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469:), published in France in 1975 and also published in Italian (Quodlibet 2003) describing a project to restructure our society in a genuine democratic way, seeking to escape any elitism through the theory of the critical group. The book is also a fierce critique of the myth of global communication. From the book: "The analysis of social utopias presented in this book implies, implicitly in the act of accusation and criticism of these two 'plagues' of our times which are: 'the state mafia' and the 'media mafia' (press, television etc.). The existence of a state mafia results from the impossibility of the classic democratic state to keep the shape once its size exceeds certain limits, and the 'media mafia' is a direct result of the same inability in global communication ( Worldwide). The 549:. Raised plans increase the original area of the city becoming three-dimensional. The tiering of the spatial city on several independent levels, one on top of the other, determines "spatial town-planning" both from the functional and from the aesthetic viewpoint. The lower level may be earmarked for public life and for premises designed for community services as well as pedestrian areas. The piles contain the vertical means of transport (lifts, staircases). The superposition of levels should make it possible to build a whole industrial city, or a residential or commercial city, on the same site. In this way, the Spatial City forms what Friedman would call an "artificial 384:, that "mobile architecture" was coined in the sense of "mobility of living." With the example of "Ville spatiale", Friedman set out – for the first time – the principles of an architecture capable of understanding the constant changes that characterize the "social mobility" and based on "infrastructure" that provide housing. Planning rules could be created and recreated, according to the need of the inhabitants and residents. Its focus on people themselves arises from its direct experience of homeless refugees, first in European cities facing war and disaster and later in 557:
half of the spatial city would be occupied. The "fillings" which correspond to the dwellings only actually take up 50% of the three-dimensional lattice, permitting the light to spread freely in the spatial city. This introduction of elements on a three-dimensional grid with several levels on piles permits a changeable occupancy of the space by means of the convertibility of the forms and their adaptation to multiple uses.
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leads to the formation of gangs who act on our behalf against our interests. As well as an indictment, this book will simultaneously be an act of encouragement: the individual should be encouraged not to offer their help or their tacit consent to these two gangs. It is not a call for revolution, but a call to resistance. "
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Mobile architecture is the "dwelling decided on by the occupant" by way of "infrastructures that are neither determined nor determining". Mobile architecture embodies an architecture available for a "mobile society". To deal with it, the classical architect invented "the Average Man". The projects of
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can be used as an example of this inability, which is not the result of technical difficulties but rather stems from the fundamental human inability to communicate universally (from all to all). The failure of these two generous utopias, democracy and the 'global communication' between men, logically
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through the dissemination of self-building manuals in African countries, South America and India. Despite the perennial utopian label, Friedman said: "I have always tried, in architectural studies, to develop projects that were feasible." In 1978, he was commissioned to design the Lycée Bergson in
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The spaces in this grid are rectangular and habitable modular "voids", with an average area of 25–35 square meters. Conversely, the form of the volumes included within the grid depends solely on the occupant, and their configuration set with a "Flatwriter" in the grid is completely free. Only one
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The Spatial City is the most significant application of "mobile architecture". It is raised up on piles which contains inhabited volumes, fitted inside some of the "voids", alternating with other unused volumes, making it look aesthetically pleasant. The basis of its design is that of trihedral
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The teaching of architecture was largely responsible for the "classical" architect's under-estimation of the role of the user. Furthermore, this teaching did not embrace any real theory of architecture. Friedman proposed then teaching manuals for the fundamentals of architecture for the general
325:(5 June 1923 – 20 February 2020) was a Hungarian-born French architect, urban planner and designer. He was influential in the late 1950s and early 1960s, best known for his theory of "mobile architecture". In 2018, on his 95th birthday he was awarded the 934:
www.yonafriedman.com, an online extended monograph with more than a 1000 pictures with project descriptions, available for research and actualities, by Helene Fentener van Vlissingen. This website permits announcements, reviews, a forum and contact
553:". This grid suspended in space outlines a new cartography of the terrain with the help of a continuous and indeterminate homogeneous network with a major positive outcome: this modular grid would authorize the limitless growth of the city. 1035:
Getty Research Institute, Los Angeles. Accession No. 2008.M.51. The archive contain manuscripts, sketches and drawings, and photographs and slides documenting the broad intellectual activity of this visionary architect and
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In 1958, Friedman founded the Groupe d'Ă©tudes de architecture mobile (GEAM) which dissolved in 1962. In 1963, he developed the idea of a city bridge and participated actively in the cultural climate and
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architects in the 1950s were undertaken, according to Friedman, to meet the needs of this make-believe entity, and not as an attempt to meet the needs of the actual members of this mobile society.
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In 1958, Yona Friedman published his first manifesto : "Mobile architecture". It describes a new kind of mobility not of the buildings, but for the inhabitants, who are given a new freedom.
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In Friedman's own words "The city, as a mechanism, is thus nothing other than a labyrinth : a configuration of points of departure, and terminal points, separated by obstacles".
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Annie Ratti, Yona Friedman, Luca Cerizza, Massimo Bartolini, Anna Daneri, Marco De Michelis, Manuel Orazi "Yona Friedman" Charta/Fondazione Antonio Ratti (March 1, 2009)
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Sabine Lebesque, Helene Fentener van Vlissingen, "Yona Friedman. Structures serving the unpredictable", NAi Publishers, May 1999,
829: 465:, PUF 1994). The book that best represents, however, Friedman's ethics and spirit is perhaps "Utopies RĂ©alisables (French for 449:, Friedman completed the Museum of Simple Technology in which the principles of self-construction from local materials such as 89: 76: 1084: 1074: 148: 144: 38: 191: 163: 493:
The spatial city, which is a materialization of this theory, makes it possible for everyone to develop his or her own
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Yona Friedman, Manuel Orazi, "The Dilution of Architecture". Nader Seraj Ed., Park Books, Zurich 2015,
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2017: "Yona Friedman. People's Architecture". Centre des arts de l'École Internationale de Genève – EIG
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of the 1960s known as the "Age of megastructures". From the mid nineteen sixties on he taught at
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elements which operate as "neighbourhoods" where dwellings are distributed without a price.
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This spanning technique which includes container structures ushers in a new development in
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This structure introduces a kind of merger between countryside and city (compare to
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areas where building is not possible or permitted (expanses of water, marshland),
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Sketches in Permanent Collections: MOMA, New York; Centre Pompidou, Paris.
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2015: Mobile Architecture: Yona Friedman, Power Station of Art, Shanghai
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were applied. He also authored books dealing with technical subjects (
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In 1956, at the Xth International Congress of Modern Architecture in
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2012: "Yona Friedman. Genesis of a Vision". Centre Archizoom – EPFL
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2011: "Architecture Without Buildings", Ludwig Museum, Budapest
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roundups of Jews, and lived for about a decade in the city of
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Austrian Frederick Kiesler Prize for Architecture and the Arts
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areas that have already been built upon (an existing city),
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and be alterable as required by the individual occupant.
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universities. In the following decade he worked for the
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Yona Friedman. Structures serving the unpredictable
337:Born in Budapest, Hungary, in 1923, into an ethnic 312: 299: 291: 275: 250: 243: 151:. Unsourced material may be challenged and removed. 345:quota laws at universities, Friedman survived the 874:"cities in the sky: re-evaluating yona friedman" 341:family, which posed him problems because of the 307:Budapest University of Technology and Economics 898:https://www.kiesler.org/en/kiesler-prize-2018 93:that contextualizes different points of view. 79:to certain ideas, incidents, or controversies 8: 1018:note Yona Friedman - Collection Frac Centre 643:Yona Friedman. The Dilution of Architecture 53:Learn how and when to remove these messages 16:Hungarian-born French architect (1923–2020) 240: 1023:Short biography on Megastructure Reloaded 304:Technion - Israel Institute of Technology 229:Learn how and when to remove this message 211:Learn how and when to remove this message 109:Learn how and when to remove this message 778:2009: Venice Biennale, Inventing Worlds. 504:be capable of being dismantled and moved 846: 752:Le MusĂ©e de rue et le MusĂ©e iconostase 461:, L'Ă©clat 2003) and epistemological ( 7: 915:"Interview: architect Yona Friedman" 501:touch the ground over a minimum area 149:adding citations to reliable sources 995:Yona Friedman - Utopies RĂ©alisables 14: 1028:Blue Print Magazine June 12, 2009 872:Harris, William (19 April 2016). 630:Yona Friedman Drawings and models 577:Towards a scientific architecture 34:This article has multiple issues. 913:Edwin Heathcote (24 June 2016), 783:Dare to make your own exhibition 682:Dictionnaire, Promenadologues #3 457:, Workshop 1975), sociological ( 125: 64: 23: 361:, before moving permanently to 136:needs additional citations for 42:or discuss these issues on the 1095:20th-century French architects 1: 1100:Hungarian emigrants to France 830:Megastructures (architecture) 766:Handbuch, Berlin – Paris 2012 455:For a scientific architecture 985:Fond Denise et Yona Friedman 921:. Retrieved 9 November 2019. 1080:French architecture writers 1065:Architectural theoreticians 1116: 532:certain unavailable sites, 286:Los Angeles, United States 1070:Jewish Hungarian artists 1060:Architects from Budapest 904:Retrieved 11 April 2024. 804:2002: Yokohama Triennale 590:A better life in towns: 459:L'architecture du survie 795:2007: Shanghai Biennale 617:Yona Friedman: Pro Domo 528:concept) and may span: 735:Diapositives 1958–2002 1085:French urban planners 1075:Jewish French artists 801:2003: Venice Biennale 798:2005: Venice Biennale 365:in 1957. He became a 87:by rewriting it in a 1033:Yona Friedman papers 861:. February 21, 2020. 721:Iconostase version 3 463:L'univers erratique 399:utopian architecture 145:improve this article 835:Metabolist Movement 672:1001 nuits + 1 jour 571:Mobile architecture 564:Major written works 478:Mobile architecture 1013:September 29, 2011 825:Manfredi Nicoletti 820:Constantin Xenakis 676:mfc-michèle didier 436:Giancarlo De Carlo 1090:Jewish architects 973:978-3-906027-68-5 962:978-90-5662-108-7 650:978-3-906027-68-5 637:978-2-84066-406-2 611:978-90-5662-108-7 320: 319: 239: 238: 231: 221: 220: 213: 195: 119: 118: 111: 73:This article may 57: 1107: 922: 911: 905: 895: 889: 888: 886: 884: 869: 863: 862: 851: 512:The Spatial City 467:feasible utopias 440:Bernard Rudofsky 347:Second World War 282: 279:20 February 2020 260: 258: 241: 234: 227: 216: 209: 205: 202: 196: 194: 153: 129: 121: 114: 107: 103: 100: 94: 90:balanced fashion 68: 67: 60: 49: 27: 26: 19: 1115: 1114: 1110: 1109: 1108: 1106: 1105: 1104: 1040: 1039: 981: 931: 929:Further reading 926: 925: 919:Financial Times 912: 908: 896: 892: 882: 880: 871: 870: 866: 853: 852: 848: 843: 811: 658: 566: 541:above farmland. 514: 480: 394: 335: 300:Alma mater 287: 284: 280: 271: 262: 256: 254: 246: 235: 224: 223: 222: 217: 206: 200: 197: 160:"Yona Friedman" 154: 152: 142: 130: 115: 104: 98: 95: 85:help improve it 82: 69: 65: 28: 24: 17: 12: 11: 5: 1113: 1111: 1103: 1102: 1097: 1092: 1087: 1082: 1077: 1072: 1067: 1062: 1057: 1052: 1042: 1041: 1038: 1037: 1030: 1025: 1020: 1015: 1006: 997: 992: 987: 980: 979:External links 977: 976: 975: 965: 946: 936: 930: 927: 924: 923: 906: 890: 864: 845: 844: 842: 839: 838: 837: 832: 827: 822: 817: 810: 807: 806: 805: 802: 799: 796: 793: 779: 776: 773: 762: 748: 745: 731: 717: 703: 692: 678: 668: 665: 662: 657: 654: 653: 652: 639: 626: 613: 592: 586: 573: 565: 562: 543: 542: 539: 536: 533: 513: 510: 509: 508: 505: 502: 479: 476: 419:United Nations 393: 390: 367:French citizen 334: 331: 318: 317: 314: 310: 309: 301: 297: 296: 293: 289: 288: 285: 283:(aged 96) 277: 273: 272: 263: 252: 248: 247: 244: 237: 236: 219: 218: 133: 131: 124: 117: 116: 72: 70: 63: 58: 32: 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 1112: 1101: 1098: 1096: 1093: 1091: 1088: 1086: 1083: 1081: 1078: 1076: 1073: 1071: 1068: 1066: 1063: 1061: 1058: 1056: 1053: 1051: 1048: 1047: 1045: 1034: 1031: 1029: 1026: 1024: 1021: 1019: 1016: 1014: 1010: 1007: 1005: 1001: 1000:Yona Friedman 998: 996: 993: 991: 990:Yona Friedman 988: 986: 983: 982: 978: 974: 970: 966: 963: 959: 955: 954:90-5662-108-4 951: 947: 945: 944:88-8158-705-X 941: 937: 933: 932: 928: 920: 916: 910: 907: 903: 899: 894: 891: 879: 875: 868: 865: 860: 856: 850: 847: 840: 836: 833: 831: 828: 826: 823: 821: 818: 816: 813: 812: 808: 803: 800: 797: 794: 792: 788: 784: 780: 777: 774: 771: 770:Galerie Chert 767: 763: 761: 757: 753: 749: 746: 744: 740: 736: 732: 730: 726: 722: 718: 716: 712: 708: 704: 701: 697: 696:Yona Friedman 693: 691: 687: 683: 679: 677: 673: 669: 666: 663: 660: 659: 655: 651: 647: 644: 640: 638: 634: 631: 627: 625: 624:84-96540-51-0 621: 618: 614: 612: 608: 604: 603:90-5662-108-4 600: 597: 593: 591: 587: 585: 584:0-262-56019-4 581: 578: 574: 572: 568: 567: 563: 561: 558: 554: 552: 548: 547:town-planning 540: 537: 534: 531: 530: 529: 527: 523: 518: 511: 506: 503: 500: 499: 498: 496: 491: 487: 483: 477: 475: 472: 468: 464: 460: 456: 452: 448: 447:Madras, India 443: 441: 437: 433: 429: 424: 420: 416: 412: 408: 404: 400: 391: 389: 387: 383: 379: 375: 370: 368: 364: 360: 356: 352: 349:escaping the 348: 344: 340: 332: 330: 328: 324: 323:Yona Friedman 315: 311: 308: 305: 302: 298: 294: 290: 278: 274: 270: 266: 253: 249: 245:Yona Friedman 242: 233: 230: 215: 212: 204: 193: 190: 186: 183: 179: 176: 172: 169: 165: 162: â€“  161: 157: 156:Find sources: 150: 146: 140: 139: 134:This article 132: 128: 123: 122: 113: 110: 102: 92: 91: 86: 80: 78: 71: 62: 61: 56: 54: 47: 46: 41: 40: 35: 30: 21: 20: 1011:Archived at 918: 909: 902:kiesler.org. 901: 893: 881:. 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Budapest
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Technion - Israel Institute of Technology
Budapest University of Technology and Economics
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Second World War
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Haifa
Israel

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