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365:, inserted into the top of the small bore. Unlike the bassoon it normally has a flared bell, sometimes made from a separate piece of timber. This bell can sometimes be muted, the mute being either detachable, or built into the instrument. The outside of the instrument can also be covered in leather, like the
426:
The instrument seems to have been in wide use by the middle of the sixteenth century. A set of instruments in various sizes exist in
Brussels: these have a maker's mark of "Melchor" and are thought to be Spanish. Another well known example is a slightly later instrument in Linz, leather covered and
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Although the bass in F is the most common size, the dulcian comes in many other sizes: tenor (in C), alto (in F or G) and soprano (in C). There are also examples of a "quart bass" dulcian in C and contrabass in F. The range of each instrument is two and a half octaves, centred on the range of the
349:, it flourished between 1550 and 1700, but was probably invented earlier. Towards the end of this period it co-existed with, and was then superseded by, the baroque bassoon. It was played in both secular and sacred contexts, throughout northern and western Europe, as well as in the New World.
423:. It has been argued the dulcian displaced the bass shawm, on account of its more convenient size, but it has also been argued that the two co-existed and that the bass shawm appeared at about the same time as the bass dulcian.
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1700, which also has a built in mute. Modern copies of the Linz instrument have a smoother sound and reach the high notes more easily, this is even more the case for modern copies of the Denner instrument.
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The dulcian is a flexible instrument, capable of being loud enough to play in outdoor bands, quiet enough for
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405:. At the time it first appeared, other double reed instruments either had the reed fully enclosed, like the
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of the city watch, chamber music, and the grand polychoral repertoire from Venice and
Germany, such as
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The reed on the dulcian is fully exposed, allowing the player to control the sound and intonation by
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Soprano, G-alto, F-alto, tenor and bass dulcians from the
Brussels collection
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Curtal, Dulcian, Bajón – A History of the
Precursor to the Bassoon
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corresponding singing voice: for example, the bass ranges from C
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with a built-in mute. The latest commonly copied example is by
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Dulcians in
Theatrum Instrumentorum (Michael Praetorius, 1620)
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460:. There are explicit dulcian parts in the sonatas by
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The dulcian is generally made from a single piece of
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87:. Unsourced material may be challenged and removed.
186:but its sources remain unclear because it lacks
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8:
50:Learn how and when to remove these messages
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527:
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235:Learn how and when to remove this message
217:Learn how and when to remove this message
147:Learn how and when to remove this message
247:Renaissance predecessor of the bassoon
563:and sextuple reeds; does not include
7:
509:, Maggie Kilbey's comprehensive book
285:. Equivalent terms include English:
85:adding citations to reliable sources
14:
31:This article has multiple issues.
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61:
20:
256:Museu de la Música de Barcelona
72:needs additional citations for
39:or discuss these issues on the
345:The predecessor of the modern
1:
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413:, or partially enclosed by a
277:woodwind instrument, with a
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602:Cor anglais (English horn)
559:(also includes those with
1033:Early musical instruments
557:
501:Hans Mons' excellent site
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385:(the G above middle C).
172:This article includes a
1028:Double-reed instruments
440:Function and repertoire
201:more precise citations.
515:, many useful articles
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995:American traditional
914:European traditional
480:. Kahn and Averill.
81:improve this article
764:African traditional
587:Piccolo heckelphone
474:Waterhouse, William
377:(two octaves below
681:European classical
637:Semi-contrabassoon
573:European classical
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174:list of references
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790:Asian traditional
499:Dulcian Home Page
454:Giovanni Gabrieli
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486:1-871082-68-4
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446:chamber music
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281:and a folded
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98: –
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92:Find sources:
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76:
75:
70:This article
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58:
53:
51:
44:
43:
38:
37:
32:
27:
18:
17:
905:Zurna/Surnai
750:Rauschpfeife
719:
695:Baroque oboe
683:(historical)
662:Sarrusophone
597:Oboe d'amore
582:Piccolo oboe
505:
477:
443:
425:
414:
400:
371:
356:
353:Construction
344:
283:conical bore
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193:Please help
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143:
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117:
110:
103:
91:
79:Please help
74:verification
71:
47:
40:
34:
33:Please help
30:
895:Taepyeongso
647:Contraforte
612:Heckelphone
552:instruments
550:Double reed
478:The Bassoon
419:, like the
279:double reed
275:Renaissance
199:introducing
1022:Categories
986:Surma-horn
852:Nadaswaram
837:Kèn đám ma
700:Bassanello
468:References
403:embouchure
336:Portuguese
207:April 2021
137:April 2021
107:newspapers
36:improve it
817:Hichiriki
705:Cornamuse
667:Rothphone
607:Bass oboe
561:quadruple
416:pirouette
389:Evolution
292:‹See Tfd›
96:"Dulcian"
42:talk page
1002:Chirimía
976:Tárogató
946:Dulzaina
900:Tangmuri
730:Kortholt
715:Crumhorn
710:Cromorne
672:Tromboon
627:Tenoroon
617:Lupophon
575:(modern)
565:bagpipes
476:(2003).
450:sackbuts
407:crumhorn
379:middle C
324:dulciana
316:dulciaan
308:douçaine
966:Piffero
961:Musette
936:Bombard
931:Birbynė
876:Sundari
872:Shehnai
832:Kèn bầu
812:Gyaling
797:Balaban
771:Algaita
745:Rackett
720:Dulcian
632:Bassoon
411:bagpipe
409:or the
381:), to G
367:cornett
347:bassoon
328:Spanish
320:Italian
300:Dulzian
271:dulcian
195:improve
121:scholar
971:Sopila
956:Gralla
951:Graïle
926:Bifora
885:Sralai
847:Mizmar
842:Kuzhal
776:Rhaita
740:Pommer
484:
429:Denner
340:baixão
334:, and
304:French
296:German
287:curtal
123:
116:
109:
102:
94:
981:Zurna
921:Aulos
890:Suona
880:Sorna
802:Duduk
781:Zukra
755:Shawm
690:Aulos
421:shawm
363:bocal
359:maple
332:bajón
312:Dutch
273:is a
180:, or
128:JSTOR
114:books
867:Piri
857:Ottu
807:Guan
592:Oboe
513:IDRS
482:ISBN
456:and
269:The
100:news
827:Kèn
822:Hne
83:by
1024::
862:Pi
464:.
433:c.
431:,
369:.
342:.
338::
330::
326:,
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318:,
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144:(
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135:(
125:·
118:·
111:·
104:·
77:.
52:)
48:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
