469:), published in France in 1975 and also published in Italian (Quodlibet 2003) describing a project to restructure our society in a genuine democratic way, seeking to escape any elitism through the theory of the critical group. The book is also a fierce critique of the myth of global communication. From the book: "The analysis of social utopias presented in this book implies, implicitly in the act of accusation and criticism of these two 'plagues' of our times which are: 'the state mafia' and the 'media mafia' (press, television etc.). The existence of a state mafia results from the impossibility of the classic democratic state to keep the shape once its size exceeds certain limits, and the 'media mafia' is a direct result of the same inability in global communication ( Worldwide). The
549:. Raised plans increase the original area of the city becoming three-dimensional. The tiering of the spatial city on several independent levels, one on top of the other, determines "spatial town-planning" both from the functional and from the aesthetic viewpoint. The lower level may be earmarked for public life and for premises designed for community services as well as pedestrian areas. The piles contain the vertical means of transport (lifts, staircases). The superposition of levels should make it possible to build a whole industrial city, or a residential or commercial city, on the same site. In this way, the Spatial City forms what Friedman would call an "artificial
384:, that "mobile architecture" was coined in the sense of "mobility of living." With the example of "Ville spatiale", Friedman set out – for the first time – the principles of an architecture capable of understanding the constant changes that characterize the "social mobility" and based on "infrastructure" that provide housing. Planning rules could be created and recreated, according to the need of the inhabitants and residents. Its focus on people themselves arises from its direct experience of homeless refugees, first in European cities facing war and disaster and later in
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half of the spatial city would be occupied. The "fillings" which correspond to the dwellings only actually take up 50% of the three-dimensional lattice, permitting the light to spread freely in the spatial city. This introduction of elements on a three-dimensional grid with several levels on piles permits a changeable occupancy of the space by means of the convertibility of the forms and their adaptation to multiple uses.
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434:, completed in 1981. On this occasion he published a procedure in which the distribution and arrangement of all the architectural elements were designed and decided by future users. Because even non-professionals can understand and apply his method, he wrote also how to comics. Interest in the issue of participation brought Friedman's work to the attention of architects like
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leads to the formation of gangs who act on our behalf against our interests. As well as an indictment, this book will simultaneously be an act of encouragement: the individual should be encouraged not to offer their help or their tacit consent to these two gangs. It is not a call for revolution, but a call to resistance. "
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Mobile architecture is the "dwelling decided on by the occupant" by way of "infrastructures that are neither determined nor determining". Mobile architecture embodies an architecture available for a "mobile society". To deal with it, the classical architect invented "the
Average Man". The projects of
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can be used as an example of this inability, which is not the result of technical difficulties but rather stems from the fundamental human inability to communicate universally (from all to all). The failure of these two generous utopias, democracy and the 'global communication' between men, logically
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through the dissemination of self-building manuals in
African countries, South America and India. Despite the perennial utopian label, Friedman said: "I have always tried, in architectural studies, to develop projects that were feasible." In 1978, he was commissioned to design the Lycée Bergson in
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The spaces in this grid are rectangular and habitable modular "voids", with an average area of 25–35 square meters. Conversely, the form of the volumes included within the grid depends solely on the occupant, and their configuration set with a "Flatwriter" in the grid is completely free. Only one
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The
Spatial City is the most significant application of "mobile architecture". It is raised up on piles which contains inhabited volumes, fitted inside some of the "voids", alternating with other unused volumes, making it look aesthetically pleasant. The basis of its design is that of trihedral
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The teaching of architecture was largely responsible for the "classical" architect's under-estimation of the role of the user. Furthermore, this teaching did not embrace any real theory of architecture. Friedman proposed then teaching manuals for the fundamentals of architecture for the general
325:(5 June 1923 – 20 February 2020) was a Hungarian-born French architect, urban planner and designer. He was influential in the late 1950s and early 1960s, best known for his theory of "mobile architecture". In 2018, on his 95th birthday he was awarded the
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www.yonafriedman.com, an online extended monograph with more than a 1000 pictures with project descriptions, available for research and actualities, by Helene
Fentener van Vlissingen. This website permits announcements, reviews, a forum and contact
553:". This grid suspended in space outlines a new cartography of the terrain with the help of a continuous and indeterminate homogeneous network with a major positive outcome: this modular grid would authorize the limitless growth of the city.
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Getty
Research Institute, Los Angeles. Accession No. 2008.M.51. The archive contain manuscripts, sketches and drawings, and photographs and slides documenting the broad intellectual activity of this visionary architect and
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In 1958, Friedman founded the Groupe d'Ă©tudes de architecture mobile (GEAM) which dissolved in 1962. In 1963, he developed the idea of a city bridge and participated actively in the cultural climate and
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architects in the 1950s were undertaken, according to
Friedman, to meet the needs of this make-believe entity, and not as an attempt to meet the needs of the actual members of this mobile society.
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In 1958, Yona
Friedman published his first manifesto : "Mobile architecture". It describes a new kind of mobility not of the buildings, but for the inhabitants, who are given a new freedom.
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In
Friedman's own words "The city, as a mechanism, is thus nothing other than a labyrinth : a configuration of points of departure, and terminal points, separated by obstacles".
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Annie Ratti, Yona
Friedman, Luca Cerizza, Massimo Bartolini, Anna Daneri, Marco De Michelis, Manuel Orazi "Yona Friedman" Charta/Fondazione Antonio Ratti (March 1, 2009)
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Sabine
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465:, PUF 1994). The book that best represents, however, Friedman's ethics and spirit is perhaps "Utopies RĂ©alisables (French for
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The spatial city, which is a materialization of this theory, makes it possible for everyone to develop his or her own
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Yona Friedman, Manuel Orazi, "The Dilution of Architecture". Nader Seraj Ed., Park Books, Zurich 2015,
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2017: "Yona Friedman. People's Architecture". Centre des arts de l'École Internationale de Genève – EIG
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of the 1960s known as the "Age of megastructures". From the mid nineteen sixties on he taught at
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elements which operate as "neighbourhoods" where dwellings are distributed without a price.
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This spanning technique which includes container structures ushers in a new development in
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This structure introduces a kind of merger between countryside and city (compare to
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areas where building is not possible or permitted (expanses of water, marshland),
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Sketches in Permanent Collections: MOMA, New York; Centre Pompidou, Paris.
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2015: Mobile Architecture: Yona Friedman, Power Station of Art, Shanghai
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were applied. He also authored books dealing with technical subjects (
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In 1956, at the Xth International Congress of Modern Architecture in
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roundups of Jews, and lived for about a decade in the city of
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Austrian Frederick Kiesler Prize for Architecture and the Arts
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areas that have already been built upon (an existing city),
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and be alterable as required by the individual occupant.
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universities. In the following decade he worked for the
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964:(a monograph of the work of Yona Friedman up to 1999).
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Yona Friedman. Structures serving the unpredictable
337:Born in Budapest, Hungary, in 1923, into an ethnic
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151:. Unsourced material may be challenged and removed.
345:quota laws at universities, Friedman survived the
874:"cities in the sky: re-evaluating yona friedman"
341:family, which posed him problems because of the
307:Budapest University of Technology and Economics
898:https://www.kiesler.org/en/kiesler-prize-2018
93:that contextualizes different points of view.
79:to certain ideas, incidents, or controversies
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1018:note Yona Friedman - Collection Frac Centre
643:Yona Friedman. The Dilution of Architecture
53:Learn how and when to remove these messages
16:Hungarian-born French architect (1923–2020)
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1023:Short biography on Megastructure Reloaded
304:Technion - Israel Institute of Technology
229:Learn how and when to remove this message
211:Learn how and when to remove this message
109:Learn how and when to remove this message
778:2009: Venice Biennale, Inventing Worlds.
504:be capable of being dismantled and moved
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752:Le Musée de rue et le Musée iconostase
461:, L'Ă©clat 2003) and epistemological (
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915:"Interview: architect Yona Friedman"
501:touch the ground over a minimum area
149:adding citations to reliable sources
995:Yona Friedman - Utopies RĂ©alisables
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1028:Blue Print Magazine June 12, 2009
872:Harris, William (19 April 2016).
630:Yona Friedman Drawings and models
577:Towards a scientific architecture
34:This article has multiple issues.
913:Edwin Heathcote (24 June 2016),
783:Dare to make your own exhibition
682:Dictionnaire, Promenadologues #3
457:, Workshop 1975), sociological (
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42:or discuss these issues on the
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830:Megastructures (architecture)
766:Handbuch, Berlin – Paris 2012
455:For a scientific architecture
985:Fond Denise et Yona Friedman
921:. Retrieved 9 November 2019.
1080:French architecture writers
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532:certain unavailable sites,
286:Los Angeles, United States
1070:Jewish Hungarian artists
1060:Architects from Budapest
904:Retrieved 11 April 2024.
804:2002: Yokohama Triennale
590:A better life in towns:
459:L'architecture du survie
795:2007: Shanghai Biennale
617:Yona Friedman: Pro Domo
528:concept) and may span:
735:Diapositives 1958–2002
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1075:Jewish French artists
801:2003: Venice Biennale
798:2005: Venice Biennale
365:in 1957. He became a
87:by rewriting it in a
1033:Yona Friedman papers
861:. February 21, 2020.
721:Iconostase version 3
463:L'univers erratique
399:utopian architecture
145:improve this article
835:Metabolist Movement
672:1001 nuits + 1 jour
571:Mobile architecture
564:Major written works
478:Mobile architecture
1013:September 29, 2011
825:Manfredi Nicoletti
820:Constantin Xenakis
676:mfc-michèle didier
436:Giancarlo De Carlo
1090:Jewish architects
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656:Exhibitions
333:Early years
292:Nationality
261:5 June 1923
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1004:archINFORM
841:References
551:topography
495:hypothesis
313:Occupation
257:1923-06-05
201:March 2020
171:newspapers
99:March 2020
39:improve it
859:ArchDaily
815:Archigram
407:Princeton
374:Dubrovnik
369:in 1966.
316:Architect
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1036:planner.
883:19 April
809:See also
772:, Berlin
707:Möbianne
526:Arcology
490:public.
471:Internet
415:Columbia
392:Maturity
378:urbanism
265:Budapest
702:, Paris
411:Harvard
382:Team 10
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386:Israel
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339:Jewish
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178:books
75:lend
969:ISBN
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885:2016
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438:and
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