985:. Throughout the book, he plays the dual role of listener and recorder of other people's stories and advice, and the young representative of the town's hopes whose coming-of-age reaches its dénouement in the final tale, "Departure,” when George leaves Winesburg for the city. Much of George's story is centered around two interconnected threads: those of his sexual and artistic maturation. Most of the time, these two formative elements proceed together; it is solely when George loses his virginity to Louise Trunnion in "Nobody Knows" that the adventure is exclusively sexual. Afterwards, starting with his desire to fall in love with Helen White in order to have material for a love story in "The Thinker,” the desire for sexual fulfillment becomes linked to his literary/emotional sensibility.
969:, although they are few and evanescent". Though rarely does escape come in the narrative present, many of the stories prominently feature anecdotes of past adventures where lonely and reserved characters run naked through the town on a rainy night (Alice Hindman in "Adventure"), drive their wagon headlong into a speeding locomotive (Windpeter Winters in "The Untold Lie"), and have window-shattering religious epiphanies (Reverend Curtis Hartman in "The Strength of God"). While not all of the adventures are so dramatic, each has its place in the annals of the town, sometimes as told to George Willard, other times in the memories of participants.
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cycle (ten of these are central protagonists in their stories)." Within the stories, characters figure in anecdotes that cover a relatively large time period; much of the action takes place during George's teenage years, but there are also episodes that go back several generations (particularly in "Godliness"), approximately twenty years ("Hands"), and anywhere in between. Indeed, the climactic scenes of two stories, "The
Strength of God" and "The Teacher", are actually juxtaposed over the course of one stormy January evening. As
330:, was an exact picture of Ohio village life." The author went on to admit that, "the hint for almost every character was taken from my fellow lodgers in a large rooming house..." These lodgers were the "...young musicians, young writers, painters, actors..." and others that lived in proximity to Anderson on the North Side of Chicago and to whom he referred as "The Little Children of the Arts". The truth probably lies somewhere in between, with memories of Clyde "merging" with Anderson's interactions at the boardinghouse.
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tired......he wanted someone to understand the feeling that had taken possession of him after his mother's death ". That someone turned out to be Helen White, who herself had "...come to a period of change". It is in the time they spend together that readers see "his acceptance of Helen as a spiritual mediator..." which signifies that "...George's masculinity is balanced by the feminine qualities of tenderness and gentleness, an integration that
Anderson suggests is necessary for the artist."
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writing...I wrote it, as I wrote them all, complete in the one sitting...The rest of the stories in the book came out of me on succeeding evenings, and sometimes during the day while I worked in the advertising office..." Study of his manuscripts shows that, though it is probably true that most of the stories were written within a relatively short span of time in late 1915, like a number of facts in
Anderson's retelling of his writing process (for instance, his claim that he had written the
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potentials of her emotion. At last, however, George begins to perceive that there is something more to be communicated between men and women than physical encounter..." Yet this lesson is not solidified for the young reporter when, after boasting in a bar in the story "An
Awakening,” he has a surge of "masculine power" and tries to seduce Belle Carpenter, only to be repelled and humiliated by her beau, the large-fisted bartender, Ed Handby.
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traveling men from her father's hotel“. She was a character who, "perhaps more than any of the other characters, seeks some kind of release from her perpetual loneliness". And yet, aside from her very brief love affair with Dr. Reefy, Elizabeth
Willard finds no solace. Instead, both of her stories conclude with Elizabeth Willard attempting to communicate with her son but, like the dumbfounded Elmer Cowley, winding up unsuccessful.
223:, few scholars have concluded that it fits the standards of a conventional novel. Instead, it is typically placed "...midway between the novel proper and the mere collection of stories," known as the short story cycle. Aside from its structural unity, the common setting, characters, symbolism and "consistency of mood" are all additional qualities that tie the stories together despite their initial publication as separate tales.
47:
500:," William L. Phillips wrote that the manuscript of "Hands" contained "...almost two hundred instances in which earlier words and phrases are deleted, changed, or added to..." though no major structural changes to the story were detected. Additionally, slightly different versions of ten stories that ended up in the book were published by three literary magazines between 1916 and 1918 as follows:
448:("...both are episodic novels containing loosely bound but closely related sketches, both depend for impact less on dramatic action than on climactic lyrical insight, and in both the individual sketches frequently end with bland understatements that form an ironic coda to the body of the writing") may not be a sign of influence since it is not known whether Anderson read the book before writing
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311:, where Anderson lived between the ages of eight and nineteen (1884–1896), and not the actual town of Winesburg, Ohio. This view is supported by the similarities between the names and qualities of several Winesburg characters and Clyde's townspeople, in addition to mentions of specific geographic details of Clyde and the surrounding area.
1551:. Word for Word Performing Arts Company and the Shotgun Players adapted "A Man of Ideas", "Paper Pills", "Surrender", and "Hands". The production was nominated for five San Francisco Bay Area Theatre Critics Circle Awards (Entire Production – Drama, Supporting Performance – Female, Director, Sound Design, and Ensemble Performance).
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likewise was "...forever striving to conceal in his pockets or behind his back". For Wing, his hands were "...the very index of his humanity", with the potential to symbolize a continuum going from a general fear of sexuality to sublimated homosexuality. Wing
Biddlebaum and Dr. Reefy are just two examples of how throughout
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and the novels of the following decades; whereas the simple, stripped-down vernacular that
Gertrude Stein found so appealing in Anderson's writing of the time became an exemplar of quintessential American style most famously associated with Ernest Hemingway, the expressionistic portrayal of emotional
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largely concern the interaction between the individual citizens of
Winesburg and the world around them. As each of the book's stories focuses primarily (though not exclusively) on one character, the narrator develops these themes continuously, sometimes adding new insights about previously introduced
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plays a large role in allowing for this reorientation. Beginning with the idea of characters as grotesques whose "...grotesqueness is not merely a shield of deformity; it is also a remnant of misshapen feelings, what Dr. Reefy in the sketch 'Paper Pills' calls 'the sweetness of the twisted apples'".
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surpasses the notion of the novel as an "objective report" by making use of "lyrical, nostalgic, evocative," even sentimental effects of nineteenth-century novels in its depictions of what lies beneath the psychological surface of a midwestern town. In the book, Anderson reoriented the facts typical
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in
Chicago: "...it was a late fall night and raining...I was there naked in the bed and I sprang up. I went to my typewriter and began to write. It was there, under those circumstances, myself sitting near an open window, the rain occasionally blowing in and wetting my bare back, that I did my first
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for the town in the book. What is known is that the name was not necessarily determined by the stories themselves. In actuality, Anderson had been using
Winesburg, Ohio, as a base for Talbot Whittingham, the protagonist of an unfinished novel he had been writing on-and-off for several years prior to
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in 2019, calling it "a spotlight on the outcasts, of whom there are so many one may begin to wonder whether there exist any incasts." The Pequod called it “one of the great modern short story collections… Anderson’s writing is of such consistently high quality that he is able to elevate the stories
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in 1953, commented that "...Anderson is out of fashion." Throughout that decade, however, the author and his most popular book were the subject of a "...re-examination, if only as a neglected literary ancestor of the moderns." Into the 1960s and beyond, this "re-examination" became a "reevaluation"
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with the narrator occasionally breaking away from the story to directly address the reader or make self-conscious comments (in "Hands", after describing the poignant nature of the story, he writes that "It is a job for a poet", later in the same story adding, "It needs a poet there".) These remarks
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Mostly written from late 1915 to early 1916, with a few stories completed closer to publication, they were "...conceived as complementary parts of a whole, centered in the background of a single community." The book consists of twenty-two stories, with the first story, "The Book of the Grotesque",
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is the interplay between how the Winesburg citizens' "...inability to translate inner feelings into outward form" expresses itself in the loneliness and isolation that makes their various adventures noteworthy. This dynamic is present, in some form, in practically all of the stories, three fairly
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named in the book, some appearing only once and some recurring several times. According to literary scholar Forrest L. Ingram, "George Willard in all but six stories; 33 characters each appear in more than one story (some of them five and six times). Ninety-one characters appear only once in the
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In the former, the young man Elmer Cowley, incited by an imagined slight ("He thought that the boy who passed and repassed Cowley & Son's store ... must be thinking of him and perhaps laughing at him" when in reality, " had long been wanting to make friends with the young merchant...") tries
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tradition, internally inferior), apples is that they are compared to Dr. Reefy's own knuckles that make a habit of stuffing crumpled notes bearing his thoughts unread into his pockets (itself a symbol of the "ineffectuality of human thought"). Wing Biddlebaum, the subject of the story "Hands",
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In the latter two stories, Elizabeth Willard was the "tall and gaunt...ghostly figure slowly through the halls..." of the New Willard House who eventually, in "Death,” succumbs to illness. In her youth, Elizabeth "...had been 'stage-struck' and, wearing loud clothes, paraded the streets with
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serving as an introduction. Each of the stories shares a specific character's past and present struggle to overcome the loneliness and isolation that seem to permeate the town. Stylistically, because of its emphasis on the psychological insights of characters over plot, and plainspoken prose,
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The climax of George's sexual and artistic coming-of-age comes in the second-to-last story of the collection, "Sophistication". Early in the story, while walking amongst the crowds of the Winesburg County Fair, George felt "...a thing known to men and unknown to boys. He felt old and little
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In "The Teacher,” a central point in George's development, "Kate Swift, George's school teacher, realizes his literary potential..." and tries to communicate her thoughts to George but, "...his sexual desire kindles her own, and she loses touch with the intellectual, spiritual, and creative
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Phillips (1976: 153-154) discusses the early print runs and sales figures noting "Since sales and other records of the B.W. Huebsch publishing house have long since been destroyed, it is not possible to be certain about the quantity of each printing, but an estimate can be made from other
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twice to tell George off but is unable to communicate his feelings either time, finally physically assaulting the young reporter. The story ends with Cowley telling himself, "I showed him ... I guess I showed him. I guess I showed him I ain't so queer", a proclamation obviously laced with
1562:. The book and lyrics were written by Eric Rosen (in collaboration with Andrew Pluess, Ben Sussman, and Jessica Thebus). Following its 2002 premiere, the musical was featured as part of the About Face Theatre Company's 2003–2004 season. The About Face production received the two
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characters. (Elizabeth Willard's relationship with Dr. Reefy in "Death,” for example, was never alluded to when she was first introduced in "Mother.”) Because George Willard is a fixture in much of the book, his character arc becomes just as important a theme of
165:. The work is structured around the life of protagonist George Willard, from the time he was a child to his growing independence and ultimate abandonment of Winesburg as a young man. It is set in the fictional town of Winesburg, Ohio (not to be confused with the
1302:
is picked up in the church used as a drug den, from under a mattress, when character Madison Clark indicates it belongs to her son, Nick. Nick is shown reading and discussing the book in season 2, episode 8, which takes its title from the book's opening story.
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has recognized this desperate need to communicate, but what has not been understood about Anderson's work is that this continual frustration serves as the context out of which arise a few luminous moments of understanding... Such moments are at the heart of
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among readers and critics has remained fairly high but has fluctuated with Sherwood Anderson's literary reputation. His reputation, while steady through the 1920s, began to decline in the 1930s. William L. Phillips, following the lukewarm reception of
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drama, there is little development of a story line in the Winesburg tales in term of cause and effect." Indeed, it is this de-emphasis of traditional story elements in lieu of experimentation with language that provides both a link and a rift between
1452:, directed by Tommy Britt, examined the legacy of Anderson's book by documenting present day small town Ohio and the attempt to adapt Anderson's book for the screen by the local community and Ohio University students, alumni, staff and faculty.
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between 1912 and 1915, is also said to have played a key role in helping shape the unique style found in the stories. Through his interaction (at first satirizing it before ultimately accepting it as essential to his development) with Stein's
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was received well by critics despite some reservations about its moral tone and unconventional storytelling. Though its reputation waned in the 1930s, it has since rebounded and is now considered one of the most influential portraits of
403:, variations on the repetition found in Stein's writing in addition to their mutual appreciation for the sentence as a basic unit of prose were also likely features of her writing that Anderson noticed and drew upon in writing his
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to the level of great poetry and even tragedy,” and rated the book a 9.5 (out of 10.0). In a 2011 review, Ploughshares praised the book, and specifically highlighted its “in-depth, fearless, summarized description of emotion.”
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Phillips (1951), 9 ("Book of the Grotesque" and "Hands"), 12 ("Paper Pills", "'Queer'", and "The Untold Lie"), 24 ("The Strength of God"), 25-26 ("Mother", "The Thinker", "The Man of Ideas", and "An Awakening")
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stories after his earlier books were already published), it is inaccurate to say that the final versions of the stories published in 1919 were exactly the same as the ones written whole four years earlier.
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that separates its style from Anderson's contemporaries, as well as his previous novels, is the minimal role of plot. According to critic David Stouk's article "Anderson's Expressionist Art", "As an
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is set, in part, at Winesburg College in Winesburg, Ohio. His protagonist holds a part-time job as a waiter at the "New Willard House", evoking the protagonist, George Willard, of Anderson's book.
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representative examples being the merchant's son, Elmer Cowley, in the story "Queer,” George's mother, Elizabeth Willard, in the stories "Mother" and "Death,” and Jessie Bentley in "Godliness.”
434:) were discounted by the author, the former for stylistic reasons, the latter because he had apparently not read them prior to writing his book. While Anderson expressed an admiration for
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had a powerful influence on his writing, showing him that literature must not necessarily always be about heroes. Only after reading Anderson did he find the courage to start writing.
1461:, a contemporary adaptation of the modular novel, premiered in competition at the Busan International Film Festival and appeared in multiple additional festivals. Noted film critic
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above, a number of scholars have taken the perspective that the cycle is, in fact, about escape from isolation instead of the condition itself. Barry D. Bort writes, "Criticism of
483:(probably "The Book of the Grotesque") was composed, on the spur of the moment, in the middle of the night, probably while he was staying on the third floor of a rooming house at
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1099:"...embodies some of the most remarkable writing done in America in our time". Despite criticism that Anderson's "sordid tales" were humorless, and "mired...in plotlessness",
399:(1914), Anderson found the plain, unambiguous voice that became a staple of his prose. As indicated by the correspondence the two writers developed after the publication of
1448:, a filmed adaptation of the novel, was produced by Jennifer Granville. It was screened at the Athens International Film and Video Festival. A companion documentary,
699:, owner and editor of a small publishing house in New York, that the stories (Huebsch suggested calling them "Winesburg, Ohio") were brought together and published.
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summarized the pair's connection aptly when he wrote, "Stein was the best kind of influence: she did not bend Anderson to her style, she liberated him for his own."
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1054:, Anderson builds myriad themes by adding symbolic significance to gestures, weather conditions and time of day, and events, among other features of the stories.
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was published, the similarities in small-town setting, structure, and mood of the works have been noted by several reviewers, with one going so far as to call
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364:, heading off comparisons between the two works by stating (erroneously, as it turns out) that the Winesburg stories were printed in magazines before the
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as a whole because Anderson was ambiguous about the matter. Still, most scholars affirm the obvious connection between Anderson's cycle and the
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Sherwood Anderson, Once of Clyde, Began Life as a Grocery Errand Boy / Old Clyde Residents and Mrs. J.D. Parker Recall Early Life of Writer
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A direct relationship between the real Clyde and the fictional Winesburg, however, remains the supposition of scholars. Anderson wrote in
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1196:, summed up the lesson learned by the book's unsophisticated readers as the fact that "there's a lot of sex around if we only knew it".
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It is widely acknowledged that the fictional model of the book's town, Winesburg, is based on Sherwood Anderson's boyhood memories of
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has largely been made by scholars seeking to place the book within the canon of American literature, not necessarily by the author.
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1528:(then known as the National Theatre). The adaptation, written by Christopher Sergel, starred Ben Piazza as George Willard,
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2831:"'The Batman' Director Matt Reeves On DC Pic During COVID-19 Hiatus; Unraveling 'Tales From The Loop' & Netflix Slate"
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Bradbury, Ray (1990). "Run Fast, Stand Still, or, The Thing at the Top of the Stairs, or, New Ghosts from Old Minds". in
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1613:, and the quotations around "Queer" are consistent with the style of the book's numerous editions. For two examples see
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Phillips, William L. (1976) "The Editions of Winesburg, Ohio". in Campbell, Hilbert H. and Modlin, Charles E.A (eds).
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has served as a representative early example of the modern short story cycle in American letters. Comparisons between
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in 1934. Directed by Jasper Deeter, it achieved some success, running from June through September of that year.
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Anderson, Sherwood (1996a). "Sherwood Anderson's Memoirs". in Modlin, Charles E. and White, Ray Lewis (eds).
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268:'s works, among others, demonstrate the pervasiveness of the formal innovations made in Anderson's book.
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Stouck, David (1996). "Anderson's Expressionist Art". in Modlin, Charles E. and White, Ray Lewis (eds).
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The focus on George Willard's development as a young man and a writer has also led some critics to put
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by Sherwood Anderson (initially in collaboration with playwright Arthur Barton) was performed at the
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on 21 April 2011. Gale Document Number: GALE|H1420102369. (accessible through most public libraries)
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Numerous other writers and works have been mentioned as possible sources from which the elements of
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for New Adaptation and Actor in a Supporting Role-Musical. A 2006 production of the musical by the
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1013:(who died almost one year after the publication of the book), contemporaries Theodore Dreiser and
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Reist, John S. (1993). "An Ellipse Becomes a Circle: The Developing Unity of Winesburg, Ohio."
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were drawn, most of them either denied or unacknowledged by Anderson himself. The influence of
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Phillips, William L. (1966) "Sherwood Anderson's Two Prize Pupils". in White, Ray Lewis (ed).
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novels by incorporating his characters' inner beliefs about themselves as part of "reality".
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walks into the office of William Redd, who quickly puts down his copy of "Winesburg, Ohio".
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Mencken, H.L. "Book of Uncommon Merit". in Modlin, Charles E. and White, Ray Lewis (eds).
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2933:. Southern Illinois University Special Collections Research Center. Accessed 19 June 2011.
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The Great American Playwrights on the Screen: A Critical Guide to Film, TV, Video, and DVD
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Updike, John (1996). "Twisted Apples". in Modlin, Charles E. and White, Ray Lewis (eds).
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A New Book of the Grotesque: Contemporary Approaches to Sherwood Anderson's Early Fiction
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Anderson, Sherwood (1947). "A Writer's Conception of Realism". in Rosenfeld, Paul (ed).
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said "it is a beautiful book, and has inspired this beautiful film," and later listed
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Brown, Lynda (Summer 1990). "Anderson's Wing Biddlebaum and Freeman's Louisa Ellis".
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The cycle consists of twenty-two short stories, one of which consists of four parts:
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382:, whose work Anderson was introduced to by either his brother Karl or photographer
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that he reacted with "shock" when he "...heard people say that one of my own books
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Midamerica XXI: The Yearbook of the Society for the Study of Midwestern Literature
1367:, its themes of loneliness and isolation, and its focus on small town characters.
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1091:, for example, wrote that "...America should read this book on her knees," while
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Westbrook, Max (1966). "Sherwood Anderson (1876–1941)". in Westbrook, Max (ed).
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Evans, Robert C. (2010) "Sherwood Anderson". in Gantt, Patricia M. (series ed).
3094:"2006 Barrymore Awards for Excellence in Theatre: Nominees and Award Recipients"
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Hedgerow Theatre: Nurturing dreams Newcomers found artistry there – and marriage
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Sherwood Anderson's Winesburg, Ohio: A Group of Tales of Ohio Small-Town Life
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Madden, Fred (1997) "Expressionist contours in Sherwood Anderson's fiction".
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As noted in Ingram (1971: 151), George appears in all but six of the stories.
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stories as "too gloomy" and refused to publish them. It was not until editor
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Maresca, Carol J. (March 1966). "Gestures as Meaning in Sherwood Anderson's
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Howe, Irving (1966). "The Book of the Grotesque". in White, Ray Lewis (ed).
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and while Anderson read and revered Twain, the connection between Twain and
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Though there is practically no argument about the unity of structure within
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Rideout, Walter B. (1969). "Sherwood Anderson". in Bryer, Jackson R. (ed).
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See Ingram (1971), 13-25, for an excellent discussion of short story cycles
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written by Kevin Kuhlke with music by Heaven Phillips premiered in 2003 as
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Murphy, George D. (Summer 1967). "The Theme of Sublimation in Anderson's
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Though each story's title notes one character, there are a total of over
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Trilling, Lionel (1977). "Sherwood Anderson". in White, Ray Lewis (ed).
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The whole cycle was adapted into a musical and premiered in 2002 at the
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Rideout, Walter B. (1974). "Introduction". in Rideout, Walter B. (ed.)
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Student's Encyclopedia of Great American Writers: Volume III: 1900-1945
2787:. Translated by Nicholas de Lange. New York: Houghton Mifflin Harcourt.
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In the 13th and final episode of the 6th Season of the Netflix series,
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Though the stories were published to some acclaim in literary circles,
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Phillips (1966) covers Anderson's influence on Hemingway and Faulkner.
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According to Anderson's account, the first of the stories that became
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Spencer, Benjamin T. (March 1969). "Sherwood Anderson: Mythopoeist".
1619:(Modern Library/Random House, 1947) and Anderson (W.W. Norton, 1996).
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was later, by some critics, considered "undisciplined" and "vague".
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has often been placed at various points in the spectrum between the
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Fifteen Modern American Authors: A Survey of Research and Criticism
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Crowley, John W. (1990). "Introduction". in Crowley, John W. (ed).
3072:"27 Jeff Awards Presented at 36th Annual Joseph Jefferson Ceremony"
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It is difficult to say that any specific writer or work influenced
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The American Novel: From James Fenimore Cooper to William Faulkner
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published this version of the play alongside three one-act plays (
360:, Anderson's publisher, sent out a statement, upon the release of
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This article is about the novel. For the unrelated community, see
3217:(1 June 1919). in Modlin, Charles E. and White, Ray Lewis (eds).
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upon its publication in 1919 was mostly positive, even effusive.
356:), which Anderson reportedly stayed up all night to read. Though
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687:, the publisher of Anderson's first two novels, referred to the
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The Chicago Renaissance in American Letters: A Critical History
3259:(4): 443–456. (Link is to what looks like part of the article.)
3160:
Anderson, Sherwood (1977). "Dreiser". in Gregory, Horace (ed).
3006:"The Bay Area Critics Circle Awards: 2001 Nominees and Winners"
1609:
The formatting of the story titles, particularly the italics,
169:), which is loosely based on Anderson's childhood memories of
496:
In fact, in his seminal article "How Sherwood Anderson wrote
122:
3707:. Chapel Hill, NC: University of North Carolina. OCLC 276748
3559:. Chapel Hill, NC: University of North Carolina. OCLC 276748
3432:. Chapel Hill, NC: University of North Carolina. OCLC 276748
3377:. Chapel Hill, NC: University of North Carolina. OCLC 276748
3336:. Chapel Hill, NC: University of North Carolina. OCLC 276748
3096:. Theatre Alliance of Greater Philadelphia. 23 October 2006.
2978:." IBDB: Internet Broadway Database. Accessed 19 June 2011.
1469:
among the Best Art Films of 2010. The film was directed by
299:
Map of fictional town of Winesburg from the 1st edition of
3541:
Phillips, William L. (1951). "How Sherwood Anderson Wrote
3438:
Representative Short Story Cycles of the Twentieth Century
3382:
The Last of the Provincials: The American Novel, 1915–1925
2637:"Et in Ohio Ego: On Sherwood Anderson's "Winesburg, Ohio""
3705:
The Achievement of Sherwood Anderson: Essays in Criticism
3557:
The Achievement of Sherwood Anderson: Essays in Criticism
3430:
The Achievement of Sherwood Anderson: Essays in Criticism
3375:
The Achievement of Sherwood Anderson: Essays in Criticism
3334:
The Achievement of Sherwood Anderson: Essays in Criticism
155:
Winesburg, Ohio: A Group of Tales of Ohio Small-Town Life
3137:
Mark Twain, Sherwood Anderson, and Midwestern Modernism
1128:
reviewed the book after a new edition came out through
3517:
Morgan, Gwendolyn. (Fall 1989). "Anderson's 'Hands'".
3489:
Mellard, James M. (October 1968). "Narrative Forms in
2710:
F. Scott Fitzgerald, "Echoes of the Jazz Age" (1931),
1103:
was reprinted several times, selling a total of about
3601:". in Modlin, Charles E. and White, Ray Lewis (eds).
1042:
The irony of the sweet, but twisted (meaning, in the
2138:
2136:
275:
within the tradition of "the American boy book, the
209:
100 best English-language novels of the 20th century
4172:
4121:
4094:
4058:
3989:
3942:
3873:
3304:Crane, Hart (September 1919). "Sherwood Anderson".
1547:were staged in 2001 at the Julia Morgan Theater in
1292:In the pilot episode of the AMC television series,
1232:references the book on the first page of his novel
927:
Inability to communicate, loneliness, and isolation
134:
120:
112:
104:
94:
84:
74:
66:
56:
2622:
2620:
1394:, Christopher Sergel to write the screenplay and
226:Promoted to younger writers by Anderson himself,
3585:Sherwood Anderson: Collection of Critical Essays
3373:: Art and Isolation". in White, Ray Lewis (ed).
3292:Sherwood Anderson: Collection of Critical Essays
2965:. Selinsgrove, PA: Susquehanna University Press.
2853:. New York: Applause Theatre & Cinema Books.
1657:
1655:
923:as that of the rest of the town's inhabitants.
3726:The Modern American Novel: Essays in Criticism
3629:Rigsbee, Sally Adair (1996). "The Feminine in
3597:Rideout, Walter B. (1996). "The Simplicity of
3074:. The Joseph Jefferson Awards. 1 November 2004
1386:announced a film adaptation to be produced by
444:, the affinities between Turgenev's novel and
4028:
3851:
2931:Philip Kaplan and Bob Brown Papers, 1894–1961
2332:
2330:
2328:
2126:
2124:
1974:
1972:
1847:
1845:
8:
4220:Short story collections by Sherwood Anderson
3266:. Santa Barbara, CA: Joshua Odell Editions.
3206:Anonymous. "A Gutter Would Be Spoon River".
2258:
2256:
1988:
1986:
1984:
1894:
1892:
1763:
1761:
314:It is not known why Anderson chose the name
39:
3108:Kuhlke's 'Winesburg' an idiosyncratic jewel
2995:(12 September 2001). Accessed 19 June 2011.
2804:(20 September 2008). Accessed 30 June 2011.
2732:"Ray Bradbury, The Art of Fiction No. 203."
1025:. In what has been dubbed a "New Realism",
34:1919 short story cycle by Sherwood Anderson
4035:
4021:
4013:
3858:
3844:
3836:
3712:Winesburg, Ohio: A Norton Critical Edition
3691:Winesburg, Ohio: A Norton Critical Edition
3635:Winesburg, Ohio: A Norton Critical Edition
3603:Winesburg, Ohio: A Norton Critical Edition
3505:Winesburg, Ohio: A Norton Critical Edition
3219:Winesburg, Ohio: A Norton Critical Edition
3194:Winesburg, Ohio: A Norton Critical Edition
3180:Winesburg, Ohio: A Norton Critical Edition
2560:
2558:
1868:(29 August 1926). Retrieved 23 April 2011.
1401:A TV version was made in 1973 directed by
1353:Nathaniel Halpern, the writer of the 2020
886:appear less often as the book progresses.
319:the composition of the Winesburg stories.
45:
38:
3566:. Troy, NY: Whitston Publishing Company.
3410:Howe, Irving (1965). "Sherwood Anderson:
3391:. Murray Hill, NY: Farrar & Rinehart.
3286:Cowley, Malcolm (1974). "Introduction to
2574:
2572:
2570:
1323:In the sixth episode of second season of
977:George Willard, a young reporter for the
181:is known as one of the earliest works of
3738:White, Ray Lewis (1977) "Introduction".
2318:
2316:
1933:
1931:
1120:by critics who today generally consider
502:
294:
3587:. Englewood Cliffs, NJ: Prentice-Hall.
3121:(20 March 2003). Accessed 19 June 2011.
2288:
2286:
1710:". Random House. Accessed 22 July 2011.
1651:
1602:
898:writes in his introduction to the 1960
3407:. New York: William Sloane Associates.
3396:The Modern Novel in America: 1900–1950
3294:. Englewood Hills, NJ: Prentice-Hall.
2950:(11 July 2003). Accessed 19 June 2011.
2829:D'Alessandro, Anthony (9 April 2020).
2753:". In Joshi, S. T. and Schultz, David
1398:to direct. This film was never made.
1158:The Best of Youth (La meglio gioventĂą)
196:small-town life in the United States.
3662:(3): 496-515. Accessed on 2 May 2011.
3564:Sherwood Anderson: Centennial Studies
3441:. The Netherlands: Mouton & Co..
3143:. East Lansing, MI: Midwestern Press.
2962:Sherwood Anderson: an American career
1945:(31 May 1919). Retrieved 3 July 2011.
1312:, the book is given to the character
452:. Finally, the regional focus on the
7:
4086:Whirlpool Corporation Clyde Division
3740:Sherwood Anderson: A Reference Guide
3580:. Durham, NC: Duke University Press.
2814:"There's No Place Like Homecoming".
1568:Arden Theatre Company (Philadelphia)
1218:said that he wrote the short story "
1009:of Anderson's literary predecessor,
1079:Literary significance and criticism
956:In contrast with the stark view of
3389:Creating the Modern American Novel
3213:Anonymous (1996). "Sordid Tales".
863:Doctor Reefy and Elizabeth Willard
463:The Adventures of Huckleberry Finn
456:has been linked to the writing of
25:
3649:Holding on to the Sentimental in
3622:(3): 26–38. Accessed through the
1516:A Broadway production played for
1137:Literary and cultural connections
981:, figures prominently in much of
883:third-person omniscient narrative
3786:
3647:Ritzenberg, Aaron. (Fall 2010) "
3359:. New York: Facts on File, Inc.
3245:Bort, Barry D. (Summer, 1970). "
2757:. Westport, CT: Greenwood Press.
1192:, in his wry reminisence of the
1117:The Letters of Sherwood Anderson
1057:Another major characteristic of
324:A Writer's Conception of Realism
116:Print (hardback & paperback)
18:Winesburg, Ohio (fictional town)
3742:. Boston: G.K. Hall & Co..
3290:". in Rideout, Walter B. (ed).
3139:". in Anderson, David D. (ed).
2755:An H. P. Lovecraft Encyclopedia
1206:as an inspiration for his book
3803:PBS.org - The American Novel:
3394:Hoffman, Frederick J. (1951).
3328:Duffey, Bernard (1966). "From
3162:The Portable Sherwood Anderson
3050:"About Face Theatre – History"
2687:"Why I Reread Winesburg, Ohio"
2662:"Winesburg, Ohio | The Pequod"
1577:A loose musical adaptation of
1306:In the ABC television series,
1276:presents a possible sequel to
973:George Willard's coming-of-age
29:Winesburg, Holmes County, Ohio
1:
3414:". in Stegner, Wallace (ed.)
3332:". in White, Ray Lewis (ed).
3316:New Essays on Winesburg, Ohio
3030:. Steppenwolf Theatre Company
2798:'Indignation,' by Philip Roth
972:
3997:Sherwood Anderson Foundation
3174:Anderson, Sherwood (1996). "
3155:The Sherwood Anderson Reader
3150:. New York: Harcourt, Brace.
3135:Anderson, David D. (1994). "
3052:. About Face Theatre Company
3028:"History: "Winesburg, Ohio""
2901:"The Best Art Films of 2010"
1248:writes in his autobiography
931:The most prevalent theme in
4111:Clyde-Green Springs Schools
3796:public domain audiobook at
3453:American Fiction: 1865–1940
3435:Ingram, Forrest L. (1971).
3384:. Boston: Houghton Mifflin.
3318:. Cambridge: Cambridge UP.
3250:: The Escape from Isolation
3233:Plays: Winesburg and Others
3157:. Boston: Houghton Mifflin.
3148:Sherwood Anderson's Memoirs
3146:Anderson, Sherwood (1942).
2959:Bassett, John Earl (2006).
2784:A Tale of Love and Darkness
2730:Weller, Sam (Sprint 2010).
2271:Anderson (1996 ed), 126-128
1954:Anonymous (25 June 1919). "
1574:for "Outstanding Musical".
1511:Plays: Winesburg and Others
1346:is seen carrying a copy of
1251:A Tale of Love and Darkness
814:The Reverend Curtis Hartman
517:"The Book of the Grotesque"
475:Composition and publication
4246:
3728:. New York: Random House.
3624:Literature Resource Center
3231:Anonymous (October 1937).
2878:"Chicago Heights (review)"
2866:. Accessed 9 October 2013.
2118:Phillips (1951), 24-25, 30
1925:Anonymous (1 June 1919), 3
1583:Winesburg: Small Town Life
1083:The critical reception to
26:
3418:. New York: Basic Books.
3398:. Chicago: Henry Regnery.
3264:Zen in the Art of Writing
2921:Anonymous (1937), 824–25.
2740:. Accessed 22 April 2011.
2641:Cleveland Review of Books
2241:Mellard (1968), 1311-1312
1543:Four of the stories from
1491:Rose Valley, Pennsylvania
1171:'s 2009 independent film
1126:Cleveland Review of Books
881:The book is written as a
711:The Book of the Grotesque
695:showed the manuscript to
44:
4225:Books adapted into films
4071:North Coast Inland Trail
3932:Alice and the Lost Novel
3924:Tar: A Midwest Childhood
3380:Geismer, Maxwell (1947)
3369:Fussell, Edwin (1966). "
3278:Studies in Short Fiction
3008:. Theatre Bay Area. 2001
2772:. New York: Grove Press.
2037:Anderson (1977), 434-435
1509:), also by Anderson, as
1363:, drew inspiration from
1316:by her English teacher,
1161:, Matteo Carati borrows
207:24th on its list of the
100:8 May 1919 (1st edition)
51:First edition title page
3714:New York: W.W. Norton.
3693:New York: W.W. Norton.
3675:Stouck, David (1977). "
3637:New York: W.W. Norton.
3605:New York: W.W. Norton.
3507:New York: W.W. Norton.
3387:Hatcher, Harlan (1935)
3343:. Kent: Kent State UP.
3221:New York: W.W. Norton.
3196:New York: W.W. Norton.
3182:New York: W.W. Norton.
3106:Christenson, Michael. "
2987:Moore, Michael Scott. "
2847:Roberts, Jerry (2003).
2543:Hoffman (1951), 118-119
2372:Rigsbee (1996), 186-187
2322:Reist (1993), see below
2280:Maresca (1966), 282-283
2223:Anderson (1996 ed), 112
2214:Anderson (1996 ed), 110
2205:Anderson (1996 ed), 107
1495:Charles Scribner's Sons
1339:Orange is the New Black
264:(1942), and several of
161:by the American author
4076:Sherwood Anderson Park
4002:Sherwood Anderson Park
3963:The Triumph of the Egg
3829:19 August 2007 at the
3679:as a Dance of Death".
3656:Modern Fiction Studies
3533:Modern Fiction Studies
3339:Dunne, Robert (2005).
2766:Miller, Henry (1971).
2578:Gerber (1991), 233-234
2453:Ritzenberg (2010), 504
2426:Ritzenberg (2010), 497
2292:Bort (1970), see below
2250:Anderson (1996 ed), 16
2082:Phillips (1951), 13-14
2028:Stouck (1996), 218-221
1956:Books of the Fortnight
1916:Phillips (1951), 16-17
1812:Crowley (1990), 15, 21
1719:Ingram (1971), 149-151
1688:Anderson (1994), 73-74
1661:Phillips (1951), 17-18
1481:A stage adaptation of
1417:as Elizabeth Willard,
1209:The Martian Chronicles
550:(as "The Philosopher")
441:A Sportsman's Sketches
304:
167:actual Winesburg, Ohio
3884:Windy McPherson's Son
3467:The Midwest Quarterly
3401:Howe, Irving (1951).
3254:The Midwest Quarterly
3215:New York Evening Post
3164:. New York: Penguin.
3113:24 March 2012 at the
1978:Anonymous (1996), 164
1886:Anderson (1996a), 152
1794:Crowley (1990), 14-15
1295:Fear the Walking Dead
1130:Ohio University Press
759:Surrender (Part III)—
565:"The Strength of God"
376:"...put into prose."
374:Spoon River Anthology
366:Spoon River Anthology
345:Spoon River Anthology
298:
4210:1919 American novels
4180:Clyde cancer cluster
3237:Theatre Arts Monthly
2862:(11 April 2005) "".
2614:Phillips (1966), 202
2552:Trilling (1974), 213
2516:Westbrook (1966), 35
2363:Anderson (1996), 131
2354:Anderson (1996), 130
2091:Anderson (1942), 287
1877:Anderson (1947), 345
1785:Cowley (1974), 57-58
1728:Mellard (1968), 1312
1587:Perseverance Theatre
1549:Berkeley, California
1536:as Helen White, and
1437:as Helen White, and
1239:The Rosy Crucifixion
1011:William Dean Howells
914:The major themes of
810:The Strength of God—
183:Modernist literature
4164:Rodger Wilton Young
3681:American Literature
3667:American Literature
3547:American Literature
3455:. London: Longman.
3451:Lee, Brian (1987).
2903:. Chicago Sun-Times
2880:. Chicago Sun-Times
2816:Pretty Little Liars
2721:Bradbury (1990), 25
2596:Mencken (1996), 163
2498:Maresca (1966), 279
2408:Hatcher (1935), 161
2390:Geismer (1947), 223
2381:Lee (1987), 136-137
2345:Fussell (1966), 111
2336:Rigsbee (1996), 184
2310:Fussell (1966), 108
2151:Anderson (1996), 12
2142:Anderson (1996), 10
2130:Phillips (1951), 30
2100:Phillips (1951), 20
2073:Spencer (1969), 5-6
2046:Phillips (1951), 15
1851:Phillips (1951), 14
1821:Rideout (1996), 169
1803:Fussell (1966), 107
1556:Steppenwolf Theatre
1526:Nederlander Theatre
1421:as Will Henderson,
1413:as George Willard,
1360:Tales from the Loop
1309:Pretty Little Liars
1282:The End of the Book
1190:F. Scott Fitzgerald
41:
4215:Novels set in Ohio
4159:James Albert Wales
4154:James B. McPherson
4081:Thaddeus Hurd Park
4066:McPherson Cemetery
3979:Death in the Woods
2751:HPL to Edwin Baird
2749:H. P. Lovecraft, "
2626:Rideout (1969), 11
2489:Murphy (1967), 239
2301:Howe (1966), 97-98
2262:Stouck (1977), 537
2187:Madden (1997), 364
2169:Ingram (1971), 151
2055:Crowley (1990), 17
2019:Howe (1951), 95-96
2010:Stouck (1996), 213
1992:Howe (1965), 92-93
1898:Stouck (1996), 221
1860:Brillant, Edith. "
1776:Crowley (1990), 21
1767:Ingram (1971), 148
1697:Updike (1996), 194
1679:Stouck (1996), 229
1507:They Married Later
1383:The New York Times
1357:television series
1163:Racconti dell'Ohio
1124:a modern classic.
1110:The popularity of
952:Escaping isolation
649:"The Man of Ideas"
422:and the Russians (
407:. Literary critic
305:
4195:
4194:
4129:Sherwood Anderson
4102:Clyde High School
4010:
4009:
3867:Sherwood Anderson
3822:Lost in Winesburg
3781:Project Gutenberg
3404:Sherwood Anderson
3365:978-0-8160-6087-0
3210:(1 June 1919), 3.
2781:Oz, Amos (2004).
2605:Cowley (1974), 50
2587:Crane (1919), 61.
2534:Cowley (1974), 49
2480:Brown (1990), 414
2471:Morgan (1989), 46
2435:Rideout (1974), 4
2196:Cowley (1974), 59
2178:Cowley (1974), 51
2001:Duffey (1966), 52
1937:Broun, Heywood. "
1866:Sandusky Register
1830:Crowley (1990), 4
1737:Cowley (1974), 57
1560:Chicago, Illinois
1499:Triumph of an Egg
1450:Lost in Winesburg
1155:In the 2003 film
1146:In the 1985 film
1037:The symbolism in
766:Terror (Part IV)—
732:Elizabeth Willard
681:
680:
512:Publication Date
350:Edgar Lee Masters
163:Sherwood Anderson
159:short story cycle
146:
145:
105:Publication place
79:Short story cycle
61:Sherwood Anderson
16:(Redirected from
4237:
4149:Thaddeus B. Hurd
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1607:
1532:as Tom Willard,
1523:
1519:
1487:Hedgerow Theatre
1433:as Tom Willard,
1380:On 3 Aug. 1959,
1342:, the character
1329:, "Maidenform",
1106:
892:
735:The Philosopher—
598:"The Untold Lie"
503:
486:
420:Theodore Dreiser
384:Alfred Stieglitz
355:
334:Literary sources
256:William Faulkner
246:Ernest Hemingway
124:
96:Publication date
49:
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3955:Winesburg, Ohio
3945:
3938:
3869:
3864:
3831:Wayback Machine
3818:Winesburg, Ohio
3805:Winesburg, Ohio
3793:Winesburg, Ohio
3787:
3776:Winesburg, Ohio
3773:
3767:Standard Ebooks
3762:Winesburg, Ohio
3757:
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3677:Winesburg, Ohio
3651:Winesburg, Ohio
3631:Winesburg, Ohio
3599:Winesburg, Ohio
3543:Winesburg, Ohio
3529:Winesburg, Ohio
3500:(5): 1304–1312.
3477:Winesburg, Ohio
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3371:Winesburg, Ohio
3288:Winesburg, Ohio
3248:Winesburg, Ohio
3176:Winesburg, Ohio
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2976:Winesburg, Ohio
2973:
2969:
2958:
2954:
2941:
2937:
2929:
2925:
2920:
2916:
2906:
2904:
2898:
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2883:
2881:
2875:
2874:
2870:
2864:The Athens News
2861:
2857:
2846:
2842:
2828:
2827:
2823:
2818:. Episode 1x06.
2813:
2812:
2808:
2802:Chicago Tribune
2796:Winslow, Art "
2795:
2791:
2780:
2776:
2765:
2761:
2748:
2744:
2729:
2725:
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2680:
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2655:
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2515:
2511:
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2502:
2497:
2493:
2488:
2484:
2479:
2475:
2470:
2466:
2461:
2457:
2452:
2448:
2444:Howe (1966), 96
2443:
2439:
2434:
2430:
2425:
2421:
2416:
2412:
2407:
2403:
2399:Lee (1987), 140
2398:
2394:
2389:
2385:
2380:
2376:
2371:
2367:
2362:
2358:
2353:
2349:
2344:
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2305:
2300:
2296:
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2284:
2279:
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2245:
2240:
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2227:
2222:
2218:
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2209:
2204:
2200:
2195:
2191:
2186:
2182:
2177:
2173:
2168:
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2159:
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2141:
2134:
2129:
2122:
2117:
2113:
2108:
2104:
2099:
2095:
2090:
2086:
2081:
2077:
2072:
2068:
2064:Howe (1951), 93
2063:
2059:
2054:
2050:
2045:
2041:
2036:
2032:
2027:
2023:
2018:
2014:
2009:
2005:
2000:
1996:
1991:
1982:
1977:
1970:
1953:
1949:
1939:Winesburg, Ohio
1936:
1929:
1924:
1920:
1915:
1911:
1907:Howe (1951), 94
1906:
1902:
1897:
1890:
1885:
1881:
1876:
1872:
1859:
1855:
1850:
1843:
1839:Howe (1951), 27
1838:
1834:
1829:
1825:
1820:
1816:
1811:
1807:
1802:
1798:
1793:
1789:
1784:
1780:
1775:
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1766:
1759:
1754:
1750:
1745:
1741:
1736:
1732:
1727:
1723:
1718:
1714:
1708:100 Best Novels
1705:
1701:
1696:
1692:
1687:
1683:
1678:
1674:
1669:
1665:
1660:
1653:
1648:
1643:
1642:
1636:
1632:
1627:
1623:
1616:Winesburg, Ohio
1608:
1604:
1599:
1579:Winesburg, Ohio
1572:Barrymore Award
1545:Winesburg, Ohio
1521:
1518:13 performances
1517:
1483:Winesburg, Ohio
1479:
1467:Chicago Heights
1458:Chicago Heights
1446:Winesburg, Ohio
1411:Timothy Bottoms
1390:for release by
1388:Mirisch Company
1378:
1373:
1365:Winesburg, Ohio
1348:Winesburg, Ohio
1314:Aria Montgomery
1300:Winesburg, Ohio
1290:
1278:Winesburg, Ohio
1256:Winesburg, Ohio
1224:Winesburg, Ohio
1216:H. P. Lovecraft
1204:Winesburg, Ohio
1187:
1179:Winesburg, Ohio
1174:Chicago Heights
1144:
1139:
1122:Winesburg, Ohio
1112:Winesburg, Ohio
1104:
1101:Winesburg, Ohio
1097:Winesburg, Ohio
1085:Winesburg, Ohio
1081:
1073:Winesburg, Ohio
1068:Winesburg, Ohio
1059:Winesburg, Ohio
1052:Winesburg, Ohio
1039:Winesburg, Ohio
1027:Winesburg, Ohio
1023:Lost Generation
1021:writers of the
1003:Winesburg, Ohio
999:
983:Winesburg, Ohio
979:Winesburg Eagle
975:
967:Winesburg, Ohio
962:Winesburg, Ohio
958:Winesburg, Ohio
954:
933:Winesburg, Ohio
929:
921:Winesburg, Ohio
916:Winesburg, Ohio
912:
904:Winesburg, Ohio
890:
866:Sophistication—
845:The Untold Lie—
835:Belle Carpenter
789:Respectability—
775:A Man of Ideas—
752:Parts I and II—
746:Louise Trunnion
739:Doctor Parcival
718:Wing Biddlebaum
705:
693:Francis Hackett
689:Winesburg, Ohio
643:September 1917
560:June–July 1916
498:Winesburg, Ohio
490:Winesburg, Ohio
485:735 Cass Street
484:
481:Winesburg, Ohio
477:
469:Winesburg, Ohio
460:, particularly
450:Winesburg, Ohio
446:Winesburg, Ohio
416:Winesburg, Ohio
405:Winesburg, Ohio
401:Winesburg, Ohio
370:Winesburg, Ohio
362:Winesburg, Ohio
353:
340:Winesburg, Ohio
336:
328:Winesburg, Ohio
301:Winesburg, Ohio
293:
273:Winesburg, Ohio
232:Winesburg, Ohio
228:Winesburg, Ohio
221:Winesburg, Ohio
217:
205:Winesburg, Ohio
189:Winesburg, Ohio
179:Winesburg, Ohio
150:Winesburg, Ohio
139:
113:Media type
97:
52:
35:
32:
23:
22:
15:
12:
11:
5:
4243:
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4233:
4232:
4227:
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4122:Notable people
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4008:
4007:
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3999:
3993:
3991:
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3983:
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3971:Horses and Men
3967:
3959:
3950:
3948:
3940:
3939:
3937:
3936:
3928:
3920:
3912:
3908:Many Marriages
3904:
3896:
3888:
3879:
3877:
3871:
3870:
3865:
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3862:
3855:
3848:
3840:
3834:
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3813:
3808:
3800:
3784:
3771:
3769:
3756:
3755:External links
3753:
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3491:Winesburg Ohio
3487:
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2923:
2914:
2899:Ebert, Roger.
2891:
2876:Ebert, Roger.
2868:
2855:
2840:
2821:
2806:
2789:
2774:
2759:
2742:
2723:
2714:
2703:
2678:
2666:the-pequod.com
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1601:
1600:
1598:
1595:
1591:Juneau, Alaska
1540:as Dr. Reefy.
1530:James Whitmore
1478:
1475:
1471:Daniel Nearing
1441:as Dr. Reefy.
1439:William Windom
1435:Laurette Spang
1403:Ralph Senensky
1396:Jeffrey Hayden
1392:United Artists
1377:
1374:
1372:
1369:
1289:
1286:
1264:'s 2008 novel
1186:
1183:
1169:Daniel Nearing
1149:Heaven Help Us
1143:
1140:
1138:
1135:
1080:
1077:
1015:Sinclair Lewis
998:
995:
974:
971:
953:
950:
942:dramatic irony
928:
925:
911:
908:
896:Malcolm Cowley
891:100 characters
879:
878:
877:George Willard
871:
864:
857:
850:
843:
836:
829:
828:Enoch Robinson
822:
815:
808:
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794:
787:
780:
773:
772:
771:
764:
763:Louise Bentley
757:
747:
740:
733:
726:
719:
712:
704:
701:
679:
678:
677:December 1918
675:
668:
666:"An Awakening"
662:
661:
658:
651:
645:
644:
641:
634:
628:
627:
624:
617:
611:
610:
607:
600:
594:
593:
592:December 1916
590:
583:
577:
576:
573:
566:
562:
561:
558:
551:
544:
543:
540:
533:
529:
528:
527:February 1916
525:
518:
514:
513:
510:
507:
476:
473:
396:Tender Buttons
380:Gertrude Stein
352:(published in
335:
332:
292:
289:
266:John Steinbeck
261:Go Down, Moses
216:
213:
201:Modern Library
194:pre-industrial
144:
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140:
135:
132:
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126:
118:
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114:
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98:
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76:
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68:
64:
63:
58:
54:
53:
50:
33:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4242:
4231:
4228:
4226:
4223:
4221:
4218:
4216:
4213:
4211:
4208:
4207:
4205:
4198:
4188:
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4183:
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4175:
4171:
4165:
4162:
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4157:
4155:
4152:
4150:
4147:
4145:
4144:Grace Fernald
4142:
4140:
4137:
4135:
4132:
4130:
4127:
4126:
4124:
4120:
4112:
4109:
4108:
4107:
4106:
4103:
4100:
4099:
4097:
4093:
4087:
4084:
4082:
4079:
4077:
4074:
4072:
4069:
4067:
4064:
4063:
4061:
4057:
4053:
4049:
4045:
4038:
4033:
4031:
4026:
4024:
4019:
4018:
4015:
4003:
4000:
3998:
3995:
3994:
3992:
3988:
3981:
3980:
3976:
3973:
3972:
3968:
3965:
3964:
3960:
3957:
3956:
3952:
3951:
3949:
3947:
3941:
3934:
3933:
3929:
3926:
3925:
3921:
3918:
3917:
3916:Dark Laughter
3913:
3910:
3909:
3905:
3902:
3901:
3897:
3894:
3893:
3889:
3886:
3885:
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3832:
3828:
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3823:
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3809:
3807:
3806:
3801:
3799:
3795:
3794:
3785:
3782:
3778:
3777:
3772:
3770:
3768:
3764:
3763:
3759:
3758:
3754:
3749:
3748:0-8161-7818-6
3745:
3741:
3737:
3735:
3734:0-394-30626-0
3731:
3727:
3723:
3721:
3720:0-393-96795-6
3717:
3713:
3709:
3706:
3702:
3700:
3699:0-393-96795-6
3696:
3692:
3688:
3686:(4): 525-542.
3685:
3682:
3678:
3674:
3671:
3668:
3664:
3661:
3657:
3653:
3652:
3646:
3644:
3643:0-393-96795-6
3640:
3636:
3632:
3628:
3625:
3621:
3618:
3614:
3612:
3611:0-393-96795-6
3608:
3604:
3600:
3596:
3594:
3593:0-13-036533-5
3590:
3586:
3582:
3579:
3575:
3573:
3572:0-87875-093-2
3569:
3565:
3561:
3558:
3554:
3551:
3548:
3544:
3540:
3538:(2): 237–246.
3537:
3534:
3530:
3526:
3523:
3520:
3516:
3514:
3513:0-393-96795-6
3510:
3506:
3502:
3499:
3496:
3492:
3488:
3486:(3): 279–283.
3485:
3482:
3478:
3474:
3472:(4): 363–371.
3471:
3468:
3464:
3462:
3461:0-582-49316-1
3458:
3454:
3450:
3448:
3447:90-279-1848-1
3444:
3440:
3439:
3434:
3431:
3427:
3425:
3424:0-465-00155-6
3421:
3417:
3413:
3409:
3406:
3405:
3400:
3397:
3393:
3390:
3386:
3383:
3379:
3376:
3372:
3368:
3366:
3362:
3358:
3357:
3352:
3350:
3349:0-87338-827-5
3346:
3342:
3338:
3335:
3331:
3327:
3325:
3324:0-521-38283-1
3321:
3317:
3313:
3310:
3307:
3303:
3301:
3300:0-13-036558-0
3297:
3293:
3289:
3285:
3283:(3): 413–414.
3282:
3279:
3275:
3273:
3272:1-877741-02-7
3269:
3265:
3261:
3258:
3255:
3251:
3249:
3244:
3241:
3238:
3234:
3230:
3228:
3227:0-393-96795-6
3224:
3220:
3216:
3212:
3209:
3205:
3203:
3202:0-393-96795-6
3199:
3195:
3191:
3189:
3188:0-393-96795-6
3185:
3181:
3177:
3173:
3171:
3170:0-14-015076-5
3167:
3163:
3159:
3156:
3152:
3149:
3145:
3142:
3138:
3134:
3133:
3128:
3120:
3116:
3112:
3109:
3103:
3100:
3095:
3089:
3086:
3073:
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2836:
2832:
2825:
2822:
2817:
2810:
2807:
2803:
2799:
2793:
2790:
2786:
2785:
2778:
2775:
2771:
2770:
2763:
2760:
2756:
2752:
2746:
2743:
2739:
2736:
2733:
2727:
2724:
2718:
2715:
2712:
2707:
2704:
2692:
2688:
2682:
2679:
2667:
2663:
2657:
2654:
2642:
2638:
2632:
2629:
2623:
2621:
2617:
2611:
2608:
2602:
2599:
2593:
2590:
2584:
2581:
2575:
2573:
2571:
2567:
2561:
2559:
2555:
2549:
2546:
2540:
2537:
2531:
2528:
2522:
2519:
2513:
2510:
2504:
2501:
2495:
2492:
2486:
2483:
2477:
2474:
2468:
2465:
2459:
2456:
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2447:
2441:
2438:
2432:
2429:
2423:
2420:
2414:
2411:
2405:
2402:
2396:
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2375:
2369:
2366:
2360:
2357:
2351:
2348:
2342:
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2329:
2325:
2319:
2317:
2313:
2307:
2304:
2298:
2295:
2289:
2287:
2283:
2277:
2274:
2268:
2265:
2259:
2257:
2253:
2247:
2244:
2238:
2235:
2229:
2226:
2220:
2217:
2211:
2208:
2202:
2199:
2193:
2190:
2184:
2181:
2175:
2172:
2166:
2163:
2157:
2154:
2148:
2145:
2139:
2137:
2133:
2127:
2125:
2121:
2115:
2112:
2106:
2103:
2097:
2094:
2088:
2085:
2079:
2076:
2070:
2067:
2061:
2058:
2052:
2049:
2043:
2040:
2034:
2031:
2025:
2022:
2016:
2013:
2007:
2004:
1998:
1995:
1989:
1987:
1985:
1981:
1975:
1973:
1969:
1965:
1961:
1957:
1951:
1948:
1944:
1940:
1934:
1932:
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1534:Sandra Church
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1522:February 1958
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1442:
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1436:
1432:
1429:as Parcival,
1428:
1425:as Old Pete,
1424:
1423:Norman Foster
1420:
1416:
1412:
1408:
1405:and starring
1404:
1399:
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1384:
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1344:Nicky Nichols
1341:
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1331:Duck Phillips
1328:
1327:
1321:
1319:
1315:
1311:
1310:
1304:
1301:
1297:
1296:
1288:In television
1287:
1285:
1283:
1280:in his novel
1279:
1275:
1274:Porter Shreve
1271:
1269:
1268:
1263:
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1257:
1253:
1252:
1247:
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1240:
1235:
1231:
1227:
1225:
1221:
1220:Arthur Jermyn
1217:
1213:
1211:
1210:
1205:
1202:has credited
1201:
1197:
1195:
1191:
1185:In literature
1184:
1182:
1180:
1177:was based on
1176:
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1086:
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1069:
1064:
1063:expressionist
1060:
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1053:
1048:
1045:
1040:
1035:
1033:
1028:
1024:
1020:
1016:
1012:
1008:
1004:
1001:The style of
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841:
837:
834:
831:An Awakening—
830:
827:
823:
820:
816:
813:
809:
806:
802:
800:Seth Richmond
799:
795:
793:Wash Williams
792:
788:
786:Alice Hindman
785:
781:
778:
774:
769:
765:
762:
758:
756:Jesse Bentley
755:
751:
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748:
745:
742:Nobody Knows—
741:
738:
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727:
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720:
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676:
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673:
672:Little Review
669:
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663:
659:
657:
656:
655:Little Review
652:
650:
647:
646:
642:
640:
639:
635:
633:
632:"The Thinker"
630:
629:
625:
623:
622:
618:
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613:
612:
609:January 1917
608:
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584:
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579:
578:
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563:
559:
557:
556:
555:Little Review
552:
549:
548:"Paper Pills"
546:
545:
541:
539:
538:
534:
531:
530:
526:
524:
523:
519:
516:
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511:
509:Magazine Name
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482:
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436:Ivan Turgenev
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284:KĂĽnstlerroman
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199:In 1998, the
197:
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153:(full title:
152:
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137:Dewey Decimal
133:
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108:United States
107:
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93:
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89:B. W. Huebsch
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48:
43:
37:
30:
19:
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4139:Bill Collver
4134:Tim Anderson
3977:
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3892:Marching Men
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3208:New York Sun
3207:
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3154:
3147:
3140:
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3102:
3088:
3076:. Retrieved
3066:
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3044:
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3022:
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3000:
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2006:
1997:
1963:
1959:
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1942:
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1443:
1431:Albert Salmi
1400:
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1352:
1347:
1337:
1335:
1324:
1322:
1307:
1305:
1299:
1298:, the novel
1293:
1291:
1281:
1277:
1272:
1265:
1260:
1255:
1249:
1244:
1237:
1233:
1230:Henry Miller
1228:
1223:
1214:
1207:
1203:
1200:Ray Bradbury
1198:
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1178:
1172:
1167:
1162:
1156:
1154:
1147:
1145:
1125:
1121:
1116:
1111:
1109:
1105:3,000 copies
1100:
1096:
1093:H.L. Mencken
1084:
1082:
1072:
1067:
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1036:
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932:
930:
920:
915:
913:
910:Major themes
903:
888:
880:
874:
867:
860:
853:
846:
842:Elmer Cowley
839:
832:
825:
818:
817:The Teacher—
811:
804:
797:
796:The Thinker—
790:
783:
776:
767:
760:
753:
743:
736:
729:
725:Doctor Reefy
722:
721:Paper Pills—
715:
706:
688:
682:
670:
653:
636:
619:
602:
585:
575:August 1916
568:
553:
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449:
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358:B.W. Huebsch
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315:
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306:
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204:
198:
188:
187:
178:
175:
157:) is a 1919
154:
149:
148:
147:
36:
4230:Clyde, Ohio
3946:collections
3944:Short story
3524:(1): 46–47.
3481:CLA Journal
1564:Jeff Awards
1463:Roger Ebert
1427:Dabbs Greer
1419:Curt Conway
1415:Jean Peters
1371:Adaptations
1267:Indignation
1262:Philip Roth
1095:wrote that
1044:sentimental
902:edition of
870:Helen White
849:Ray Pearson
824:Loneliness—
779:Joe Welling
770:David Hardy
703:The stories
697:Ben Huebsch
626:March 1917
542:March 1916
506:Story Title
409:Irving Howe
393:(1909) and
390:Three Lives
309:Clyde, Ohio
251:In Our Time
236:Jean Toomer
171:Clyde, Ohio
4204:Categories
3900:Poor White
3672:(1): 1–18.
3617:CEA Critic
3552:(1): 7–30.
3519:Explicator
2948:Philly.com
2696:31 October
2671:31 October
2646:2 December
1646:References
1638:evidence".
1089:Hart Crane
1071:states in
1017:, and the
1007:naturalism
875:concerning
873:Departure—
868:concerning
861:concerning
856:Tom Foster
854:concerning
847:concerning
840:concerning
833:concerning
826:concerning
821:Kate Swift
819:concerning
812:concerning
807:Tandy Hard
805:concerning
798:concerning
791:concerning
784:concerning
782:Adventure—
777:concerning
768:concerning
761:concerning
754:concerning
749:Godliness
744:concerning
737:concerning
730:concerning
723:concerning
716:concerning
660:June 1918
638:Seven Arts
621:Seven Arts
604:Seven Arts
587:Seven Arts
458:Mark Twain
428:Dostoevsky
354:April 1915
281:, and the
4095:Education
3242:: 824–25.
2993:SF Weekly
2907:5 October
2884:5 October
1611:em-dashes
1538:Leon Ames
1513:in 1937.
1455:In 2010,
1318:Ezra Fitz
1242:series).
1107:by 1921.
1047:Victorian
1019:Modernist
685:John Lane
316:Winesburg
85:Publisher
3990:See also
3827:Archived
3824:" on DVD
3798:LibriVox
3311:: 60–61.
3111:Archived
2835:Deadline
1570:won the
1444:In 2008
1194:Jazz Age
838:"Queer"—
615:"Mother"
254:(1925),
244:(1923),
67:Language
3820:" and "
3129:Sources
3078:19 June
3056:19 June
3034:19 June
3012:19 June
1585:at the
1524:at the
1326:Mad Men
1246:Amos Oz
1142:In film
1032:realist
728:Mother—
581:"Queer"
532:"Hands"
454:Midwest
432:Tolstoy
424:Chekhov
291:Setting
203:ranked
70:English
4059:Places
3982:(1933)
3974:(1923)
3966:(1921)
3958:(1919)
3935:(1929)
3927:(1926)
3919:(1925)
3911:(1923)
3903:(1920)
3895:(1917)
3887:(1916)
3875:Novels
3746:
3732:
3718:
3697:
3641:
3633:". in
3609:
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3570:
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3200:
3186:
3178:". in
3168:
1966:: 666.
1505:, and
1503:Mother
1407:Joseph
1355:Amazon
900:Viking
859:Death—
852:Drink—
803:Tandy—
714:Hands—
570:Masses
537:Masses
522:Masses
430:, and
372:, the
142:813.52
129:607825
57:Author
4173:Other
4044:Clyde
3306:Pagan
2769:Sexus
1597:Notes
1477:Stage
1254:that
1234:Sexus
997:Style
215:Genre
75:Genre
4052:Ohio
3744:ISBN
3730:ISBN
3716:ISBN
3695:ISBN
3639:ISBN
3607:ISBN
3589:ISBN
3568:ISBN
3509:ISBN
3495:PMLA
3457:ISBN
3443:ISBN
3420:ISBN
3361:ISBN
3345:ISBN
3320:ISBN
3296:ISBN
3268:ISBN
3223:ISBN
3198:ISBN
3184:ISBN
3166:ISBN
3080:2011
3058:2011
3036:2011
3014:2011
2909:2013
2886:2013
2698:2022
2673:2022
2648:2021
1960:Dial
1409:and
1376:Film
1236:(of
241:Cane
234:and
123:OCLC
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1971:^
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