694:, are necessary to reconstruct the organal voice. Significantly, the neume shapes and contour of the organal voice sometimes break from the theory. Because Corpus 473 contains multiple organal harmonies to the same melodic gesture, the monks at Winchester exercised a certain degree of compositional freedom when writing organa. Rankin suggests that the composer(s) of organa were engaged in a creative and aesthetic practice, a different conclusion from Holschneider's assessment that the organal voice was precisely bound to the rules of theory.
618:
reflect a later stage of compilation than Corpus 473. This corroborates the claim that Bodley 775 is based on an earlier gradual but a more recent troper, possible one that dates after Corpus 473. Between the two manuscripts, 37 tropes are almost certainly
English in origin, while another 48 are of probable English origin. Some of these tropes are also found in other English or North French sources, but many are unique to Winchester. It is often difficult to determine the origin of a specific chant and is subject to interpretation.
136:
copied directly from a now lost exemplar dating from the late 970s or 980s. Therefore, the manuscript is retrospective because it reflects practices different than those at the time it was copied. On the other hand, Bodley 775 may have been copied from two preexisting manuscripts: a late tenth-century gradual and a troper of a possibly later date. This hypothesis considers both the retrospective characteristics of Bodley 775 and its status as a later manuscript than Corpus 473. Bodley 775 was not modeled after Corpus 473.
160:
678:, which indicate the melodic contour but not precise pitches, the organal voices were long considered to be indecipherable. However, Andreas Holschneider and, more recently, Susan Rankin have published reconstructions of some of the organa. To reconstruct the organa, Rankin matches the organal voice with a chant melody. To determine the best match, she examines the notation of the organal voice against various chant melodies that use the same text. Theoretical rules found in treatises, such as
22:
250:. The organization of Bodley 775 is not nearly as systematic. Although pieces of similar genres are generally grouped together, each genre is not placed in a distinct fascicle, and chants are sometimes mistakenly placed out of liturgical order or under the incorrect rubric. Unlike Corpus 473, Bodley 775 separates the tropes for feasts of the
139:
Each manuscript contains additional chants copied by scribes throughout the eleventh century. Although the core of each manuscript reflects a connection to
Northern France, the supplementary chants copied by scribes in the latter half of the eleventh century exhibit a very strong Norman influence. In
135:
The dating of the two manuscripts has been subject of debate. The core repertory of Corpus 473 was likely copied in the 1020s-1030s. Bodley 775 was possibly copied in the 1050s. However, scholars disagree about the dating of the possible exemplars on which Bodley 775 was based. Perhaps Bodley 775 was
216:
was once thought to have a direct role in the copying of these manuscripts (and perhaps even composing the organa of Corpus 473), more recent dating makes this impossible because the manuscripts are now believed to have been copied after
Wulfstan's death. The organa were possibly composed by several
617:
The two manuscripts contain nearly the same proper tropes with some significant exceptions. Bodley 775 contains fewer
Communion and Offertory tropes than Corpus 473. Generally, trope repertories across Europe shrank during the eleventh century, meaning the lower number of tropes in Bodley 775 could
262:
cycle; it is possible that a gathering containing the second half of the cycle has been lost. The two tables below list the general contents of the two manuscripts. However, because later additions were often copied wherever there was available space, not every piece is accounted for in the tables.
200:
Bodley 775 contains 191 folios of parchment of the size 273 x 167 mm. The manuscript retains its eleventh-century binding, consisting of two quarter-cut oak boards covered in whittawed skin. The first quire (ff. 1-7, col. 1 seven) is a later eleventh-century addition and is misbound, with the
654:
is a newly composed part in counterpoint with the chant. The organal voices seem to follow a general contour below the principal voices, beginning with parallel movement in fourths, then oblique movement (including the use of holding tones), then meeting in unison at points of
184:
with dimensions of 140/145 x 90/93 mm. The final folio dates to the sixteenth century and is not original to the manuscript. The complete manuscript was rebound and conserved in 2004. It is written mostly in dark brown ink with colored capitals; the handwriting is
122:
were the first to refer to these manuscripts as the "Winchester Troper." Despite the implications of the name, the manuscripts are not identical, not part of a set (such as Volume 1 and Volume 2), and contain liturgical genres other than
663:. Singers would have performed the principal voice from a different gathering, another manuscript, or, more likely, from memory. Among the genres that receive organal treatment are troped and untroped Mass Ordinary chants,
201:
original sequence of leaves being 1-3, 5, 6, 4, 7. The remainder of the book is organized in quires of 8, with half sheets appearing in quires 3, 12, 14, 16, 20 and 23. It is written in black and brown ink with red
225:
Corpus 473 and Bodley 775 share much of the same music for many of the same feasts, but there are some notable differences between the contents and organization of the two manuscripts. Corpus 473 contains the
148:, strengthening the cultural connection between northern France and England. As a result, chant in England began to reflect this new political reality. This influence is especially strong in the later
1453:
Hiley, David (1998). “The
English Benedictine Version of the Historia Sancti Gregorii and the Date of the ‘Winchester Troper’ (Cambridge, Corpus Christi College, 473).” In Dobszay, László (ed.).
1376:
Arlt, Wulf (1993). "Stylistic Layers in
Eleventh-Century Polyphony: How Can Continental Sources Contribute to Our Understanding of the Winchester Organa?". In Rankin, Susan; Hiley, David (eds.).
1000:
Arlt, Wulf (1993). "Stylistic Layers in
Eleventh-Century Polyphony: How Can Continental Sources Contribute to Our Understanding of the Winchester Organa?". In Rankin, Susan; Hiley, David (eds.).
1518:
Rankin, Susan (2015). "Organa dulcisona docto modulamine compta: Rhetoric and
Musical Composition in the Winchester Organa". In Zayaruznaya, Anna; Blackburn, Bonnie J.; Boorman, Stanley (eds.).
981:
Rankin, Susan (2015). "Organa dulcisona docto modulamine compta: Rhetoric and
Musical Composition in the Winchester Organa". In Zayaruznaya, Anna; Blackburn, Bonnie J.; Boorman, Stanley (eds.).
1619:
1910:
570:
tropes for feasts of St. Swithun, a ninth century Bishop of
Winchester. Some of the introit tropes for St. Swithun are unique to this repertory. St. Swithun is also represented in
66:. The term "Winchester Troper" is best understood as the repertory of music contained in the two manuscripts. Both manuscripts contain a variety of liturgical genres, including
263:
For instance, in Corpus 473 two proses, copied in the late eleventh century, are located at the end of the early eleventh century Alleluia cycle and are not listed below.
1753:
949:
1364:
63:
246:, proses, and sequences. In Corpus 473, different genres are grouped into different gatherings. Within each genre, the chants are organized according to the
1438:
Hiley, David (1994). "Changes in English Chant Repertories in the Eleventh Century as Reflected in the Winchester Sequences". In Chibnall, Marjorie (ed.).
845:
Hiley, David (1994). "Changes in English Chant Repertories in the Eleventh Century as Reflected in the Winchester Sequences". In Chibnall, Marjorie (ed.).
830:
Hiley, David (1994). "Changes in English Chant Repertories in the Eleventh Century as Reflected in the Winchester Sequences". In Chibnall, Marjorie (ed.).
1890:
1605:
1509:
1429:
Hiley, David (1990). "Editing the Winchester Sequence Repertory of ca. 1000". In Dobszay, László; Halász, Péter; Mezei, János; Prószéky, Gábor (eds.).
1264:
Hiley, David (1990). "Editing the Winchester Sequence Repertory of ca. 1000". In Dobszay, László; Halász, Péter; Mezei, János; Prószéky, Gábor (eds.).
1895:
1905:
1387:
The Winchester troper from MSS. of the Xth and XIth centuries with other documents illustrating the history of tropes in England and France
152:
of the Winchester Troper; increasing Norman influence did not impact the Alleluia series. Thus, while the core of each manuscript dates to
860:
Huglo, Michel (1993). "Remarks on the Alleluia and Responsory Series in the Winchester Troper". In Rankin, Susan; Hiley, David (eds.).
1612:
1885:
1500:
1419:
933:
238:
in the eleventh century, while Bodley 775 contains no such organa. Both manuscripts contain both proper and ordinary tropes for the
164:
1523:
986:
1483:
Rankin, Susan (1993). "Winchester Polyphony: The Early Theory and Practice of Organum". In Rankin, Susan; Hiley, David (eds.).
1320:
Rankin, Susan (1993). "Winchester Polyphony: The Early Theory and Practice of Organum". In Rankin, Susan; Hiley, David (eds.).
1306:
Rankin, Susan (1993). "Winchester Polyphony: The Early Theory and Practice of Organum". In Rankin, Susan; Hiley, David (eds.).
1293:
Rankin, Susan (1993). "Winchester Polyphony: The Early Theory and Practice of Organum". In Rankin, Susan; Hiley, David (eds.).
1234:
Rankin, Susan (1993). "Winchester Polyphony: The Early Theory and Practice of Organum". In Rankin, Susan; Hiley, David (eds.).
728:
Rankin, Susan (1993). "Winchester Polyphony: The Early Theory and Practice of Organum". In Rankin, Susan; Hiley, David (eds.).
909:
Clarkson, Christopher (1996). "Further Studies in Anglo-Saxon and Norman Bookbinding: Board Attachment Methods Re-examined".
153:
566:
and tropes, which are musical or textual (or both) expansions of Gregorian chant. Corpus 473 and Bodley 775 contain several
1648:
102:
in the previous centuries. Corpus 473 contains the most significant and largest surviving collection of eleventh-century
1718:
1553:
1560:
145:
91:
217:
people at Winchester and represented the best attempts at improvised polyphony that were deemed worthy of memory.
607:
630:
pieces, the largest surviving collection of eleventh century polyphony. The polyphony consists of two voices, a
127:. The term "Winchester Troper" can refer to either manuscript or to the repertory of the two as a collective.
1841:
149:
47:
1343:
1795:
1854:
1848:
194:
186:
141:
159:
1880:
1875:
243:
99:
79:
51:
1349:"Music for a King: The Winchester Troper," AECD 1436, sung by Discantus, directed by Briggite Lesne.
1823:
1767:
1746:
1711:
213:
1809:
1802:
1704:
943:
680:
587:
1462:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
1378:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
1322:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
1308:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
1295:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
1236:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
1002:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
862:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
817:
Music in the Medieval English Liturgy: Plainsong & Mediaeval Music Society Centennial Essays
595:
1510:
Rankin, Susan (2008). “Music for a Late Anglo-Saxon Benedictine Abbey: The Winchester Troper.”
578:
tropes. Both manuscripts contain tropes for various Sanctorale and Temporale feasts, including
110:). This polyphonic repertoire is unique to that manuscript (Bodley 775 contains no polyphony).
1900:
1788:
1739:
1690:
1496:
1485:
Music in the Medieval English Liturgy: Plainsong and Mediaeval Music Society Centennial Essays
1415:
929:
730:
Music in the Medieval English Liturgy: Plainsong and Mediaeval Music Society Centennial Essays
1579:
1450:
In Boone, Greame M. (ed.). Isham Library Papers 4. Cambridge, MA: Harvard University Press.
259:
67:
1446:
Hiley, David (1995). “The Repertory of Sequences at Winchester.” In Boone, Graeme M. (ed).
1774:
1669:
1655:
1437:
1428:
685:
664:
563:
247:
90:. However, some chants are unique to Winchester, including those for local saints such as
1536:
1385:
1359:
59:
1760:
1676:
603:
239:
119:
75:
1414:. Plainsong & Mediaeval Music Society Centennial Essays. Oxford: Clarendon Press.
1869:
1641:
1431:
Cantus Planus: Papers Read at the Third Meeting, Tihany, Hungary 19-24 September 1988
1408:
1266:
Cantus Planus: Papers Read at the Third Meeting, Tihany, Hungary 19-24 September 1988
599:
559:
124:
82:. Many of the chants can also be found in other English and Northern French tropers,
71:
1597:
1732:
1725:
1662:
1565:
Facsimile of same pages of the Winchester Troper preserved at Oxford (11th century)
1470:
Die Organa von Winchester : Studien zum ältesten Repertoire polyphoner Musik
1109:. Vol. 2. Princeton: Princeton University Press. pp. 160, 169, 173–174.
1781:
1697:
1683:
1346:, HAVPCD151, sung by the Schola Gregoriana of Cambridge, directed by Mary Berry.
1268:. Budapest: Hungarian Academy of Sciences Institute for Musicology. p. 100.
926:
Catalogue of Manuscripts Written or Owned in England Up to 1200 Containing Music
87:
21:
690:
668:
255:
591:
579:
575:
571:
251:
235:
190:
181:
168:
167:
College 473. Pictured is folio 3 v., which contains Alleluias for Epiphany,
107:
55:
39:
1281:
Die Organa von Winchester: Studien zum ältesten Repertoire polyphoner Musik
1520:
Qui musicam in se habet: Studies in Honor of Alejandro Enrique Planchart
1394:
Handschin, J. (January 1936; April 1936). "The Two Winchester Tropers".
1163:. Vol. 2. Princeton: Princeton University Press. pp. 160, 169.
983:
Qui musicam in se habet: Studies in Honor of Alejandro Enrique Planchart
1148:. Vol. 1. Princeton: Princeton University Press. pp. 145–146.
627:
567:
231:
206:
103:
95:
83:
43:
36:
1094:. Vol. 1. Princeton: Princeton University Press. pp. 36–39.
967:. Vol. 1. Princeton: Princeton University Press. pp. 34–36.
762:. Vol. 1. Princeton: Princeton University Press. pp. 40–44.
611:
583:
202:
1457:. Budapest: Hungarian Academy of Sciences Institute for Musicology.
659:. The gatherings of Corpus 473 dedicated to organa contain only the
1433:. Budapest: Hungarian Academy of Sciences Institute for Musicology.
1134:
Cambridge, Corpus Christi College 473: 38v., 39r., 39v., 78v., 79r.
1440:
Anglo-Norman Studies XVI. Proceeding of the Battle Conference 1993
847:
Anglo-Norman Studies XVI. Proceeding of the Battle Conference 1993
832:
Anglo-Norman Studies XVI. Proceeding of the Battle Conference 1993
675:
158:
20:
1049:. Vol. 1. Princeton: Princeton University Press. p. 20.
1034:. Vol. 1. Princeton: Princeton University Press. p. 36.
1019:. Vol. 1. Princeton: Princeton University Press. p. 35.
1601:
1455:
Cantus Planus: Papers Read at the Seventh Meeting, Sopron, 1995
1537:"Cambridge, Corpus Christi College, Parker Library, Ms. 473"
1223:. Princeton: Princeton University Press. pp. 145, 156.
1460:
Huglo, Michel (1993). Rankin, Susan; Hiley, David (eds.).
815:
Huglo, Michel (1993). Rankin, Susan; Hiley, David (eds.).
1493:
The Winchester Troper: Facsimile Edition and Introduction
1251:
The Winchester Troper: Introduction and Facsimile Edition
1206:
The Winchester Troper: Introduction and Facsimile Edition
1191:
The Winchester Troper: Introduction and Facsimile Edition
1176:
The Winchester Troper: Introduction and Facsimile Edition
1122:
The Winchester Troper: Introduction and Facsimile Edition
1062:
The Winchester Troper: Facsimile Edition and Introduction
890:
Handschin, J (April 1936). "The Two Winchester Tropers".
877:
The Winchester Troper: Introduction and Facsimile Edition
802:
The Winchester Troper: Introduction and Facsimile Edition
784:
The Winchester Troper: Introduction and Facsimile Edition
745:
The Winchester Troper: Facsimile Edition and Introduction
715:
The Winchester Troper: Facsimile Edition and Introduction
558:
The Winchester Troper is partly a troper (i.e. a book of
1079:. Princeton: Princeton University Press. pp. 20–23.
234:, making it the largest extant collection of liturgical
156:
England, they also contain some post-Conquest music.
1448:
Essays on Medieval Music on Honor of David G. Hughes.
118:
In the late nineteenth century, Walter Frere and the
1584:
Bodleian Libraries Catalogue of Medieval Manuscripts
1833:
1633:
193:or cantor of the Old Minster and Bodley 775 by its
1407:
626:Corpus 473 contains 174 organal parts of two-part
209:were subsequently erased and cannot be recovered.
60:Cambridge, Corpus Christi College 473 (Corpus 473)
26:Pages from the manuscript in the Bodleian Library.
1541:Facsimile of the Winchester Troper (11th century)
1480:. 2 Vols. Princeton: Princeton University Press.
911:Roger Powell: The Compleat Binder: Liber amicorum
849:. Rochester, NY: Boydell Press. pp. 137–155.
834:. Rochester, NY: Boydell Press. pp. 137–155.
1911:Manuscripts of Corpus Christi College, Cambridge
667:, sequences, Mass Proper tropes, Alleluias, and
64:Oxford, Bodleian Library Bodley 775 (Bodley 775)
819:. Oxford: Clarendon Press. pp. 49, 57, 58.
795:
793:
1124:. London: Stainer & Bell. pp. 87, 91.
674:Because the notation consists of adiestematic
35:refers to two eleventh-century manuscripts of
1613:
1342:"Christmas in Royal Anglo-Saxon Winchester,"
1208:. London: Stainer & Bell. pp. 55–56.
610:. Other local saints, like St. Æthelwold and
8:
948:: CS1 maint: multiple names: authors list (
1324:. Oxford: Clarendon Press. pp. 85, 95.
1064:. London: Stainer and Bell. pp. 5, 49.
879:. London: Stainer & Bell. pp. 3–4.
58:, England. The manuscripts are now held at
1620:
1606:
1598:
1406:Hiley, David; Rankin, Susan, eds. (1993).
864:. Oxford: Clarendon Press. pp. 48–49.
732:. Oxford: Clarendon Press. pp. 61–62.
1253:. London: Stainer & Bell. p. 63.
1193:. London: Stainer & Bell. p. 53.
1178:. London: Stainer & Bell. p. 87.
786:. London: Stainer & Bell. p. 55.
543:approx. 64 (core repertory, some erased)
163:The Winchester Troper held at Cambridge,
1561:"Oxford, Bodleian Library, MS Bodl. 775"
804:. London: Stainer & Bell. p. 9.
717:. London: Stainer and Bell. pp. xi.
397:
265:
1004:. Oxford: Clarendon Press. p. 141.
702:
189:. Corpus 473 may have been used by the
169:Purification of the Blessed Virgin Mary
16:English music manuscript, dated c. 1000
1360:Cambridge, Corpus Christi College 473.
1238:. Oxford: Clarendon Press. p. 68.
976:
974:
941:
928:. The Boydell Press. p. 429-257.
747:. London: Stainer and Bell. p. 7.
258:. Corpus 473 contains only half of an
1478:The Repertory of Tropes at Winchester
1476:Planchart, Alejandro Enrique (1977).
1410:Music in the Medieval English Liturgy
1221:The Repertory of Tropes at Winchester
1219:Planchart, Alejandro Enrique (1977).
1161:The Repertory of Tropes at Winchester
1159:Planchart, Alejandro Enrique (1977).
1146:The Repertory of Tropes at Winchester
1144:Planchart, Alejandro Enrique (1977).
1107:The Repertory of Tropes at Winchester
1105:Planchart, Alejandro Enrique (1977).
1092:The Repertory of Tropes at Winchester
1090:Planchart, Alejandro Enrique (1977).
1077:The Repertory of Tropes at Winchester
1075:Planchart, Alejandro Enrique (1977).
1047:The Repertory of Tropes at Winchester
1045:Planchart, Alejandro Enrique (1977).
1032:The Repertory of Tropes at Winchester
1030:Planchart, Alejandro Enrique (1977).
1017:The Repertory of Tropes at Winchester
1015:Planchart, Alejandro Enrique (1977).
965:The Repertory of Tropes at Winchester
963:Planchart, Alejandro Enrique (1977).
777:
775:
773:
771:
769:
760:The Repertory of Tropes at Winchester
758:Planchart, Alejandro Enrique (1977).
708:
706:
546:14 (late 11th through early 12th c.)
541:11 (late 11th through early 12th c.)
7:
650:is a previously composed chant; the
1365:Oxford, Bodleian Library Bodley 775
622:The organa and their reconstruction
638:; English, principal voice) and a
180:Corpus 473 contains 199 folios of
14:
1891:Medieval music manuscript sources
1628:Medieval music manuscript sources
1552:"Incipiunt melliflua organorum" (
1390:. London: Henry Bradshaw Society.
1310:. Oxford: Clarendon Press. p. 78.
1524:American Institute of Musicology
987:American Institute of Musicology
614:(Iustus), are also represented.
1442:. Rochester, NY: Boydell Press.
646:; English, organal voice). The
230:(Latin: organal voices) to 174
1468:Holschneider, Andreas (1968).
1396:Journal of Theological Studies
1279:Holschneider, Andreas (1968).
892:Journal of Theological Studies
504:Offertory cycle (with verses)
1:
1896:Music illuminated manuscripts
1649:British Library, Add MS 29987
1384:Frere, Walter Howard (1894).
1719:Llibre Vermell de Montserrat
1495:. London: Stainer and Bell.
1906:Bodleian Library collection
1487:. Oxford: Clarendon Press.
1464:. Oxford: Clarendon Press.
1380:. Oxford: Clarendon Press.
313:Ordinary tropes and tonary
205:and colored initials. Some
1927:
1297:. Oxford: Clarendon Press.
924:Hartzell, K., D. (2006).
324:10 Kyries (one is later)
142:William, Duke of Normandy
1886:11th-century manuscripts
1522:. Middleton, Wisconsin:
985:. Middleton, Wisconsin:
171:, and the Easter season.
1842:Ars cantus mensurabilis
913:. Brepols. p. 190.
399:Contents of Bodley 775
267:Contents of Corpus 473
98:, who were influential
46:copied and used in the
1512:British Academy Review
1491:Rankin, Susan (2007).
1472:. Hildesheim: G. Olms.
1344:Herald AV Publications
1283:. Hildesheim: G. Olms.
1249:Rankin, Susan (2007).
1204:Rankin, Susan (2007).
1189:Rankin, Susan (2007).
1174:Rankin, Susan (2007).
1120:Rankin, Susan (2007).
1060:Rankin, Susan (2007).
875:Rankin, Susan (2007).
800:Rankin, Susan (2007).
782:Rankin, Susan (2007).
743:Rankin, Susan (2007).
713:Rankin, Susan (2007).
172:
28:
1855:The Berkeley Treatise
1849:De Mensurabili Musica
482:107 (core repertory)
162:
100:Bishops of Winchester
24:
221:Overview of contents
176:Physical description
74:chants for both the
52:Winchester Cathedral
1824:Worcester Fragments
1768:Robertsbridge Codex
1747:Old Hall Manuscript
1712:Laudario di Cortona
1684:Florence Manuscript
989:. pp. 779–780.
669:Office Responsories
467:6 Agnus dei tropes
400:
336:6 Agnus dei tropes
268:
248:liturgical calendar
214:Wulfstan the Cantor
44:two-voice polyphony
1810:Trinity Carol Roll
1803:Squarcialupi Codex
681:Musica enchiriadis
398:
266:
187:Caroline minuscule
173:
29:
1863:
1862:
1817:Winchester Troper
1789:Selden Carol Book
1740:Montpellier Codex
1705:King's Manuscript
1691:Las Huelgas Codex
636:voces principales
551:
550:
484:4 (late 11th c.)
461:6 Sanctus tropes
458:13 Gloria tropes
396:
395:
330:6 Sanctus tropes
327:17 Gloria tropes
146:conquered England
33:Winchester Troper
1918:
1796:Codex Speciálník
1622:
1615:
1608:
1599:
1594:
1592:
1590:
1575:
1573:
1571:
1551:
1549:
1547:
1506:
1473:
1425:
1413:
1402:. nos. 145-146.
1391:
1326:
1325:
1317:
1311:
1304:
1298:
1291:
1285:
1284:
1276:
1270:
1269:
1261:
1255:
1254:
1246:
1240:
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1231:
1225:
1224:
1216:
1210:
1209:
1201:
1195:
1194:
1186:
1180:
1179:
1171:
1165:
1164:
1156:
1150:
1149:
1141:
1135:
1132:
1126:
1125:
1117:
1111:
1110:
1102:
1096:
1095:
1087:
1081:
1080:
1072:
1066:
1065:
1057:
1051:
1050:
1042:
1036:
1035:
1027:
1021:
1020:
1012:
1006:
1005:
997:
991:
990:
978:
969:
968:
960:
954:
953:
947:
939:
921:
915:
914:
906:
900:
899:
887:
881:
880:
872:
866:
865:
857:
851:
850:
842:
836:
835:
827:
821:
820:
812:
806:
805:
797:
788:
787:
779:
764:
763:
755:
749:
748:
740:
734:
733:
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632:vox principalis
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564:Gregorian chant
562:). It contains
556:
473:Alleluia cycle
453:4 Kyrie tropes
418:Later material
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1881:1030s books
1876:1020s books
1782:Rossi Codex
1698:Ivrea Codex
1372:Scholarship
1354:Manuscripts
898:(146): 172.
604:St. Gregory
600:St. Stephen
154:Anglo-Saxon
114:Manuscripts
96:St. Swithun
88:antiphoners
48:Old Minster
1870:Categories
1337:Recordings
698:References
691:Micrologus
612:St. Justus
606:, and the
596:All Saints
538:130r-190v
535:17, 18-24
524:121r-129r
518:Sequences
464:2 Sanctus
455:11 Kyries
407:Gathering
342:Sequences
333:1 Sanctus
275:Gathering
40:plainchant
37:liturgical
1589:24 August
1570:24 August
1514:, no. 11.
944:cite book
608:Innocents
592:Pentecost
580:Christmas
576:Communion
572:Offertory
510:97v-121v
413:Quantity
390:191-198v
281:Quantity
256:Sactorale
252:Temporale
236:polyphony
212:Although
191:succentor
182:parchment
150:sequences
108:polyphony
56:Hampshire
1901:Tonaries
1554:fol. 135
1546:17 March
588:Epiphany
496:88r-97r
479:76v-87v
450:62r-76r
376:135-190
260:Alleluia
84:graduals
78:and the
72:Ordinary
1754:Psalter
657:ocursus
628:organum
568:introit
532:Proses
437:8r-61v
370:Organa
362:89-134
356:Proses
203:rubrics
104:organum
1834:Theory
1634:Scores
1499:
1418:
932:
676:neumes
665:tracts
584:Advent
560:tropes
554:Tropes
521:16-17
507:13-16
493:12-13
476:10-11
424:1r-7v
410:Folio
404:Genre
373:16-21
359:11-15
348:81-88
319:55-80
278:Folio
272:Genre
232:organa
207:proses
195:cantor
140:1066,
131:Dating
125:tropes
106:(i.e.
86:, and
68:Proper
447:8-10
306:9-54
1591:2018
1572:2018
1548:2018
1497:ISBN
1416:ISBN
950:link
930:ISBN
684:and
574:and
513:100
434:2-8
379:174
316:7-9
303:2-6
292:1-8
254:and
242:and
240:Mass
94:and
76:Mass
70:and
62:and
42:and
31:The
688:'s
527:51
499:25
387:22
365:51
351:52
345:10
295:44
54:in
50:at
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952:)
938:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
