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constructing a musical composition, to explore what archives do, how they categorise and how they reveal institutional ideologies. The work also combines digital and physical crafts – including the use of embroidery for the first time in Bhimji's practice – drawing attention to textures and traces, light and shadow. Her latest work, Lead White has been commissioned by
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Bhimji’s photographs capture human traces in landscape and architecture. Walls are a recurring motif, attracting her through their absorption of history as they become a record of those who built, lived within and ultimately abandoned them. Despite a conspicuous absence of the body, the photographs
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is a meditation on power and beauty. It is the culmination of a decade-long investigation conducted over multiple continents, delving into national archives to capture details of words, lines, stamps and embossing. Bhimji creates poetic narratives by editing and repeating these details, as if
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Shocks to the System: Social and
Political Issues in Recent British Art from the Arts Council Collection
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Passing
Glances: Works by 5 Artists Presented by Artangel in Collaboration with the British Library
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Recordings, a select bibliography of contemporary
African, Afro-Caribbean and Asian British art
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emit a human presence. Reference to it is sometimes explicit – a row of guns awaiting use in
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934:. London: Institute of International Visual Arts and Chelsea College of Art and Design.
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802:"Zarina Bhimji: Yellow Patch, 20 Jan 2012 – 13 Apr 2012, The New Art Gallery Walsall"
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and the
Whitechapel Gallery. The film was inspired by trade and migration across the
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2012: Zarina Bhimji, Whitechapel
Gallery, London and Kunstmuseum Bern, Switzerland
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and the subsequent loss and grief caused. The photographs were exhibited at
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867:"Zarina Bhimji: Lead White: Until 2 June 2019 – Display at Tate Britain"
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gallery in London and Zurich. Her Turner Prize display included a film,
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Consisting of over 100 unframed photographs and multiple embroideries,
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In 2012, the first major survey exhibition of her work was held at
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838:"NEW DISPLAYS THIS AUTUMN AT TATE BRITAIN – Press Release | Tate"
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Morrill, Rebecca; Wright, Karen; Elderton, Louisa, eds. (2019).
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566:"Turner Prize 2007 shortlist announced – Press Release | Tate"
172:. Their theme was the expulsion of Asians from the country by
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Bhimji's work is held in the following public collections:
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1989: Intimate
Distance, the Photographers' Gallery, London
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In 2001, Bhimji had her first solo exhibition in the U.S.,
279:, Kettle's Yard, Cambridge (introduction by Marina Warner)
665:'Critical Decade: Black British Photography in the 80s',
494:
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in 2002, and is represented in the public collections of
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11 in June to
September 2002 with her 16 mm film.
30:(born 1963) is a Ugandan Indian photographer, based in
399:
1062:"Zarina Bhimji: Out of Blue – Moderna Museet i Malmö"
371:
The Image
Employed: the Use of Narrative in Black Art
150:'s, Infinity Award in the Art Photography category.
350:Darshan: An Exhibition by Ten Asian Photographers,
456:1994: Iniva inauguration exhibition, Iniva London
787:"Iraq protest camp shortlisted for Turner Prize"
199:
8:
160:monograph, published by Ridinghouse in 2012.
792:online, 10 May 2007. Retrieved 21 May 2007.
131:From 2003 to 2007, she travelled widely in
1144:Alumni of Goldsmiths, University of London
1020:: CS1 maint: location missing publisher (
254:was exhibited at Tate Britain in 2018/19.
92:in April 1990, and in a landmark issue of
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930:Keen, Melanie; Ward, Elizabeth (1996).
815:"Zarina Bhimji Ridinghouse publication"
739:"Turner Prize: The shortlisted artists"
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1139:Alumni of the Slade School of Fine Art
1013:
432:, British Library, Euston Road, London
408:Chisenhale Gallery, London and UK tour
307:Art Institute of Chicago, Chicago, USA
286:Harewood House, Terrace Gallery, Leeds
164:In 2007, she was shortlisted for the
109:, New York and won the EAST award at
7:
463:, the Photographers' Gallery, London
446:, South Bank Centre, London (toured)
366:, Greenwich Citizens Gallery, London
270:Zarina Bhimji: I Will Always Be Here
148:International Center for Photography
992:. Whitechapel Art Gallery. London.
765:International Center of Photography
706:Mercer, Kobena (9 September 2002).
415:, City Art Gallery, Leeds (toured)
314:Hamburger Bahnhof, Berlin, Germany
86:(1987–1989). Her work appeared in
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487:2003: Istanbul Biennale, Istanbul
359:, Whitechapel Art Gallery, London
1134:Alumni of De Montfort University
1124:Ugandan people of Indian descent
477:Walker Arts Centre, Minneapolis
461:The Impossible Science of Being
387:, Chelsea School of Art, London
338:, Chelsea School of Art, London
1:
682:"Zarina Garden-Press Release"
543:. Phaidon Press. p. 62.
470:, Guggenheim Museum, New York
345:, Brixton Art Gallery, London
451:On Taking a Normal Situation
380:, Camden Arts Centre, London
146:In 2003 Bhimji received the
34:. She was nominated for the
1154:English women photographers
305:Zarina Bhimji, Out of Blue,
224:The New Art Gallery Walsall
197:gallery describes her work:
98:magazine as early as 1992.
16:Ugandan Indian photographer
1200:
761:"2003 Infinity Award: Art"
513:Museum of Contemporary Art
394:, Kettle's Yard, Cambridge
272:, Ikon Gallery, Birmingham
48:Museum of Contemporary Art
1037:"Zarina Bhimji born 1963"
425:, Horizon Gallery, London
373:, Cornerhouse, Manchester
300:Haunch of Venison, Zurich
293:Haunch of Venison, London
84:University College London
70:, Bhimji was educated at
406:The Essential Black Art,
343:Mirror Reflecting Darkly
80:Slade School of Fine Art
23:Zarina Bhimji monograph.
1159:Journalists from London
988:Bhimji, Zarina (2012).
401:, South London Gallery
248:Sharjah Art Foundation
212:
186:, which was shot in a
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38:in 2007, exhibited at
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1184:Ugandan photographers
1149:Ugandan women artists
475:No place (like home),
190:-processing factory.
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72:Leicester Polytechnic
22:
749:on 21 November 2007.
646:www.zarinabhimji.com
437:The Women in My Life
284:Cleaning the Garden,
124:She participated in
1169:People from Mbarara
790:The Daily Telegraph
671:vol. 2, no. 3, 1992
541:Great women artists
492:British Art Show 6,
312:Who Knows Tomorrow,
216:Whitechapel Gallery
168:for photographs of
103:Cleaning the Garden
76:Goldsmiths' College
767:. 23 February 2016
413:Fabled Territories
352:Camerawork, London
230:. An accompanying
162:
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785:Reynolds, Nigel,
686:talwargallery.com
329:Group exhibitions
234:was published by
178:Haunch of Venison
111:EASTinternational
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1129:British Ismailis
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1099:
1097:Official website
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1072:on 13 April 2019
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58:Life and work
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1074:. Retrieved
1070:the original
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113:selected by
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40:Documenta 11
36:Turner Prize
27:
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1114:1963 births
1041:tate.org.uk
743:tate.org.uk
691:16 November
651:2 September
616:"Education"
499:Collections
322:Lead White,
258:Exhibitions
236:Ridinghouse
222:(2011), at
137:East Africa
1108:Categories
847:29 October
600:29 October
575:29 October
526:References
515:in Chicago
252:Lead White
243:Lead White
115:Mary Kelly
1076:5 October
1046:5 October
1016:cite book
1008:779254824
626:5 October
378:Polareyes
232:monograph
126:documenta
950:36076932
821:5 August
771:13 March
718:13 March
468:In/Sight
423:In Focus
174:Idi Amin
141:Zanzibar
62:Born in
364:Jagrati
336:f.stops
183:Waiting
64:Mbarara
1035:Tate.
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996:
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876:29 May
865:Tate.
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712:Frieze
564:Tate.
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484:Kassel
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320:2018:
310:2010:
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296:2007:
289:2006:
282:1998:
275:1995:
268:1992:
170:Uganda
68:Uganda
46:, the
32:London
668:Ten.8
188:sisal
133:India
105:, at
95:Ten.8
1078:2023
1048:2023
1022:link
1004:OCLC
994:ISBN
946:OCLC
936:ISBN
878:2019
871:Tate
849:2018
842:Tate
823:2012
773:2019
720:2019
714:(69)
693:2018
653:2019
628:2023
602:2018
577:2018
570:Tate
545:ISBN
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139:and
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