 963:American male stage actors 766:Beeman, William O., 1986. 414:Reza Shah Kabir University 370:, where he graduated from 808:Getty Publications, 1988. 630:. Springer. p. 311. 624:Potter, L. (2009-01-05). 387:linguistic anthropologist 372:Tulsa Central High School 276: 943:Brown University faculty 933:Cultural anthropologists 418:University of Mazandaran 385:Beeman was trained as a 406:University of Minnesota 348:University of Minnesota 318:University of Minnesota 659:Modern Iran Dialectics 376:American Field Service 312:Professor Emeritus of 213:Please help by adding 208:self-published sources 89:Please help by adding 948:American Iranologists 395:University of Chicago 378:exchange student in 364:Roeland Park, Kansas 336:William Orman Beeman 271:William Orman Beeman 95:Contentious material 391:Wesleyan University 117:"William O. Beeman" 437:Iranian Revolution 220: 219:Immediately remove 210: 905:Beeman's weblog: 753:978-0-226-50012-6 669:978-0-87395-465-5 637:978-0-230-61845-9 360:Manhattan, Kansas 333: 332: 293:Manhattan, Kansas 265: 264: 257: 247: 246: 239: 218: 198:needs additional 197: 178: 177: 170: 152: 78:needs additional 57: 1000: 892: 891: 889: 888: 874: 868: 867: 865: 864: 850: 844: 837: 831: 824: 818: 815: 809: 802: 796: 795: 793: 792: 777: 771: 764: 758: 757: 737: 731: 730: 711: 705: 704: 699: 698: 683: 674: 673: 653: 642: 641: 621: 610: 598: 571: 552: 533: 514: 410:Brown University 380:Detmold, Germany 362:, he grew up in 301:Other names 281: 267: 260: 253: 242: 235: 231: 228: 222: 188: 187: 180: 173: 166: 162: 159: 153: 151: 110: 91:reliable sources 68: 67: 60: 49: 27: 26: 19: 16:American scholar 1008: 1007: 1003: 1002: 1001: 999: 998: 997: 918: 917: 901: 896: 895: 886: 884: 876: 875: 871: 862: 860: 852: 851: 847: 838: 834: 825: 821: 816: 812: 803: 799: 790: 788: 779: 778: 774: 765: 761: 754: 739: 738: 734: 727: 713: 712: 708: 696: 694: 685: 684: 677: 670: 655: 654: 645: 638: 623: 622: 613: 599: 595: 590: 582:Persian theatre 578: 568: 555: 549: 536: 530: 517: 500: 497: 456:Persian theater 368:Tulsa, Oklahoma 356: 296: 290: 272: 261: 250: 249: 248: 243: 232: 226: 223: 212: 189: 185: 174: 163: 157: 154: 111: 109: 88: 69: 65: 28: 24: 17: 12: 11: 5: 1006: 1004: 996: 995: 990: 985: 980: 975: 970: 965: 960: 955: 950: 945: 940: 935: 930: 920: 919: 916: 915: 910: 900: 899:External links 897: 894: 893: 869: 845: 832: 819: 810: 797: 772: 759: 752: 732: 725: 706: 675: 668: 643: 636: 611: 592: 591: 589: 586: 585: 584: 577: 574: 573: 572: 567:978-0226041476 566: 553: 548:978-1568592169 547: 534: 529:978-0253331397 528: 515: 496: 493: 416:(now known as 355: 352: 331: 330: 325: 324:Known for 321: 320: 310: 306: 305: 302: 298: 297: 291: 287: 283: 282: 274: 273: 270: 263: 262: 245: 244: 192: 190: 183: 176: 175: 99:poorly sourced 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1005: 994: 991: 989: 988:Living people 986: 984: 981: 979: 976: 974: 971: 969: 966: 964: 961: 959: 956: 954: 951: 949: 946: 944: 941: 939: 936: 934: 931: 929: 926: 925: 923: 914: 911: 909: 908: 903: 902: 898: 883: 879: 873: 870: 859: 855: 849: 846: 842: 836: 833: 829: 823: 820: 814: 811: 807: 801: 798: 786: 782: 776: 773: 769: 763: 760: 755: 749: 745: 744: 736: 733: 728: 722: 718: 717: 710: 707: 703: 692: 688: 682: 680: 676: 671: 665: 661: 660: 652: 650: 648: 644: 639: 633: 629: 628: 620: 618: 616: 612: 609: 608: 603: 597: 594: 587: 583: 580: 579: 575: 569: 563: 559: 554: 550: 544: 540: 535: 531: 525: 521: 516: 512: 508: 504: 499: 498: 494: 492: 490: 486: 485:operatic bass 481: 479: 475: 471: 470:Margaret Mead 466: 465: 461: 457: 453: 449: 448: 442: 438: 434: 430: 426: 421: 419: 415: 411: 407: 403: 398: 396: 392: 388: 383: 381: 377: 373: 369: 365: 361: 353: 351: 349: 345: 341: 337: 329: 326: 322: 319: 315: 311: 307: 303: 299: 294: 289:April 1, 1947 288: 284: 280: 275: 268: 259: 256: 241: 238: 230: 216: 209: 205: 201: 196: 191: 182: 181: 172: 169: 161: 150: 147: 143: 140: 136: 133: 129: 126: 122: 119: –  118: 114: 113:Find sources: 107: 103: 100: 96: 92: 86: 85: 81: 76: 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 906: 885:. 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