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120:. He depicted ships' rigging and technical details with considerable accuracy, which likely shows the influence of the van de Veldes. His Dutch harbour and river views often include recreational and ceremonial aspects of shipping. He paid particular attention to the display of pleasure yachts, ceremonial gatherings of ships, the passengers and bystanders.
66:; his mother was Teuntje (Apolonia) Jacobs. The couple married in 1628. Storck had two brothers, who were also painters using the name Sturckenburch until c. 1688 after which they started calling themselves Storck or Sturck. It is likely they were all trained with their father in the family workshop and joined the local
116:, produced fantastical views of Mediterranean ports, which place merchant shipping a midst architectural ruins, depicted in the crystal-clear colours of Italian art of the period. This type of scene anticipated the popular 18th-century Italian
46:; bapt. 17 April 1644 in Amsterdam – buried 8 April 1708) was a Dutch painter, who enjoyed a reputation for his marine paintings, topographical views and Italianate harbour scenes. Storck was also an outstanding draughtsman.
77:. In 1670 he traveled with his brother Jacob and worked in Germany. In 1694, at age 49, he married the widow Neeltje Pieters van Meyservelt. At the end of his life he lived on Kattenburg near the harbour.
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S.A.C. Dudok van Heel (1982) HET STERFJAAR VAN DE SCHILDER ABRAHAM STORCK (1644- . . .). In: Maandblad
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Russell. "Storck (i)." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 5 Jan. 2016
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Storck painted some winter scenes, which are inspired by the example of Jan
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Storck's marine and river scenes were influenced by the two Willem van de Veldes (
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Biography of A. Storck, National
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