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Winslow Wilson

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549: 563:“...would take an interest in the precocious postmodernism of Pico Miran. His value lies in his theorizing postmodernity, and making the first forays into postmodern visual art — the seascapes were a virtuoso performance; Winslow was no less a character than Pico or Tex. In that sense he was a performance artist. A kind of Andy Kaufman who took personae and masks to the extreme. On this conceptual level, if explained as such, Wilson ought to be recovered; and could be recovered by an astute and enterprising curator.” 168: 254: 539: 330: 501: 66: 25: 497:. Growing up in rural Texas, to a life in Boston and New York, friendships with intellectuals, Wilson's writings reveal a man who held his craft and opinions in high regard. Understanding that Wilson eschewed family relationships while fully immersing himself as a bit of an artistic recluse, provides an insight into the life of this artist. 526:“In certain ones the light made one think of tropical climates; in others the shores of Maine seemed to stand out. More often the sky and the sea were stormy, but the light was nearly always breaking through. Let us hope that out of this turbulent period in history the light will break through for all human beings”. 534:
Under the pseudonym of Pico Miran painted in his Gloucester studio. Upon occasion, he would have a visitor, however the room in which he painted was never open. His post-modern art, or as he referred to it as "super-realistic", is replete with political and religious tones, and is highly reflective
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gunner who parachuted from his plane during the War and was stranded hanging in a tree for several days before being rescued. Art became a vehicle through which Wilson found solace. His Post-Modern artwork is replete with images of industrial and nuclear effects upon the common man, and those who
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The paintings are in the process of being professionally restored and framed, and efforts are underway to showcase Wilson's paintings. A website exists with the roots of a biography about the artist, currently being documented and researched by Claudia Wilson Howard in conjunction with interested
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Wilson painted seascapes in his Rockport, Massachusetts studio. His seascapes were exhibited at Vose Gallery in Boston. In a letter dated January 24, 1991, Robert C. Vose Jr., of Vose Gallery, confirmed that the gallery “did give {Wilson} an exhibition in our galleries in Boston” and stated “We
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Following Wilson's death in 1974, his long-term companion, Jane Grey (an accomplished portrait artist), gifted his paintings to his only son, Horace Peter Wilson. Those paintings remained stored in Kansas City until 2012, at which time the paintings were distributed to Wilson's grandchildren.
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Wilson was a member of the Rockport Art Association from 1946 through 1972, and for many of those years he taught portraiture. His portraits have included local Gloucester residents and friends.
465:, MA art scenes between the 1930s and 1972. Wilson painted post-modern artwork utilizing the name Pico Miran in his Gloucester, Massachusetts studio, taught portraiture at the 748: 743: 341:(July 20, 1892 – November 18, 1974) was an American artist who painted under several known pseudonyms, including Winslow Wilson and Pico Miran. In 439:. During his days at Harvard, Wilson was playfully known as "Tex", a nickname that stayed with him for life. In New York, Wilson was a contributor to 517:
chaired a one-man art show held in New York City entitled "Paintings of the Sea". On June 4, 1951, the First Lady, Eleanor Roosevelt “blogged” in her
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and other influential painters of the period in London and Paris in the 1920s. In fact, Wilson maintained lifelong friendships with many of the
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with the support of professors at Texas A&M. Wilson attended Harvard College between 1911 and 1915, becoming an Editor of
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which resulted in the death of one of Wilson's friends in 1912, there is evidence that Wilson encountered
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Dos Passos: A Life, by Virginia Spencer Carr, Northwestern University Press, Nov 11, 2004
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Letter from E.E. Cummings to Arthur Wilson, Ransom Library, University of Texas at Austin
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In 2014, Dave Rich, a Gloucester native, stated in a correspondence with Peter Anastas:
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E.E. Cummings, A Biography, By Christopher Sawyer-Lauçanno, Sourcebooks, Inc., 2004
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thought of {the paintings} of excellent quality, and much in the spirit of
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in 1892, one of five sons of Horace and Stella Wilson. The family moved to
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in Rockport, Massachusetts under the name Winslow Wilson, and painted
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Postmodernism: A Bibliography, 1926-1994, by Deborah L. Madsenm 1995
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and other Harvard students in France. He spent time in Paris with
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Records from the Rockport Art Association, Rockport, Massachusetts
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in 1910-1911 as a Chemical Engineering Major, but transferred to
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Presentation at the Cape Ann Museum on July 13, 2013, entitled
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during World War I. According to family sources, Wilson was an
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report, that she had visited this exhibit, and she reported:
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knew him confirm that he was consumed with the concept of a
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Wilson was strongly influenced by his time at Harvard and
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along with many influential literary persons of the time.
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Records from Harvard University, Cambridge, Massachusetts
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as Winslow Wilson in his Rockport, Massachusetts studio.
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Interviews with Gloucester, Massachusetts art historians
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of the nuclear and mechanical themes of the period.
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Coming of Age in the Rocky Neck Art Scene of the 1950s
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In addition to a tragic event in 292:Fort Sam Houston, San Antonio, Texas 88:adding citations to reliable sources 744:People from Rockport, Massachusetts 567:parties across the United States. 181:it lacks sufficient corresponding 14: 34:This article has multiple issues. 328: 166: 64: 23: 585:"Manifesto For Post-Modern Art" 75:needs additional citations for 42:or discuss these issues on the 724:20th-century American painters 1: 351:Manifesto For Post-Modern Art 317:http://www.winslowwilson.com 739:People from Junction, Texas 589:winslow wilson / pico miran 765: 653:Records from Texas A&M 461:, RI, Gloucester, MA, and 395:during 1917–1919, joining 327: 251: 734:People from Brady, Texas 467:Rockport Art Association 196:more precise citations. 626:Wilson family archives 553: 542: 505: 551: 541: 503: 339:Arthur William Wilson 265:Arthur William Wilson 84:improve this article 729:Painters from Texas 407:, and mingled with 380:The Harvard Monthly 361:Wilson was born in 554: 543: 506: 515:Eleanor Roosevelt 495:nuclear holocaust 417:Harvard Aesthetes 383:with his friends 336: 335: 308:Artist, Professor 280:November 18, 1974 240: 239: 232: 222: 221: 214: 160: 159: 152: 134: 57: 756: 699: 696: 690: 687: 681: 678: 672: 669: 663: 660: 654: 651: 645: 642: 636: 633: 627: 624: 610:, Peter Anastas 600: 599: 597: 596: 581: 437:Stewart Mitchell 332: 297:Other names 256: 242: 235: 228: 217: 210: 206: 203: 197: 192:this article by 183:inline citations 170: 169: 162: 155: 148: 144: 141: 135: 133: 99:"Winslow Wilson" 92: 68: 60: 49: 27: 26: 19: 16:American painter 764: 763: 759: 758: 757: 755: 754: 753: 704: 703: 702: 697: 693: 688: 684: 679: 675: 670: 666: 661: 657: 652: 648: 643: 639: 634: 630: 625: 621: 604: 603: 594: 592: 583: 582: 578: 573: 532: 511:Frederick Waugh 451: 429:Scofield Thayer 397:John Dos Passos 385:John Dos Passos 367:Junction, Texas 359: 347:Post Modern Art 284: 281: 272: 269: 267: 266: 247: 236: 225: 224: 223: 218: 207: 201: 198: 188:Please help to 187: 171: 167: 156: 145: 139: 136: 93: 91: 81: 69: 28: 24: 17: 12: 11: 5: 762: 760: 752: 751: 746: 741: 736: 731: 726: 721: 716: 706: 705: 701: 700: 691: 682: 673: 664: 655: 646: 637: 628: 618: 615: 614: 602: 601: 575: 574: 572: 569: 531: 528: 490:Army Air Force 450: 447: 433:Gilbert Seldes 358: 355: 334: 333: 325: 324: 320: 319: 314: 310: 309: 306: 302: 301: 298: 294: 293: 290: 286: 285: 283:Miami, Florida 282: 278: 274: 273: 270: 264: 262: 258: 257: 249: 248: 246:Winslow Wilson 245: 238: 237: 220: 219: 174: 172: 165: 158: 157: 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 761: 750: 747: 745: 742: 740: 737: 735: 732: 730: 727: 725: 722: 720: 717: 715: 712: 711: 709: 695: 692: 686: 683: 677: 674: 668: 665: 659: 656: 650: 647: 641: 638: 632: 629: 623: 620: 617: 613: 612: 611: 609: 590: 586: 580: 577: 570: 568: 564: 561: 558: 550: 546: 540: 536: 529: 527: 524: 522: 521: 516: 512: 502: 498: 496: 491: 487: 483: 479: 474: 472: 468: 464: 460: 456: 448: 446: 444: 443: 438: 434: 430: 426: 422: 421:e.e. Cummings 418: 414: 413:Pablo Picasso 410: 409:Salvador DalĂ­ 406: 405:e.e. Cummings 402: 401:e.e. Cummings 398: 394: 393:U.S. Military 390: 389:e.e. Cummings 386: 382: 381: 376: 372: 371:Texas A&M 368: 364: 356: 354: 352: 348: 344: 340: 331: 326: 321: 318: 315: 311: 307: 305:Occupation(s) 303: 299: 295: 291: 289:Resting place 287: 279: 275: 268:July 20, 1892 263: 259: 255: 250: 243: 234: 231: 216: 213: 205: 195: 191: 185: 184: 178: 173: 164: 163: 154: 151: 143: 132: 129: 125: 122: 118: 115: 111: 108: 104: 101: â€“  100: 96: 95:Find sources: 89: 85: 79: 78: 73:This article 71: 67: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 694: 685: 676: 667: 658: 649: 640: 631: 622: 616: 607: 605: 593:. 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http://www.winslowwilson.com

Gloucester
Post Modern Art
Brady, Texas
Junction, Texas
Texas A&M
Harvard
The Harvard Monthly

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