Yam Kim-fai - Knowledge (XXG)

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and 2012 IFPI wins, a finalist up for a vote. The now deceased columnist and/or radio character had plenty of her mind in writing for over 50 years that wagging finger of any academic behind a microphone couldn't remove from the wall. The occasion merely marked the beginning of concerted campaign out in open to promote misaligned personal agenda. The academic launched her current career by books published in the past specifically related to Loong's return to stage. Without Loong on board, published was add-on/attachment to a book already on the way to printer.

4366: 3650:香港影片大全 9628050192 Hong Kong. Urban Council - 2003 Sweet Girl (Remake) (Xin Nii'er Xiang) 8.8.1953 / Cantonese / B&W / Period / Musical Romance Dir: Chan Pei Scr: Nam Hoi Sap-sam Long Cast: Yam Kim-fai, Chan Kam-tong, Wai Ming-chu, Yee Chau-shui, Cheung Yuet-yee (aka Yuet Yee), Ming Meng Synopsis: Mui Am-heung (Tarn Kim-fai) is the daughter of the marshal leading the Eastern Expedition. To give failed scholar Ngai Chiu-yan (Chan Kam-tong) a hand in his career, Mui disguises herself as a ... 47: 2665:. They can recite line by line and verse by verse of these legacy titles of Yam. These veteran audiences are not craving for run-of-the-mill low-quality performances with famous titles. They know better than even columnists (nationwide or not) or academics (worldwide or not) who are mostly motivated or paid to be biased if not just recycle second hand information or pull it out of thin air. Accommodation for entourage, including 1880:. (She shared same or another one with lads in recent years. Their digestive systems were not ready yet, according to themselves on radio) that she learnt from Yam and applied in all her performances while in 1980s Loong was already far beyond the abc123 according to the Press. Yam's approach to acquired taste could have been to advise someone to "try cabbage compresses" instead of what happened to the 1934:

community pointed to her lack of improvement from the very low level they first saw in 1979, notwithstanding being on stage for decades non-stop, in mid-2000s on camera. They kindly blamed her busy social schedule for her being the same old rug. Lam Kar Sing didn't know what himself was really up against for close to two decades until after spending months to teach her.

2744:: 《梁祝恨史》之《映紅霞》). The leads each in this title also has a solo from this title in CDs. Fong performed her solo for charity in mid-1980s on stage, almost 30 years since retirement. Several more CDs with Lee as co-star are very popular including sets just like sets with others. Yam made many CDs with many co-stars or solo since what believed to be the first one in 1937. 2335:

interpretations without changing the show as a whole. This organic way, to hunt/harvest for the meal instead of "frozen" or "canned", was the only way acceptable to Yam and therefore set Loong apart from classmates or performers of a generation from very early days. That makes it worthwhile for those who pay for their tickets to be back every day for every show.

2096:(打木人行出身) like Yam did, knows too well what it takes. As patriarch, the breadwinner, the successful transfer of their AAA goes hand in hand with their status for history books. Masters brand the successors' troupes in their own images to reflect their approvals. None of them wanted their names soiled in the hands of unfit but well-connected veteran performers. 1970:"Whom to learn what from" then is the most difficult question. People only see what they are prepared to see. How to learn if never see the good in other people. One privileged student of a master from her vintage point backstage observed nothing more than a female lead as born without a good voice or good look and concluded that "She only hided it well. 4009:. For all performers from the era before audiovisual devices as readily available, age 60 or older generally, could not have come up with their own crafts. Audiences have no confidence in those did not learn from Yam. The situation is different lately. The recent demise of YamTong's legacy titles makes it less desirable to hide the performers' origins. 2424:(斗膽) for someone who had been told-off getting involved in Loong's productions from the beginning other than as investor and to provide supports in areas like promotion and stage production techniques, no matter how accommodating Loong has been with the poor choices made in many other aspects. Were there any hostage situation, such 629:花艷影劇團) in deference to her former boss who also shared male lead status with Yam in this troupe. The three of them offered the female version of Kwai Ming Yeung (Yam), Sit Gok Sin (Mui) and Ma Sze Tsang (Aap), Tsui Yan Sam (徐人心) as female lead, and kept building up an even stronger fan base on what Yam already accumulated in Macau. 2300:(Loong) is considered by some as the first actress in male lead role that dominated the field although she was dueling with one actor very often in 1972–1992. Yam and Loong together had more than leveled the playing field for generations of actresses who have joined the Cantonese opera community since 1980s.( The list of 808:

cinemas before these two were cancelled as a result of very bad receptions. The movie rights of other BIG FOUR titles never came up until decades later. This is the second ruin that lasted six long years. What Yam earned by chance encounter (見獵心起) in the process was a successor she treasured for close to 30 years.

2177:" (就像隔夜油條) was caught on tape in 2005. Finally Loong could put back on stage the Yam signature style in 2015/6, without undue influence any more and working with compatible co-stars and musicians. At the same time, Loong stopped hiring performer who refused to play the designated roles. Her hands were tied by 1974:". That student never played the legacy classic roles such female lead best known for. Neither was her 1956 Pan Hing (顰卿) a success to say the least. (For ten years in Macau, HK and Guangdong, strong built (big and tall) Chan pulled it off. One veteran audience was convinced by her acrobatic skill on stage as 1873:

to Yam, she kept in touch with Loong by long-distance phone calls only during overseas tours, even during those four months in 1975. Her trip was promised to be all paid for should she take it. She visited sometimes (in Canada per Loong) but never planted herself front and center to get the Press's attention.

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voice was male.) She held Loong nose-to-nose for long minutes after the 2004 performance, Loong's return to stage after the 12-year sabbatical. Mrs. Ho continued to be in the audience as well as backstage for the next few years of Loong's performances, the 2007 homecoming as successor of Yam in particular.

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Vocal style in Cantonese opera is personal, the brand, the signature, of performers, that they decide to teach/share for a fee or otherwise. Yam shared with only Loong how to use the mouth and surrounding cavities as an instrument while others learnt to sing like Yam directly or indirectly. According

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By the same token, instead of getting autographs from Sifu/mentor or just photos by the Press with Sifu/mentor and friends on film sets, Loong was also photographed holding the make-up mirror on several occasions for her mentor and has since been known as the only student of Yam who learnt the secret

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Birds must fly far and high to start their own families. Adult birds feed the young with their vomit only till they can fly on their own. It can take weeks or months. Patriarchs in Cantonese opera, the show-runners, must stand on their own two feet sooner or later. Sooner rather than later according

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character. Entourage (hospital, airport, etc.) around her could become out of control if she allowed it. (For example, construction, medical and legal professionals at a certain pay grade were not allowed to advertise out-right in the past. Getting in the limelight with celebrities was an alternative

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of Tang allowing the free use of his story-on-air saved Yam/Lang/Au Yeung from ("大包細") financial ruin, same daily pay for five of the six pillars, ignoring the gigantic gap in pay (market) grade among them. (Said to be HK$ 200 per day of performance while ticket price was HK$ 6 only.) That's the back

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Yam let Loong run free generally since day one but didn't refrain from making sure Loong learn only what's good. When Yam found too disgraceful an unwanted comparison by the Press, meant to be an insult or not, Loong never performed that one title again to put that image, a disgrace from Yam's past,

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general public did. After more than 70 years, she knew that tag-along playbook like the back of her hand. Mr. Ho Yin was said to have taken Loong under his wings like his own brother as well. However, he didn't call himself a parent. Neither Yam nor Luo Pinchao did. That speaks to the respect all of

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Patriarch is always the one with his/her reputation on the line except when top-billed female leads are of the caliber of Fong (since the creation of own vocal style)/Tam (before gaining weight in Macau). It is just fantasy until the path from A to B is clear. Only wrong casting makes an incompetent

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Yam took Loong under her wings just like many Cantonese opera masters did/does. Sit Gok Sin picked a young lad and groomed Lam Kar Sing who also picked a young lad very late in life. Sit and Lam both had veteran performers hanging around for decades to borrow their fame throughout their life. Rather

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was peeled off the costume cladded Loong, when group photos were taken that day in 1975. That's her day off just like several other occasions during the 1975 filming when photos were taken. Following the tag-along playbook of some "never good in her own right", said person in 1960s actually already

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in 2013 was in plain sight but in vain. Live on air, one academic started reining in the clueless radio host Mr. Chan and guest (now deceased "walking encyclopedia" in Cantonese opera) who kept admiring how great box office record for decades Loong achieved on stage, especially the 2011 winter event

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as headline for promotion. Just 2/3 years ago, he didn't but his wife talked on radio about his "Loong video viewing" in order to prepare for his one time only big gig. These speak to the integrity (wet finger in the wind), learning habit/style and learning (in)ability of individuals as professional

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could afford no more than being in the audience twice of the 28 shows (in 24 days just off the top of her head after 26 years) in 1985 before turning 20, per herself on radio in 2011. One (仆) was older than 20 when Loong performed 25 shows in 2011 and released DVD afterwards. The former (扑) has been

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to groom as successor to her AAA in Cantonese opera right after observing the 1965 September performances. In addition, Yam called Loong clever, subservient to her and persevering. A successor to Yam means, a frugal life off-stage and (if necessary) an only financially responsible adult in the room,

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Yam was known since very young as the single financial source of immediate family, extended families, big spender co-star and associated families. Yam had a reputation of being very generous, footing the bills when her troupe was in trouble. Chan Lap Ban told in 1989 on camera the old days when they

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Yam legacy titles were not as well received in 1950s as a decade since the debut. That was achieved with exposure across several media. The deal was sealed with audiences from the 1970s and 1980s known to be more educated than those from the 1950s or before in Hong Kong. This is also the group that

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Yam went one step further by telling her supporters to see herself in Loong when time spent with Loong came to fruition. (Loong has been widely known as a quick learner.) That's the most important ringing endorsement from a mentor/Sifu. Lam gave the lad of his choice a brand (troupe) name just like

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slowed Loong down when classmates were behind at manuscript reading as a group. Back in 2004, Loong requested musicians to pick up their pace but in vain. Returning after 12 years, Loong was caught off guard by the prevailing melodramatic style. All that happened in front of the Press in 2004. What

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the "right" lesson to take away. Their maternal grandma was busy studying manuscript for performance. According to the son, his mother's "misspent youth", playing hooky, not paying attention in class and not studying at home, was to blame for still learning the same abc123 after 60+ years. There is

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The 2004 emotional reunion backstage caught on tape was the best resonance of Yam's endorsement. Mrs. Ho from Macau passed away (age 98) on 16 June 2016 but wanted no attention from Cantonese opera community. She was a well-known enthusiast just like her husband and a renowned vocalist. (Her opera

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for years in Hong Kong. They are wise not to brand themselves as representatives of Yam style or even compare themselves with Yam while sharing what they have learnt in the decades of Yam's guidance. Yam's (style or school of) AAA on stage has only been observed and commented on by third parties.

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As an experienced, knowledgeable and hands-on patriarch for decades, Lam laid out on radio a job prescription for directors in Cantonese opera; what/where/when/how and could/couldn't contribute. Yuen was more frank on camera in 2014 that directors were obstacles to him. To be his own domain about

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During Japanese occupation of Hong Kong, the said female lead let an underprivileged 10/11-year-old Lam use her official gown (蟒袍) temporarily for performance in Guangdong. Lam spent about his last breath to make sure the lad of his choice at least has one decent co-star for this Sit legacy title

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The above actresses are all very versatile and successful on stage as well as in films and TV (late in life). Fong Yin Fun, Yu Lai Zhen and Ng Kwun Lai all owned film production companies and hired Yam often by choice and therefore top-billed instead of Yam sometimes. Law Yim Hing and Ng Kwun Lai

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Portugal owned Macau during the Second World War and it was neutral during the conflict. Japan's respect for that neutrality made Macau a safe haven for migration from elsewhere otherwise occupied by Japan. Population in Macau went up significantly as a result. Their support for performances made

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Cantonese opera actresses in male lead roles since 1960, excluding those up-and-coming still being tutored. One of them was known as the Singapore version of Yam since 1970s and greeted Loong's crew there in 1975. Before that, Loong was in Vietnam when Chan Kim Sing was already busy in Hong Kong

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habit like mothers-in-law punishing their sons' wives in Chinese culture. Senior members see their turn to be nasty and rip-off the young, thumbing their noses at the rank and file. With this danger in mind or not, Yam kept her time with Loong between the two of them. People are therefore naïve

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in which Yam as male lead played the more important role in Tang's work for the first time. However, that ended after The Purple Hairpin. They are the only two films among Tang's BIG FOUR which Tang had the opportunity to bask in the glory before he died. Cinematographic plans to bring titles to

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in the middle) to match hers for four of them. (This method of naming a next generation is similar to training schools in the north for other Chinese operas such as Peking opera in the past. However, 劍 is not a registered trademark and is very popular in Cantonese opera community. Chan Kim Sing

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Yam shared her AAA (art, acrobatics, acting) on stage, in return for combined, no more than, HK$ 2.00 worth of Christmas gift in the form of a pair of nylon stockings, with more than a dozen enthusiasts, age 10 to 20, for the sake of preserving the art form of Cantonese opera as she knew it for

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had come close in a century. (Fong, a female lead since 16, performed with Lee at some point, was inspired and created her own vocal style from just sharing the stage.) Since the first top four all-female troupes, female leads became less noteworthy as the actresses in male lead roles. Male and

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Yam's reputation as Jia Baoyu since 1945 has become a myth to contemporary and future audience because of the lack of any films/videos. Cut & paste private comments to serve as evidence can never beat the unshakable proofs, although infants and toddlers cannot, the knowledgeable public can

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In 2011, Loong mentioned an "Auntie" group who reprimanded her "must return to stage (to guard Yam's reputation)". Mrs. Ho probably knew Yam before her husband financed and then gave Yam the New Voice Opera Troupe. An "Auntie" to Loong, (何賢的三姑娘), rumored to have been in charge of Yam's funeral

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Book gave a fairly comprehensive, accurate or not, account of the training years up to that point of time (late 1980s ?). Loong was indicated by the author as the ONLY spokesperson on behalf of the group and had been the member-in-charge. Loong was indicated by this author to be the ONLY

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However, there has been more a problem for actresses to find a female lead on stage to even meet the minimum expectation since the poor performance of the female lead in these 50+ shows are also well-documented by columnists and insiders alike since 1985. Elder/veteran in the Cantonese opera

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called a copy of Loong for years although Loong disagreed when approached by the Press in 2005. (A "YES" from Loong would have been easily construed as an affirmation by the Press even though Loong was in the audience only when she (扑) was still in training school.) The latter (仆) uses his

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Yam for Loong, resulted in close to 40 versions of each of two titles from 2005 to 2008. This requirement from mentor Yam explains the challenge for Loong to be on stage within a six-month period and provide 40 different (in some way in one or two acts out of total 6 to 8) but still GOOD

599:) at times as and when Yam saw fit. Co-stars had always been replaceable to her. One walked out the door, another one (but two for Loong in 2013) would be in her arms already. Yam had quite a fan base of mostly married ladies right out of the gate, including the wife of Mr. Bat Leoi Gim ( 2256:) irreparable damage to her reputation and brand. Any decent human being like Loong, with a shred of respect left for Yam in their hearts and minds, wouldn't associate such disgraceful 1960s episode with the hard earned legacy of Yam, let alone those that ate off her hand for decades. 2819:

Yam has shared this lighter, but cleaned up, side with her protégée as well and put Loong on the map globally with just one move. In 1974, Yam and Loong in matching sweater and scarf, were in studio to record for Loong's first starring role in a film as male lead. The solo (with some

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When these female enthusiasts were good and ready, Yam shared the spotlight with them every step of the way if she was not actually the spotlight that introduced to the community these then up-and-coming performers with years of training under her guidance and with a given stage name

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The third major financial disaster was rescued with her extremely exhausting 1968 North America tour, more than a decade since she was deprived of the chance to say goodbye to her dying mother, the most treasured family member. Yam paid for the four-year long production of a film in

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formed the first Hong Kong troupe with both actors and actresses in 1933. Records show Yam's all-female troupe was the last one still doing well in theatres since then. For ten years (1935-1945), Yam made Macau her home, when her hometown in Guangdong fell to the Japanese during the

2200:, has been a popular reference for more than seven decades and used by many actresses as newcomers. It is golden. Early 1980s, with her successor well established as a professional career Cantonese opera performer, Yam moved to Canada. In 1989, she died at home in Hong Kong due to 2402:: 自我感覺過份良好), would not bother to even study the script meticulously, scripts generally agreed to have all needed information from Tang, before going on stage in roles been legendary since 1950s. Instead of preparing for the task ahead by being fluent in a classic novel, they, the 2276:

Moreover, Yam declined to entertain any academics' requests, whether to share her AAA in Cantonese opera with them or to be back on stage for their studies/researches. This preserved the demand (hunger) from her admirers for her 'next' generation to supply (feed) in due course.

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out of Yam's mind. Yam was embarrassed by any association with that episode of her life in 1960s but it has always been beneath a master to throw a "hissy fit" under any circumstances. Neither has it been appropriate to speak ill of the dead in the Cantonese opera community.

667:) into her new home in Macau. Occasionally, Yam in 1939 renamed that same all-female opera troupe (「鏡花艷影劇團」/高陞戲院/紫雲霞/《夜出虎狼關》郎紫峯=郎筠玉) to perform in Hong Kong or in 1942 travelled to perform in Guangdong with Hung Sin Nui's Sifu (何芙蓮) as the co-star. Hung met Yam that year. 3924: 2343:

She was backstage, as well as in the audience, on 20 February 1989 when Loong's troupe, Chor Fung Ming (Young Phoenix) Cantonese Opera Troupe, performed The Purple Hairpin for Tong Wah (a charity event), according to one veteran audience who kept that ticket as souvenir.

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of Yam. After the Second Sino-Japanese War, Wong worked with Luo Pinchao in Hong Kong at some point. Although they never co-operated again once the formal contract expired, Yam provided for Wong, a working poor in modern language, who was not well-off late in life

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Contrary to some comments by columnists/academics, some of the well-known signature acrobatics happened to be unintended consequence. Yam and Loong had/have spine damage from bending forward all the time to accommodate co-stars of very short statue. In 1952 film

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By the same token, it was pointless for Yam to clarify in 1980s that myth from 1960s disgraceful episode. The truth spoke for itself on stage in recent years. Neither did Loong need to in 2014 as insiders already called out what's obvious to their eyes and ears.

2467:, is the generation in-between Yam and Loong. Lam spent last six years of his life grooming a protégé as successor almost from scratch, having seen a good match instantly in the lad. One want-to-be has been hanging around Lam for fifty years, yet never learnt 789:

to grass-root, getting off the high horse, episode before New Voice Opera Troupe ceased to exist. Spending spree so resulted made it necessary for Yam to rely heavily on film roles for income and a real estate portfolio properly managed by reliable personnel.

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in 1943 and 1964 respectively. In 1964, Yam taught Loong, age 20 with one year of formal training, line by line and word by word while there is no information as to how Yam came to be in that role so well received in Macau. Neither of them ever claimed to be

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on film set for Yam to put on costume during the shooting of their 1964–1967 cinematographic co-operation but Loong only had her own hair done (Loong was so busy that she didn't even get a proper photo with Yam like classmates did on set in costumes by the

3251:「鏡花影」全女班「藝員一覽表」從「澳門賽狗會萬家樂戲院演鏡花影女劇團」的海報中，行當有十多廿個。武生梁少平、文武生任劍輝、小武呂劍雲、唯一艷旦牡丹蘇*、青衣旦粵蘭芳、花旦鍾翠蟬、布鳳英、桂花元等，還有正旦、正生、總生、小生、公腳、大花面、二花面、唯一丑生、男女丑等，有的行當如今已不復存在。由「文武生任劍輝」執正帥印，「日演新編良劇《醋醃藍橋》」，「晚演著名猛劇《狸貓換太子　仁宗皇認母》」。是晚特煩任劍輝先飾陳琳，後飾仁宗；牡丹蘇先飾寇珠，後飾李宸妃。(牡丹蘇1927年3月起，與李雪芳到美国演出三年。) 518:) was one of the first female leads to co-star on stage. Yam earned her place, rising to prominence and eventually becoming a male lead at the age of 17, but switching between being male lead and playing second fiddle to Wong or other actresses such as 2265:

future generations. She asked for nothing else, tangible or intangible, implicit or explicit, from them, except studying hard. Yam was never heard talking about her sacrifices (For example, September 1965 told how not put on new clothes for months.

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issued the first series of special stamps on movie stars on 15 November 1995. This stamp set focused on Hong Kong's movie stars, saluting four stars who have left their marks on film history. Yam, in Cantonese opera costume, was featured on the

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working for Yuen's Sifu. Chinese New Year was main business in city center for performers. The unemployed 'why not me instead' clad in checkered jacket, with bright red socks and sweater, sat idle on a broken armchair green with envy.)

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The Yam legacy titles have been instantly gratifying for generations still in infancy as a performer. As a result, they skip the essential foundation courses and perform these legendary titles en masse. Contemporary performers took in

4017:戲曲視窗：香港粵劇不重流派？...年，內地負責撰寫申請粵劇列入「世界文化遺產名單」文本的工作隊來港搜集資料，...一是缺乏完整和具學術水平的歷史資料，二是沒有流派的資料。...除了林家聲堅持以發揚「薛派」藝術為己任，龍劍笙...不用多說也是任...徒弟。...尤其是在沒有錄像的年代。...是名角原來已有一批支持者，作為藝術繼承人有很大機會吸引這批戲迷來支持自己，票房便有保證了。...說出來不會提升身價和增加票房收入，又或...呢？根據戲行人說，這和過去大半個世紀 2024:

going forward. While jury is still out on this lad, Lam gave his blessings knowing his performance of this title planned. The lad is by design free to hire any co-star, a benefit Lam (unlike Loong) enjoyed in his career throughout.

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with the best technology available." - according to one contemporary librettist. Loong calls herself "old school" continuing to follow Yam's teaching to a T even though, as described by the Press, already "in a league of her own".

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filming in 1975 to meet fans/visitors from SE Asia was what Yuen called the best "observe, watch and learn" opportunity in the era of Sifu/apprentice system. On the contrary, wrong lessons could also be found in photographs. The

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Observation about "older audience's view" since the passing of Yam as expressed by one speaker while whether that was fair or not is the speaker's personal opinion at that moment. 【香港粤劇口述史】第206頁 "現在上了年紀的觀眾...不夠公平。....任姐的去世.."

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Yam was most notable for her unique ability to sing in the lower register. That her opera voice was indistinguishable from a male one allowed her to play either male or female roles, though she usually performed male ones.

2619:. They both wrote for publications and are known most for their roles as romantic scholars, well-educated and fluent in literature. Contemporary performers benefiting from Yam-Loong perspiration take it that they can just 776:

was one of many highlights in her career since being the last all-female troupe standing. The trend of huge production cost never recoverable from no matter how good box-office record as a result also caused Yam headache.

2702:: 《黃飛虎反五關》) instead of the roles (as romantic scholars) she spent more time on in her 40s and later years on stage. However, the voice still rose to the occasion. In 1960 for charity, Yam performed a duet with the late 424:(cheongsam) with floral print. Since 1972, Yam enjoyed singing in private with a live band and was often accompanied by her protégée Loong who would read the lyrics out for her until her eyesight improved with surgery. 2492:

Sponges (靠嗦) who were in the audience in 1970s to 1990s and since 2004, excluding, for example, Lam Kar Sing in the audience only as a competitor since he never on the record performed any of Yam's legacy titles since

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Troupes:- 新聲前身:嗚聲劇團(鄧碧雲/歐陽儉/徐時)《晨妻暮嫂 - 歐陽儉》、平安戲院=平安劇團:(何芙蓮/鄧碧雲/何非凡/半日安)《金粉殿 - 徐若呆》、平安戲院=平安劇團:(譚蘭卿/半日安)《嫦娥奔月》、新太平男女班(譚蘭卿/黃千歲/歐陽儉)《神秘女皇》、金星劇團(譚蘭卿/黃千歲)、清平戲院/花錦繡(花旦譚蘭卿\小生梁國風\二花小飛紅\醜生小覺天\武生張醒非)《玉面狐狸 - 羅素》籌募經費、三王劇團(上海妹/半日安)

2092:, Sit and Lam each only spent their last six years to make sure their AAA continue to shine on stage. It has been beyond connections and history, family or otherwise. Master, growing up tough, passed the test of the 2164:

to make her day since retirement. Actually, she was alone often photographed guiding Loong and others or talked to her buddy Leung Sing Bor during rehearsals in 1970s or others in the troupe since his death.

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female performers were not often in same troupe until after Japan took Guangdong. The reputation of an all-female troupe was inferior to that of an all-male troupe. Yam observed that male leads were called

803:(三笑姻緣), came to the rescue in 1956 when the Tang flub started on day one, let alone no more than 6 rows of audience in 1956 the world was never informed. The flubbing of Tang continued until the 1957 781:

performed in villages (both age 20 or so). Investors failed to pay for their performance. Yam as the patriarch actually provided for the troupe to be all home safe, with her personal gold collection.

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does not exist. The votes (box-office records) they received came from the pocketbooks of new as well as veteran audiences coming from the time of Yam as well as of Loong, the two career performers.

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On 24 June 1972, Yam performed for the last time in public and TV viewers looked for the "man" they knew from movies/stage performances. They did not expect to see her in a 2-piece set of jacket and

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A performer on stage first and foremost, Yam was the male lead in many Cantonese opera stage productions in Hong Kong, post-war, opposite many actresses, including but not limited to Chan Yim Nung,

439:, contestants were asked to pick from five portraits the one they thought was the actress in a male Cantonese opera costume. Yam was not the one correctly identified by any of the contestants. 1864:

of their own career in Cantonese opera. Yam and Loong together had more than leveled the playing field for generations of actresses who have joined the Cantonese opera community since 1980s.

2064:(noteworthy and influential) in Cantonese opera from Guangdong and Hong Kong. Loong was also front and center off stage on behalf of Yam to greet senior members including but not limited to 2521: 2168:

Loong and crew, so used to Yam looking over their shoulders, were not natural in speaking up on film set in 1976. Eventually, Loong picked up the necessary mentality as the chief and then

686:). One man became her godfather and vocal style tutor while the other man helped manage her finance and held the purse strings at times, looking after the war chest Yam built up in Macau. 2136:

Having spent close to 20 years with the original cast (died in 1964), Lam didn't want lads to learn from performer #2 above and showed them the video of another performer, Tam Ting Kwun (

2359:

The remaining other two of the six 1972 backup singers, since retiring as cast member (six pillar) of Chor Fung Ming, have been tutoring students of all backgrounds, including some with

2463:

Yam is two generations Loong's senior and had complete control over whether Loong taking in students or not throughout the 30-year mentorship. (Lam Kar Sing, who has his own version of

526:), who were more experienced and well-known, for another few years before venturing out on her own as male lead in many all-female troupes (小飛紅-太平艷影劇團/譚蘭卿-梅花影劇團) in "rooftop theatres". 2581:

The aroma came from a brew started a year before Loong was born and decades longer than the summation of all garlic coatings of these performers. To fool (around) again and again with

718:, she formed a new opera troupe called New Voice Opera Troupe (「新聲劇團」) with manager (徐時), librettists (徐若呆/歐陽儉) and the following performers who joined the troupe one at a time:- 1780:. With all of her 'next' generation, in tow, the last on stage live production of five titles in 1968/69/70 followed the last film "Tragedy of the Poet King" released in 1968. 2248:

Yam allegedly declined to sing in front of members of her last birthday trip. Her legacy would have been jeopardized by such "last poor taste left in their mouths" kind of (

2076:. Leung and Ho both passed away within a year since the group photograph for such occasion. (Loong actually had Ho's former costume helpers on staff since mid-1970s for her 616: 612: 2451:. They have audiovisual resources from the market as well as private collection to copy/learn from or even, in return for remunerations, teach followers of their own (the 1310:

These actresses above are successful performers in their own right. They shared the stage with as well as had film roles opposite many male leads throughout their career.

2330:"Prepared but be spontaneous to keep the performance refreshing in every show, as if it were the debut (first show) even for the Nth time in the same role", a bar set by 890:: 芳艷芬, 金鳳屏劇團) – top-billed instead of Yam sometimes. Many titles were adapted for the screen, a few iconic ones are listed below. Yam is in Qing Dynasty attire including 2824:

wife-to-be became the hit theme song many now contemporary performers could even recite in reverse even though they were still a pre-teen or barely teenagers back then.

2105:

director, who couldn't demonstrate and/or teach, cut & paste vocal style. That approach doesn't fit the 1980s description by Lam who didn't mind directors using his

2416:. Once upon a time, performers were illiterate and had no access to novels or other publications so readily available today. Why would contemporary performers bother? 1831:

the level of maturity Yam has achieved after years of struggle. With highly accomplished and superb opera acting skills, she knows how to improvise if it should become

840:

and was screened in cinemas only a few times for the five decades since released. Loong's stage production in 1982 provided a path that the storyline was introduced to

2293:

Yam was said to be the only actress competitive in male lead role of a generation and survived when the ban on "male/female in same troupe" was lifted in 1930s. Yam's

2081: 670:

In Macau, she met the major contributors to her career, two very important men and a married couple through the two brothers who eventually became the troupe manager (

1369:

and others. Good proportion of the 300 movies she made are contemporary, neither in Cantonese opera costumes nor set in early 1900s when women still had bound feet.

2273:) in paving the way for her 'next' generation or made any move for her own vanity for close to 30 years, ceding the limelight for benefit of her 'next' generation. 2140:). Performer #1 excels in backdoors/connections but his performance was not good enough for Cantonese Opera Young Talent Showcase at hkbarwoymt to some columnists. 4425: 587:) as co-star not long since Yam was initially hired to perform in a temporary theatre (collapsed after 5 days) built in greyhound racing stadium. (Now known as 3612: 1951:

but not vice versa. In reverse, fraudulent "role model" misrepresentations along with all evidence of the what's not to do wiped out are just to young minds "

2323:). "2015 Talk on the Rendition of Yam Kim Fai", as just about all those have been speaking publicly since 1999, referred to this term first coined by Loong. 4130:任劍輝逝世二十周年−(二零零九年十二月十日)香港電台第一台：《講東講西》節目主持人盧偉力、馬恩賜、嘉賓:潘步釗、阮兆輝:天天以及場場新鮮 (fresh)，有內涵 (Connotation)而好自然 (natural) ，有自然又有光彩 (luster)，完全沒有斧鑿痕跡 (look effortless)。 2459:

and claimed teacher status at any point. In 2004/5, Loong disagreed when one reporter suggested a performer, albeit successful to some, as a copy of her.

2181:

back in 1980s. A performer got away with big fat paychecks without, playing all roles designated, filling the shoes left behind by the one before him.

4405: 1912:

was rumored to have learnt singing from Loong in 1980s for his concert performance. There are however more open and extreme cases in that nature. One

470:), another Cantonese opera actress, taught Yam the foundation courses. Very soon, Yam quit school and began her formal opera performance studies with 4005:) and the Yam (indisputably represented by Loong). Many performers hide which brand they really came from because YamTong legacy titles dominated in 2027:

Some individuals can learn in less orthodox settings and run with what they can take away. For example, Loong accompanying Leung Sing Bor on set of

694:

Yam was the male lead in many Cantonese opera stage productions, in Macau initially and in Hong Kong since 1945, opposite many actresses, including

4420: 4222: 3639: 2428:

is also another dark soul in Cantonese opera community with nothing but a gravy train in mind. It is also obvious not the way to heed the 2012

3477: 2527:

student not aware of gimmicks available to some (such as radio host to promote personal agenda or tag along big, deserved or not, names with

2474:

Loong is one to two if not three generations more senior to any contemporary career performers, except those do not take both hands to count.

4315: 4179: 2420:

is just another coat of garlic paint on top of layers of such garlic body-paint for a decade or so already. That is not bold (大膽) but plain

1675:" is minimal for her co-stars. The last two, Lam and Loong, who played second fiddle to her on stage as second leading "men" continue to be 533:(李雪芳) who formed the all-female troupe (「群芳艷影」) which she left when married in 1923. Lee basically set a bar for all female leads that only 4410: 1303:

1953) were made from those plays. Stage production at Wing Lok Theatre (《胭脂虎棒打紫薇郎》,《女媧煉石補青天》) was, for example, in Hong Kong, early 1950s.

894:, mao (a stiff cap) and magua (a buttoned mandarin jacket 'for the rich') for the first two below, both set in late 1800s and early 1900s. 4194: 4153: 2717:

in 1960s as backup singer for this song, Yam was louder than the four of them. They were shocked by the "little old lady" met that day.

1671:

or even better deal. The resulted stream of "an upscale clientele" was worth the time and expenses.) However, the residue value of her "

523: 3596: 1716:

They reprised many of those roles when the operas were adapted for the screen between 1951 and 1968. The only two made into movies are

1646:

seldom shared the stage with Yam but made many films with her. Four of the seven listed (Fong Yin Fun, Law Yim Hing, Fung Wong Nui and

4400: 4304: 1927: 1663: 825: 591:, was special to Yam who attended the grand opening in 1963 with Loong, Pak Yin and others.) Co-stars also included other actresses ( 4440: 4415: 4250: 4239: 4026: 4014: 3896: 3877: 3628: 3584: 3580: 3576: 3560: 2429: 2425: 1897: 2152:

in baking may have an equivalent in Cantonese opera. Cheung Wood Yau was the ready-mixed cake mix for his son, assistant director

2485:

Spin-offs or rip-offs, a dime a dozen, playing fast and loose with the Yam-Loong brand to steal their thunder do not come and go.

2762:

related to the film released in 1954 is an example quoted when Yam's name comes up on this topic. Good portion of the 1957 film

4435: 4430: 3659: 2764: 2370: 1786:

Yam introduced her six backup singers, her 'next' generation, to the wider audience with a song from 1964. Also, same day with

1600: 1573: 1561: 1502: 1498: 1490: 1486: 1455: 1447: 1420: 1416: 829: 2315:

In 1999, the 10th anniversary of passing of Yam, Loong disclosed the first time on camera, Yam's rule of thumb, "Be Natural" (

2148:

opera performer how and what to do is just hubris for some have never seen, let alone been in those shoes of such performers.

1626: 462:: 任麗初), Yam performed as a pastime with a Cantonese opera troupe since when still in grade school. When Yam was 14, her aunt ( 4156: 4125: 3728: 2316: 2266: 2249: 679: 671: 660: 618: 600: 592: 580: 475: 463: 255: 218: 153: 4337: 2084:) has not been active in Hong Kong. That is, Ho had no successor with him although Hung brought along one student in 1980.) 3575:及桂花咸(譚蘭卿)、任劍輝等女伶合作，在廣州市大新公司天台演出。【文滙報】2013年05月28日 and the three pieces about all-female troupes (全女班) back in the days from 1569: 1233: 559:

Yam took after a male performer to be no "sissy", by just being in the audience, and became known as the female version of

365: 3680: 640:(female lead) Tam Lan Hing, arrived in Macau in late 1942 and eventually gained weight in those years, was rumored to get 269: 167: 82: 844:

and beyond. This 1982 stage version is also regularly put on stage by later generations of Cantonese opera performers.

4077: 4234:

General consensus: Individuals, with box-office supported by pocketbooks of individual audience, are keys to keeping

4144:

can is not taught. More like a quality born with. A quality has yet to be found in later generation as of that day.)

3089:

Only one, aged 60 or older performer listed, never worked for Chor Fung Ming (Young Phoenix) Cantonese Opera Troupe.

1326:

In movies from 1951 to 1968, Yam played the male lead opposite just about every female lead, young like daughter of

1028: 4288: 1947:

actually plenty of evidence to prove in due course the grandma's successful career, lifetime effort and endurance.

1943: 655:. Meanwhile, she moved her family, including her (Chinese custom, actually paternal first cousins.) younger sister 133: 130: 800: 833: 821: 3629:細女姐十一歲加入戲行，說是得到堂姊任劍輝的提攜，卻原來從沒有正式拜師學藝，工夫都是從虎渡門「偷」回來的。她最初在澳門「新聲劇團」當梅香，隨當時的正印花旦、行內公認推車第一的陳艷儂學習推車，...成為年輕演出者的「定海神針」。 1686:, fifteen years her junior and green from debut only in 1953, as the abandoned woman, a character like Eliza in 1125: 4375: 4275: 2798: 2380: 1682:

Since 1956, for four years and then only sporadically in 1960s, on stage she was limited to only work opposite

1241: 652: 3792: 563:, both AAA and vocal, before 1933, the year Ma Sze Tsang hired Tam Lan Hing to perform with him in Hong Kong. 4371: 2060:

to live audience and TVB broadcast afterwards in the 1980 gathering (省港紅伶大會串), the first since 1949, of the

1905:"就像某富豪生有五子，其中大兒子努力建立自己的事業，其餘四子只依賴父親供養。到富豪百年歸老，遺囑上只有四個兒子的名字可分家產，大兒子卻一個巴仙也沒有分到，大兒子大罵自己是傻瓜，為甚麼不學四個弟弟做大懶蟲，享受父蔭。" 100: 2524:, respectably, opined that Cantonese opera was not alive without someone like Loong around in 2009 and 2016 375: 370: 4269: 3543: 2594: 1291: 785: 625:). To reflect her respect when Chan Pei Mui with sister Chan Pei Aap joined her, Yam renamed her troupe ( 4085: 3539: 3109: 2714: 2681:

Yam was once upon a time known as the female version of and is still one of the more famous exponent of

2388: 2324: 2006: 1651: 1565: 1459: 1266: 1224: 1005: 608: 519: 3547: 1986: 530: 4395: 4390: 2682: 2347:"Over years, legacy projects of mentor Yam, being staged frequently, have become a very poor quality 1982: 1860:

about the role Yam played in making Loong the success story some contemporary performers know as the

769: 560: 3078:(Alias:Tong Tik Sang/Tong Dick-san). was organized by the Leisure and Cultural Services Department, 1300: 695: 3684: 2780: 2528: 1710: 1698: 1667: 1315: 607:) who hired Yam to perform in 1935. Theatres in Macau her all-female troupe performed included the 46: 4209:

The only game in town to expect 40 full-houses with audience flying in from all around the world.

4002: 3987:: 說「流派」，便是指「師承」。) UNESCO application resulted in one big question: where are the performers from? 2776: 2729: 2631:

and the demise of such repertoire once propped up the Cantonese opera community for five decades.

2169: 699: 647: 576: 483: 471: 3998: 3389:

Songs:- 情淚浸袈裟，《海角紅樓》之《海角紅樓恨》，《穿金寶扇》之《金扇緣》，《梁祝恨史》之《有情活把鴛鴦葬》，一枝紅艷露凝香，《胭脂巷口故人來》之《孤雁再還巢》，《牡丹亭驚夢》之《玩真》

2733: 1918: 1844: 1828: 1744: 507: 2364:

There has been no authentic account yet since neither Yam nor Loong had published on the topic.

2116:

is not to turn Casablanca into Scooby-Doo and Shaggy completely out of context in addition to:-

2073: 636:(Depending on individual performer's pay grade, some were paid in a less volatile currency. The 2610:

Yam only finished grade school while Loong did not finish high school when they had roles like

4360: 3841: 3807:《The Art of Cantonese Opera 合晒合尺》 Episode One: The Top-billed in Cantonese Opera 第一集 - 介紹粵劇之首- 3725: 3473: 3467: 2161: 588: 4326: 4195:"...once energized by legendary figures like librettist Tong Dick-san and actor Yam Kim-fai." 3776: 3660:

A Beauty's Flourishing Fragrant/A Pedestal of Rouge Fragrance/Sweet Dew on a Beautiful Flower

2531:

to get attention in the community) was respectably online looking to boost the box-office of

2514:

fantasy. Misspent youth. Never good enough to play second fiddle to Loong or last around Lam.

4292: 4253: 4242: 4164: 4081: 4010: 3984: 3952: 3692: 3546:陳立品：年輕時陳立品加入「鏡花艷影」全女班。女班，在廣州西堤馬路的大新公司天台表演，當時是頗具名氣的班牌，那時她19歲。她憶述當時「鏡花艷影」的陣容：「生角是黃侶俠，花旦則由西麗霞 3360: 2790: 2772: 2751: 2741: 2737: 2725: 2707: 2699: 2590: 2399: 2212:

arrangements, definitely was not brainwashed by the "Big Leap since 1990" (認三認四認乜認七) as the

2201: 2033: 1889: 1761: 1749: 1739: 1725: 1691: 1229: 1219: 1019: 887: 784:

Since leaving Macau, there was no more Macau financing but the spending spree continued. A

749: 738: 727: 572: 511: 492: 459: 443: 394: 292: 190: 4245:: ...說：「阿葉，你們又籌款，又開會，又搞計劃；你看，龍劍笙回來，場場爆滿，不懂粵劇的人也去看。如果，多兩個龍劍笙，粵劇一定興旺，不用你們這班路人甲做到身水身汗，吃力不討好。」【 2690: 1359:) are three of the actresses opposite Yam in it as the wives. However, her first film was " 4235: 3854: 3808: 3788: 3784: 3780: 3572: 3568: 3564: 3420: 3377: 3373: 2662: 2287: 2137: 2129:

naming off-stage grievance in Hong Kong and Bugis Street in Singapore - performer deceased

1620: 1594: 1555: 1523: 1480: 1441: 1406: 1356: 1348: 756: 745: 734: 723: 406: 345: 119: 74: 21: 1955:", something only monsters feed infants and toddlers so as "to increase their growths". ( 4365: 3086:

Only one actress listed in male lead role (finished hkbarwo.com training school in 1983)

2394:

The "a performance did take place" ("做咗") generations of performers known, per Yuen, as

4141: 3948: 3936: 3736: 3515: 2703: 2297: 2294: 2149: 2069: 1805: 1327: 4384: 3436: 3189: 3075: 2833: 2616: 2360: 2037:

used Loong's thigh as armrest when Loong was wearing shorts, much to Loong's dismay.

1909: 1787: 1777: 1765: 1683: 1586: 817: 762: 428: 26: 3188:

On 4 February 2016, her 103rd birthday, Google Hong Kong's homepage (Google.com.hk)

2589:, instead of any other version, within a five-year period can be fetish, a stunt, a 2447:

within years as six-pillar member of troupes to elevate themselves to the status of

2374:, height difference was close to a foot when Yam still stood fairly straight in the 1650:) dressed in male costume on stage as well as in films at some point. The 1956 film 3446: 3441: 2771:

Reflecting the lighter/grassroots side of Yam's formal training with Wong Lui Hap (

2721: 2666: 2065: 1717: 1706: 1702: 1687: 1647: 1547: 1515: 1398: 1352: 1344: 1318:

did that in late 1950s as well as much later in life in United States for leisure.

1311: 1282: 1253: 879: 865: 861: 857: 707: 703: 656: 534: 450:. Yam had a will drawn up and left her estate to families, including Yam Bing Yee. 299: 197: 17: 4221:

How Hong Kong box-office driven environment worked so much better than otherwise.

3133: 2533: 1730: 804: 3193: 2802: 2755: 2661:

who dominated the only decade or two that there was an increase in audience for

2016: 1757: 1735: 1472: 1433: 1366: 1337: 1215: 853: 432: 2041:

manner to get ready for long hours on stage with makeups on and headache free.

1756:

were never made into movies. The latter is available only in vocal record. Her

4257: 4246: 4062: 4022: 3903: 3881: 3072: 2178: 1956: 1952: 1222:: 余麗珍) – many movies were made from stage productions. For example, 1960 film 4338:

Google Doodle shows off 1960's LGBT icon: Cantonese opera legend Yam Kim-fai

3688: 1604: 1494: 1451: 1412: 1286: 1188: 401:, 4 February 1913 (Lunar 29 December 1912 – 29 November 1989), also known as 4133: 4006: 3994: 3079: 2611: 2586: 2464: 2302: 2153: 2106: 1990: 1975: 1881: 891: 841: 837: 813: 795: 715: 436: 410: 335: 211: 115: 2144:

AAA, he picked stage over film as a teenager. Desired to tell any veteran

2124: 871:

Many of her performances were made into films, such as the 1953 remake of

4089: 2160:

to herself, Yam was a home body who needed only 3-meals a day, sleep and

2145: 1836: 1798: 1129: 1032: 816:. The cost is said to be somewhere between that of two films directed by 232: 3821: 4356: 2747: 2348: 2174: 2077: 111: 4210: 3959:，可謂一語中的；當年戲曲片的「場記王」(後轉任副導)朱日紅，亦因長期深入、貼身地觀察演員及各電影工作人員，對任姐的演藝及演員道德就十分了解。 3791:以後，粵劇生角人才，只此一員新秀而已。...龍劍笙可以說是天賜給任劍輝的禮物，任誰也估不到龍劍笙不單只繼承任劍輝的衣缽，且在往後的日子裏，因 2696:"Wong Fei-fu's Rebellion" or "The Revolt from Huang Feihu’s Rebellion" 2503:

their students, excluding those hobbyists in grade/high school classes

2227:

see/watch with their own eyes. Records as hard evidence can include:-

1804:

Yam never performed in public again since then. Instead, she kept her

2456: 2421: 2331: 828:) to win the Grand Prix for Best Interior Photography and Color. The 711: 447: 78: 4316:

Announcement of Yam Kim-fai centenary celebration at HK Film Archive

1652:

How Wong Fei-hung Saved the Lovelorn Monk from the Ancient Monastery

2794: 2758:) is one particular type of songs that Yam is very respected for. 2352: 1847:《錦繡天堂》（1964）中折子戲「孟麗君」，是任姐奮鬥多年、成熟揮灑的表演，造詣高深，演技精湛，既具壓台感，又懂得「執生」，示範了 773: 539: 421: 355: 2645:

of those Yam aroma back on stage. The mythical character (金牌製作人)

2089: 1913: 4121: 3951:(who were not motivated or paid to be biased) versus academics. 3764: 2448: 1948: 1885: 1801:

event that was hosted for the victims in the 18 June landslide.

1143:

A Pedestal of Rouge Fragrance or Sweet Dew on a Beautiful Flower

3380:- "好女兩頭瞞"，小飛紅 - "恩愛夫妻"，小燕飛 - "海角紅樓"，小燕飛 - "款擺紅綾帶"，銀劍影 - "紅衣贈杞良" 2639:

Since 2011, Loong (金牌), with a producer (製作人) in tow, have put

1989:

and produced by a new production company (興友影業公司), with Yam as

1264:) were made from this stage production. For example, 1956 film 529:

Rooftop theatres were for all-female troupes since the time of

3804: 2327:, in his 2004 piece, also referenced Loong about Yam's style. 1855:

Old hands eating their young in the community is the die hard

1795: 2052:

home of Yam in 1975 possibly putting on costume one last time

1236:(《帝苑春心化杜鵑》) with both Sit Gok Sin and Ma Sze Tsang as well. 836:. However, this 1968 film has never reached anywhere beyond 4211:如所周知：龍劍笙已定於十一月返港，...，預計初步四十場並無問題，因為各地的太太姊妹們都已開始安排行程，預訂來港機票。 2488:

Recent demise of Yam's legacy titles could be the work of:

1835:. Such a stage demeanor can only be projected by a veteran 1876:

By 2000 in Hong Kong, Loong on camera talked about an AAA

1202:

The Dream Encounter Between Emperor Wu of Han and Lady Wai

571:

Many troupes with male performers followed her first own (

3760: 3726:

Fund raising for Hong Kong Down Syndrome Association 2010

2728:: 梁山伯) more than once since the title debut. A film with 2282: 1896:

Exhibit A of acquired taste in Hong Kong observed as per

237: 223: 3935:【華僑日報】1989年12月13日第24頁 - From page 24, 13 December 1989 【 2809:

How Two Naughty Girls Thrice Insulted Xiao Yuebai (1952)

3892: 3890: 2563:

watched Loong videos to learn in 2000s in private (一代)

2551:

watched Loong videos to learn in 1990s in private (宗師)

1709:

when Yam was the male lead opposite any one of them or

1307:(《娥姐賣粉果》) in June 1952 was the last time shared stage. 4305:

Speech by the Postmaster General Sunday, 08 April 2001

3068:

Cantonese Opera Legend Yam Kim Fai – Repertoire Select

2510:

Scavenger (靠執) carrying water for the worst childhood

1764:: 柳夢梅) was never recorded for commercial purpose with 3872: 3870: 3868: 3866: 2688:

Yam demonstrated the "Kwai" trait of her AAA in film

2471:

and had no place around super idols. Misspent youth.)

1365:" in 1937 after observing film-making as a friend of 1278:(《販馬記》/《桂枝告狀》) which was Yam's debut but not Tang's. 304: 202: 3876:

The troupe with best box-office in 1970s and 1980s.

3826:

Book published in 1986 with title "Yam, Loong, Chor"

2832:

In recognition of the talents of four late artists,

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radio 1 【Free as the Wind】 6 December 2016 Episode.

361: 351: 341: 331: 298: 291: 286: 268: 254: 249: 231: 217: 210: 196: 189: 184: 166: 152: 147: 126: 107: 89: 56: 37: 4256:: 相信近年接觸阮兆輝(輝哥)的朋友，都會聽過他說，要粵劇有希望，最重要是培養出像龍劍笙般的演員。【 3514:1972年三月一日華僑日報 "龍劍笙一馬當先金牌特多。" - From 1 March 1972 【 2132:pretending to relieve himself - performer deceased 1666:" member of Cantonese opera community but without 487: 2575:watched Loong videos to learn in 2010s in private 1697:Between 1953 and 1956, Bak played second fiddle ( 1654:reflects how wide the range of films Yam was in. 824:(1962 film) was the first Chinese-language film ( 482:), who was known for being the female version of 4287:'Masculine' traits of Yam style coming from the 4175: 4173: 4140:(translation: To capture attention the way like 2768:also has such demonstration of Yam vocal style. 2015:Mui Yee (梅綺, 1922–1966), 1956 original cast for 1568:, 1956 Masculine vocal style & Martial arts 4116: 4114: 4112: 4110: 2732:(芳艷芬) released in 1958 was followed by CD with 1314:actually took on male lead roles as well while 710:(鄧碧雲). With the 1942/3 financial help from Mr. 4193:HK strives to revive Cantonese Opera's heyday. 3260:【戲曲品味】第五十二期 - 任劍輝執帥印之「鏡花艷影」省港澳唯一長壽全女班大放異彩(陳樹榮) 2922:Regret from the Spring Lantern and Feather Fan 2815:The True Story of Siu Yuet-Pak (Part 2) (1955) 2812:The True Story of Siu Yuet-Pak (Part 1) (1955) 2196:brand name in 1982. Fung (phoenix), since the 1162:Regret from the Spring Lantern and Feather Fan 442:In 1989, she died at home in Hong Kong due to 3860:interviewee who spoke on behalf of the group. 2500:sponges in their audiences to watch and learn 1783:Last public performance was on 24 June 1972. 1336:" (《八美審狀元》), Yam is married to eight wives; 546:reflected the sentiment about those troupes. 274: 260: 172: 158: 8: 4205: 4203: 3795:的成功，龍劍笙的成功，將任劍輝這三個字重新注入每一位七十年代後的戲迷心中，地位有增無減。 3233:【細說任龍雛】梨園客/王心帆(顧問) 第22-24頁太平全男班劇團(小散班) 太平戲院 2903:The Story of Little Cabbage and Yeung Nai-mo 2647:dreaming big to build an empire on quicksand 2080:tour while Ho's only noteworthy apprentice ( 942:The Story of Little Cabbage and Yeung Nai-mo 4120:For the 20th anniversary, 10 December 2009 3624: 3622: 3620: 3363:: 冼劍麗 - "胭脂巷口故人來"，冼劍麗 - "榮歸會李仙"，崔妙芝 - "琵琶記" 1260:(《晨妻暮嫂》). Many movies (1947, 1952 and 1957 1258:Wife in the morning, sister-in-law at night 4364: 3224:在廣州「大龍鳳劇團」演出，以一曲《夜祭雷峰塔》成名，所創的「反線二王」腔，盛極一時。 2653:witnessed the dueling between two leading 1981:As such, what did not happen was the film 1734:. However, some of Yam's other roles like 283: 181: 45: 34: 4100: 4098: 3406: 3404: 3337: 3335: 3333: 3300: 3298: 3296: 3277: 3275: 1742:: 柳夢梅) in the Cantonese opera version of 1570:How Xue Dingshan Thrice Angered Fan Lihua 642:one tael of gold for a day of performance 4327:Google Doodle 103rd-birthday Yam Kim-fai 4154:"Follow the mentor's teaching for life." 4073: 4071: 3955:: 反而，雖云戲行中人讀書不多，但看他們的回憶、分析與前瞻，可能收獲更大。例如， 3755: 3753: 3751: 3749: 3747: 3745: 3211: 3209: 3092: 2854: 2820:Leung/Tam/Lang/Sum) scene about picking 2219:them had for Loong's own birth parents. 1639:of 294 films made total counted to-date 1371: 1181:The Moonlight and Pipa of the Borderland 896: 4197:- China Daily/Agencies, 4 December 2009 3967: 3965: 3703: 3701: 3671: 3669: 3667: 3458: 3205: 3850: 3839: 3721: 3719: 3717: 3715: 3713: 3192:was her illustration by Google artist 3179:A Buddhist Recluse for Fourteen Years 1959:always has clusters of three leaves.) 1754:The Reincarnation of Lady Plum Blossom 1690:, in Red Cherries and a Broken Heart ( 1419:and 1960 Masculine & Martial arts 997:Beauty Fades From Twelve Ladies' Tower 542:in the street while the jingles below 4189: 4187: 3608: 3606: 3604: 2884:Paying Nocturnal Sacrifice to Kam-kiu 2760:Paying Nocturnal Sacrifice to Kam-Kiu 2740:: 《梁祝恨史》之《樓台會》) but often nicknamed ( 2215:neither knowledgeable nor intelligent 2049:backstage in 1968–69 live productions 1625:1937, Ensemble cast, Contemporary in 1562:Paying Nocturnal Sacrifice to Kam-Kiu 1493:, Masculine & Martial arts, 1958 1064:A Buddhist Recluse for Fourteen Years 633:life relatively easy for performers. 550:《鄉下佬買戲》：「講到鰟鱓女班經已做到怕，有文無武而且有鱓仲老過我阿媽。」 366:Chor Fung Ming Cantonese Opera Troupe 7: 4426:20th-century Hong Kong women singers 4271:Dream Tryst in Peony Pavilion (1963) 4249:】 2006-01-17 戲曲視窗：粵劇以人為本 and again 3510: 3508: 3506: 3504: 3502: 3500: 3498: 3496: 1452:Substituting a Racoon for the Prince 2706:, the song called "Gaoping level" ( 2376:Fantasy of Heaven of Parting Sorrow 2109:to make a name in Cantonese opera. 1776:The last overseas tour was 1968 in 3563:【Wen Wei Po】. 陳皮梅是粵劇女班「鏡花艷影」的文武生，與 3290:【戲曲品味】第六十期 - 新聲滄桑歲月紀念戲迷情人任劍輝 (岳清) 2056:Loong represented Yam on stage as 1928:Jack of all trades, master of none 1664:speak softly and carry a big stick 1605:I Want My Country and My Wife Back 131:Cantonese Opera Film Century Award 14: 3689:One of her two CDs for this title 3122:The Daughter of the Horse Trader 2849:Yam Kim-fai centenary celebration 2625:and produce what is now known as 2455:class). Yam and Loong were never 1232:: 《血洗梅花澗》/《七彩金葉菊》) and 1951 film 427:On 11 July 1976, during the 25th 4406:20th-century Hong Kong actresses 4289:Kwai Ming Yeung style 2010-07-08 4104:"點止光師耀祖"「芳、紅、白傲視梨園」馬龍月記速寫，粵劇曲藝月刊 3915:張國榮唱「客途秋恨」。【華僑日報】刊載日期:1988-08-05 3398:Co-star - "song":- 梁卓卿 - "雅士採梅香" 3281:【細說任龍雛】梨園客/王心帆(顧問) 第148頁「翻生」賈寶玉 3269:十年磨劍 - 澳門時期的任劍輝【香港電影資料館第30期】陳樹榮 3168:Sweet Dew on a Beautiful Flower 2469:the proper order of cast listing 2100:Reputation is always on the line 1790:, she sang the final scene from 1722:The Legend of the Purple Hairpin 1272:The Daughter of the Horse Trader 960:Feather Fan Under Spring Lantern 4078:"Louder than the four of them." 3542:worked with both Yam and Wong. 3530:recalled that occasion in 2015. 923:A Beauty's Flourishing Fragrant 486:but became known more often as 238: 224: 4421:20th-century Chinese actresses 4160: 4129: 4001:(generally accepted successor 3732: 3157:The Reincarnation of a Beauty 2941:Butterfly and Red Pear Blossom 2568:let's watch and learn together 2556:let's watch and learn together 2544:Garlic-coated generations (靠黐) 2396:feel too good about themselves 2320: 2270: 2253: 2231:DVDs (composites speak volume) 1810:training and proper upbringing 683: 675: 664: 622: 604: 596: 584: 479: 467: 305: 275: 261: 203: 173: 159: 1: 3640:Died 13 August 2010 at age 91 3215:經常落鄉演戲，在悟州、佛山一炮而紅，成名作是《西廂待月》。 2234:DVD of full stage, wide shots 1817:with a good head on shoulders 1415:, 1965 Masculine vocal style 1330:included. In the 1961 film, " 1239:3. Chan Yim Nung (陳艷儂) – the 786:"too good to be just student" 3957:陳劍聲說現時戲行的文武生那裏是學任劍輝，不過是學龍劍笙吧 3824:. 細說任、龍、雛香港 : 香港周刊出版社. 3613:女戲班雙城記文：凌寧資料來源 : 星島日報 3376:- “《玉葵寶扇》之《碧容探監》”，羅麗娟 - "飄"， 2290:) was not one of the four.) 2173:made the performance "stale 1815:Yam valued Loong as someone 801:The Marriage of Three Smiles 4411:People from Nanhai District 4124:radio 1 【Free as the Wind】 3836:"龍劍笙 - 細說當年". 創藝文化企業有限公司出版. 3146:A Romance of Pear Blossoms 2994:Ng Kwun Lai / Tam Lan Hing 2793:: 蕭月白) was very popular in 2713:According to experience of 2685:style, both AAA and vocal. 2112:For example, grass-root or 1528:See above mostly since the 884:Golden Phoenix Opera Troupe 575::「鏡花影女劇團」, 1935-1942) with 4457: 4260:】 2011-09-27 戲曲視窗：粵劇票房接班人 3472:. Routledge. p. 172. 2998:The Courtship of the Queen 2736:(李寶瑩) released in 1960s, ( 2240:current stage performances 1944:first cousins once removed 1938:A Lesson in What Not to Do 1821:worth all resources needed 1491:Fun on Polygamous Marriage 1333:Fun on Polygamous Marriage 1305:Ngor Jie selling dumplings 1262:My wife married my brother 832:was also entered into the 134:14th Hong Kong Film Awards 15: 4401:Cantonese opera actresses 4342:updated 04 February, 2016 2720:Yam reprised her role as 2694:and on stage titles like 1922:performers. Some (仆) are 1638: 1617:Tsui Yan Sam (born 1920) 834:1963 Cannes Film Festival 822:The Magnificent Concubine 515: 496: 398: 381: 324: 320: 316: 282: 180: 143: 139: 44: 4441:Hong Kong film actresses 4416:Actresses from Guangdong 4376:Hong Kong Movie Database 4276:Hong Kong Movie DataBase 4180:YamTongRepertoire Select 3900:actresses in this field. 3051:Yam was the female lead 2846:For her 100th birthday, 2799:Second Sino-Japanese War 2381:Dream of the Red Chamber 2094:Shaolin Wooden Men Alley 1495:The Story of Liu Jinding 1421:Rescue at the West River 1411:1960 Comedy & Drama 1242:Dream of the Red Chamber 1234:A King Speaks His Heart 979:Goddess of the Luo River 653:Second Sino-Japanese War 555:香港報章：「女優薪金微賤，當可以減班主之負擔。」 256:Traditional Chinese 154:Traditional Chinese 3469:Chinese national cinema 3466:Zhang, Yingjin (2004). 2960:The Peach Blossom Fairy 1297:Prince and the Waitress 1082:The Story of Yutangchun 270:Simplified Chinese 168:Simplified Chinese 101:Happy Valley, Hong Kong 4436:Chinese film actresses 4431:Singers from Guangdong 3777:《戲曲之旅》第115期22頁龍劍笙得天獨厚 3677:Red Chamber in the Sea 2775:: 黃侶俠) is a duet with 2608: 2566:students still in the 2481: 2341: 1907: 1902: 1853: 1841: 1448:Fete of the White Hare 1292:Kingdom and the Beauty 1247:Red Chamber in the Sea 557: 552: 4045:師承...門派，...沒有「來頭」，說出來 4029:戲曲視窗：重視流派有助粵劇承傳。"... 3949:The knowledgeable few 3733:中環出更香港唐氏綜合症協會慈善粵曲欣賞會 3110:The Story of the Lute 3055:An Actress's Struggle 2604: 2477: 2453:let's watch the video 2408:(靠黐二代), just ask for 2389:Cart Before The Horse 2337: 1924:neither fish nor fowl 1903: 1894: 1842: 1826: 1812:to be her successor. 1499:Luo Cheng at the Gate 799:, renamed in 1974 as 690:Theatres in Hong Kong 613:Travessa do Auto Novo 553: 548: 503:Rooftops in Guangdong 409:actress in China and 4167:】 2014-10-14 Tuesday 3878:Chor Fung strives to 3550:擔正。」年輕的品姨選擇了粵劇演出為職業。 3134:Princess Cheung Ping 3017:The Story of Lee Sin 2779:. The play, co-star 2628:poor quality stencil 2090:beating a dead horse 1983:Dream of Red Chamber 1942:One son shared with 1829:The short film shows 1560:1954 Loyal lover in 1487:Golden Chrysanthemum 1381:Selective Actresses 1225:Golden Chrysanthemum 770:Dream of Red Chamber 431:pageant held at the 3419:Co-star - "song":- 3372:Co-star - "song":- 3341:Song:- 《李後主》之《去國歸降》 2852:at HK Film Archive 2691:The Red Robe (1965) 2554:graduates from the 2529:cult of personality 2371:The Twelve Beauties 2190:Yam gave Loong the 2125:brothel related STD 1668:cult of personality 1603:and 1963 Masculine 1456:The Phoenix Hairpin 830:Empress Wu Tse-Tien 458:Born Yam Lee Chor ( 4278:in Teochew dialect 4084:: 任姐音量勝過四個大聲公) by 3675:Films by others – 3359:Co-star - "set":- 3350:Sets:- "釵頭鳳"，"無雙傳" 2622:clock in/clock out 2378:, ending scene of 2156:in the 1956 film. 1926:(非驢非馬) by choice, 1919:15 minutes of fame 1745:The Peony Pavilion 1724:and Zhou Shixian ( 1673:down-ballot effect 1627:A Mysterious Night 1413:The Random Harvest 1362:A Mysterious Night 1046:Swallows Come Home 678:) and librettist ( 609:Ching Ping Theatre 61:Yam Lee Chor (任麗初) 51:Yam Kim Fai (left) 4061:，...。 2010-11-02【 3849:Missing or empty 3479:978-0-415-17290-5 3186: 3185: 3063: 3062: 2805:and others are:- 2765:Prosperity Knocks 2162:mahjong solitaire 1888:in the 1987 film 1868:Patriarch Quality 1824:in addition to:- 1643: 1642: 1574:Prosperity Knocks 1460:Mysterious Murder 1351:, 1908-1981) and 1256:(鄧碧雲) – In Macau 1212: 1211: 1100:The Merry Phoenix 567:Theatres in Macau 388: 387: 312: 311: 293:Standard Mandarin 245: 244: 219:Yale Romanization 191:Standard Mandarin 4448: 4368: 4344: 4335: 4329: 4324: 4318: 4313: 4307: 4302: 4296: 4285: 4279: 4267: 4261: 4232: 4226: 4219: 4213: 4207: 4198: 4191: 4182: 4177: 4168: 4165:Macao Daily News 4162: 4151: 4145: 4131: 4118: 4105: 4102: 4093: 4075: 4066: 4051:自己不是任姐...的徒弟，... 3969: 3960: 3946: 3940: 3933: 3927: 3922: 3916: 3913: 3907: 3894: 3885: 3874: 3861: 3858: 3852: 3847: 3845: 3837: 3833: 3827: 3825: 3818: 3812: 3802: 3796: 3774: 3768: 3757: 3740: 3734: 3723: 3708: 3705: 3696: 3673: 3662: 3657: 3651: 3648: 3642: 3637: 3631: 3626: 3615: 3610: 3599: 3594: 3588: 3557: 3551: 3537: 3531: 3525: 3519: 3512: 3491: 3490: 3488: 3486: 3463: 3424: 3417: 3411: 3408: 3399: 3396: 3390: 3387: 3381: 3370: 3364: 3357: 3351: 3348: 3342: 3339: 3328: 3302: 3291: 3288: 3282: 3279: 3270: 3267: 3261: 3258: 3252: 3249: 3243: 3240: 3234: 3231: 3225: 3222: 3216: 3213: 3093: 2855: 2797:right after the 2585:iconic image of 2322: 2272: 2255: 2202:pleural effusion 2198:Golden Fung Ping 1949:No harm, no foul 1890:The Last Emperor 1839:opera performer. 1454:, 1957 Romantic 1372: 1020:Butterfly Lovers 897: 794:The Marriage of 685: 677: 666: 624: 606: 598: 586: 545: 517: 498: 481: 469: 444:pleural effusion 400: 374: 308: 307: 284: 278: 277: 264: 263: 241: 240: 227: 226: 206: 205: 182: 176: 175: 162: 161: 96: 93:29 November 1989 70: 68: 49: 35: 4456: 4455: 4451: 4450: 4449: 4447: 4446: 4445: 4381: 4380: 4353: 4348: 4347: 4336: 4332: 4325: 4321: 4314: 4310: 4303: 4299: 4295:: 聽“桂派”名曲【藝海】) 4286: 4282: 4268: 4264: 4236:Cantonese opera 4233: 4229: 4223:評戲曲發展：香港粵劇興盛的啟示 4220: 4216: 4208: 4201: 4192: 4185: 4178: 4171: 4152: 4148: 4138:佢行出嚟就係㗎啦，冇得教㗎喎。 4119: 4108: 4103: 4096: 4076: 4069: 4021:有關。 2010-10-19【 3970: 3963: 3947: 3943: 3934: 3930: 3925:何賢夫人陳瓊女士六月十六日辭世 3923: 3919: 3914: 3910: 3895: 3888: 3875: 3864: 3848: 3838: 3835: 3834: 3830: 3820: 3819: 3815: 3803: 3799: 3775: 3771: 3758: 3743: 3724: 3711: 3706: 3699: 3674: 3665: 3658: 3654: 3649: 3645: 3638: 3634: 3627: 3618: 3611: 3602: 3595: 3591: 3587:of 【Wen Wei Po】 3558: 3554: 3538: 3534: 3526: 3522: 3513: 3494: 3484: 3482: 3480: 3465: 3464: 3460: 3455: 3433: 3428: 3427: 3423:- "《蕭月白》之《賣白欖》" 3418: 3414: 3409: 3402: 3397: 3393: 3388: 3384: 3371: 3367: 3358: 3354: 3349: 3345: 3340: 3331: 3303: 3294: 3289: 3285: 3280: 3273: 3268: 3264: 3259: 3255: 3250: 3246: 3241: 3237: 3232: 3228: 3223: 3219: 3214: 3207: 3202: 2830: 2683:Kwai Ming Yeung 2679: 2669:(二五仔), ends at 2663:Cantonese opera 2637: 2392: 2313: 2262: 2187: 2185:The Choice Made 1870: 1774: 1660: 1572:and 1957 Drama 1458:and 1964 Drama 1324: 1270:from the title 1169:second version 1150:second version 1118:The Summer Snow 850: 722:Chan Yim Nung ( 692: 569: 561:Kwai Ming Yeung 543: 505: 456: 446:. There was no 407:Cantonese opera 384: 368: 346:Cantonese opera 103: 98: 94: 85: 72: 71:4 February 1913 66: 64: 63: 62: 52: 40: 31: 12: 11: 5: 4454: 4452: 4444: 4443: 4438: 4433: 4428: 4423: 4418: 4413: 4408: 4403: 4398: 4393: 4383: 4382: 4379: 4378: 4369: 4352: 4351:External links 4349: 4346: 4345: 4330: 4319: 4308: 4297: 4280: 4262: 4227: 4214: 4199: 4183: 4169: 4146: 4106: 4094: 4067: 3971:To audiences, 3961: 3941: 3937:Wah Kiu Yat Po 3928: 3917: 3908: 3886: 3862: 3828: 3813: 3797: 3769: 3741: 3737:Oriental Daily 3709: 3697: 3663: 3652: 3643: 3632: 3616: 3600: 3589: 3552: 3544:關於演員陳立品整理：黃夏柏 3532: 3520: 3516:Wah Kiu Yat Po 3492: 3478: 3457: 3456: 3454: 3451: 3450: 3449: 3444: 3439: 3432: 3429: 3426: 3425: 3412: 3400: 3391: 3382: 3365: 3352: 3343: 3329: 3327: 3326: 3323: 3320: 3317: 3314: 3311: 3308: 3304:興友影業公司《紅樓夢》電影 3292: 3283: 3271: 3262: 3253: 3244: 3235: 3226: 3217: 3204: 3203: 3201: 3198: 3184: 3183: 3180: 3177: 3173: 3172: 3169: 3166: 3162: 3161: 3158: 3155: 3151: 3150: 3147: 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2183: 2150:Easy-Bake Oven 2134: 2133: 2130: 2127: 2121: 2070:Leung Sing Bor 2054: 2053: 2050: 2047: 2021: 2020: 2013: 2012:Fung Wong Leui 2010: 2004: 2001: 1998: 1962:The motive to 1869: 1866: 1773: 1770: 1701:花衫) to either 1659: 1656: 1641: 1640: 1637: 1634: 1630: 1629: 1623: 1618: 1615: 1612: 1608: 1607: 1601:A Test of Love 1597: 1592: 1584: 1581: 1577: 1576: 1558: 1553: 1545: 1542: 1538: 1537: 1530:Golden Phoenix 1526: 1521: 1513: 1510: 1506: 1505: 1503:The Lotus Lamp 1489:, 1961 Comedy 1483: 1478: 1470: 1467: 1463: 1462: 1444: 1439: 1431: 1428: 1424: 1423: 1409: 1404: 1396: 1393: 1389: 1388: 1385: 1382: 1379: 1376: 1328:Leung Sing Bor 1323: 1320: 1210: 1209: 1207: 1204: 1199: 1196: 1192: 1191: 1186: 1183: 1178: 1175: 1171: 1170: 1167: 1164: 1159: 1156: 1152: 1151: 1148: 1145: 1140: 1137: 1133: 1132: 1123: 1120: 1115: 1112: 1108: 1107: 1105: 1102: 1097: 1094: 1090: 1089: 1087: 1084: 1079: 1076: 1072: 1071: 1069: 1066: 1061: 1058: 1054: 1053: 1051: 1048: 1043: 1040: 1036: 1035: 1026: 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4424: 4422: 4419: 4417: 4414: 4412: 4409: 4407: 4404: 4402: 4399: 4397: 4394: 4392: 4389: 4388: 4386: 4377: 4373: 4370: 4367: 4362: 4358: 4355: 4354: 4350: 4343: 4341: 4334: 4331: 4328: 4323: 4320: 4317: 4312: 4309: 4306: 4301: 4298: 4294: 4290: 4284: 4281: 4277: 4273: 4272: 4266: 4263: 4259: 4255: 4252: 4248: 4244: 4241: 4237: 4231: 4228: 4224: 4218: 4215: 4212: 4206: 4204: 4200: 4196: 4190: 4188: 4184: 4181: 4176: 4174: 4170: 4166: 4158: 4155: 4150: 4147: 4143: 4139: 4135: 4127: 4123: 4117: 4115: 4113: 4111: 4107: 4101: 4099: 4095: 4091: 4088:，2004-10-13 《 4087: 4083: 4079: 4074: 4072: 4068: 4064: 4060: 4056: 4052: 4048: 4044: 4040: 4036: 4032: 4028: 4024: 4020: 4016: 4012: 4008: 4004: 4000: 3996: 3992: 3991: 3986: 3982: 3981: 3976: 3975: 3968: 3966: 3962: 3958: 3954: 3950: 3945: 3942: 3938: 3932: 3929: 3926: 3921: 3918: 3912: 3909: 3905: 3901: 3899: 3893: 3891: 3887: 3883: 3879: 3873: 3871: 3869: 3867: 3863: 3856: 3843: 3832: 3829: 3823: 3817: 3814: 3810: 3806: 3801: 3798: 3794: 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3175: 3174: 3170: 3167: 3164: 3163: 3159: 3156: 3153: 3152: 3148: 3145: 3142: 3141: 3137: 3135: 3132: 3129: 3128: 3124: 3121: 3118: 3117: 3113: 3111: 3108: 3105: 3104: 3100: 3097: 3095: 3094: 3088: 3085: 3084: 3083: 3081: 3077: 3076:Tang Ti-sheng 3074: 3070: 3069: 3065:In 2013, the 3058: 3056: 3053: 3050: 3047: 3044: 3043: 3039: 3037: 3034: 3032:Law Yim Hing 3031: 3028: 3025: 3024: 3020: 3018: 3015: 3013:Law Yim Hing 3012: 3009: 3006: 3005: 3001: 2999: 2996: 2993: 2990: 2987: 2986: 2982: 2980: 2977: 2974: 2971: 2968: 2967: 2963: 2961: 2958: 2955: 2952: 2949: 2948: 2944: 2942: 2939: 2936: 2933: 2930: 2929: 2925: 2923: 2920: 2918:Fong Yim Fun 2917: 2914: 2911: 2910: 2906: 2904: 2901: 2899:Fong Yim Fun 2898: 2895: 2892: 2891: 2887: 2885: 2882: 2880:Tang Pik Wan 2879: 2876: 2873: 2872: 2868: 2865: 2862: 2859: 2857: 2856: 2853: 2851: 2850: 2844: 2842: 2841: 2835: 2834:Hongkong Post 2828:Commemoration 2827: 2825: 2823: 2814: 2811: 2808: 2807: 2806: 2804: 2800: 2796: 2792: 2788: 2787: 2783:, with title 2782: 2781:Chan Yim Nung 2778: 2774: 2769: 2767: 2766: 2761: 2757: 2753: 2749: 2745: 2743: 2739: 2735: 2731: 2727: 2723: 2718: 2716: 2711: 2709: 2705: 2701: 2697: 2693: 2692: 2686: 2684: 2676: 2674: 2672: 2668: 2664: 2660: 2656: 2650: 2648: 2644: 2643: 2634: 2632: 2630: 2629: 2624: 2623: 2618: 2617:child prodigy 2613: 2607: 2603: 2602: 2601: 2596: 2592: 2588: 2584: 2574: 2569: 2565: 2564: 2562: 2557: 2553: 2552: 2550: 2549: 2548: 2547: 2543: 2542: 2536: 2535: 2530: 2526: 2523: 2520: 2519: 2518: 2517: 2513: 2509: 2508: 2502: 2499: 2498: 2497: 2496: 2491: 2490: 2489: 2487: 2486: 2480: 2473: 2470: 2466: 2462: 2461: 2460: 2458: 2454: 2450: 2446: 2445: 2438: 2436: 2435: 2431: 2427: 2423: 2419: 2415: 2411: 2407: 2406: 2405:bottle blonde 2401: 2397: 2390: 2387: 2385: 2383: 2382: 2377: 2373: 2372: 2365: 2362: 2361:down syndrome 2357: 2354: 2351:instead of a 2350: 2345: 2340: 2336: 2333: 2328: 2326: 2318: 2311:Rule of Thumb 2310: 2308: 2305: 2304: 2299: 2296: 2291: 2289: 2284: 2278: 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1741: 1737: 1733: 1732: 1727: 1723: 1719: 1714: 1713:before that. 1712: 1711:Chan Yim Nung 1708: 1704: 1700: 1695: 1693: 1689: 1685: 1684:Bak Sheut Sin 1680: 1679:for decades. 1678: 1674: 1669: 1665: 1662:Yam was the " 1657: 1655: 1653: 1649: 1635: 1632: 1631: 1628: 1624: 1622: 1619: 1616: 1613: 1610: 1609: 1606: 1602: 1598: 1596: 1593: 1591: 1588: 1587:Wong-Nui Fung 1585: 1582: 1579: 1578: 1575: 1571: 1567: 1563: 1559: 1557: 1554: 1552: 1549: 1546: 1543: 1540: 1539: 1535: 1534:Sun Yim Yeung 1531: 1527: 1525: 1522: 1520: 1517: 1514: 1511: 1508: 1507: 1504: 1500: 1496: 1492: 1488: 1484: 1482: 1479: 1477: 1474: 1471: 1468: 1465: 1464: 1461: 1457: 1453: 1450:, 1958 Drama 1449: 1446:1959 Classic 1445: 1443: 1440: 1438: 1435: 1432: 1429: 1426: 1425: 1422: 1418: 1414: 1410: 1408: 1405: 1403: 1400: 1397: 1394: 1391: 1390: 1387:Films select 1386: 1383: 1380: 1377: 1374: 1373: 1370: 1368: 1364: 1363: 1358: 1354: 1350: 1346: 1343: 1339: 1335: 1334: 1329: 1321: 1319: 1317: 1316:Chan Yim Nung 1313: 1308: 1306: 1302: 1298: 1294: 1293: 1288: 1287:vocal records 1284: 1279: 1277: 1273: 1269: 1268: 1263: 1259: 1255: 1250: 1248: 1244: 1243: 1237: 1235: 1231: 1227: 1226: 1221: 1217: 1208: 1205: 1203: 1200: 1197: 1194: 1193: 1190: 1187: 1184: 1182: 1179: 1176: 1173: 1172: 1168: 1165: 1163: 1160: 1157: 1154: 1153: 1149: 1146: 1144: 1141: 1138: 1135: 1134: 1131: 1127: 1124: 1121: 1119: 1116: 1113: 1110: 1109: 1106: 1103: 1101: 1098: 1095: 1092: 1091: 1088: 1085: 1083: 1080: 1077: 1074: 1073: 1070: 1067: 1065: 1062: 1059: 1056: 1055: 1052: 1049: 1047: 1044: 1041: 1038: 1037: 1034: 1030: 1027: 1024: 1022: 1021: 1017: 1014: 1011: 1010: 1007: 1003: 1000: 998: 995: 992: 989: 988: 985: 982: 980: 977: 974: 971: 970: 966: 963: 961: 958: 955: 952: 951: 948: 945: 943: 940: 937: 934: 933: 929: 926: 924: 921: 918: 915: 914: 910: 907: 904: 901: 899: 898: 895: 893: 889: 885: 881: 876: 874: 869: 867: 863: 859: 855: 847: 845: 843: 839: 835: 831: 827: 826:楊貴妃 (1962年電影) 823: 819: 818:Li Han-hsiang 815: 809: 806: 802: 798: 797: 790: 787: 782: 778: 775: 771: 764: 763:Bak Sheut Sin 761: 758: 754: 751: 748:), the Zing ( 747: 743: 740: 736: 732: 729: 726:), the Daan ( 725: 721: 720: 719: 717: 713: 709: 705: 701: 697: 689: 687: 681: 673: 668: 662: 658: 654: 649: 645: 643: 639: 634: 630: 628: 620: 617: 614: 610: 602: 594: 590: 582: 578: 574: 566: 564: 562: 556: 551: 547: 541: 536: 532: 531:Lee Suet Fong 527: 525: 521: 513: 509: 502: 500: 494: 489: 485: 477: 473: 465: 461: 453: 451: 449: 445: 440: 438: 434: 430: 429:Miss Universe 425: 423: 418: 414: 412: 408: 404: 396: 392: 380: 377: 372: 367: 364: 360: 357: 354: 350: 347: 344: 340: 337: 334: 330: 327: 323: 319: 315: 303: 301: 297: 294: 290: 285: 281: 273: 271: 267: 259: 257: 253: 248: 236: 234: 230: 222: 220: 216: 213: 209: 201: 199: 195: 192: 188: 183: 179: 171: 169: 165: 157: 155: 151: 146: 142: 138: 135: 132: 129: 125: 121: 117: 113: 110: 108:Occupation(s) 106: 102: 92: 88: 84: 80: 76: 59: 55: 48: 43: 36: 33: 29: 28: 23: 19: 4339: 4333: 4322: 4311: 4300: 4283: 4270: 4265: 4230: 4217: 4149: 4137: 4058: 4054: 4050: 4046: 4042: 4038: 4034: 4030: 4018: 4003:Lam Kar Sing 3997:include the 3989: 3988: 3979: 3978: 3973: 3972: 3956: 3944: 3931: 3920: 3911: 3906:】 2013-05-28 3897: 3884:】 2003-10-28 3831: 3816: 3800: 3772: 3739:】 2010-01-24 3676: 3655: 3646: 3635: 3592: 3555: 3548:(Sai Lai Ha) 3540:Chan Lap Ban 3535: 3523: 3483:. Retrieved 3468: 3461: 3447:Tang Pik Wan 3442:Hung Sin Nui 3415: 3394: 3385: 3368: 3355: 3346: 3286: 3265: 3256: 3247: 3238: 3229: 3220: 3187: 3067: 3066: 3064: 3054: 3035: 3016: 2997: 2978: 2975:Yu Lai Zhen 2959: 2940: 2921: 2902: 2883: 2848: 2847: 2845: 2839: 2838: 2831: 2821: 2818: 2786:Siu Yuet-Pak 2785: 2784: 2777:Au Yeung Kim 2770: 2763: 2759: 2746: 2730:Fong Yin Fun 2722:Liang Shanbo 2719: 2712: 2710:: 《高平關取級》). 2695: 2689: 2687: 2680: 2670: 2667:Trojan horse 2658: 2654: 2651: 2646: 2641: 2640: 2638: 2627: 2626: 2621: 2620: 2609: 2605: 2600:Get in line. 2599: 2598: 2582: 2580: 2567: 2555: 2532: 2511: 2484: 2483: 2482: 2478: 2452: 2443: 2442: 2439: 2433: 2432: 2417: 2414:connotations 2413: 2409: 2404: 2403: 2395: 2393: 2379: 2375: 2369: 2366: 2358: 2346: 2342: 2338: 2329: 2314: 2301: 2292: 2279: 2275: 2263: 2260:AAA on stage 2247: 2243: 2225: 2221: 2214: 2213: 2210: 2206: 2197: 2192: 2191: 2188: 2170:Lang Chi Bak 2167: 2158: 2142: 2135: 2120:dancing Hula 2113: 2111: 2103: 2099: 2098: 2093: 2086: 2066:Hung Sin Nui 2061: 2057: 2055: 2039: 2028: 2026: 2022: 2003:Yam Bing Yee 1997:Lau Hak Suen 1987:Lau Hak Suen 1985:directed by 1980: 1972:Nice thread. 1971: 1969: 1963: 1961: 1941: 1937: 1936: 1932: 1923: 1908: 1904: 1900:【Wen Wei Po】 1895: 1877: 1875: 1871: 1861: 1856: 1854: 1848: 1843: 1832: 1827: 1820: 1816: 1814: 1809: 1803: 1791: 1785: 1782: 1775: 1753: 1748:and Pei Yu ( 1743: 1729: 1721: 1715: 1707:Hung Sin Nui 1703:Fong Yim Fun 1699:flowery role 1696: 1694:: 紅了櫻桃碎了心). 1688:My Fair Lady 1681: 1676: 1672: 1661: 1648:Tang Pik Wan 1644: 1599:1962 Comedy 1590:(1925-1992) 1589: 1551:(1924-1991) 1550: 1548:Tang Bik-wan 1533: 1529: 1519:(born 1928) 1518: 1516:Fong Yim Fun 1476:(1923-2004) 1475: 1437:(born 1931) 1436: 1417:The Red Robe 1402:(born 1924) 1401: 1399:Yim-hing Law 1361: 1360: 1353:Yam Bing-yee 1345:Lan-Hing Tam 1341: 1332: 1331: 1325: 1312:Tang Pik Wan 1309: 1304: 1296: 1290: 1283:Hung Sin Nui 1280: 1276:Kwaichi sues 1275: 1271: 1265: 1261: 1257: 1254:Tang Pik Wan 1251: 1246: 1240: 1238: 1223: 1213: 1201: 1180: 1161: 1142: 1117: 1099: 1081: 1063: 1045: 1018: 996: 978: 959: 941: 922: 883: 880:Fong Yim Fun 877: 872: 870: 866:Hung Sin Nui 862:Tang Pik Wan 858:Fong Yim Fun 851: 810: 793: 791: 783: 779: 768: 737:), the Cau ( 714:, father of 708:Tang Pik Wan 704:Lan-Hing Tam 700:Che Sau Ying 693: 669: 657:Yam Bing-yee 648:Ma Sze Tsang 646: 641: 637: 635: 631: 626: 577:Tsui Yan Sam 570: 558: 554: 549: 544:(in Chinese) 535:Fong Yim Fun 528: 520:Chan Pei Mui 506: 484:Ma Sze Tsang 472:Wong Lui Hap 457: 441: 426: 419: 415: 402: 390: 389: 325: 300:Hanyu Pinyin 250:Yam Lee Chor 225:Yahm Gim-fāi 198:Hanyu Pinyin 148:Chinese name 95:(1989-11-29) 32: 25: 18:Chinese name 4396:1989 deaths 4391:1913 births 4372:Yam Kim-fai 4357:Yam Kim-fai 4057:今天，唐滌生先生的作品 3999:Sit Gok Sin 3822:"梨園客(1986)" 3811:: 二零零八年一月二日 3597:三十年代廣州粵劇盛衰記 3194:Sophie Diao 3101:In Chinese 2869:In Chinese 2803:Cheung Ying 2801:. Films by 2734:Lee Bo Ying 2677:Vocal style 2673:as always. 2659:super idols 2237:photographs 2017:Xue Baochai 2000:Poon Yat On 1758:Liu Mengmei 1736:Liu Mengmei 1677:super idols 1566:Guizhi Sues 1485:1960 Drama 1473:Lai-Zhen Yu 1434:Kwun-Lai Ng 1384:In Chinese 1375:As co-star 1367:Luo Pinchao 1338:Lai-Zhen Yu 1267:Guizhi Sues 1216:Lai-Zhen Yu 908:In Chinese 854:Lai-Zhen Yu 508:Jade Flower 433:Lee Theatre 403:Ren Jianhui 391:Yam Kim-fai 369: [ 239:Jam Gim Fai 204:Rén Jiànhuī 39:Yam Kim-fai 22:family name 4385:Categories 4258:Wen Wei Po 4251:2011-09-27 4247:Wen Wei Po 4240:2006-01-17 4225:2013-03-14 4092:》Issue 59。 4086:James Wong 4063:Wen Wei Po 4053:演唐滌生先生的名劇， 4027:2010-11-02 4023:Wen Wei Po 4019:唐滌生的作品獨領風騷 4015:2010-10-19 3904:Wen Wei Po 3882:Wen Wei Po 3851:|url= 3695:: 《海角紅樓恨》) 3585:2013-06-18 3581:2013-06-11 3577:2013-06-04 3561:2013-05-28 3528:Eunice Lam 3453:References 3410:Song:- 祭金嬌 3073:librettist 2979:Fan Lei-fa 2715:James Wong 2671:water edge 2635:Since 2011 2606:「有人漏夜趕科場。」 2570:class (二代) 2558:class (二代) 2534:Tai Nui Fa 2479:「有人辭官歸故里，」 2426:individual 2418:Story time 2412:to attain 2410:story time 2325:James Wong 2179:coat tails 2074:Ho Fei Fan 2029:Tai Nui Fa 1957:Poison ivy 1953:poison ivy 1898:2012-06-05 1792:Tai Nui Fa 1731:Tai Nui Fa 1728:: 周世顯) in 1633:Total 211 873:Sweet Girl 706:(譚蘭卿) and 638:top-billed 454:Early life 352:Instrument 67:1913-02-04 4134:Cantonese 4049:自己的身價。... 4033:，...現時粵劇界 4007:Hong Kong 3995:Hong Kong 3993:known in 3898:Bona fide 3080:Hong Kong 3059:任劍輝舞台奮鬥史 2907:小白菜情困楊乃武 2657:known as 2612:Jia Baoyu 2587:Jia Baoyu 2465:Jia Baoyu 2303:bona fide 2271:幾個月沒穿新衣服! 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