Glossary of graffiti - Knowledge (XXG)

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conflict between two or more writers (or crews). As it takes no skill and very little effort to cross someone out, and even the most incompetent toy can become a serious nuisance once slighted, much of the time writers cross each other out anonymously. Crossing another writer out and taking credit for the act (by leaving one's tag behind) could be considered either a challenge (of the unfriendly variety) or an assertion of one's dominance over a given canvas or area, depending upon the particular circumstances. The aggression of writers toward one another can range from negligible to outright hostile depending upon various factors that helped shape the local scene's culture, such as the availability of suitable canvases for writing, the ways in which local government and law enforcement approach the "graffiti problem", or even just the relative number of writers in a city's population, and the sort of stratification of skill and talent among those actively partaking in the practice. In some areas, writers are less likely to cross out their peers without provocation, while in other cities it is pretty much a given that anyone just getting started in the discipline will find themselves constantly crossed out until they either improve or give up. Though the latter environment is certainly less welcoming to the novice, this sort of trial-by-fire helps discourage toys from making a mess of the place, while also pressuring them to better themselves.

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techniques to get around this shortcoming. Rollers will more often than not involve the use of extension poles, with the added reach allowing the writer to place a roller in places that would otherwise require the use of ladders and/or rope-access gear to reach with a spray can. While rollers come in a range of sizes, they are particularly favored for writing letters larger than can be practically accomplished with spray paint alone, and the largest examples of graffiti to be found are virtually all produced as rollers. Writers that work with rollers will typically aim to combine size, spot visibility, a color choice that contrasts with the chosen canvas, and highly legible block lettering, resulting in a roller that's recognizable from much further distances than feasible with spray techniques.

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black and silver – because of the stressing time limitation they are facing when painting in the train yards (very often less than 30 minutes). However, the more participants who participate, the better works can come out of it and the cars are done quicker too. This type of graffiti, if finished successful, is one of the most respected forms among other graffitists, but is also rarer due to the higher risk of getting caught. it has also been known that 'crews' of graffiti participants would demonstrate their 'whole cart/train' skills, usually carried out by waiting at a train/metro stop or station, waiting for the train to approach. then when stopped quickly cover the full area of the cart, this can be finished within 2 minutes of the train pulling into the station.

1492: 673:. However (due partially to the limited amount of desirable wall-space) most graffiti writers maintain a hierarchy of sorts; a tag can legitimately be covered by a throw-up, and a throw-up by a piece, and this is commonly done without incident. If a piece has previously been slashed (or "dissed"), it is also acceptable for another writer to go over it. To violate these guidelines, or to simply paint lower-quality graffiti on top of a higher-quality work will quickly characterize a writer as an annoyance, or "toy." This is dangerous as most crews and writers will react with physical violence and/or by repeatedly going over writers not respecting their self-claimed rank in the hierarchy. 1248: 710:

enforcement traffic that passes within view of the target as well as the physical dangers inherent to reaching the spot in question generally must be present to qualify. A billboard in the middle of rural region poses little challenge even to many novice graffitists, while one in a busy part of a major city requires careful premeditation to pull off successfully. Graffitists pursue these spots for the increased exposure and notoriety they provide. This term also encompasses a double-meaning as the locations are often very dangerous to paint there and it may lead to death, thus, going to

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without technically vandalizing. The verb tagging has even become a popular verb today in other types of occasions that are non-graffiti-related. Tagging first appeared in Philadelphia, with spraypainted messages of "Bobby Beck In '59" on freeways surrounding the city. Since then, individual graffiti scenes have displayed very different forms of tagging that are unique to specific regions. For example, a Los Angeles tag will look very different from a Philadelphia tag, etc. The first "king" was also crowned in Philly:

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have become more violent and gang-like than in the earlier times. Any group of friends can quickly and informally form a crew if they are interested in graffiti and want to start conspiring. Often crews will recruit new members over time in order to maintain their relevance. There is a smaller risk of being held responsible for crew works if a single member gets arrested. From a legal point of view, the name could have been painted by anyone in the group.

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dispensers, stop signs, phone booths, etc. A popular sticker that was used originally was the "Hello my name is" red stickers in which a writer would write their graffiti name in the blank space. Reflector stickers, found at hardware stores are sometimes assembled to form a crew meaning, or individual writer's moniker.

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commonly used element of style. However, the people must be very self-confident when doing it, since other great writers tend to slash out self-proclaimed kings who have not gained that rank yet in their eyes. Typically a writer can only become a king if another king with that status already has expressed so.

761:(feminine) are writers especially respected among other writers. This is sometimes separated into "inside" and "outside" kings. To be a king of the inside means you have most tags inside trains (to "own the inside"), and to "own the outside" means having most pieces on the train surface. There are kings of 1158:

To put a line through or tag over another writer's work. This generally happens for one of two reasons: either the individual being crossed out is considered to be lacking in style and/or originality to the point that another writer considers them an eyesore, or the crossing-out is part of an ongoing

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1. Used as an adjective to describe undesirable work, or as a noun referring to a novice or incompetent writer. Graffiti writers usually use this as a derogatory term for new writers in the scene, or writers who are old to the scene and still do not have any skill or reputation. The act of "toying"

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in terms of complexity and time investment. It generally consists of a one-color outline and one layer of fill-color. Easy-to-paint bubble shapes often form the letters. A throw-up is designed for quick execution, to avoid attracting attention to the writer. Throw-ups are often utilized by writers

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Acquiring supplies through various forms of fraud can also be referred to as "racking" in some circles, though this use is far less common, as is likewise the use of fraud as a means to acquire writing supplies (largely reserved only for items that cannot be conveniently shoplifted, such as those in

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who wish to achieve a large number of tags while competing with rival graffitists. Most graffitists have both a tag and a throw-up that are essentially fixed compared to pieces. It is mostly so because they need to have a recognizable logo for others to identify them and their own individual styles.

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Also referred to as "labels" or "slaps." A sticker (often obtained from shipping companies and name greeting labels) with the writer's tag on it. Stickers can be deployed more discretely than other forms of graffiti, making them a popular choice for public places such as crosswalk signs, newspaper

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A fire extinguisher that has been filled with diluted paint (typically of the latex variety) for the purpose of utilizing the pressurized paint to quickly produce large tags. Due to decreased control one has over the application of paint when using this method, it tends to result in a sloppier, far

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Tagging crew names are usually three letters, but can be two to five letters long. The letters are abbreviations of the full crew name. Numbers in crew name can be derived from many things such as the alphabet sequence (1=A, 2=B, 3= C....), telephone keypad numbers (2=A, B, or C; 3=D, E or F), area

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is a group of associated graffitists that often work together. Crews are differentiated from gangs in that their main objective is to paint graffiti, although gang-like activity may occur. Matthew O'Deane (formerly of San Diego District Attorney Investigators Foundation) described in 2016, taggers

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All train cars (usually between four and eight or more, regardless of the train length) completely covered with paint reaching the far end of the train on one or both sides. Such demanding actions are often done by multiple participants or crews and with a limited variation of colors – commonly in

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A paint roller, or any graffiti created primarily or exclusively through the use of such a paint roller. Due to the rectangular application pattern inherent to the use of a paint roller, rollers most often make use of block lettering, though some writers that specialize in rollers develop advanced

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Shoplifting of supplies to be used either directly or indirectly in the production of graffiti. In certain segments of graffiti culture there exist writers that look down on those that pay for supplies that could easily be stolen. With the advent of companies specializing in producing supplies for

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in a city by painting only tags (or throw-ups), a writer may earn more respect from skillfully executed pieces or a well-rounded repertoire of styles than from sheer number of tags. Usually, the more spots a writer can hit, the more respect he or she gains. Usually, if the writer hits more spots

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Tags or signatures painted on the undercarriage of passenger trains. Undersides are normally marked in the yard after painting the train panel, most undersides will last somewhat longer than the original piece, as the railway workers primarily focus on the most visible things and sometimes do not

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graffiti era during the early 1970s to late 1980s, it has a nostalgic status. Starting in mid-2008, the brand introduced a generation of paint can design with an irremovable cap system that sprays a rectangular coverage instead of the circular coverage preferred by writers. The paint quality is

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among a variety of other categories and the term is regionally subjective. For example, in Los Angeles, a King would be someone who has achieved that status for years-long runs in their graffiti, style, ups, and originality. Self-declared kings will often incorporate crowns into their pieces; a

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can also be used as a verb meaning "to sign." Writers often tag on or beside their pieces, following the practice of traditional artists who sign their artwork. A less common type of tag is a "dust tag," done by smudging the dirt of a wall with the fingers. Writers use this technique to get up

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writers over the last couple decades, this attitude is now mostly reserved for supplies purchased from non-specialty retailers (e.g. hardware stores, arts/crafts/hobby shops, etcetera), with specialty "graffiti brands" generally only available through retailers less convenient to shoplift from.

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determines which stones or other objects will scratch what surfaces. Particularly popular for catching tags on mirrors and windows, when done properly the writer's mark will be indelible, remaining until either the chosen canvas is replaced, or the tag in question is obscured by additional

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Spots that are challenging to graffiti but in highly visible locations with heavy exposure. Billboards, freeway signs, and tall bridges are potential examples, but the object itself does not determine whether or not it offers a heaven spot, as factors such as the amount of civilian and law

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A person who is described as wearing a "hat" is a graffitist who is considered trustworthy in the graffiti community. A person who knows a lot of information about other graffitists but does not spread such knowledge to the authorities. "Don't worry about him, he wears a dope

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A nozzle used for wide coverage; while practical for quickly applying fill colors, most are also useful for thick outlines as well as lettering. When used for lettering, most fat caps can produce a characteristic flare by increasing the distance between the can and the canvas

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with better style they will get more respect than someone who simply tags. A writers ups is determined by how much prolific graffiti he/she has accomplished. Writers are considered "up" both in terms of the number of spots they have hit, but also those that are still running.

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An unprimed surface such as raw wood or concrete that eats up standard spray paint. If a location has been given the reputation of being a "paint eater" than in such cases a thicker paint should be used. Additionally, writers can use house paint to prime the surface before

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runnier and translucent in comparison to graffiti specialty brands. Sherwin Williams, Krylon's parent company, has dominated a significant portion of the paint market and many retail outlets stock only Krylon paints. For this reason, Krylon is categorized into three groups.

351:. The piece could be said to be "burning" out of the wall, billboard, or train-side. Because they take so much time and effort, burners in downtown areas are more likely to be legal pieces, painted with the consent of the property owner. The early writers of 984:, considered the full and most beautiful work of graffiti. A piece requires more time to paint than a throw-up. If placed in a difficult location and well-executed it will earn the writer more respect. Piece can also be used as a verb that means: "to write." 1446:

A single or collaborative piece that covers the entire visible surface of one side of a train car, usually excluding the front and rear of the train. A whole car is usually worked upon by one or more participants from the same crew and is completed in one

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a form of graffiti that lists out a partial or full roster of graffiti crew. Sometimes gang members will insert ally gangs into their roll call. Roll calls are generally created by gang participants but other graffiti practitioners may use them

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Graffiti done inside trains, trams, or buses. In 1970s New York, there was as much graffiti inside the subway trains as outside, and the same is true of some cities today (like Rome, Italy and Melbourne, Australia). While still very common,

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Locations such as overpasses and walls facing train tracks that are secluded from the general public but are popular with writers. Since anything that is written is likely to stay for a while, an accumulation of styles and skills can be

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Back before camera-phones/smartphones and the proliferation of social media websites, watching to see whether your work gets left alone used to be the only feedback from strangers you had to go off of. It may also be referred to as,

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An individual who takes photographs of graffiti. The term originated in New York when the graffiti writers and non-graffiti writers would sit on benches at train stations waiting for the trains to go by to take pictures and admire

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A color-mixing technique done by spraying one color over another while it is still wet, then rubbing the two together. Sometimes an abrasive like sand is used to create different effects. The term is derived from

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To "go over" a piece of graffiti simply means to paint on top of it. While most writers respect one another's artwork, to intentionally and disrespectfully paint on top of another's work is akin to a graffiti

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Famous or respected graffitist who has died. The people who admire them tag their names on a wall with halos above them or make tribute pieces with their faces or tag with the dates of their birth to death.

1706:"The participants, who didn't keep the traditional type of graffiti black book, still had a sketchbook and a photo album that documented and preserved the ephemeral nature of their graffiti paintings." 255:. A writer’s sketchbook is carefully guarded against the police and other authorities, as it can be used as material evidence in a graffiti vandalism case and link a writer to previous illicit works. 139:

and colloquialisms, some of these terms may vary regionally, taking on different meanings across different cities and countries. The following terminology originates primarily in the United States.

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A paint brand that was one of the most popular with writers, it is thought of virtually synonymous with graffiti, due to general quality and availability. Heavily used during the hey-day of the

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1. The nozzle for the aerosol paint can, also referred to as "tips." Different kinds are used for different styles. New York Thins, Rustos, and New York Fats are the most commonly used caps.

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A stylized signature, normally done in one color. The simplest and most prevalent type of graffiti, a tag is often done in a color that contrasts sharply with its background.

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effects, arrows, and many colors and color-transitions, as well as various other effects. These will usually be done by writers with more experience. Originally shorthand for

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written in one constant motion. These may be done with any writing utensil. The tip or nozzle of the writing implement does not lift from the canvas until the tag is complete.

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painted next to each other. Some graffitists make fun of the term by connecting the two paintings across the car-gap often in a humorous or obvious way to signal the

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A type of homemade graffiti marker used for larger tags that often has a round nib and leaves a fat, drippy line. Mops may be filled with various inks or paints.

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London/UK style of graffiti executed in silver or chrome paint. Usually, on railway walls or street locations, it is done quickly by a crew or group of writers.

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Any writer who is extremely careless to get himself caught and arrested, especially with observant citizens and even the police watching the writer in the act

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Graffiti that has been painted below the window borders, almost always covering the whole surface in its length. The term is commonly used as a prefix with

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Form of graffiti that consists in repeating the same word endlessly covering a whole surface. It comes from the punition lines that kids do at school.

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Any municipality that has zero tolerance for vigilante street art or unpermitted written messages and will not hestitate to buff anything detected.

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To mark surfaces with graffiti throughout the entirety of a given city, usually with aerosol paint, and to be widely recognized for these efforts.

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Sculptural street art in a public space, chained or locked to public furniture. The lock on style is a "non-destructive" form of underground art.

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The length of time graffiti remains up before being covered or removed. If a piece has been up for a year, it is said to have "run for a year."

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Also referred to as "outlines" and "shells." A hollow is a throwup that consists only of an outline (and perhaps a shadow effect) with no fill.

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also did burners illegally on trains, and adventurous modern writers sometimes still do large-scale illegal pieces in heavily trafficked areas.

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Ink used in a marker with the intention of being absorbed by the surface, thus staining the surface and making it much more difficult to buff.

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or in any other way ruin a piece made by others. Derives from a writer named "Cap" who was infamous for making throw-ups over others' pieces.

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An example of a graffiti character by KEOB. The character is seen in a tag (in the O), a throw-up, single drawing in a drain, and sticker.

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In the context of graffiti, individual writers may have unique characters they draw which work in the same way as their moniker.

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Someone who has detected or realised a writer is responsible for a tag and reports the writer to authority leading to arrest

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1 Similar to a king or queen, a "head" is a writer who has much skill and a high reputation among other writers in his area.

78: 535:– meaning a train-car covered with paint from one side of it to the other. Used as an adjective and non-commonly as a noun. 247:. Also known as a "piece book." It is often used to sketch out and plan potential graffiti, and to collect tags from other 1247: 2585: 1457: 2544: 271:

To steal another graffitist's ideas, name, lettering or color schemes. Seasoned graffitists will often complain about

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To beat a competitor with a style. To rat out an accomplice or crime partner either intentionally or unintentionally.

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A specialty brand of paint marketed for graffiti. Not to be confused with the older Spanish brand, Montana Colors.

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Mcdonald, Nancy. The Graffiti Subculture: Youth, Masculinity and Identity in London and New York, New York:

1827:"Graffitists' slang ... Bomb: To apply graffiti intensively to a location ... Hit: To tag or bomb a surface" 1468: 977: 438: 1487:

Graffiti with text so stylized as to be difficult to read, often with interlocking, three-dimensional type.

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inspired a newspaper article about his exploits, leading to an explosion of tagging in the early seventies.

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When municipal authorities take down or cover up an accumulation of tags and pieces, leaving a blank space.

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A form of graffiti that deliberately flouts graffiti norms; also called ignorant style or hipster style.

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A unique, Brazilian form of tagging found in that country characterized by its distinct, cryptic style.

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less polished look. While tags are the most common use for this technique, throwups are not unheard of.

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To remove painted graffiti with chemicals and other instruments, or to paint over it with a flat color.

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A drawing, stencil, etc. on paper fixed to a wall or other surface using wheatpaste or wallpaper paste

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Painting directly above – but not over – someone else's work. A slightly passive-aggressive 'dis'.

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Graffiti that covers a wall from end-to-end, as seen on some parts of the West-Berlin side of the

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Getting Rid of Graffiti : a practical guide to graffiti removal and anti-graffiti protection

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someone else's graffiti is to disrespect it by means of going over it (see "slash"/"going over").

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on a certain location that becomes very difficult for removal, or is obscure and hidden from the

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painting when a carriage has been painted along its entire length. This is often abbreviated as

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To completely write all over a specific area like a door-way, wall or window that is untouched.

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A practitioner of graffiti who creates graffiti formats for the purpose of graffiti vandalism.

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A direct, blocky, easier to read and simpler style of graffiti, sometimes also referred to as

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or panel piece. Backjumps are usually painted on a temporarily parked train or a running bus.

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A slang term for spray paint cans. This term is thought to originate in Brooklyn, New York.

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A piece of graffiti that is either filled in a rush or a solid fill, also referred to as

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A number of words and phrases that have come to describe different styles and aspects of

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Whitford, M. J. Getting Rid of Graffiti: A Practical Guide to Graffiti Removal, London:

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in 1976, has often been described as the first whole train painted in graffiti history.

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A large graffiti with simple, legible letters. Often painted by a brush or a roller.

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Rahn, Janice. Painting Without Permission: Hip-Hop Graffiti Subculture, Westport:

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1998 photo in San Francisco of a Red throw-up 'topping' a Josh straight letter.

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Any work having not been removed. "That piece is still burning on main street."

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2. "Toys" often added above or directly on a toy's work. An acronym meaning, "

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It is considered to be an indication of being a toy if one chooses 360 Krylon

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original krylon – The first line of cans, sought after as a collectors' item

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posts with bolts. Often the bolts are bent at the back to prevent removal.

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Pieces on trains that cover the whole height of the car. A top-to-bottom,

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Security patrolling an area on the lookout for any on-the-whim individuals

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when their work becomes widespread and well-known. Although a writer can

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To develop your reputation or "rep" through writing graffiti. (see King)

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3. Term "HOT 110" also refers to graffitists not to be taken seriously.

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The Popular History of Graffiti: From the Ancient World to the Present

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The Popular History of Graffiti: From the Ancient World to the Present

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A small graffiti work, usually a drawing rather than words or numbers.

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is to paint many surfaces in an area. Bombers often choose to paint

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Break beats in the Bronx : rediscovering hip-hop's early years

1990:, Norwegian newspaper article about acid tagging (foreign language) 1678:. Advances in Sociolinguistics. Bloomsbury Publishing. p. 75. 2327: 1518: 1473: 1467: 1433: 1360: 1246: 1096: 715: 610: 596:. A fill is also the interior base color of the piece of graffiti. 433: 408: 330: 141: 1900:

Shobe, Hunter (2020), Brunn, Stanley D.; Kehrein, Roland (eds.),

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Going All City: Struggle and Survival in LA's Graffiti Subculture

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but this is an older expression that is falling from popularity.

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by being painted over usually by gray paint or "patched" over.

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triple krylon – from the "No Runs, No Drips, No Errors" label

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Highway sign graffiti, or a 'Heaven' in San Francisco c. 1997

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A graffiti piece or production that is made with permission.

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Type of freight rail car that is tall, long, low, and flat.

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A large, complex, and labor-intensive graffiti painting.

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Making Sense of People and Place in Linguistic Landscapes

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The mark left after paint or ink has been unsuccessfully

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To paint an extremely conspicuous or dangerous location.

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A popular abbreviation among writers for the brand name

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UK term for going over or dissing someone's tag or piece

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360 krylon – from the "Ez touch 360 dial control" label

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2 Also "O.G. Head" (for Original, or Original Gangsta).

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that is favored for quality and general availability.

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usually painted in places that are hard to control.

59:. Unsourced material may be challenged and removed. 1353:. A production with several writers might cover a 2056:June, D.L.; Khatibloo, M.; Estevane, G. (2015). 1535:or similar inexpensive material and attached to 559:The use of acid solutions intended for creating 463:codes, or penal codes or a combination of these. 1724: 1722: 1720: 1718: 1564: 1562: 1515:as that will exceed the definition of the term. 2210: 8: 1761:: CS1 maint: multiple names: authors list ( 753:Graffitists of the highest accomplishments. 1906:Handbook of the Changing World Language Map 1672:Peck, A.; Stroud, C.; Williams, Q. (2018). 745:are often perceived as being less artistic. 2217: 2203: 2195: 2157:: CS1 maint: location missing publisher ( 1043:locked cages or behind display counters). 714:(also known as "hitting up the heavens"). 492:as it is commonly done with one's fingers. 2059:The Re-Evolution of American Street Gangs 1947:Birzer, Michael; Roberson, Cliff (2016). 1659:"Going All City: An Interview with Cisco" 1216:To consider other pieces for inspiration. 119:Learn how and when to remove this message 1998: 1996: 1902:"Graffiti as Communication and Language" 1490: 1285: 1121:a tag into an object, generally using a 1012: 543: 1558: 303:, as they can be executed more quickly. 2150: 2107: 2096: 1949:Introduction to criminal investigation 1754: 1531:Artwork painted on a small portion of 202:. Similarly, trains sometimes receive 2051: 2049: 1942: 1940: 1938: 1802: 1800: 1798: 1796: 1794: 1792: 7: 1790: 1788: 1786: 1784: 1782: 1780: 1778: 1776: 1774: 1772: 57:adding citations to reliable sources 2476:Hong Kong (Free Ai Weiwei campaign) 1413:have resources to clean everything. 358:2. More recently, any quick chrome 347:1. A large, more elaborate type of 1117:graffiti created by scratching or 25: 2678:Graffiti and unauthorised signage 1609:Journal of Urban Cultural Studies 484:," as a reference to its synonym 2653: 2652: 2125:Ewoodzie, Joseph C. Jr. (2017). 2093:. New York Times. July 21, 1971. 2005:"Graffiti Culture - Graffipedia" 1349:combined production is called a 210:. End-to-ends used to be called 33: 1951:. CRC Press. pp. 131–136. 1017:Graffiti shop is equipped with 135:and its subculture. Like other 44:needs additional citations for 1729:J., Whitford, Maurice (2016). 1647:. University of Chicago Press. 1201:, as in, "I lined their tag." 1139:Mohs scale of mineral hardness 1: 2586:Sarajevo Street Art Festival 2172:Bingham, Jane (2009-07-01). 2062:. CRC Press. p. pt241. 1914:10.1007/978-3-030-02438-3_81 1603:Hoppe, Ilaria (2020-09-01). 2129:. Chapel Hill. p. 62. 1872:. Skyhorse. p. pt543. 1575:. Skyhorse. p. pt539. 1113:Also called "scratchitti," 810:When an individual or crew 2699: 2545:Palestine (West Bank Wall) 2470:São Paulo (Beco do Batman) 2650: 1511:, but not in addition to 1070:trusted member of a crew. 686:hat (honor-among-thieves) 1472:Wildstyle on a truck in 1129:, ceramic drill bit, or 992:Painters Touch brand by 488:and is sometimes called 441:in the Los Angeles River 439:The MTA crew blockbuster 2591:Sarasota Chalk Festival 2581:Pasadena Chalk Festival 1843:"Burner: A great piece" 2683:Glossaries of the arts 2178:. Capstone Classroom. 1524: 1496: 1476: 1439: 1366: 1291: 1255: 1224:A way of referring to 1106: 1030: 721: 616: 555: 442: 414: 340: 150: 68:"Glossary of graffiti" 2530:Sydney (Newtown area) 2462:Southeastern Brazil ( 1866:McDonald, F. (2013). 1733:. London: CRC Press. 1569:McDonald, F. (2013). 1522: 1494: 1471: 1437: 1364: 1289: 1250: 1100: 1016: 719: 615:Fire extinguisher tag 614: 547: 437: 412: 334: 275:that bite their work. 145: 2659:Category: Street art 2456:Berlin (Berlin Wall) 2003:Young, Christopher. 1831:Taylor & Francis 1621:10.1386/jucs_00026_1 1523:Example of woodblock 1308:Cornbread (graffiti) 1251:Graffiti sticker in 943:A tag that has been 776:New York City Subway 243:A graffiti artist's 53:improve this article 2009:www.graffipedia.org 299:instead of complex 222:A quickly executed 1976:Palgrave Macmillan 1528:woodblock graffiti 1525: 1497: 1477: 1440: 1367: 1292: 1256: 1107: 1031: 976:often incorporate 722: 671:declaration of war 620:gallery, also yard 617: 556: 443: 415: 402:clown or ass-clown 341: 151: 18:Woodblock graffiti 2665: 2664: 2607:Built environment 2566:The Cans Festival 2106:Missing or empty 2069:978-1-4987-6651-7 1923:978-3-030-02438-3 1879:978-1-62636-291-8 1815:978-0-8050-0678-0 1685:978-1-350-03799-1 1582:978-1-62636-291-8 1500:window-down (...) 1458:The Freedom Train 1438:Autorack wholecar 1253:St Ives, Cornwall 1110:scribe or scratch 1019:anti-theft system 844:Two simultaneous 602:fire extinguisher 581:fills or fill ins 129: 128: 121: 103: 16:(Redirected from 2690: 2656: 2655: 2486:Northern Ireland 2392:Lists of artists 2353:Stencil graffiti 2343:Reverse graffiti 2280:Installation art 2219: 2212: 2205: 2196: 2190: 2189: 2169: 2163: 2162: 2156: 2148: 2122: 2116: 2115: 2109: 2104: 2102: 2094: 2087: 2081: 2080: 2078: 2076: 2053: 2044: 2038: 2032: 2026: 2020: 2019: 2017: 2015: 2000: 1991: 1985: 1979: 1969: 1963: 1962: 1944: 1933: 1932: 1931: 1930: 1897: 1891: 1890: 1888: 1886: 1863: 1846: 1840: 1834: 1824: 1818: 1804: 1767: 1766: 1760: 1752: 1726: 1713: 1712:, 2002. 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(p. 1) 1819: 1768: 1739: 1714: 1698: 1684: 1664: 1650: 1634: 1595: 1581: 1557: 1555: 1552: 1551: 1550: 1547: 1541: 1540: 1529: 1517: 1516: 1501: 1489: 1488: 1485: 1466: 1465: 1453: 1449: 1448: 1444: 1432: 1431: 1419: 1415: 1414: 1410: 1406: 1405: 1402: 1383: 1379: 1375: 1374: 1371: 1359: 1358: 1343: 1339: 1338: 1324:A throw-up or 1322: 1316: 1315: 1299: 1290:A graffiti tag 1284: 1283: 1268: 1262: 1261: 1245: 1244: 1238: 1237: 1234: 1230: 1229: 1226:Montana Colors 1222: 1218: 1217: 1214: 1210: 1209: 1206: 1161: 1160: 1156: 1152: 1151: 1148: 1144: 1143: 1111: 1101:Scratching on 1095: 1094: 1084: 1080: 1079: 1076: 1072: 1071: 1068: 1064: 1063: 1059: 1053: 1052: 1048: 1040: 1039: 1035: 1010: 1007: 1006: 1005: 1002: 998: 997: 990: 986: 985: 970: 959: 958: 955: 949: 948: 941: 937: 936: 933: 929: 928: 921: 920:painters touch 917: 916: 912: 908: 907: 892: 888: 887: 878: 874: 873: 870: 866: 865: 862: 858: 857: 854:married pairs. 842: 841:married couple 838: 837: 834: 828: 827: 824: 820: 819: 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The 1047:roll call 1023:Tver City 915:painting. 891:one-liner 629:genocidal 590:throw ups 419:character 379:cannon(s) 293:throw-ups 235:graffiti. 2525:Sarajevo 2500:5 Pointz 2464:pichação 2446:Adelaide 2404:Graffiti 2260:Graffiti 2240:Activism 2175:Graffiti 1447:sitting. 1320:throw-up 1312:TAKI 183 1197:, or to 1119:incising 1115:scribing 1001:punition 953:pichação 932:paste-up 861:massacre 850:marriage 807:landmark 594:throwies 505:dress-up 500:A bribe. 335:Illegal 224:throw up 219:backjump 186:autorack 177:all city 133:graffiti 2600:Related 2540:Toronto 2451:Atlanta 2409:Stencil 2363:Tagging 2233:Culture 2091:page 37 1978:, 2001. 1533:plywood 1462:Caine 1 1370:topping 1280:simples 1242:sticker 1233:stainer 1213:soak up 1195:marking 1182:dissing 1166:capping 1133:tipped 1131:diamond 1105:windows 1034:racking 900:throwie 832:lock on 743:insides 737:insides 728:hollows 624:viewed. 572:fat cap 553:Chicago 476:Domming 371:burning 364:throwup 360:bombing 249:writers 231:bencher 93:scholar 2657: 2554:Events 2535:Tehran 2439:Places 2399:Street 2338:Poster 2333:Pieces 2182: 2143: 2133: 2066: 1955: 1920: 1876: 1813: 1747: 1737: 1682: 1627: 1579: 1545:writer 1427:get up 1332:and a 1205:snitch 1191:hating 1168:(see, 1135:Dremel 1057:roller 1027:Russia 974:Pieces 945:buffed 771:Krylon 759:queens 712:heaven 658:buffed 497:Dropsy 486:rubber 393:2. 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