Knowledge (XXG)

Works Volume 1

Source πŸ“

38: 578:. When Lake and Sinfield got together to write lyrics for the track, Emerson had told Lake that he wrote it with mercenaries in mind, which Lake found distasteful and wanted the song to be about something else. He conjured images of the sea upon listening to Emerson's piece, which made him think of pirates. Sinfield liked the idea, and the pair wrote words at Lake's mountain chalet. "Pirates" was recorded in two separate studios; Lake had a falling out with the orchestra used in Montreux, so recording moved to Paris with the 476:, who assisted on the orchestral arrangements. He wanted to write a serious piece that would not date itself, with the aim of having it performed by others in the future. Working hard on the score, Emerson looked back on it shortly after the album was released: "I've squeezed every ounce of myself into that thing. And I feel very satisfied." An initial recording session took place at 485:. When it came to preparing material for the album, Emerson dedicated a period to "think and write" following his depression after his Sussex home caught fire two years prior, burning his possessions and music he had put down. The work's third movement reflected Emerson's mood at the time of the fire, and he was able to get "a lot of anger" out through the music. In the band's 590:, to visit the studio and hear the piece. Lake said: "I pressed the play button, and he put his head in his hands and from beginning to end, he didn't move If he didn't like something, you would be told he looked at me, and he said, 'The singing's not bad.' I'm sure he didn't realize that I was the singer". Sinfield remembered Bernstein describing it as "primitive". 719: 683: 678: 673: 645: 714: 709: 704: 699: 668: 663: 640: 635: 630: 625: 772:
characterized the album as excessive, indulgent, and "clodhoppingly stereotypical", but also asserted that it "is not without merit". In particular, he argued that while doing a piano concerto is a pompous and indulgent idea, Emerson pulls it off reasonably well, and his impressive virtuosity fits
423:. Lake recalled his time there was difficult for creativity: "It's so grey. There's nothing there. You get sod-all inspiration!" Emerson supported his view and called it "the end of the earth", but he and Palmer praised the studio facilities and the quality of the equipment. 2158: 480:
in London with mobile studio equipment, but the orchestra had difficulty understanding the score and performers complained of the hall's acoustics, resulting in Emerson "wasting a lot of money." A successful session arose when recording relocated to
400: 768:', from their previous album, didn't say better and shorter"). They offer some praise for the Carl Palmer and group sides, but conclude that the group songs "cover a lot of old ground, albeit in ornate and stylish fashion." Paul Stump's 1997 2623: 404:(1974) which earned the group their highest charting position in the US with a peak of No. 4, and No. 6 in the UK. The trio took an extended break, having been on the recording and touring circuit each year since their formation in 1970. 199: 2663: 565:. Emerson sought Copland's permission so the group could use it; Copland found their version appealing but was puzzled at the solo section in the middle of two fairly straightforward renditions of his piece. 430:
has claimed credit for the album's title, explaining, "I suppose if you're gonna be pretentious, you might as well do it big. They had all these bits floating around. But 'Bits' didn't really sound right."
438:, Lake wanted to take a more serious approach in writing and singing ballads, and felt singing with an orchestra added greater variety to his songs. Both tracks on side four feature Emerson playing a 2639: 2410: 2893: 2615: 1093: 745: 558: 363: 252: 2746: 760:'s retrospective review is mixed. They also criticize the solo sides of Keith Emerson ("on the level of a good music-student piece, without much original language") and Greg Lake ( 2679: 2054: 1837: 2479: 2655: 1656:
The same verse and chorus melody as in the song "C'est la Vie" is used for the Zdravko ČoliΔ‡'s 1984 song "RuΕ‘ka" and the Divlji Kesten's 1995 song "Svrati ponekad".
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to listen to the work during his visit to the Paris studio where the recording was being mixed. Upon listening to the work, Bernstein said it "reminded him of
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Aaron Copland, "Interview With Aaron Copland 1997". Emerson Lake & Palmer, From The Beginning (box set, 5 CDs, 1 DVD), 2007 Sanctuary Records Group, Ltd.
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to become the band's highest charting single in the UK. Additional material recorded in 1976, plus songs from previous studio sessions, were released as
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received mixed-to-poor reviews and is often viewed as marking the start of an artistic downturn in the group's career, despite the great success of "
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The album was originally released just as the punk era was getting underway, when bands like ELP were perceived as bloated "dinosaurs". As a result,
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said that at this point in their career, the group's musical direction had been "milked dry" and they wanted to spend time planning their next step.
415:, meaning they had to record overseas. Lake recalled that this was an unpopular opinion as the members had family based in England. They settled in 754:
did not care for either the Emerson or Lake sides but liked Palmer's selections, and reserved high praise for the two group numbers on side four.
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features a side dedicated for each member to write and arrange their own tracks, while the fourth side features songs performed collectively.
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to conduct the orchestral arrangements on "Pirates", and arranged for Bernstein, who was conducting at the nearby
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In August 1974, Emerson, Lake & Palmer finished their ten-month world tour in support of their fourth album,
291: 186: 50: 2992: 2196: 1414: 1187: 1821: 304:(1973), the group took an extended break before they reconvened in 1976 to record a new album. They were now 2319: 2281: 2033: 1510: 1467: 654: 579: 574: 2879: 2332: 2119: 765: 17: 2293: 2972: 1252: 1022: 539:
and a piece titled "The Enemy God Dances With the Black Spirits", an excerpt of the 2nd movement of the
536: 473: 3014: 2900: 2816: 2301: 1376: 468:, a three-movement work for piano and orchestra. Emerson performs on a Steinway grand piano with the 2277: 568:
The 13-minute "Pirates" originated from a piece Emerson had written for a cancelled film version of
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In March 1977, Lake said that the band had completed additional material that would be released on
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released in 1970, with orchestral accompaniment and minus the drum solo. "L.A. Nights" features
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Set "Tipo" on "Album". Then, in the "Artista" field, search "Emerson Lake & Palmer".
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and went gold in both countries, the latter for 500,000 copies sold. The group track "
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more comfortably in this context than in Emerson, Lake & Palmer's rock workouts.
750: 728: 562: 520: 494: 477: 427: 405: 371: 356: 329: 161: 2929: 2789: 2364: 1596: 141: 2457: 2961: 2956: 2886: 2514: 2361:"Canadian album certifications – Emerson, Lake & Palmer – Works, Volume I" 1233: 1166:"The Enemy God Dances with the Black Spirits (Live in Indiana, 24 January 1978)" 1040: 978: 528: 512: 439: 345: 313: 171: 92: 2411:"American album certifications – Lake Emerson & Palmer – Works, Volume I" 2844: 2580: 2039: 1889: 1191: 1181: 504:
side, and consists of acoustic ballads, all of which were written by Lake and
2339:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 429. 2507: 2386:"British album certifications – Emerson, Lake & Palmer – Works, Vol.1" 1258: 1227: 869: 524: 501: 412: 401:
Welcome Back, My Friends, to the Show That Never Ends ~ Ladies and Gentlemen
337: 305: 166: 105: 1826:(Media notes). Emerson, Lake & Palmer. Atlantic Records. 1977. K 80009. 2624:
Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen
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Prog Rock FAQ: All That's Left to Know About Rock's Most Progressive Music
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orchestra and conductor Godfrey Salmon. Sinfeld recalled the band wanting
497:", a folk artist. Emerson, however, did not recall Bernstein saying this. 200:
Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen
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In 1976, the three had decided to start on a new studio album and became
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Godfrey Salmon – orchestra and choir conductor on side two and "Pirates"
2540: 2242: 1440: 321: 2266:"Norwegiancharts.com – Emerson, Lake & Palmer – Works Volume 1" 2193:"Offiziellecharts.de – Emerson, Lake & Palmer – Works Volume 1" 317: 45: 2147:"Austriancharts.at – Emerson, Lake & Palmer – Works Volume 1" 561:" is an adaptation of the same-titled piece by American composer 2126:(illustrated ed.). St Ives, N.S.W.: Australian Chart Book. 2055:"Emerson, Lake & Palmer: Works, Vol. 1 : Music Reviews" 374:, was released as a single in May 1977. It went to No. 2 on the 2461: 2181:"Dutchcharts.nl – Emerson, Lake & Palmer – Works Volume 1" 1334: 1856:
The Music's All that Matters: A History of Progressive Rock
489:
documentary, Lake recalled that Emerson invited composer
764:'C'est la Vie', the featured single, says little that ' 2149:(in German). Hung Medien. Retrieved October 17, 2023. 557:
The fourth side features two group-performed pieces. "
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The Original Bootleg Series from the Manticore Vaults
2183:(in Dutch). Hung Medien. Retrieved October 17, 2023. 1932:"Keith Emerson of THE CLASSICAL LEGACY OF A ROCKSTAR" 531:. Two arrangements of classical pieces are included: 308:
and recorded new material in London and overseas in
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Oricon Album Chart Book: Complete Edition 1970–2005
1143: 1132: 1083: 1072: 958: 947: 857: 846: 801: 790: 398:(1973). This was followed by the triple live album 234: 185: 152: 140: 124: 91: 73: 65: 57: 44: 30: 25:
1977 studio album by Emerson, Lake & Palmer
515:side, includes a remake of "Tank" from the band's 2032:Fielder, Hugh (February 2005). "Eight by Three". 294:, released as a double album on 25 March 1977 on 1944: 1942: 1940: 1934:, October 6, 2014. Retrieved on 31 October 2018. 1298:Tony Harris – orchestral arrangement on side two 1208:Credits are taken from the album's liner notes. 2316:"Official Rock & Metal Albums Chart Top 40" 1836:: CS1 maint: others in cite AV media (notes) ( 1642:Shipments figures based on certification alone. 696: 622: 2473: 8: 2648:King Biscuit Flower Hour: Greatest Hits Live 1701:"Works, Vol. 2 - Emerson, Lake & Palmer" 1289:Greg Lake – production on sides two and four 660: 2739:The Very Best of Emerson, Lake & Palmer 2268:. Hung Medien. Retrieved October 17, 2023. 2002:"Works Vol. 1 – Emerson, Lake & Palmer" 1995: 1993: 969:The Enemy God Dances with the Black Spirits 2480: 2466: 2458: 1951:"Greg Lake (Lead Singer of ELP) Interview" 1849: 1847: 1783: 1781: 1779: 1777: 1775: 1773: 1771: 1571: 1528: 1492: 1343: 1261:– guitars and scat vocals on "L.A. Nights" 1220:– Grand Piano side 1, keyboards side 3 on 820:"Second Movement: Andante molto cantabile" 597: 348:recorded tracks of varied musical styles. 36: 27: 2415:Recording Industry Association of America 1858:. Quartet Books Limited. pp. 215–8. 1267:– lyrics on side two, lyrics on "Pirates" 1152:"Tank (Live in Indiana, 24 January 1978)" 748:" as a single. In a contemporary review, 2755:The Essential Emerson, Lake & Palmer 1126: 1066: 941: 840: 784: 298:. Following their world tour supporting 2664:Live at the Isle of Wight Festival 1970 1666: 1638: 1295:Peter Sinfield – production on side two 2731:The Best of Emerson, Lake & Palmer 1829: 1292:Carl Palmer – production on side three 1286:Keith Emerson – production on side one 1274:Orchestre de l'OpΓ©ra national de Paris 533:Two-Part Invention in D minor, BWV 775 1949:DellaSala, Steve (29 November 2012). 1890:"Emerson, Lake & Palmer's return" 1255:– conductor on "Piano Concerto No. 1" 1068:Side four: Emerson, Lake & Palmer 603: 419:, Switzerland where they recorded at 286:is the fifth studio album by English 7: 2294:"Emerson Lake Palmer Chart History ( 1918: 1816: 1814: 1812: 1810: 1184:(Live in Indiana, 24 January 1978)" 823:"Third Movement: Toccata con fuoco" 698: 624: 2712:Live at the Mar y Sol Festival '72 340:wrote several songs with lyricist 14: 3040:Albums produced by Peter Sinfield 3020:Emerson, Lake & Palmer albums 2683:(Vol. 1–4, 2001, 2002 & 2006) 1888:Hilburn, Robert (12 March 1977). 817:"First Movement: Allegro giojoso" 662: 351:The album peaked at No. 9 on the 3030:Albums produced by Keith Emerson 2241:(in Japanese). Roppongi, Tokyo: 2053:Walters, Charley (2 June 1977). 717: 712: 707: 702: 697: 681: 676: 671: 666: 661: 643: 638: 633: 628: 623: 87:PathΓ©-Marconi EMI Studios, Paris 2337:Australian Chart Book 1970–1992 2278:"Official Albums Chart Top 100" 2124:Australian Chart Book 1970–1992 1803:– via Ladies of the Lake. 1530:Year-end chart performance for 1019:"Two Part Invention in D Minor" 366:", Emerson's adaptation of the 2322:. Retrieved October 17, 2023. 2306:. Retrieved October 17, 2023. 2284:. Retrieved October 17, 2023. 2199:. Retrieved October 17, 2023. 2171:. Retrieved October 17, 2023. 1325:Alex Grob – Palmer photography 1322:Kenny Smith – Lake photography 1133: 1073: 948: 866:"Lend Your Love to Me Tonight" 847: 791: 1: 2908:I Believe in Father Christmas 2640:Live at the Royal Albert Hall 2390:British Phonographic Industry 1345:Weekly chart performance for 1301:Ashley Newton – art direction 1247:London Philharmonic Orchestra 527:on lead and slide guitar and 470:London Philharmonic Orchestra 3035:Albums produced by Greg Lake 2441:Lucky Man: The Autobiography 2159:"Top RPM Albums: Issue 5348" 2091:"Emerson Lake & Palmer: 2038:. Vol. 76. London, UK: 1552: 1515: 1486: 1472: 1457: 1445: 1433: 1419: 1407: 1395: 1381: 1369: 1304:Ian Murray – design, artwork 1102:, arr. Emerson, Lake, Palmer 914:"Nobody Loves You Like I Do" 464:Side one features Emerson's 101:Contemporary classical music 2774:The Return of the Manticore 2704:Live at Nassau Coliseum '78 2169:Library and Archives Canada 1976:. Hal Leonard Corporation. 770:History of Progressive Rock 3056: 2941:Emerson, Lake & Powell 2935:Emerson, Lake & Powell 2894:Fanfare for the Common Man 2533:Emerson, Lake & Palmer 2489:Emerson, Lake & Palmer 1507:UK Rock & Metal Albums 1212:Emerson, Lake & Palmer 1094:Fanfare for the Common Man 746:Fanfare for the Common Man 559:Fanfare for the Common Man 364:Fanfare for the Common Man 292:Emerson, Lake & Palmer 253:Fanfare for the Common Man 187:Emerson, Lake & Palmer 51:Emerson, Lake & Palmer 15: 2982: 2616:Pictures at an Exhibition 2495: 1788:Unknown (12 March 1977). 1639: 1624: 1609: 1594: 1586: 1583: 1580: 1545: 1540: 1537: 1505: 1498: 1495: 1477: 1462: 1450: 1438: 1424: 1412: 1400: 1386: 1374: 1362: 1355: 1352: 1249:on "Piano Concerto No. 1" 1176: 1162: 1148: 1140: 1137: 1128:2004 reissue bonus tracks 1109: 1088: 1080: 1077: 1049: 1032: 1015: 1001: 987: 963: 955: 952: 924: 910: 896: 882: 862: 854: 851: 806: 798: 795: 611: 608: 275: 245: 230: 193: 35: 2197:GfK Entertainment Charts 1313:Roger Cameron – engineer 1188:Pyotr Ilyich Tchaikovsky 267:Released: 26 August 1977 3025:Atlantic Records albums 2747:The Ultimate Collection 2632:In Concert / Works Live 2320:Official Charts Company 2282:Official Charts Company 1387:Canada Top Albums/CDs ( 1230:– vocals, guitars, bass 1116:Emerson, Lake, Sinfield 943:Side three: Carl Palmer 786:Side one: Keith Emerson 580:National Opera of Paris 517:self-titled debut album 2880:Still...You Turn Me On 1674:Macan, Edward (2006). 977:, arr. Emerson, Lake, 900:"Hallowed Be Thy Name" 766:Still...You Turn Me On 2973:To the Power of Three 2040:Future Publishing Ltd 1894:The Los Angeles Times 1319:– Emerson photography 928:"Closer to Believing" 537:Johann Sebastian Bach 355:and No. 12 on the US 258:Released: 27 May 1977 2901:Tiger in a Spotlight 2243:Oricon Entertainment 1972:Will Romano (2014). 1854:Stump, Paul (1997). 1241:Additional personnel 1036:"Food for Your Soul" 812:Piano Concerto No. 1 599:Professional ratings 487:Beyond the Beginning 466:Piano Concerto No. 1 334:Piano Concerto No. 1 16:For other uses, see 2557:Brain Salad Surgery 2439:Lake, Greg (2017). 2067:on 10 November 2007 1896:. p. Pt II, 11 1832:cite AV media notes 1699:Smith, David Ross. 1577: 1573:Certifications for 1546:Australian Albums ( 1534: 1363:Australian Albums ( 1349: 1236:– drums, percussion 1129: 1069: 944: 843: 842:Side two: Greg Lake 787: 600: 483:De Lane Lea Studios 395:Brain Salad Surgery 301:Brain Salad Surgery 78:De Lane Lea Studios 2852:From the Beginning 2798:A Time and a Place 2782:From the Beginning 2723:Compilation albums 2688:A Time and a Place 1790:"The Works on ELP" 1572: 1529: 1451:Norwegian Albums ( 1415:Offizielle Top 100 1344: 1127: 1067: 942: 841: 785: 598: 460:Sides one to three 3002: 3001: 2952:Manticore Records 2450:978-1-472-12647-4 1685:978-0-8126-9596-0 1648: 1647: 1643: 1564: 1563: 1557: 1556: 1548:Kent Music Report 1520: 1519: 1491: 1490: 1439:Japanese Albums ( 1375:Austrian Albums ( 1365:Kent Music Report 1200: 1199: 1123: 1122: 1063: 1062: 938: 937: 837: 836: 738: 737: 584:Leonard Bernstein 570:Frederick Forsyth 491:Leonard Bernstein 279: 278: 226: 225: 3047: 2918:Related articles 2482: 2475: 2468: 2459: 2454: 2426: 2425: 2423: 2421: 2407: 2401: 2400: 2398: 2396: 2382: 2376: 2375: 2373: 2371: 2357: 2351: 2350: 2329: 2323: 2313: 2307: 2291: 2285: 2275: 2269: 2263: 2257: 2256: 2235: 2229: 2227: 2225: 2223: 2206: 2200: 2190: 2184: 2178: 2172: 2156: 2150: 2144: 2138: 2137: 2116: 2110: 2109: 2107: 2105: 2083: 2077: 2076: 2074: 2072: 2063:. 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1124: 1064: 1056:Emerson, Palmer 939: 838: 779: 761: 718: 713: 708: 703: 682: 677: 672: 667: 644: 639: 634: 629: 596: 575:The Dogs of War 555: 462: 457: 390: 353:UK Albums Chart 271: 266: 263: 262: 257: 250: 249: 240:Works Volume 1 221: 212: 203: 181: 133: 129: 128: 120: 86: 81: 53: 26: 21: 12: 11: 5: 3053: 3051: 3043: 3042: 3037: 3032: 3027: 3022: 3017: 3007: 3006: 3000: 2999: 2996: 2995: 2990: 2984: 2983: 2980: 2979: 2977: 2976: 2969: 2967:Peter Sinfield 2964: 2959: 2954: 2949: 2947:Richard Fraser 2944: 2937: 2932: 2927: 2921: 2919: 2915: 2914: 2912: 2911: 2904: 2897: 2890: 2883: 2876: 2869: 2862: 2855: 2848: 2841: 2834: 2827: 2820: 2812: 2810: 2806: 2805: 2803: 2802: 2794: 2786: 2778: 2769: 2767: 2763: 2762: 2760: 2759: 2751: 2743: 2735: 2726: 2724: 2720: 2719: 2717: 2716: 2708: 2700: 2692: 2684: 2676: 2668: 2660: 2656:Live in Poland 2652: 2644: 2636: 2628: 2620: 2611: 2609: 2605: 2604: 2602: 2601: 2593: 2585: 2577: 2573:Works Volume 2 2569: 2565:Works Volume 1 2561: 2553: 2545: 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826: 825: 824: 821: 818: 808: 804: 803: 800: 797: 794: 783: 778: 775: 742:Works Volume 1 736: 735: 732: 724: 723: 694: 688: 687: 658: 650: 649: 620: 614: 613: 610: 606: 605: 595: 592: 554: 551: 542:Scythian Suite 506:Peter Sinfield 500:Side 2 is the 461: 458: 456: 453: 448:Works Volume 2 389: 386: 381:Works Volume 2 342:Peter Sinfield 326:Works Volume 1 283:Works Volume 1 277: 276: 273: 272: 270: 269: 264:"C'est La Vie" 260: 246: 243: 242: 232: 231: 228: 227: 224: 223: 218:Works Volume 2 214: 209:Works Volume 1 205: 191: 190: 183: 182: 180: 179: 177:Peter Sinfield 174: 169: 164: 158: 156: 150: 149: 144: 138: 137: 126: 122: 121: 119: 118: 113: 108: 103: 97: 95: 89: 88: 75: 71: 70: 67: 63: 62: 59: 55: 54: 49: 42: 41: 33: 32: 31:Works Volume 1 24: 13: 10: 9: 6: 4: 3: 2: 3052: 3041: 3038: 3036: 3033: 3031: 3028: 3026: 3023: 3021: 3018: 3016: 3013: 3012: 3010: 2994: 2991: 2989: 2986: 2985: 2981: 2975: 2974: 2970: 2968: 2965: 2963: 2960: 2958: 2955: 2953: 2950: 2948: 2945: 2943: 2942: 2938: 2936: 2933: 2931: 2928: 2926: 2923: 2922: 2920: 2916: 2909: 2905: 2902: 2898: 2895: 2891: 2888: 2884: 2881: 2877: 2874: 2870: 2867: 2863: 2860: 2856: 2853: 2849: 2846: 2842: 2839: 2835: 2832: 2828: 2825: 2824:Take a Pebble 2821: 2818: 2817:The Barbarian 2814: 2813: 2811: 2807: 2800: 2799: 2795: 2792: 2791: 2787: 2784: 2783: 2779: 2776: 2775: 2771: 2770: 2768: 2764: 2757: 2756: 2752: 2749: 2748: 2744: 2741: 2740: 2736: 2733: 2732: 2728: 2727: 2725: 2721: 2714: 2713: 2709: 2706: 2705: 2701: 2698: 2697: 2693: 2690: 2689: 2685: 2682: 2681: 2677: 2674: 2673: 2669: 2666: 2665: 2661: 2658: 2657: 2653: 2650: 2649: 2645: 2642: 2641: 2637: 2634: 2633: 2629: 2626: 2625: 2621: 2618: 2617: 2613: 2612: 2610: 2606: 2599: 2598: 2594: 2591: 2590: 2586: 2583: 2582: 2578: 2575: 2574: 2570: 2567: 2566: 2562: 2559: 2558: 2554: 2551: 2550: 2546: 2543: 2542: 2538: 2535: 2534: 2530: 2529: 2527: 2525:Studio albums 2523: 2517: 2516: 2512: 2510: 2509: 2505: 2503: 2502: 2501:Keith Emerson 2498: 2497: 2494: 2490: 2483: 2478: 2476: 2471: 2469: 2464: 2463: 2460: 2452: 2446: 2442: 2437: 2436: 2435: 2434: 2416: 2412: 2406: 2403: 2391: 2387: 2381: 2378: 2366: 2362: 2356: 2353: 2348: 2346:0-646-11917-6 2342: 2338: 2334: 2328: 2325: 2321: 2317: 2312: 2309: 2305: 2304: 2299: 2297: 2290: 2287: 2283: 2279: 2274: 2271: 2267: 2262: 2259: 2254: 2252:4-87131-077-9 2248: 2244: 2240: 2234: 2231: 2217: 2216: 2211: 2210:"Classifiche" 2205: 2202: 2198: 2195:(in German). 2194: 2189: 2186: 2182: 2177: 2174: 2170: 2166: 2165: 2160: 2155: 2152: 2148: 2143: 2140: 2135: 2133:0-646-11917-6 2129: 2125: 2121: 2115: 2112: 2100: 2096: 2094: 2088: 2087:Sharp, Johnny 2082: 2079: 2066: 2062: 2061: 2060:Rolling Stone 2056: 2049: 2046: 2041: 2037: 2036: 2028: 2025: 2013: 2009: 2008: 2003: 2000:Eder, Bruce. 1996: 1994: 1990: 1985: 1979: 1975: 1968: 1965: 1953:. Audioholics 1952: 1945: 1943: 1941: 1937: 1933: 1927: 1924: 1920: 1915: 1912: 1907: 1895: 1891: 1884: 1881: 1875: 1872: 1867: 1865:0-7043-8036-6 1861: 1857: 1850: 1848: 1844: 1839: 1833: 1825: 1824: 1817: 1815: 1813: 1811: 1807: 1795: 1791: 1784: 1782: 1780: 1778: 1776: 1774: 1772: 1768: 1763: 1757: 1754: 1750:. p. 48. 1746: 1740: 1737: 1733:. p. 56. 1729: 1723: 1720: 1708: 1707: 1702: 1695: 1692: 1687: 1681: 1677: 1670: 1667: 1660: 1655: 1654: 1650: 1644: 1634: 1631: 1628: 1623: 1619: 1616: 1613: 1608: 1604: 1601: 1598: 1593: 1589: 1584:Certification 1579: 1576: 1567: 1560: 1549: 1544: 1538:Chart (1977) 1536: 1533: 1524: 1522: 1512: 1508: 1504: 1496:Chart (2017) 1494: 1484: 1482: 1476: 1469: 1465: 1461: 1454: 1449: 1442: 1437: 1430: 1429: 1423: 1416: 1411: 1404: 1403:Album Top 100 1399: 1392: 1391: 1385: 1378: 1373: 1366: 1361: 1353:Chart (1977) 1351: 1348: 1340:Weekly charts 1339: 1337: 1336: 1329: 1324: 1321: 1318: 1315: 1312: 1309: 1306: 1303: 1300: 1297: 1294: 1291: 1288: 1285: 1284: 1283: 1282: 1275: 1272: 1269: 1266: 1263: 1260: 1257: 1254: 1251: 1248: 1245: 1244: 1243: 1242: 1235: 1232: 1229: 1226: 1223: 1219: 1218:Keith Emerson 1216: 1215: 1214: 1213: 1209: 1203: 1195: 1193: 1189: 1186: 1183: 1179: 1175: 1171: 1168: 1165: 1161: 1157: 1154: 1151: 1147: 1131: 1118: 1115: 1112: 1108: 1104: 1101: 1100:Aaron Copland 1098: 1095: 1091: 1087: 1071: 1058: 1055: 1052: 1048: 1044: 1042: 1038: 1035: 1031: 1027: 1025:, arr. Palmer 1024: 1021: 1018: 1014: 1010: 1007: 1005:"New Orleans" 1004: 1000: 996: 993: 991:"L.A. Nights" 990: 986: 982: 980: 976: 973: 970: 966: 962: 946: 933: 930: 927: 923: 919: 916: 913: 909: 905: 902: 899: 895: 891: 888: 885: 881: 877: 875: 871: 868: 865: 861: 845: 832: 830: 829:Keith Emerson 827: 822: 819: 816: 815: 813: 809: 805: 789: 782: 777:Track listing 776: 774: 771: 767: 759: 755: 753: 752: 751:Rolling Stone 747: 743: 733: 731: 730: 729:Rolling Stone 726: 725: 695: 693: 690: 689: 659: 657: 656: 652: 651: 621: 619: 616: 615: 607: 604:Review scores 602: 593: 591: 589: 585: 581: 577: 576: 571: 566: 564: 563:Aaron Copland 560: 552: 550: 548: 544: 543: 538: 534: 530: 526: 522: 518: 514: 509: 507: 503: 498: 496: 495:Grandma Moses 492: 488: 484: 479: 478:Kingsway Hall 475: 472:conducted by 471: 467: 459: 454: 452: 450: 449: 443: 442:synthesizer. 441: 437: 432: 429: 428:Pete Sinfield 424: 422: 418: 414: 409: 407: 406:Keith Emerson 403: 402: 397: 396: 387: 385: 383: 382: 377: 373: 372:Aaron Copland 369: 365: 361: 359: 354: 349: 347: 343: 339: 335: 332:recorded his 331: 330:Keith Emerson 327: 323: 319: 315: 311: 307: 303: 302: 297: 293: 289: 285: 284: 274: 261: 254: 248: 247: 244: 241: 237: 233: 229: 220: 219: 215: 211: 210: 206: 202: 201: 197: 196: 192: 188: 184: 178: 175: 173: 170: 168: 165: 163: 162:Keith Emerson 160: 159: 157: 155: 151: 148: 145: 143: 139: 127: 123: 117: 114: 112: 109: 107: 104: 102: 99: 98: 96: 94: 90: 84: 79: 76: 72: 68: 64: 61:25 March 1977 60: 56: 52: 47: 43: 39: 34: 29: 23: 19: 2993:Band members 2971: 2939: 2930:Robert Berry 2796: 2790:Gold Edition 2788: 2780: 2772: 2753: 2745: 2737: 2729: 2710: 2702: 2696:High Voltage 2694: 2686: 2678: 2672:Then and Now 2670: 2662: 2654: 2646: 2638: 2630: 2622: 2614: 2595: 2587: 2579: 2571: 2564: 2563: 2555: 2547: 2539: 2531: 2513: 2506: 2499: 2440: 2432: 2431: 2418:. Retrieved 2405: 2393:. Retrieved 2380: 2368:. Retrieved 2365:Music Canada 2355: 2336: 2327: 2311: 2302: 2295: 2289: 2273: 2261: 2238: 2233: 2220:. Retrieved 2218:(in Italian) 2213: 2204: 2188: 2176: 2162: 2154: 2142: 2123: 2114: 2102:. Retrieved 2098: 2092: 2081: 2069:. Retrieved 2065:the original 2058: 2048: 2035:Classic Rock 2034: 2027: 2015:. Retrieved 2005: 1973: 1967: 1955:. Retrieved 1926: 1914: 1904:– via 1898:. Retrieved 1893: 1883: 1874: 1855: 1822: 1797:. Retrieved 1794:Melody Maker 1793: 1756: 1745:"Music Week" 1739: 1728:"Music Week" 1722: 1710:. Retrieved 1704: 1694: 1675: 1669: 1640: 1597:Music Canada 1574: 1558: 1531: 1480: 1426: 1388: 1346: 1280: 1279: 1276:on "Pirates" 1240: 1239: 1222:L. A. Nights 1221: 1211: 1210: 1207: 780: 769: 756: 749: 741: 739: 727: 691: 655:Classic Rock 653: 573: 567: 556: 540: 511:Side 3, the 510: 499: 486: 463: 446: 444: 435: 433: 425: 410: 399: 393: 391: 379: 357: 350: 325: 299: 282: 281: 280: 239: 216: 208: 207: 198: 46:Studio album 22: 3015:1977 albums 2988:Discography 2962:Cozy Powell 2957:Eddy Offord 2887:Karn Evil 9 2608:Live albums 2515:Carl Palmer 2333:Kent, David 2120:Kent, David 2104:26 February 2071:3 September 2017:11 December 1957:18 December 1712:4 September 1234:Carl Palmer 1041:Harry South 979:Carl Palmer 734:(favorable) 588:Opera House 529:scat vocals 513:Carl Palmer 440:Yamaha GX-1 346:Carl Palmer 314:Switzerland 172:Carl Palmer 3009:Categories 2589:Black Moon 2581:Love Beach 2222:17 October 1661:References 1377:Γ–3 Austria 1310:– engineer 1281:Production 1253:John Mayer 1192:Kim Fowley 1182:Nut Rocker 1023:J. S. Bach 523:guitarist 474:John Mayer 413:tax exiles 388:Background 306:tax exiles 189:chronology 85:, Montreux 2866:Jerusalem 2845:Nutrocker 2831:Lucky Man 2508:Greg Lake 2303:Billboard 2296:Billboard 1919:Lake 2017 1900:1 October 1799:1 October 1541:Position 1501:position 1481:Billboard 1464:UK Albums 1358:position 1259:Joe Walsh 1228:Greg Lake 1204:Personnel 1141:Writer(s) 1113:"Pirates" 1081:Writer(s) 956:Writer(s) 870:Greg Lake 855:Writer(s) 799:Writer(s) 594:Reception 553:Side four 525:Joe Walsh 502:Greg Lake 426:Lyricist 358:Billboard 338:Greg Lake 167:Greg Lake 106:folk rock 2766:Box sets 2335:(1993). 2245:. 2006. 2122:(1993). 2007:AllMusic 1706:AllMusic 1651:Sampling 1635:500,000 1620:100,000 1595:Canada ( 1453:VG-lista 1224:, side 4 1039:Palmer, 781:Source: 758:AllMusic 618:AllMusic 572:'s book 417:Montreux 310:Montreux 154:Producer 147:Atlantic 116:art rock 80:, London 66:Recorded 58:Released 48: by 2873:Toccata 2859:Hoedown 2549:Trilogy 2433:Sources 1605:50,000 1590:/sales 1581:Region 236:Singles 222:(1977) 213:(1977) 204:(1974) 2838:Tarkus 2801:(2010) 2793:(2007) 2785:(2007) 2777:(1993) 2758:(2007) 2750:(2004) 2742:(2000) 2734:(1980) 2715:(2011) 2707:(2011) 2699:(2010) 2691:(2010) 2675:(1998) 2667:(1997) 2659:(1997) 2651:(1997) 2643:(1993) 2635:(1979) 2627:(1974) 2619:(1971) 2600:(1994) 2592:(1992) 2584:(1978) 2576:(1977) 2568:(1977) 2560:(1973) 2552:(1972) 2544:(1971) 2541:Tarkus 2536:(1970) 2447:  2420:4 June 2395:4 June 2370:4 June 2343:  2249:  2130:  1980:  1862:  1682:  1559: 1441:Oricon 1330:Charts 1169:  1155:  1144:Length 1084:Length 1053:"Tank" 1008:Palmer 994:Palmer 959:Length 858:Length 802:Length 692:Louder 612:Rating 609:Source 521:Eagles 344:, and 322:France 125:Length 74:Studio 2809:Songs 2298:200)" 1762:"BPI" 1748:(PDF) 1731:(PDF) 1632:Gold 1617:Gold 1602:Gold 1138:Title 1119:13:18 1078:Title 953:Title 852:Title 833:18:18 796:Title 455:Music 436:Works 318:Paris 290:band 238:from 142:Label 93:Genre 18:Works 2445:ISBN 2422:2020 2397:2020 2372:2020 2341:ISBN 2247:ISBN 2224:2023 2128:ISBN 2106:2019 2073:2012 2019:2011 1978:ISBN 1959:2022 1902:2019 1860:ISBN 1838:link 1801:2019 1714:2012 1680:ISBN 1627:RIAA 1499:Peak 1356:Peak 1196:4:18 1172:3:13 1158:9:49 1105:9:40 1059:5:08 1045:3:57 1028:1:54 1011:2:45 997:5:42 983:3:20 934:5:33 920:3:56 906:4:35 892:4:16 878:4:01 434:For 316:and 69:1976 2164:RPM 1612:BPI 1553:16 1516:37 1511:OCC 1487:12 1483:200 1478:US 1468:OCC 1458:11 1446:13 1420:10 1408:17 1396:17 1390:RPM 1382:11 1134:No. 1074:No. 949:No. 848:No. 792:No. 545:by 535:by 370:by 360:200 3011:: 2413:. 2388:. 2363:. 2318:. 2300:. 2280:. 2212:. 2167:. 2161:. 2097:. 2057:. 2010:. 2004:. 1992:^ 1939:^ 1892:. 1846:^ 1834:}} 1830:{{ 1809:^ 1792:. 1770:^ 1703:. 1629:) 1614:) 1599:) 1550:) 1513:) 1473:9 1470:) 1455:) 1443:) 1434:5 1431:) 1417:) 1405:) 1393:) 1379:) 1370:6 1367:) 1190:, 1177:3. 1163:2. 1149:1. 1110:2. 1089:1. 1050:6. 1033:5. 1016:4. 1002:3. 988:2. 964:1. 925:5. 911:4. 897:3. 883:2. 872:, 863:1. 814:" 807:1. 549:. 508:. 451:. 336:, 324:. 320:, 312:, 134:23 130:87 2925:3 2910:" 2906:" 2903:" 2899:" 2896:" 2892:" 2889:" 2885:" 2882:" 2878:" 2875:" 2871:" 2868:" 2864:" 2861:" 2857:" 2854:" 2850:" 2847:" 2843:" 2840:" 2836:" 2833:" 2829:" 2826:" 2822:" 2819:" 2815:" 2481:e 2474:t 2467:v 2453:. 2424:. 2399:. 2374:. 2349:. 2255:. 2226:. 2136:. 2108:. 2095:" 2075:. 2021:. 1986:. 1961:. 1908:. 1868:. 1840:) 1764:. 1716:. 1688:. 1509:( 1466:( 1180:" 1096:" 1092:" 971:" 967:" 810:" 762:" 255:" 251:" 132:: 20:.

Index

Works

Studio album
Emerson, Lake & Palmer
De Lane Lea Studios
Mountain Studios
Genre
Contemporary classical music
folk rock
progressive rock
art rock
Label
Atlantic
Producer
Keith Emerson
Greg Lake
Carl Palmer
Peter Sinfield
Emerson, Lake & Palmer
Welcome Back My Friends to the Show That Never Ends – Ladies and Gentlemen
Works Volume 2
Singles
Fanfare for the Common Man
progressive rock
Emerson, Lake & Palmer
Atlantic Records
Brain Salad Surgery
tax exiles
Montreux
Switzerland

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