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359:. It shows in the centre a harbour scene with figures in the foreground which is surrounded by a flower garland. The work is characteristic of late 17th century Neapolitan painting which aimed almost exclusively at ornamental and decorative effect rather than at naturalism. This type of painting falls into the category of 'garland paintings', a type of still life invented in early 17th century Antwerp by Abraham's grandfather
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Abraham
Brueghel established a reputation for his still lifes and in particular, floral still lives. One hunting still life signed and dated by him is known. Due to the lack of evolution during the artist's mature period and the scarcity of dated works, it is difficult to establish a chronology of
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Abraham
Brueghel is especially known for his still life paintings of southern fruits and flowers, which were typically assembled in front of a landscape. They are frequently enhanced by a precious vase, an antique monument or fragments of Roman sculpture. His cartouches are heavier and more
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He often collaborated with other specialist painters to create complex
Baroque compositions. He usually painted the landscapes in these collaborations himself while the staffage was created by well-known Italian painters, such as
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Abraham's artistic development. His brushstrokes were generally slightly more painterly during his Roman period, while his palette became brighter and stronger during his later years.
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The increasingly lush still lifes of the
Flemish painters Frans Snyders, Jan Fyt and Pieter Boel who had also worked in Italy were the principal influences on Abraham Brueghel.
324:(Sold at Sotheby's on 29 January 2015 in New York, lot 302). The still life was painted by Brueghel while Courtois painted the figure. The painting is a variant of the
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A still life of a watermelon, cherries, peaches, apricots, plums, pomegranates and figs, with lilies, roses, morning glory and other flowers on an acanthus stone relief
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Alternative spellings of his family name: Breugel, Breughel, Briegel, Bruegel; also called: 'Brueghel, il
Napolitano' and nickname: 'Rijngraaf' or 'Ringraaf'
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of artists. He emigrated at a young age to Italy where he played an important role in the development of the style of decorative
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David
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painters to create collaborative works combining landscape and still life painting. An example is the
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where he married an
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Seventeenth-Century
Flemish Garland Paintings. Still Life, Vision and the Devotional Image
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Breughel remained in Naples until his death. He is believed to have died c. 1690 in
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academy, which had as its objective the elevation of the work of artists.
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Grapes and pomegranate with a vase of flowers and a female figure
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Young woman picking figs with three children in a terraced garden
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Some time between 1672 and 1675, Abraham left Rome and moved to
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joined the
Bentvueghels in 1670, Abraham Brueghel signed the
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Flower garland and marine landscape of the Golf of Gaeta
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Flower garland and marine landscape of the Golf of Gaeta
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Flower garland and marine landscape of the Golf of Gaeta
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505:The Flemish Flower Painters in the XVIIth Century
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88:c. 1690 (aged 58–59)
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1000:1690 deaths
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596:Family tree
487:Natura viva
453:at Colnaghi
199:Rome, Italy
99:Nationality
53:Sculptural
989:Categories
475:(in Dutch)
471:Schouwburg
407:(in Dutch)
371:References
140:Early life
107:Occupation
69:1631-11-28
226:bentbrief
218:Rijngraaf
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146:Antwerp
110:Painter
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240:Naples
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162:Rubens
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