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438:, arriving there on 14 May. He soon established a reputation as the colony's first and foremost artist of significance. Upon setting up a small business, Earle received a number of requests for portraits. These commissions came from a number of Sydney's establishment figures and leading families. Throughout this time, Earle also continued to produce a number of
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inexplicably set sail, leaving Earle and Gooch on the island, which had only six permanent adult inhabitants. In the ensuing eight months of enforced stay on the island, between March and
November, Earle became a tutor to several children, and continued to record impressions of the island until his
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and were employed on voyages of exploration or worked abroad for wealthy, often aristocratic patrons, Earle was able to operate quite independently – able to combine his lust for travel with an ability to earn a living through art. The body of work he produced during his travels comprises a
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storms forced the ship to anchor off the remote island of
Tristan da Cunha. During the ship's stay in the island's waters, Earle went ashore with his dog and a crew member, Thomas Gooch, attracted by the idea that 'this was a spot hitherto unvisited by any artist'. Three days later
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and daily village life, the effects of warfare, portrait studies. He also produced a number of oil painting portraits, along with watercolours, lithographs and pencil sketches. Returning to
Hokianga Harbour, he departed from New Zealand for Sydney in April 1828 aboard
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which mainly fall into three categories: landscapes, Aboriginal subjects, and a series of views of public and private buildings that record the development of the colony. Earle painted numerous portraits of high-profile colonists including
Governor
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A narrative of a nine months' residence in New
Zealand in 1827: together with a journal of a residence in Tristan D'Acunha, an island situated between South America and the Cape of Good Hope
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to visit New
Zealand, where he had 'hopes of finding something new for my pencil in their peculiar and picturesque style of life'. While Earle was preceded by artists on
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and was already exhibiting there at the age of 13. Earle exhibited classical, genre and historical paintings in six Royal
Academy exhibitions between 1806 and 1814.
538:, also known as Shulitea . A large number of watercolours and drawings from Earle's New Zealand sojourn remain, covering subjects such as romantic landscapes,
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on 1 June 1793. He was the youngest child of an
American-born father, James Earle (1761–1796), an artist, and Georgiana Caroline Smyth, daughter of
89:(Self Portrait) Solitude, watching the horizon at sun set, in the hopes of seeing a vessel, Tristan de Acunha (i.e. da Cunha) in the South Atlantic
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who spent some years in
England. Earle's father James was a member of the prominent American Earle family. The elder of his two sisters was
648:, which he exhibited at the Royal Academy in 1838. This was one of three he made in the Cabbage Tree Forest near Illawarra c. March 1827.
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in India. Although the city of Madras provided a good market for his art Earle's health declined there and he travelled to
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significant documentary record of the effects of
European contact and colonisation during the early nineteenth century.
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In 1815, at the age of twenty-two, Earle's half-brother, William Henry Smyth had sought and was given permission by
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Earle then spent close to six months back in Sydney before departing on 12 October 1828, on board the ship
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Earle also made several excursions to outlying areas of the colony, travelling north of Sydney via the
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486:'society' he decided to apply for a land grant, this was denied however, due to his lack of capital.
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Portrait of Bungaree, a native of New South Wales, with Fort Macquarie, Sydney Harbour, in background
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338:. Earle's departure was due to a letter containing the 'most flattering offers of introduction to
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595:. After executing panoramic views of the island he returned to England in the Resource in 1830.
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and Mrs Piper, with her children. One of his most famous works is a lithographic print entitled
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on the first stage of a journey that would end up taking him around-the-world to South America,
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became involved with "the Darwin theory", while Earle was to serve as Darwin's artist later.
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before returning home in late 1829. The first leg of Earle's 1818 voyage took him first to
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from July to December. On 10 December 1820, Earle left Lima for Rio de Janeiro aboard HMS
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Augustus Earle died, of asthma and debility, in London on 10 December 1838, aged 45.
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Cape Barathas, (i.e. Barathus) Adventure Bay, Van Dieman's (i.e. Diemen's) Land
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101:(1793–1838) was a British painter. Unlike earlier artists who worked outside
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and former partner (with two children) of Joseph Brewer Palmer Smyth, an
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The Wandering Artist: Augustus Earle's Travels Around The World 1820-29
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794:"Ann Piper and her children, ca. 1826 / oil painting by Augustus Earl"
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143:(1788–1865). There is no record of him marrying or having children.
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Sixteen works survive from the stay on Tristan da Cunha, including
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On 17 February 1824, he left Rio de Janeiro aboard the ageing ship
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671:. London: Longman, Rees, Orme, Brown, Green & Longman, 1832.
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in 1817. A portfolio of drawings from this voyage is held by the
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Punishing negroes at Cathabouco, (i.e. Calabouco) Rio de Janeiro
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135:(1790–1863), also a professional painter and wife of the artist
629:, but problems with his health forced him to leave the ship at
720:, National Centre of Biography, Australian National University
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318:. Other works included landscapes and a series of portraits.
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that Smyth commanded and which was part of Admiral Exmouth's
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Punishing negroes at Cathabouco (Calobouco), Rio de Janeiro
246:. No artworks are known to have survived from this period.
514:, he was the first to take up residence. Earle arrived at
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A number of the works produced dealt with the subject of
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Continuing his voyage in February 1820, Earle sailed for
621:, and in April and May 1832 they stayed in a cottage at
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June Park, Van Dieman's (sic) Land, perfect park scenery
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to allow Earle passage through the Mediterranean aboard
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He made paintings from some of his sketches, including
526:. Setting out with his friend Mr Shand he arrived at
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and, between April and May 1827, he travelled to the
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Earle was finally rescued on 29 November by the ship
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district south of Sydney. Gaining acceptance within
633:in August and return to England. His place on HMS
358:Government House, Tristan D'Acunha (i.e. da Cunha)
206:In March 1818, Earle left England, bound for the
826:. Lansdowne Press for Australian Art Library.
606:On 28 October 1831 he was engaged by captain
686:List of incidents of cannibalism § 1820s
610:as artist supernumerary with victuals on the
494:On 20 October 1827, Earle left Sydney aboard
8:
522:, resolving to make his way overland to the
315:Games at Rio de Janeiro, during the Carnival
309:Negro fandango scene, Campo St. Anna nr. Rio
146:Earle received his artistic training in the
242:, where he exhibited two paintings at the
399:, which had stopped off on its voyage to
381:, (1826): oil on canvas; 68.5 x 50.5 cm.
71:Learn how and when to remove this message
361:, which was reproduced in his Narrative
34:This article includes a list of general
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530:, where he came under the patronage of
407:(in 1856 Van Diemen's Land was renamed
289:, (1822): watercolour; 23.6 x 26.3 cm.
91:, (1824): watercolour; 17.5 x 25.7 cm.
502:'s voyages in the Pacific, including
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856:Dictionary of Australian Biography
800:. State Library of New South Wales
779:William Henry Smyth's son-in-law,
718:Australian Dictionary of Biography
40:it lacks sufficient corresponding
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970:19th-century English male artists
244:Pennsylvania Academy of Fine Arts
965:19th-century Australian painters
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901:Works by or about Augustus Earle
887:Augustus Earle at Australian Art
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367:Flinching a young sea elephant
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975:Australian landscape painters
935:19th-century English painters
881:National Library of Australia
714:"Earle, Augustus (1793–1838)"
383:National Library of Australia
291:National Library of Australia
192:National Gallery of Australia
93:National Library of Australia
266:in June and was resident in
916:(public domain audiobooks)
824:Colonial Painters 1788–1880
119:Augustus Earle was born in
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170:fleet. Earle thus visited
950:English landscape artists
591:, which was condemned at
579:, before disembarking at
518:on the west coast of the
559:bound for India via the
125:John Carteret Pilkington
945:English watercolourists
910:Works by Augustus Earle
892:Works by Augustus Earle
781:Rev. Prof. Baden Powell
747:Gleeson, James (1971).
646:A Bivouac of Travellers
567:, one of the Ladrones,
55:more precise citations.
751:. Weldon. p. 95.
430:Earle left Hobart for
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940:English male painters
861:Angus & Robertson
612:second voyage of HMS
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202:To the United States
749:Australian painters
587:, embarking in the
141:William Henry Smyth
637:was taken over by
545:Governor Macquarie
496:Governor Macquarie
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352:supplies ran out.
349:Duke of Gloucester
328:Duke of Gloucester
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154:Mediterranean tour
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896:Project Gutenberg
883:online exhibition
851:"Earle, Augustus"
405:Van Diemen's Land
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332:Cape of Good Hope
298:slavery in Brazil
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577:Pulo-Penang
536:Te Whareumu
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490:New Zealand
447:, Governor
413:Abel Tasman
262:, visiting
220:New Zealand
53:introducing
929:Categories
859:. Sydney:
833:0701809809
758:1863021108
724:17 January
692:References
631:Montevideo
599:Voyage of
528:Kororāreka
500:James Cook
470:as far as
453:John Piper
451:, Captain
168:Royal Navy
115:Early life
36:references
798:Catalogue
767:977023651
673:Full text
593:Mauritius
573:Singapore
480:Illawarra
389:Australia
232:St Helena
228:Mauritius
180:Gibraltar
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849:(1949).
822:(1971).
680:See also
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551:To India
459:Bungaree
409:Tasmania
344:Atlantic
336:Calcutta
276:Hyperion
236:New York
196:Canberra
903:at the
557:Rainbow
188:England
49:improve
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804:2 June
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635:Beagle
614:Beagle
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569:Manila
534:chief
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436:Cyprus
432:Sydney
421:, and
401:Hobart
364:, and
312:, and
260:Brazil
172:Sicily
164:Scylla
121:London
103:Europe
38:, but
652:Death
625:near
589:Julie
532:Māori
264:Chile
224:India
176:Malta
828:ISBN
806:2020
763:OCLC
753:ISBN
726:2019
575:and
565:Guam
510:and
474:and
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268:Lima
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110:Life
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