Knowledge (XXG)

William Walker (baritone)

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Focusing mostly on the standard Italian and French repertory, Walker led the company through "seven seasons of rising artistry and record audiences," ultimately increasing season subscriptions, wiping out deficits, and bolstering the company's annual budget and its endowment to what were then record
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Even when he was still at the Met and working with world-class stage directors and designers, Walker believed that great singing was what made great opera. "'That's what opera's all about, you know: let the opera singer sing and opera will flourish.'" When he began to produce opera in Fort Worth,
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In 1998, despite the successes achieved under Walker's tenure, the executive committee of the larger Fort Worth Opera board of directors attempted to force Walker to retire, but their decision was overridden by a vote of the full board. "I'm the happiest man in America," Walker said at the time.
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Walker retired from singing in 1982. In 1970, Walker was named Distinguished Alumnus of the Year by his alma mater, Texas Christian University. In 1980, he was named the Hearndon Distinguished Visiting Professor of Music at Texas Christian University and taught master classes in performance for
442:. With a technique considered innovative at the time, Walker addressed his recital audiences directly from the stage, interspersing his songs with funny, often self-deprecating stories, making him a more accessible performer to his audiences then the stereotypically aloof classical artist. 27: 600:
In 2007, Walker and his wife, Marci, celebrated their 50th wedding anniversary. The couple had four children and three grandchildren. One of his sons, popularly known by the pseudonym "Wammo", was a co-founder, songwriter and performer with the
521:"This is the job I prepared for my whole life. I can't wait to get started again." Walker's contract was extended until 2002, when he retired and was named Executive Director Emeritus by the Fort Worth Opera board of directors. 911: 429:
From 1969 to 1976, Walker gave more than 250 solo recitals in the United States and Canada, performing classical operatic arias, art songs and American musical show stoppers, most memorably "Soliloquy" from
73:. After watching him strike out four times one night at a high school game, Walker's father suggested that perhaps his son should think more seriously about being a singer. In 1949, upon graduation from 199:—where Walker appeared some 60 times – led to a higher profile in his opera career. During his 18 seasons there, Walker gave more than 360 performances at the Met and sang the role of Marcello in 388:, Chancellor of West Germany. In 1976, under the auspices of the U.S. State department, Walker was sent abroad to perform as a representative of the United States. In addition to recitals in 41:(1962–1980) whose singing career included performances at the White House, at Carnegie Hall and other concert venues across North America and Europe, and some 60 appearances on 916: 505:
Walker capitalized on this philosophy of "a singer's opera" by recognizing the opportunity for Fort Worth Opera to be a showcase for up-and-coming vocal talent.
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Other recordings and career memorabilia are on deposit in the William Walker Collection at the library at Texas Christian University, Fort Worth, Texas.
896: 621:"Baritone sang on one of opera's biggest stages: the Met in New York," Chris Vaughn, Fort Worth Star Telegram, 04/12/2010, accessed via web 04/18/2010 134:. He was listed in the program as "Bill Walker". A frequent performer in summer stock during the 1960s, Walker sang in many performances with the 901: 195: 381: 380:
Walker's career included performances at the White House: In 1967 during the Johnson administration he was the principal entertainer at the
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for meritorious service. Upon his honorable discharge, Walker returned to Fort Worth, completed his bachelor's in voice and graduated from
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levels. During Walker's tenure, Fort Worth Opera joined other major Fort Worth performing arts organizations (Fort Worth Symphony,
891: 139: 69:. Known as "Bill" to his family and friends, Walker began singing professionally at the age of 12 but secretly yearned to play 20: 513:, the Van Cliburn International Piano Competition and Cliburn Concerts series) when they moved into their permanent home at 731: 74: 334: 143: 921: 236: 716: 328: 93: 78: 206:
In 1965, Walker was featured in two new productions at the Met. He was selected to sing the role of Valentin in
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shows on file at the Paley Center for Media (formerly the Museum of Television and Radio) in New York. New York
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several years. He also taught master classes as the Carol Kyle Distinguished Visiting Professor of Music at
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In 1991, Walker returned to his hometown of Fort Worth to accept the position of General Director of the
514: 450: 292: 756:"Singing a happy tune: William Walker aims to bolster reputation of Fort Worth Opera," Wayne Lee Gay, 881: 876: 510: 265:. The following season, Walker stepped in for an ailing colleague and sang the role of Germont in 446: 397: 374: 276: 223: 45:. From 1991-2002, he produced opera as General Director of Fort Worth Opera in Fort Worth, Texas. 181:. His first roles at the Met were small ones, but subsequent exposure on television shows such as 432: 178: 166: 38: 26: 575: 350: 227: 110: 89: 84:
His studies were interrupted when he was drafted into the U.S. Army and sent to serve in the
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In 1975 when the Met toured Japan for the first time, Walker sang the role of Marcello in
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The Opera; 'La Traviata' Is Led by Miss Caldwell - Free Preview - The New York Times
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Walker was a frequent soloist with many great American orchestras, including the
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in 1956. In 1957, he married the former Marci Martin and they moved to
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Commercially available audio and video recordings of Walker are rare.
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for the first time at the Met, a role he had already sung at the
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at the age of 6, where his father eventually went to work for
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Winners of the Metropolitan Opera National Council Auditions
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Original Broadway Cast Soundtrack, RCA Victor LOC-1060, 1961
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Internet Broadway Database: Bill Walker Credits on Broadway
283:"the best singing of the night came from Mr. Walker," and 781: 779: 809:"Opera reverses decision on director", Wayne Lee Gay, 760:
11/19/1992, A&E section, page 1, accessed 8/29/07
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The Voice of Firestone: A Firestone French Opera Gala
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In 1960, Walker made his Broadway debut as Tattoo in
248:ever presented in its original Russian at the Met. 826:12/29/00, Metro section, p. 1, accessed 9/16/2007 642: 640: 813:9/25/98, Metro section, p.1, accessed 9/16/2007 697:12/16/91, Life section, p.1, accessed 8/27/2007 634:3/10/94, Life section, p. 1, accessed 9/17/2007 287:magazine called his Germont "splendidly sung." 88:. During his time in Korea, he was awarded the 789:9/19/98, News section, p.1, accessed 9/16/2007 175:Metropolitan Opera National Council Auditions 8: 689: 687: 77:, Walker was awarded a vocal scholarship to 461:as the baritone soloist in performances of 275:and in other regional productions. Critic 838:"The Asylum Street Spankers, Sounding Off" 799:Bass Performance Hall: History of the Hall 290:Other roles at the Met included Figaro in 659:, 12/16/91, Life section, p. 1, 8/27/2007 457:. In the 1970s, Walker appeared twice at 436:and "Surrey With The Fringe On Top" from 917:20th-century American male opera singers 614: 196:The Tonight Show Starring Johnny Carson 177:and was offered a contract to join the 43:The Tonight Show Starring Johnny Carson 769:"New In Seville", Florence Stevenson, 173:In 1962, Walker was a finalist in the 7: 493:General Director, Fort Worth Opera 382:White House Correspondents' Dinner 14: 907:Texas Christian University alumni 574:, telecast of February 10, 1963) 897:Musicians from Fort Worth, Texas 130:, directed and choreographed by 541:RCA/NBC, rare recording from a 21:William Walker (disambiguation) 902:Classical musicians from Texas 743:"An Elegant Debut", Printout, 714:Metropolitan Opera Association 1: 836:Street, Asylum (2005-07-31). 140:Kansas City Starlight Theatre 75:Arlington Heights High School 57:and moved with his family to 144:Pittsburgh Civic Light Opera 887:American operatic baritones 53:William Walker was born in 938: 539:Cole Porter: A Remembrance 94:Texas Christian University 79:Texas Christian University 18: 824:Fort Worth Star-Telegram, 811:Fort Worth Star-Telegram, 787:Fort Worth Star-Telegram, 758:Fort Worth Star-Telegram, 695:Fort Worth Star-Telegram, 632:Fort Worth Star-Telegram, 404:, Walker sang Germont in 136:St. Louis Municipal Opera 657:Fort Worth Star Telegram 892:American opera managers 586:The Bell Telephone Hour 551:Mercury SRM 1-604, 1970 184:The Bell Telephone Hour 35:William Sterling Walker 603:Asylum Street Spankers 455:Philadelphia Orchestra 190:The Voice of Firestone 114:, a musical comedy by 31: 862:The MetOpera Database 515:Bass Performance Hall 451:New York Philharmonic 326:, the High Priest in 293:The Barber of Seville 29: 16:American opera singer 773:March 2, 1974, p. 19 511:Texas Ballet Theater 203:more than 30 times. 30:William Walker, 1966 19:For other uses, see 489:from 1980 to 1984. 473:, conducted by Sir 447:Cleveland Orchestra 398:Royal Swedish Opera 375:Lucia di Lammermoor 366:, Dr. Malatesta in 342:, Count Di Luna in 281:The New York Times, 277:Harold C. Schonberg 246:The Queen of Spades 237:The Queen of Spades 224:Jean-Louis Barrault 193:, and most notably 65:, a predecessor of 63:Consolidated Vultee 922:Singers from Texas 719:2008-02-03 at the 179:Metropolitan Opera 39:Metropolitan Opera 32: 572:Romeo et Juliette 545:broadcast in 1965 335:Hansel und Gretel 226:and conducted by 146:in such works as 929: 849: 848: 846: 845: 833: 827: 820: 814: 807: 801: 796: 790: 783: 774: 767: 761: 754: 748: 740: 734: 729: 723: 711: 698: 691: 682: 677: 671: 666: 660: 653: 647: 644: 635: 628: 622: 619: 570:(as Mercutio in 549:The Naked Carmen 499:Fort Worth Opera 483:Lamar University 471:Chicago Symphony 408:and Amonasro in 372:, and Enrico in 348:, The Herald in 329:Samson et Dalila 311:Madama Butterfly 242:Thomas Schippers 67:General Dynamics 937: 936: 932: 931: 930: 928: 927: 926: 867: 866: 858: 853: 852: 843: 841: 835: 834: 830: 821: 817: 808: 804: 797: 793: 784: 777: 768: 764: 755: 751: 741: 737: 730: 726: 721:Wayback Machine 712: 701: 692: 685: 678: 674: 667: 663: 654: 650: 645: 638: 629: 625: 620: 616: 611: 598: 564: 535: 527: 495: 487:Beaumont, Texas 338:, Schaunard in 320:, Escamillo in 308:, Sharpless in 299:The Magic Flute 263:Dorothy Kirsten 240:, conducted by 216:Gabriella Tucci 155:The Desert Song 116:N. Richard Nash 106: 51: 24: 17: 12: 11: 5: 935: 933: 925: 924: 919: 914: 909: 904: 899: 894: 889: 884: 879: 869: 868: 865: 864: 857: 856:External links 854: 851: 850: 828: 815: 802: 791: 775: 762: 749: 735: 724: 699: 683: 672: 661: 648: 636: 623: 613: 612: 610: 607: 597: 594: 590: 589: 583: 563: 560: 559: 558: 552: 546: 534: 531: 526: 523: 494: 491: 386:Helmut Schmidt 296:, Papageno in 273:Santa Fe Opera 259:Franco Corelli 228:Georges Prêtre 222:, directed by 105: 104:Singing career 102: 50: 47: 15: 13: 10: 9: 6: 4: 3: 2: 934: 923: 920: 918: 915: 913: 910: 908: 905: 903: 900: 898: 895: 893: 890: 888: 885: 883: 880: 878: 875: 874: 872: 863: 860: 859: 855: 839: 832: 829: 825: 819: 816: 812: 806: 803: 800: 795: 792: 788: 782: 780: 776: 772: 766: 763: 759: 753: 750: 747: 746: 739: 736: 733: 728: 725: 722: 718: 715: 710: 708: 706: 704: 700: 696: 690: 688: 684: 681: 676: 673: 670: 665: 662: 658: 652: 649: 643: 641: 637: 633: 627: 624: 618: 615: 608: 606: 604: 596:Personal life 595: 593: 587: 584: 581: 580:1-56195-054-8 577: 573: 569: 566: 565: 561: 556: 553: 550: 547: 544: 540: 537: 536: 532: 530: 524: 522: 518: 516: 512: 506: 502: 500: 492: 490: 488: 484: 478: 476: 472: 468: 464: 460: 459:Carnegie Hall 456: 452: 448: 443: 441: 440: 435: 434: 427: 425: 421: 417: 413: 412: 407: 403: 399: 395: 391: 387: 383: 378: 377: 376: 371: 370: 365: 364: 359: 358: 354:, Michele in 353: 352: 347: 346: 341: 337: 336: 331: 330: 325: 324: 319: 318: 313: 312: 307: 306: 305:Manon Lescaut 302:, Lescaut in 301: 300: 295: 294: 288: 286: 282: 278: 274: 270: 269: 264: 260: 256: 255: 249: 247: 243: 239: 238: 233: 229: 225: 221: 217: 213: 212:Nicolai Gedda 209: 204: 202: 198: 197: 192: 191: 186: 185: 180: 176: 171: 169: 168: 163: 162: 157: 156: 151: 150: 145: 141: 137: 133: 129: 125: 124:Carolyn Leigh 121: 117: 113: 112: 103: 101: 99: 98:New York City 95: 91: 87: 82: 80: 76: 72: 68: 64: 60: 56: 48: 46: 44: 40: 36: 28: 22: 842:. 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Index

William Walker (disambiguation)

Metropolitan Opera
Waco, Texas
Fort Worth
Consolidated Vultee
General Dynamics
baseball
Arlington Heights High School
Texas Christian University
Korean War
Bronze Star
Texas Christian University
New York City
Wildcat
N. Richard Nash
Cy Coleman
Carolyn Leigh
Lucille Ball
Michael Kidd
St. Louis Municipal Opera
Kansas City Starlight Theatre
Pittsburgh Civic Light Opera
Blossom Time
The Desert Song
Damn Yankees
Carousel
Metropolitan Opera National Council Auditions
Metropolitan Opera
The Bell Telephone Hour

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