398:"The trustees of the Studio Museum in Harlem read my proposal, interviewed me and hired me to start an Artist-in-Residence program. That program had its start at the first site of the Museum over the liquor store on Fifth Avenue (2033 Fifth Avenue). It was a loft, a factory going out of business that had a lot of sewing machines in it. Mel Edwards and I physically cleaned that space out for the Artist-in-Residence program. That was the beginning. I wanted to create a context, namely an Artist-in-Residence program, through which money could be funnelled to artists which would allow them to ponder the kinds of issues and questions that come up in a graduate program."
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Williams returned home to the dusty unpaved roads of North
Carolina for the inspiration of a new palette, one born of the luster and glow of mica, false gold, and fox fire from earth's pulsating cover. Williams' relief from color-field painting was celebrated in the new works completed between 1971
626:
In 2005, Williams was invited to create a print at the
Brandywine Workshop in conjunction with receiving the James Van Der Zee Award for Lifetime Achievement. Between July and late August he made five trips to Philadelphia, staying several days at a time. These trips yielded four editions and a
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first invited
Williams to make a print at the Printmaking Workshop in 1975. Over the next 22 years, Williams collaborated with Blackburn to produce 19 editions and a number of unique print projects. His last project at the Printmaking Workshop was in 1997 when he produced a number of monoprints
605:
program titled "Swing
Landscapes: Jazz Visualized". The intent of the Jazz Talk program was to explore what it is about jazz that makes its colors, rhythms and characters so attractive to the painter's eye. Williams and author, Alfred Appel, Jr. discussed the influence of
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231:(born 1942) is an American painter and educator. He is known for his process-based approach to painting that engages motifs drawn from personal memory and cultural narrative to create non-referential, abstract compositions. He was a Professor of Art at
259:'s Artist Award in 1992 and received The James Van Dee Zee Award from the Brandywine Workshop for lifetime achievement in the arts in 2005. He received the 2006 North Carolina Award for Fine Arts, the highest civilian honor the state can bestow.
242:
He has exhibited in over 100 museums and art centers in the United States, France, Germany, Russia, Venezuela, Nigeria, Ivory Coast, People's
Republic of China and Japan. Williams is a recipient of numerous awards including a John Simon
290:. After the family's move to the north, his art talent was recognized by the head of a local community center, who gave him a room there to use as a studio. In 1956, he attended the School of Industrial Art in Manhattan (now the
634:'s Experimental Printmaking Institute (EPI), which included Williams lecture about his work sponsored by the David L. Sr. and Helen J. Temple Visiting Lecture Series Fund. During this year, Williams' work was also shown at
368:
From 1968 until 1970, Williams helped organize the
Smokehouse painters (including Melvin Edwards, Guy Ciarcia, and Billy Rose) to paint murals in Harlem, using a hard-edge style. In 1969 he participated in
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number of unique hand-colored prints. The Artic
Workshop located in Philadelphia was founded in 1972 to promote interest and talent in printmaking while cultivating cultural diversity in the arts.
411:. Kinshasa Conwill, former director of the Studio Museum in Harlem, says that the program "has become critical to the museum's identity and its contribution to the larger art arena."
461:(FESTAC). This festival brought together more than 17,000 artists of African descent from 59 countries. It was the largest cultural event ever held on the African continent.
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Williams' first one-man show at New York's Reese Palley
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and Tyrone
Mitchell for the opening of their exhibition Espiritu & Materia at the Museum of Visual Arts, Alejandro Otero.
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1779:, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts and The Studio Museum in Harlem, New York, 1999
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Starting in 1979, Williams changed his painting composition style by dividing the canvas into two distinct sections.
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acquired his composition "Elbert
Jackson L.A.M.F., Part II" in 1969, and by 1970 his work was being exhibited at the
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Baur, John; Whitney Museum of American Art: Catalogue of the Colle, Whitney Museum of American Art, New York 1974
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and 1977, such as Equinox and Indian Summer. In 1975 William also took part in an artist in residence program at
310:
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Artist's Award for lifetime achievement and his role in creating the artist-in-residence program for the museum.
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1611:, Selections from the Collection of Mr. And Mrs. Darrell Walker, Walton Arts Center, Fayetteville, Arkansas,
1985:
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of the Schomburg Collection at the Schomburg Center in New York. In 1984 William took part in a show titled
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from the Collection of Mr. and Mrs. Darrell Walker, University of Arkansas at Little Rock, Arkansas]] 1996
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505:
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The Permanent Collection of the Studio Museum in Harlem, The Studio Museum in Harlem, New York, 1982,
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The Other Side of Color: African American Art in the Collection of Camille O. and William H. Cosby, Jr
2046:
661:
358:
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1783:
Revisiting American Art: Works from the Collections of Historically Black Colleges and Universities
1852:
A Selection of American Art-The Skowhegan School 1946–1976, Institute of Contemporary Art, Boston,
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797:
697:
641:
In 2006, William T. Williams received the North Carolina Governors Award for Fine Arts by Governor
493:
1725:
The Other Side of Color: African American Art in the Collection of Camille O. and William H. Cosby
373:, held at the Metropolitan Museum of Art. He also took part in numerous exhibitions including the
1663:
Kingsley, April; "From Explosion to Implosion: The Ten Year Transition of William T. Williams",
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117:
22:
For the English and Australian botanist and plant taxonomist William Thomas (Bill) Williams, see
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Williams is the first African American artist to be featured in The Janson History Of Art.
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Successions: Prints by African American Artists from the Jean and Robert Steele Collection
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The Governor Nelson A. Rockefeller Empire State Plaza Art Collection and Plaza Memorials
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1849:, Smithsonian Institution Traveling Exhibition/Chronicle Books, Washington, D.C. 1997
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Painting and Sculpture Today, Indianapolis Museum of Art, Indianapolis, Indiana, 1972
1402:
423:
1777:
To Conserve a Legacy: American Art from Historically Black Colleges and Universities
1677:
Mellow, James R.; "The Black Artist; The Black Art Community; The White Art World",
1530:
The Empire State Collection: Art for the Public Harry Abrams, Inc., New York 1987
564:
To Conserve a Legacy: American Art from Historically Black Colleges and Universities
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American Paintings at Yale University, Yale University Art Gallery, New Haven 1982
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Narratives of African American Art and Identity: The David C. Driskell Collection
1237:
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614:. This program was part of a New York Citywide celebration honoring the artist
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City University of New York, Faculty Research Award, Painting, 1987, 1984, 1973
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James Van Der Zee Award, Brandywine Workshop, Philadelphia, Pennsylvania, 2005
611:
1464:
Dedication Exhibition, James E. Lewis Museum of Art, Baltimore Maryland, 1990
1036:
777:
1944:
The Structure of Color, Whitney Museum of American Art, New York, April 1971
1883:
Sims, Lowery Stokes; "36. The Mirror the Other: The Politics of Esthetics",
955:
917:
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Williams is represented in numerous public museum collections including the
535:
318:
1429:, James E. Lewis Museum of Art, Morgan State University, Newark, Delaware,
950:(exhibition). Winston-Salem, NC: Southeastern Center for Contemporary Art.
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held at the Museum of Modern Art. In 1970 Williams was commissioned by the
321:, and Richard Bove. During his junior year, he won a summer scholarship to
1857:
1448:
Cotter, Holland; "Energy and Abstraction at the Studio Museum in Harlem",
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515:. He also was a member of a show that took place in Tokyo, Japan entitled
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1745:
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East-West Contemporary Art, California Afro-American Museum, California,
1900:, Center Gallery of Bucknell University, Lewisberg, Pennsylvania, 1985,
1392:, The Metropolitan Museum of Art Bulletin, January 1969 Vol XXVII No 5
737:
National Endowment for the Arts, Individual Artist Award, Painting, 1970
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in Energy and Experimentation: Black Artists and Abstraction 1964–1980.
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Yale University, Grant for Graduate Study, New Haven, Connecticut, 1966
458:
419:
1930:
833:
African American Almanac: 400 Years of Triumph, Courage and Excellence
1640:
1284:
American Images: The SBC Collection of Twentieth-Century American Art
1025:"On The Towns: Art Review; An Unbridged Gap Between Past and Present"
357:
Williams quickly gained attention from the mainstream art world. The
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In 2006, Williams was a visiting scholar and artist in residence at
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The Search for Freedom-African-American Abstract Painting 1945-1975
1543:, Museo de Artes Visuales Alejandro Otero, Caracas, Venezuela, 1991
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Deluxe Show, Menil Foundation, Rice University, Houston, Texas 1972
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North Carolina Governor's Award for Fine Arts, North Carolina, 2006
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In 2000 Williams took part in an extensive traveling show entitled
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Cutter, Holland; "Getting Personal and Cultural in the Abstract",
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Creative Arts Public Service Grant, Painting, New York, 1985, 1981
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348:
220:
1067:. Oxford University Press. Oxford University Press. p. 224.
948:
William T. Williams: An Exhibition of Paintings from 1974 to 1985
670:
Governor Nelson A. Rockefeller Empire State Plaza Art Collection
607:
333:. He received a Bachelor of Fine Arts (BFA) degree in 1966 from
286:, New York City at age 4, but he spent his childhood summers in
1796:
Rickey, Carrie; "Singular Work, Double Blind, Triple Threat",
1772:, American Embassy, Russia, Museum of Modern Art, New York 1969
1705:
North Carolina Museum of the Arts: Handbook of the Collections
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Energy/Experimentation: Black Artists and Abstraction 1964-1990
337:; followed by a Master of Fine Arts (MFA) degree in 1968 from
80:
from the article and its talk page, especially if potentially
35:
1274:, The Rockland Center of the Arts, West Nyack, New York, 1995
1266:
25 Years of African-American Art: The Studio Museum in Harlem
1118:"Is It Art, Or....MoMA equivocates on a fundamental question"
1571:, The Montclair Museum of Art, Montclair, New Jersey, 1991,
1302:, Hatch Billops Collection, Inc. New York, Vol. XXIV, 2005,
1605:, New York: Rizzoli International Publications, Inc., 2002
973:"William T. Williams: Things Unknown, Paintings, 1968-2017"
1898:
Since the Harlem Renaissance-50 Years of Afro-American Art
1472:
African American Visual Aesthetics - A Post Modernist View
578:
in New York traveled to eight major museums including the
1694:, Pomegranate Communications, Inc., San Francisco, 1998,
1369:, Miami-Dade Community College Publication, November 1977
407:
Williams started the artist-in-residency program at the
1727:, Pomegranate Communications, Inc., San Francisco, 2001
1503:, Smithsonian Institution Press, Washington, D.C. 1987
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Artists Salute Skowhegan, Kennedy Galleries, New York,
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to study painting. At Pratt Institute he studied under
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National Endowment for the Arts, Traveling Grant, 1965
650:
What Is Painting? Contemporary Art from the Collection
262:
Williams lives in both New York City and Connecticut.
1834:
Schjeldahl, Peter; "A Triumph Rather Than a Threat",
1717:
Oren, Michael; "The Smokehouse Painters, 1968-1970",
996:
Driskell, David C.; Cosby, Bill; Hanks, René (2001).
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purchased his art; and his work was featured in both
1831:, New York State Council on the Arts, New York, 1972
1372:
Ashton, Dore; "Young Abstract Painters; Right On!",
1474:, Washington, D.C.: Smithsonian Institution Press,
648:In 2007, Williams was part of the group exhibition
216:
208:
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165:
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1327:Collection of Contemporary African- American Art,
1272:African-American Printmaking - 1838 to the Present
270:William T. Williams was born on July 17, 1942, in
1439:Cortez, Jane; "Conversation with Three Artists",
918:"'What Is Painting?' at the Museum of Modern Art"
1965:, Raleigh, North Carolina, Sunday, July 18, 1993
1821:, New York State Council on the Arts Publication
1581:Gilliam, Sam; "Al Loving, William T. Williams",
1280:, The Cochran Collection, Atlanta, Georgia, 1991
2008:, The Studio Museum in Harlem, New York, 1992,
1548:The Afro-American Artist-A Search for Identity
725:The Studio Museum in Harlem Artist's Award,1992
396:
1894:, Jamaica Arts Center, Jamaica, New York, 1988
682:Schomburg Center for Research in Black Culture
652:at the Museum of Modern Art in New York City.
1268:, The Studio Museum in Harlem, New York 1994
449:In 1977, Williams participated in the second
418:exhibited his work twice; collectors such as
329:traveling grant. While in school he explored
294:), which held many of its art classes at the
29:For other people named William Williams, see
8:
1785:, Katonah Museum of Art, Katonah, New York,
1625:, Third Edition, Harry Abrams, Inc. 1987
498:State University of New York at Old Westbury
1733:Patton, Sharon F.; "African American Art",
1510:, University of Wisconsin Publication, 1980
766:"Art; Adding Emotion to Abstract Paintings"
719:Joan Mitchell Foundation, Grant Award, 1996
1609:Images of America: African American Voices
559:underwritten by art patron, Major Thomas.
155:
73:about living persons that is unsourced or
1998:Wilson, Judith; "A Serene Indifference",
1688:, Detroit, Michigan, Sunday, July 3, 1994
1635:Jones, Kellie & Sims, Lowery Stikes;
1489:, Fisk University, Nashville, Tennessee,
1412:Bowling, Frank; "Problems of Criticism",
1390:The Black Artist in America: A Symposium
722:Mid-Atlantic/NEA Regional Fellowship,1994
353:Trane, 1969, col. Studio Museum in Harlem
144:Learn how and when to remove this message
2092:People from Fayetteville, North Carolina
1995:, Boston, Massachusetts, August 20, 1970
1951:, New York: Crown Publishers Inc, 1998,
1847:Seeing Jazz: Artists and Writers on Jazz
538:with painter Jack Whitten and sculptors
511:In 1987 William received the John Simon
371:The Black Artist in America: A Symposium
1286:, New York: Harry N. Abrams Inc., 1996
1089:"Kasha Linville on William T. Williams"
753:
2107:20th-century African-American painters
1969:Twentieth Century African American Art
1775:Powell, Richard & Reynolds, Jock;
1707:, New York: Hudson Hills Press, 1998,
1660:Kenkeleba House, Inc. New York 1991
1569:Fourteen Paintings/William T. Williams
1550:, Holt, Rinehart & Winston, Inc.,
946:(1985). "An Unending Visual Odyssey".
728:John Simon Guggenheim Fellowship, 1987
692:, one of the Harvard Art Museums; the
502:Munson-Williams-Proctor Arts Institute
2112:21st-century African-American artists
2057:African-American contemporary artists
1961:Twardy, Chuck; "Improving with Age",
1880:, v. 5, iss. 1, January/February 2006
1759:Perreault, John; "Positively Black",
1750:Perreault, John; "Mideast Pipeline",
1111:
1109:
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2097:High School of Art and Design alumni
1923:University of Maryland, College Park
1876:Shaw, Penny; "William T. Williams,"
1807:, Holt, Rinehart and Winston, 1984,
1653:Jones, Walter; "Two Black Artists",
1523:Echlin, Hobey; "Spirit and Chance",
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2006:Works on Paper/William T. Willilams
601:In 1994 Williams participated in a
550:In 1992 Williams was presented the
2117:20th-century American male artists
858:"William T. Williams, Artist born"
836:. Visible Ink Press. p. 279.
798:"Artist Talk: William T. Williams"
574:in Andover, Massachusetts and the
341:, School of Art and Architecture.
212:Abstraction, Geometric abstraction
14:
2027:A 'Painterly' Show in Jersey City
1977:, Jewish Museum Publication, 1970
1892:Vivian Browne/William T. Williams
1684:Miro, Marsha; "Master Colorist",
1419:"Canvasses Brimming with Color",
1329:Pennsylvania Academy of Fine Arts
1200:Empire State Plaza Art Collection
887:"William T. Williams's Biography"
862:African American Registry (AAREG)
517:The Art of Black America in Japan
480:In 1982 Williams was included in
31:William Williams (disambiguation)
1405:, "Discussion on Black Art-II",
1395:Bloom, Janet; "In the Museums",
1362:, Utah Museum of Fine Arts, 1972
1177:. Whitney Museum of American Art
255:. He is also a recipient of the
40:
1991:"William T. Williams, Artist",
1949:Collecting African American Art
1719:Black American Literature Forum
1527:, Detroit, July 6-July 12, 1994
1501:Contemporary Visual Expressions
1355:, Oxford University Press, 1982
1278:African American Works on Paper
1151:The Museum of Modern Art (MoMA)
830:Bracks, Lean'tin (2012-01-01).
568:Addison Gallery of American Art
521:Contemporary Visual Expressions
327:National Endowment for the Arts
249:National Endowment for the Arts
2077:21st-century American painters
2067:20th-century American painters
2062:American contemporary painters
1116:Naves, Mario (July 17, 2007).
764:Zimmer, William (1991-11-17).
666:Whitney Museum of American Art
416:Whitney Museum of American Art
253:Joan Mitchell Foundation Award
1:
1487:Amistad II: Afro-American Art
1325:Harold A. and Ann R. Sorgenti
1023:Raynor, Vivien (1995-08-06).
519:. William also took part in
438:magazines. Valerie J. Mercer
292:High School of Art and Design
278:, United States. Williams is
266:Early childhood and education
1866:, Wadsworth Atheneum 1974,
1667:, v. 55, n. 6, February 1981
1360:Drawings by New York Artists
1002:. Pomegranate. p. 157.
678:North Carolina Museum of Art
566:. The show organized by the
504:in Utica, New York, and the
486:Since the Harlem Renaissance
451:World Festival of Black Arts
345:The late 1960s and the 1970s
51:biography of a living person
1988:, Trenton, New Jersey, 1990
1887:, March 1990, XXVIII, No. 7
1721:, Fall 1990, Vol. 24, No. 3
1260:Sources and further reading
1242:The Studio Museum in Harlem
702:Yale University Art Gallery
636:the Studio Museum in Harlem
323:The Skowhegan School of Art
288:Spring Lake, North Carolina
237:City University of New York
183:Cross Creek, North Carolina
78:must be removed immediately
2133:
1588:Goode-Bryant and Philips,
1386:, April 1991, Vol. 6 No 2
1061:Patton, Sharon F. (1998).
598:Universities Art museums.
500:. It also traveled to the
305:In 1962, Williams entered
300:Metropolitan Museum of Art
28:
21:
2087:Yale School of Art alumni
1803:Russell, Stella Pandell;
1770:American Contemporary Art
1470:Driskell, David C. (ed);
1461:, Friday, August 28, 1992
1445:Vol. 3 Nos 2&3, 1975
1384:American Visions Magazine
446:in Nashville, Tennessee.
2102:Brooklyn College faculty
584:Art Institute of Chicago
488:, which traveled to the
387:Jewish Museum (New York)
365:in the south of France.
1986:New Jersey State Museum
1963:The News & Observer
1862:Serwer, Jacquelyn Day;
1819:Critic's Choice 1969-70
1639:, The Studio Museum in
1585:, January/February 1995
1583:Dialogue-An Art Journal
1454:, Friday, April 7, 2006
1423:September 1971 Vol 71
1382:"Behind Closed Doors",
1353:American Art Since 1945
1218:National Gallery of Art
694:Studio Museum in Harlem
674:National Gallery of Art
580:Corcoran Gallery of Art
576:Studio Museum in Harlem
552:Studio Museum in Harlem
529:Smithsonian Institution
453:and African Culture in
409:Studio Museum in Harlem
375:Studio Museum in Harlem
257:Studio Museum in Harlem
204:Visual artist, educator
2082:Pratt Institute alumni
2072:American male painters
2018:"X to the 4th Power",
1541:Espiritu & Materia
1399:, December 1969 – 1970
1321:The Chemistry of Color
603:Jazz at Lincoln Center
534:William's traveled to
508:in Norfolk, Virginia.
506:Chrysler Museum of Art
490:University of Maryland
477:
400:
354:
282:. His family moved to
65:Please help by adding
1982:A Force of Repetition
1890:Sims, Lowery Stokes;
1735:Oxford History of Art
1214:"William T. Williams"
1196:"William T. Williams"
1171:"William T. Williams"
1147:"William T. Williams"
1122:The New York Observer
916:(September 7, 2007).
531:in Washington, D.C..
513:Guggenheim Fellowship
475:
379:X to the Fourth Power
352:
245:Guggenheim Fellowship
93:"William T. Williams"
1506:Driskell, David C.;
1499:Driskell, David C.;
1485:Driskell, David C.;
1300:Artist and Influence
1064:African-American Art
802:The Menil Collection
662:Museum of Modern Art
359:Museum of Modern Art
331:color field painting
296:Museum of Modern Art
71:Contentious material
1921:, The Art Gallery,
1765:, February 27, 1980
1670:Konstantin, Lynne;
1508:William T. Williams
1367:William T. Williams
698:Library of Congress
494:Bucknell University
482:Recent Acquisitions
393:in Houston, Texas.
377:'s Inaugural Show,
239:from 1971 to 2008.
229:William T. Williams
160:William T. Williams
2033:, October 30, 1988
2031:The New York Times
2025:Zimmer, William; "
2002:, January 21, 1981
1768:Potter, Margaret;
1756:, January 14, 1981
1686:Detroit Free Press
1672:Art & Antiques
1643:, New York, 2006,
1623:The History of Art
1546:Fine, Elsa Honig;
1459:The New York Times
1451:The New York Times
1029:The New York Times
770:The New York Times
478:
355:
2014:978-0-942949-07-0
1993:Bay Street Banner
1957:978-0-517-70593-3
1939:978-0-937123-42-3
1914:978-0-916279-02-8
1838:, August 27, 1969
1817:Sandler, Irving;
1813:978-0-03-061976-2
1791:978-0-915171-45-3
1713:978-0-88259-978-6
1700:978-0-7649-0722-7
1649:978-0-942949-31-5
1631:978-0-13-389388-5
1617:978-0-9744314-0-6
1577:978-0-936489-42-1
1564:978-0-03-010746-7
1536:978-0-8109-0884-0
1480:978-1-56098-605-8
1435:978-0-9610324-3-2
1337:978-0-943836-26-3
1316:978-0-9702620-1-1
1292:978-0-8109-1969-3
1074:978-0-19-284213-8
1009:978-0-7649-1455-3
923:New York Magazine
891:The HistoryMakers
843:978-1-57859-382-8
708:Awards and grants
632:Lafayette College
325:, and received a
315:Philip Pearlstein
226:
225:
154:
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146:
128:
54:needs additional
2124:
2022:, September 1969
1829:Visiting Artists
1805:Art in the World
1762:SoHo Weekly News
1753:SoHo Weekly News
1331:, Philadelphia,
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686:Menil Collection
572:Phillips Academy
556:Robert Blackburn
525:Anacostia Museum
523:, a show at the
403:
391:Menil Collection
383:New Acquisitions
363:Fondation Maeght
280:African American
233:Brooklyn College
221:Official website
194:Pratt Institute,
179:
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67:reliable sources
44:
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36:
19:American painter
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2037:
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1980:Weld, Allison;
1825:Sandler, Irving
1800:, March 3, 1980
1681:, June 29, 1970
1376:, February 1970
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944:Driskell, David
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690:Fogg Art Museum
658:
624:
592:Duke University
588:Fisk University
548:
470:
444:Fisk University
405:
402:
347:
339:Yale University
335:Pratt Institute
311:Richard Lindner
307:Pratt Institute
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196:Yale University
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2016:
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1947:Taha, Halima;
1945:
1942:
1916:
1895:
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1878:Homes of Color
1874:
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1836:New York Times
1832:
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1679:New York Times
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1400:
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1365:Ashton, Dore;
1363:
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251:Awards, and a
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2020:Arts Magazine
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1442:Black Orpheus
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1421:Life Magazine
1418:
1416:Vol. 46 No 7
1415:
1414:Arts Magazine
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1397:Arts Magazine
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424:General Mills
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201:Occupation(s)
199:
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184:
178:(age 82)
176:July 17, 1942
168:
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126:
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95: –
94:
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89:Find sources:
83:
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68:
62:
61:
57:
52:
47:
38:
37:
32:
25:
17:
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1678:
1674:, March 1999
1671:
1664:
1657:, April 1970
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1409:, 1970 Vol 3
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1271:
1265:
1246:. Retrieved
1244:. 2017-08-31
1241:
1232:
1221:. Retrieved
1217:
1208:
1199:
1190:
1179:. Retrieved
1174:
1165:
1154:. Retrieved
1150:
1141:
1130:. Retrieved
1126:the original
1121:
1097:. Retrieved
1093:Artforum.com
1092:
1083:
1063:
1040:. Retrieved
1028:
1018:
998:
991:
980:. Retrieved
976:
947:
938:
927:. Retrieved
921:
914:Saltz, Jerry
894:. Retrieved
890:
865:. Retrieved
861:
852:
832:
805:. Retrieved
801:
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781:. Retrieved
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60:verification
53:
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2047:1942 births
1975:Using Walls
1931:2002-101248
1590:Contextures
1525:Metro Times
1427:Convergence
1175:whitney.org
977:ArtfixDaily
656:Collections
643:Mike Easley
540:Mel Edwards
272:Cross Creek
2041:Categories
1864:Extensions
1248:2022-04-08
1223:2022-04-08
1181:2022-04-08
1156:2022-04-08
1132:2022-04-08
1099:2022-04-08
1042:2022-04-08
982:2022-04-08
929:2022-04-08
896:2022-04-08
867:2022-04-08
807:2022-04-08
783:2022-04-08
748:References
700:; and the
612:modern art
389:, and the
172:1942-07-17
134:April 2022
104:newspapers
1885:Art Forum
1858:313091724
1308:00-105283
1037:0362-4331
778:0362-4331
622:Late life
546:The 1990s
536:Venezuela
468:The 1980s
319:Alex Katz
56:citations
1906:85-71056
1872:67547179
1746:18027596
1598:78-51925
1519:84-72490
1347:77-89091
956:14720425
496:and the
420:AT&T
298:and the
209:Movement
82:libelous
1556:73-1235
1495:75-7466
1238:"Trane"
596:Hampton
459:Nigeria
217:Website
118:scholar
2012:
1955:
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1925:2002,
1912:
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1793:, 1997
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1641:Harlem
1629:
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284:Queens
247:, two
185:, U.S.
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455:Lagos
125:JSTOR
111:books
49:This
2010:ISBN
1953:ISBN
1935:ISBN
1927:LCCN
1910:ISBN
1902:LCCN
1868:OCLC
1854:OCLC
1809:ISBN
1787:ISBN
1742:OCLC
1709:ISBN
1696:ISBN
1645:ISBN
1627:ISBN
1613:ISBN
1594:LCCN
1573:ISBN
1560:ISBN
1552:LCCN
1532:ISBN
1515:LCCN
1491:LCCN
1476:ISBN
1431:ISBN
1343:LCCN
1333:ISBN
1312:ISBN
1304:LCCN
1288:ISBN
1069:ISBN
1033:ISSN
1004:ISBN
952:OCLC
838:ISBN
774:ISSN
608:jazz
594:and
527:and
435:Time
432:and
429:Life
422:and
166:Born
97:news
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610:on
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170:(
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