22:
671:
681:
190:'s performance in the title role at the Metropolitan premiere but said that the music "neither illuminates nor interferes with the drama. It is often futile, often a mere blank, but by no means infrequently in excellent accord with the sentiment of the situation. If there are few vocal climaxes, the two or three that exist are theatrically well planned."
57:
singer, Zazà, and her affair and subsequent decision to leave her lover, Milio, when she discovers that he is married. The music is influenced by the French music halls where
Leoncavallo had spent his early years as a composer.
174:, and even in its best moments it is sadly lacking in distinction; but it challenges praise which must go to the creation of a man who knew his business, knew it thoroughly." Reviewing the Metropolitan premiere
684:
545:
674:
710:
170:
stated that the music "is not fresh or original, nor even characteristic of its composer except in places where it is reminiscent of
538:
494:
85:. It was later seen in opera houses around the world. Over the following twenty years it received over fifty new productions from
715:
160:
Reviews of early performances in New York were lukewarm on the music and stated that the best music was similar to that of
725:
609:
153:
as alternating "between moments of passion and intensity and stretches of comedy" and said that it contains "a string of
531:
593:
129:
467:
651:
141:, although they are rarely performed today and are relatively unknown except to serious opera enthusiasts.
285:
62:
317:
720:
176:
554:
182:
118:
44:
335:
301:
569:
507:
98:
413:
490:
363:
145:
106:
388:
633:
438:
212:
187:
166:
122:
110:
82:
39:
705:
656:
625:
231:
70:
482:
267:
249:
114:
78:
74:
47:, with a libretto by the composer, which draws on the same material as the French play
21:
699:
280:
102:
94:
500:
49:
513:
204:
54:
577:
330:
585:
262:
680:
164:. Reviewing an early performance at the Metropolitan Opera in 1920, the
617:
226:
86:
523:
244:
90:
66:
20:
154:
527:
81:
as
Cascart and Clorinda Pini-Corsi as Anaide, and conducted by
342:
Chorus of actors, singers, dancers, stage crew, firemen, etc.
180:
stated that the opera "was best when it most recalled ."
364:"Leoncavallo's 'Zaza' opens Cincinnati Opera '87 season"
644:
561:
137:were Leoncavallo's most successful operas after
516:from Alterocca-Terni of the first production of
101:on 16 January 1920 in a production directed by
389:"Original Cast Repeats "Zaza" at Metropolitan"
539:
8:
546:
532:
524:
414:"Premiere of "Zaza" at the Metropolitan"
197:
439:"Geraldine Farrar Real Siren in 'Zaza'"
354:
53:(1898). The story concerns the French
38:
7:
362:Dietz Krebs, Betty (June 21, 1987).
474:. L'Almanacco di Gherardo Casaglia
149:editor Betty Dietz Krebs described
89:to Paris, Buenos Aires to Moscow,
14:
514:Gallery of photographic postcards
679:
670:
669:
489:, Baldini Castoldi Dalai, 2007,
395:. February 26, 1920. p. 13
209:Premiere cast, 10 November 1900
497:. Accessed online 8 July 2009.
445:. January 17, 1920. p. 11
69:on 10 November 1900, starring
1:
711:Operas by Ruggero Leoncavallo
420:. January 17, 1920. p. 5
18:Opera by Ruggero Leoncavallo
452:– via newspapers.com.
427:– via newspapers.com.
402:– via newspapers.com.
377:– via newspapers.com.
742:
466:Casaglia, Gherardo (2005).
25:Cover of piano score, 1919
665:
510:. Retrieved, April, 2010.
341:
61:Its premiere was at the
716:Italian-language operas
36:Italian pronunciation:
26:
610:Der Roland von Berlin
487:Dizionario dell'Opera
258:a concert hall singer
222:a concert hall singer
24:
726:Operas set in France
481:Gelli, Piero (ed.),
555:Ruggero Leoncavallo
286:Clorinda Pini-Corsi
183:The New York Herald
119:Giovanni Martinelli
113:, Giulio Crimi and
45:Ruggero Leoncavallo
508:Teatro Grattacielo
418:The Standard Union
324:Signora Dufresne,
240:a wealthy Parisian
177:The Standard Union
99:Metropolitan Opera
97:, arriving at the
40:[dzadˈdza]
27:
693:
692:
657:"Vesti la giubba"
368:Dayton Daily News
346:
345:
318:Adalgisa Fabbrini
146:Dayton Daily News
107:Roberto Moranzoni
105:and conducted by
43:) is an opera by
733:
683:
673:
672:
548:
541:
534:
525:
477:
454:
453:
451:
450:
435:
429:
428:
426:
425:
410:
404:
403:
401:
400:
393:New York Tribune
385:
379:
378:
376:
375:
359:
238:Milio Dufresne,
213:Arturo Toscanini
198:
188:Geraldine Farrar
167:New York Tribune
123:Giuseppe De Luca
111:Geraldine Farrar
83:Arturo Toscanini
42:
37:
741:
740:
736:
735:
734:
732:
731:
730:
696:
695:
694:
689:
661:
645:Arias and songs
640:
557:
552:
475:
458:
457:
448:
446:
443:New York Herald
437:
436:
432:
423:
421:
412:
411:
407:
398:
396:
387:
386:
382:
373:
371:
361:
360:
356:
351:
232:Rosina Storchio
210:
196:
71:Rosina Storchio
35:
19:
12:
11:
5:
739:
737:
729:
728:
723:
718:
713:
708:
698:
697:
691:
690:
688:
687:
677:
666:
663:
662:
660:
659:
654:
648:
646:
642:
641:
639:
638:
630:
626:Are You There?
622:
614:
606:
598:
590:
582:
574:
565:
563:
559:
558:
553:
551:
550:
543:
536:
528:
522:
521:
511:
498:
479:
456:
455:
430:
405:
380:
353:
352:
350:
347:
344:
343:
339:
338:
333:
328:
321:
320:
315:
314:mezzo-soprano
312:
305:
304:
299:
296:
289:
288:
283:
278:
271:
270:
268:Mario Sammarco
265:
260:
253:
252:
250:Edoardo Garbin
247:
242:
235:
234:
229:
224:
217:
216:
207:
202:
195:
192:
115:Pasquale Amato
79:Mario Sammarco
75:Edoardo Garbin
17:
13:
10:
9:
6:
4:
3:
2:
738:
727:
724:
722:
719:
717:
714:
712:
709:
707:
704:
703:
701:
686:
682:
678:
676:
668:
667:
664:
658:
655:
653:
650:
649:
647:
643:
636:
635:
631:
628:
627:
623:
620:
619:
615:
612:
611:
607:
604:
603:
599:
596:
595:
591:
588:
587:
583:
580:
579:
575:
572:
571:
567:
566:
564:
560:
556:
549:
544:
542:
537:
535:
530:
529:
526:
519:
515:
512:
509:
505:
503:
499:
496:
495:88-6073-184-4
492:
488:
484:
480:
473:
471:
465:
464:
463:
462:
444:
440:
434:
431:
419:
415:
409:
406:
394:
390:
384:
381:
370:. p. 6-C
369:
365:
358:
355:
348:
340:
337:
334:
332:
329:
327:
323:
322:
319:
316:
313:
311:
307:
306:
303:
300:
297:
295:
291:
290:
287:
284:
282:
281:mezzo-soprano
279:
277:
276:Zazà's mother
273:
272:
269:
266:
264:
261:
259:
255:
254:
251:
248:
246:
243:
241:
237:
236:
233:
230:
228:
225:
223:
219:
218:
214:
208:
206:
203:
200:
199:
193:
191:
189:
185:
184:
179:
178:
173:
169:
168:
163:
158:
156:
152:
148:
147:
142:
140:
136:
132:
131:
126:
124:
120:
117:, and later,
116:
112:
108:
104:
103:David Belasco
100:
96:
95:San Francisco
92:
88:
84:
80:
76:
72:
68:
64:
63:Teatro Lirico
59:
56:
52:
51:
46:
41:
33:
32:
23:
16:
632:
624:
616:
608:
601:
600:
592:
584:
576:
568:
517:
501:
486:
476:(in Italian)
469:
460:
459:
447:. Retrieved
442:
433:
422:. Retrieved
417:
408:
397:. Retrieved
392:
383:
372:. Retrieved
367:
357:
336:Ines Rosalba
325:
309:
302:Lucio Aristi
294:a journalist
293:
275:
257:
239:
221:
211:(Conductor:
181:
175:
171:
165:
161:
159:
150:
144:
143:
138:
134:
128:
127:
60:
48:
30:
29:
28:
15:
721:1900 operas
652:"Mattinata"
326:Milo's wife
310:Zazà's maid
109:, starring
700:Categories
570:Chatterton
449:2020-03-10
424:2022-03-10
399:2022-03-10
374:2022-03-10
349:References
205:Voice type
77:as Milio,
73:as Zazà,
55:music hall
594:La bohème
578:Pagliacci
331:contralto
308:Natalia,
298:baritone
256:Cascart,
172:Pagliacci
162:Pagliacci
139:Pagliacci
130:La bohème
675:Category
634:Edipo re
586:I Medici
520:in 1900.
274:Anaide,
263:baritone
186:praised
618:Zingari
506:at the
504:archive
461:Sources
292:Bussy,
227:soprano
87:Palermo
706:Operas
637:(1920)
629:(1913)
621:(1912)
613:(1904)
605:(1900)
597:(1897)
589:(1893)
581:(1892)
573:(1876)
562:Operas
493:
483:"Zazà"
220:Zazà,
685:Audio
245:tenor
201:Role
194:Roles
155:arias
91:Cairo
67:Milan
602:Zazà
518:Zazà
502:Zazà
491:ISBN
470:Zazà
151:Zazà
135:Zazà
133:and
121:and
50:Zaza
31:Zazà
157:."
125:.
93:to
65:in
702::
485:,
441:.
416:.
391:.
366:.
215:)
547:e
540:t
533:v
478:.
472:"
468:"
34:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
