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from their windows and rooftops, his work is motivated largely by political, cultural, and social circumstances. In 2015, Arboleda has been developing a project titled 'Colour In Faith,' where religious communities across Kenya are working together to paint the exteriors of mosques, temples, and churches yellow in the name of love. The project was nominated for the
Disruption By Design (DxD) in the fall of 2015.
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its essence in pixilated form. Then, he examined the role of the circle in art and history, and the perfection of its three-dimensional form, the sphere. The two dimensional pixilated images were rendered in three dimensions, printed onto 2,000 to 4,000 one inch spheres per piece, which were then assembled and set by hand into acrylic frames, creating a contemporary interpretation of the pointillistic effect.
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during the time span of Monday
Morning. According to his website, this is part of the artist's Living Industries Projects. His installations compel viewers to question the true nature, source and ownership of art which can be seen as the explorations of the relationship between art and living materials. The balloons will therefore attempt to transform an ordinary Monday morning into something unique.
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presented the 'New
Vitruvians,' Arboleda's first solo art exhibition in New York City, in May 2007. The exhibition traveled to London's Imagination gallery in the fall of that year. At the London exhibition, new 'ball gowns' made of more than 10,000 crazy balls designed by Arboleda debuted along the
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The Keller Gates
Project began on February 28, 2008 in response to socio-political currents in the United States and the New York contemporary art scene. The goal of the project was twofold: to support and encourage a comprehensive and honest debate on the significant roles that race, age, gender and
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During the past year
Arboleda has been traveling the world orchestrating a "Living Sculpture" titled Monday Morning. The project has been created so far in India, Japan and Kenya. During the project volunteers give away more than 10,000 balloons of a given color to people who are commuting to work
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Arboleda deconstructs the contemporary human experience by using the very same media prism that shapes our perspectives from childhood to adult life. His work considers how nature and culture combine to define standards of human beauty common across time and geography. He explores the way the growing
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A second wave of media attention occurred when the new physical exhibition was about to open its doors. According to the New York Times report, concerned citizens call 911 reporting that there was a sign of the façade of building stating “the
Assassination of Hillary Clinton” and “the Assassination
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From working with a community of artists and activist in Kabul to give away 10,000 pink balloons to adults on a Monday
Morning in 2013 to literally highlighting the housing crisis and governmental corruption in Johannesburg's Central Business District by painting them to appear to be bleeding color
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At the onset of The New
Vitruvians, the artist conducted his own study of the modern proportions and geometry of beauty. The process began by shooting black-and-white portraits of men and women, chosen to represent the diverse standards of beauty. Each photograph was digitally enhanced to distill
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The project continued, in
October 2008 Arboleda revealed the entire process of this project in a one-month exhibition at the Art Directors Club Gallery in New York. For the exhibit he wallpapered the gallery with thousands of copies of comments from blog posts about the "Assassination" exhibits.
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Arboleda created or “fabricated” the existence of two art galleries in New York city: the Leah Keller
Gallery and the Naomi Gates Gallery. These galleries had corresponding websites, physical addresses (empty parking-lots in the Chelsea neighborhood in Manhattan), and telephone numbers leading to
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Yazmany Arboleda’s practice merges painting, photography, film, sculpture, installation, and participatory actions in order to highlight phenomena that lie just outside our collective field of vision. His preoccupations with social, political and moral issues in a culture ever more driven by the
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He serves as the first People's Artist for New York City at the Civic Engagement Commission. His practice focuses on creating “Living Sculptures: People coming together to transform their experience of the world through co-creation.” Arboleda lectures internationally on the power of art in public
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Following this, Arboleda went on to create physical versions of many of the virtual art works people saw online. One of the works, entitled “Once You Go Barack…” consisting of a 32’ long black phallus, was used to create the video invitation of the “re-opening” of the exhibitions. In the
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The New Vitruvians, a collection of large-scale artworks, offers a fresh, contemporary perspective on the themes of human beauty, and reveals truths about perceptions of physical ideals, and the social and cultural factors that influence them. The project’s name is derived from
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Arboleda digitally removed the artworks that were on display when he took the pictures of the spaces and proceeded to add new works of his own imaginings. He would later say that all of the art that was published on the sites was engineered to be as sensational as possible.
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In 2020, Arboleda was appointed as the first Artist-in-Residence at the NYC Civic Engagement Commission. Within that role he created the People's Bus: A beautiful community center on wheels that was originally a Corrections vehicle used to transport detained people on
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ubiquity of information has been accompanied by a crumbling of faith in news institutions, government and business. The work depicts and analyzes inter-connections and influences, and often engages the viewer, knowingly or not, to become a part of the art itself.
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After announcing the opening of the exhibitions via email, Arboleda followed up a week later saying that the exhibits had been censored. The existence and censoring of the “fictitious” shows was reported by over 50 print news outlets around the world including
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automated voicemails announcing to the caller that there was no one currently available to answer the phone. The photos of the physical space that appeared online was a collection of photographs of “real” Manhattan galleries taken by the artist himself.
405:." He reported that the Secret Service told him that the exhibition "could incite someone to do something crazy, like break the window. It’s terrible, because they’re violating my rights. If someone breaks a window, they’re committing a crime."
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According to the BBC, Kenya was on high alert during the giving away of the thousands of balloons in Nairobi since the government sent troops to Somalia in pursuit of al-Shabab militants it blames for a spate of recent kidnappings.
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about the themes surrounding the exhibits. According to Arboleda, he was asked "if I owned guns, if I was a violent person, if I had ever been institutionalized." They released him after approximately an hour of questioning.
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In 2023, the People's Bus was transformed into Tippy: The Tender People's Money Monster, a large scale puppet that promotes New York City's first citywide Participatory Budgeting process named "The People's Money."
121:(born May 7, 1981) is a Colombian-American artist based in New York City known for his thought-provoking and immersive installations that engage with complex social, cultural, and political themes.
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sexual orientation have in American society, and to speak directly to an art world more concerned with what can be monetized rather than what art is or has the potential to be.
354:, the TV network with the largest audience of Spanish language television viewers in the United States, lead their National News telecast on March 14, 2008 with this story.
488:’s fundamental study of the human form and proportion, the Vitruvian man, which depicts a nude male figure in two superimposed positions inscribed in a circle and square.
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of Barack Obama.” In many of the articles that followed, Arboleda discussed the relationship between fact and fiction as well as how media affects contemporary culture.
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Arboleda claimed that the word "assassination" wasn't meant literally, and that "the exhibition is supposed to be about character assassination. It’s philosophical and
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Yazmany Arboleda serves as the first People's Artist for New York City at the Civic Engagement Commission and is the Founder of The People's Creative Institute.
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space; An architect by training, his art practice fosters community connections through expansive public art initiatives. He has been commissioned by
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560:"RELEASE: City Leaders, Elected Officials, Community and Cultural Organizations, and NYC Speaks Celebrate Arts, Culture, and Civic Engagement Wins"
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During the month of October, the Art Directors Club held two events: the first was a question and answer session between the artist and
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137:. His core belief is that art is a verb not a noun.In 2013, he was named one of Good Magazine’s 100 People Making Our World Better.
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about art and culture. For the publication he has interviewed renowned personalities including playwright/journalist/actress and
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Arboleda's installations include commentary on politics, current events, racism, and sexism, sometimes provoking controversy.
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media draw our attention to slight, often overlooked but extraordinary facets of the man-made world we inhabit today.
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video the artist and his friends parade around the city of New York, visiting popular sites such as the
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866:"Once a Bus That Transported Incarcerated People Around Rikers, Now a Gorgeous Work of Community Art"
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and Arboleda was detained. The sign for the exhibit was covered and Arboleda was questioned by the
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Contributing Editor Gabriel Sherman; the second event was panel discussion about
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According to the New York Times, Arboleda's two exhibits, "The Assassination of
674:"Painting Johannesburg pink: urban art highlights city's neglected high rises"
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640:"Foreign Projects Give Afghans Fashion, Skate Park and Now 10,000 Balloons"
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This Former NYC Correction Bus Is Now A Massive Mobile Puppet Named ‘Tippy’
627:. No. April 2013. Good Magazine. Good Worldwide Inc. April 16, 2013.
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607:"TEDxUNC: 10,000 Reasons To Believe In the Power of Art in Public Space"
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The People's Bus, The Hospital for the Soul, Colour In Faith, Espejismo
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TEDxUNC: 10,000 reasons to believe in the power of art in public space
585:"Artist Gives Johannesburg's Decrepit Landmarks a Neon Pink Makeover"
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in Washington, D.C. He has also completed art and design programs at
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where Sherman moderated a panel made up of art world professionals:
1207:"Hillary and Barack Have Been Shot! For Photographs and Art Works!"
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625:"GOOD 100: Meet Yazmany Arboleda, Unexpected Moments of Hot Pink"
695:. No. 4 September 2015. The East African. Nation Media, KE.
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346:(Colombia’s most highly regarded newspaper), as well as Frances
1301:"Secret Service Detains Artist Over 'Assassination' Exhibit"
708:"Loving Humanity Through Yellow, From Kenya To The World"
661:. Global Observatory. IPI International Peace Institute.
949:"Yazmany Arboleda and the Art of Reality in America"
693:"Colour me mellow yellow - and look behind the mask"
389:," caused controversy when the work was temporarily
1009:"Countering fear, balloons inspire smiles in Kenya"
429:, Anne Pasternak, Artistic Director and President,
144:He received his Master of Architecture degree from
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1083:"Kenyan workers given yellow balloons to cheer up"
710:. A Mondeas, Ltd. Company. By Urban Press Kenya.
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1358:"Artist: Exhibits Were Fake, but Not a 'Hoax'"
1112:"'Assassination' Artist's Trail of Deception"
441:, Mario Naves, Artist and Art Critic for the
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1240:"Assassination Show Assassinated By Lawyers"
421:, Chief Curator of the Department of Media,
1151:"A Young Artist Who Mostly Draws Attention"
1134:: CS1 maint: numeric names: authors list (
460:piece detail at the Imagination Gallery in
1033:"Creating a Living Sculpture in Yamaguchi"
425:, and Chief of the Curatorial Advisors at
29:
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1411:"A Q&A with Yazmany Arboleda 9/24/08"
1058:"No Monday morning blues in Shivajinagar"
751:Arboleda, Yazmany (December 23, 2009).
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262:Monday Morning Nairobi, 7 November 2011
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781:Arboleda, Yazmany (December 3, 2010).
495:Influential Japanese fashion designer
433:, Lauren Cornell, Executive Director,
1514:Catholic University of America alumni
842:"Yazmany Arboleda - Civic Engagement"
583:Kinsella, Eileen (9 September 2014).
536:"Yazmany Arboleda - Civic Engagement"
183:Arboleda writes occasionally for the
16:Colombian American multi-media artist
7:
158:Universitat Politecnica de Catalunya
80:Universitat Politecnica de Catalunya
1444:Art Directors Club Calendar Archive
1179:"the Assassination Of Barack Obama"
977:Arboleda, Yazmany (June 20, 2008).
721:McGrory, Kathleen (April 4, 2008).
672:Liston, Enjoli (8 September 2013).
1273:"Embattled Exhibition May Be Hoax"
1064:. Chennai, India. January 23, 2011
917:Lenander, Johanna (May 12, 2007).
811:Arboleda, Yazmany (May 28, 2010).
657:Arboleda, Yazmany (10 June 2013).
374:, promoting very sensational art.
146:The Catholic University of America
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180:’s inaugural inter-arts program.
176:. In 2014 he participated in the
1470:"Review: Beauty is Never Simple"
1007:Odula, Tom (September 7, 2011).
518:"Colour in Faith Project Launch"
1480:from the original on 2011-07-07
1468:Anthes, Connie (May 29, 2007).
1450:from the original on 2011-07-23
1421:from the original on 2011-07-18
1388:from the original on 2011-07-25
1335:from the original on 2010-08-13
1250:from the original on 2011-01-14
1217:from the original on 2011-01-14
989:from the original on 2011-11-21
959:from the original on 2011-09-04
947:Bergman, Ben (April 10, 2010).
929:from the original on 2011-07-16
823:from the original on 2011-08-22
793:from the original on 2012-11-12
763:from the original on 2009-12-30
733:from the original on 2011-01-24
1325:"Get This Fella an NEA Grant!"
889:Golata, Justine (2023-05-23).
475:at the Imagination Gallery in
70:Catholic University of America
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1519:American installation artists
1149:Segal, David (June 6, 2008).
638:Nordland, Rod (25 May 2013).
659:"Bringing Art to a War Zone"
395:United States Secret Service
385:" and "The Assassination of
524:. Circle Art Agency, Kenya.
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1524:Artists from New York City
783:"The Return of the Wizard"
449:The New Vitruvians Project
813:"Bringing Marina Flowers"
150:Parson's School of Design
131:Yale School of Management
75:Parson's School of Design
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1415:The Gabriel Sherman Blog
415:The Keller Gates Project
275:The Keller Gates Project
723:"Artist Makes Big Leap"
437:, and Adjunct Curator,
1409:(September 23, 2008).
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522:The Circle Art Gallery
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1446:. October 23, 2008.
919:"Circular Reasoning"
303:Keller Gates Project
1382:"New York Art Beat"
1155:The Washington Post
983:The Huffington Post
817:The Huffington Post
787:The Huffington Post
757:The Huffington Post
1305:The New York Times
1238:(March 11, 2008).
1116:The New York Times
1089:. November 7, 2011
753:"Let Me Down Easy"
644:The New York Times
516:Jaroljmek, Danda.
500:'ball portraits.'
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1211:The Village Voice
1205:(March 5, 2008).
1177:(March 4, 2008).
979:"The Art Offends"
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336:The Village Voice
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