100:. The group frequently combines various mediums that engages many different senses, and with special attention to the relationship among the work of art, the audience, and the gallery space. Their works are often done impromptu, to erase the distance between a work of art and the lived experience, where "life itself becomes an integral part of their art".
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Made almost entirely from wax, Zheng Guogu explained that the dripping movement of wax shows the infinite dimension of physical objects. In addition, the work calls into question the comparative meaning of wax in
Chinese and Western culture. The work combines calligraphy written by ordinary people to
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is the
Chinese concept of a divine being, which differs from the Western concept of God. The work has been interpreted as revealing the contradiction between the espousal of Socialist values and economic pragmatism in contemporary China. The Yangjiang Group has been vocal that they do not agree with
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The
Yangjiang Group draws from classical Chinese practice of experiencing works of art where audience participation is essential, as noted by Lisa Catt. The group also addresses the issue of commoditization of art that enables a work of art to take on a new meaning, and lose its ability to dictate
183:. a performance by the artists that utilizes a large sheet spread on the floor. Artists write a long calligraphy inscription in turn. During the performance, the artists engage in conversation that is aestheticized to become part of the "artwork."
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in
Guangdong Province: "Far away from the hierarchal chronotope of Beijing, southern China drifts away from the center…the local people's innovative spirit, lifestyles, and political feelings are unique, and do not completely follow Beijing...
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culture as a result. The group continue to work in their hometown in
Yangjiang, where they promote the local art scenes in southern China to counterbalance the financial potential of contemporary art from Beijing and Shanghai.
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44:. The Yangjiang Group's works have been exhibited in Europe and Asia. Their works show a strong attachment to a sense of place in their hometown.
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The collective method of work follows other
Chinese art groups such as the Big Tail Elephants. The Yangjiang Group's works are noted for their
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166:. Guangzhou's location is determined solely by opportunity for economic prosperity". Works which debuted in this exhibition included:
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2015: "Yangjiang Group: Actions for
Tomorrow," 4A Centre for Contemporary Asian Art, Sydney, Australia. 17 January – 7 March 2015
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2013-2014: "Fuck off the Rules: Yangjiang Group," Minsheng Art Museum, Shanghai, China. 8 November 2013 - 22 February 2014
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203:... new changes lead to such conflicts being expressed in this society (中国的房地产商带来了大量的资金，涌进了悉尼……新的变化让这种冲突在这个社会里边呈现出来。)
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Region... led to unprecedented growth in prosperity that overturned orthodox
Socialist thought".
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Holmes, Ros (2013). "Translating Wax: An
Interview with Zheng Guogu and the Yangjiang Group".
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said, "Guangzhou has neither the political centrality of
Beijing nor the economic history of
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Catt, Lisa (2015). "Yangjiang Group: Actions for Tomorrow".
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Chinese property buyers poured a large amount of money into
36:(born 1974). The group's name takes after their hometown in
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339:"Translation of "Yangjiang Group: Actions for Tomorrow""
245:"Translation of "Yangjiang Group: Actions for Tomorrow""
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this reading of the work. The Yangjiang Group explains:
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of their works to a degree of political autonomy from
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Shang-ti is Dead! Yet, the Yuan is Very Much Alive!
133:show the kinetic nature of the art of calligraphy.
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323:(1): 127–35 – via Oxford Art Journal.
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221:2016-2017: "Tales of Our Time,"
73:'s economic boom, especially in
268:"上海民生现代美术馆 MINSHENG ART MUSEUM"
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389:21st-century Chinese artists
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181:Calligraphy After the Meal
223:Solomon Guggenheim Museum
125:(2002), Pond (2003) and
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404:People from Yangjiang
337:Guo, Yanlong (2015).
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171:Drinking Tea at Work
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48:Themes and practice
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32:(born 1971), and
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367:December 3,
277:December 3,
210:Exhibitions
94:calligraphy
34:Sun Qinglin
30:Chen Zaiyan
26:Zheng Guogu
383:Categories
361:Guggenheim
230:References
121:comprises
119:Wax Series
113:Wax Series
302:: 99–109.
129:(2010).
123:Waterfall
83:Guangzhou
75:Hong Kong
62:aniconism
38:Yangjiang
193:Shang-ti
164:Shanghai
79:Shenzhen
85:in the
66:Beijing
201:Sydney
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108:Works
369:2016
279:2016
117:The
16:The
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