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production was much more efficient and realistic to produce fashion magazines at the weekly rate they were being printed. The figures being depicted in fashion plates were often very stiff and placed in positions that displayed the fashions best. One of the downsides to fashion plates are that they did not show three-dimensional perspectives. Anaïs ended up having a slightly more successful career than her sister Héloïse due to the fact she lived longer and had a larger collection of work. Museums like
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the ages of 14 and 20. Their paintings and illustrations were admired by viewers. Unlike other female artists during this time, the Colin sisters did not keep to historical or religious themes that were considered high art, and were encouraged by their father to learn proper techniques although they did not receive official academic training.
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as well, and she followed her father's footsteps in joining that style for her artwork. Her father had a studio called Pére in the "center of the artistic activity in Paris." This kept the girls very involved and immersed in the art world. Each of the girls won awards and medals at the Salon between
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When fashion plates became a popular form of illustration this provided a way for Anaïs's work to be mass-produced. Instead of making the illustrator redraw the same exact image over and over, the artist would either etch, engrave, or lithograph the image and then color it in by hand. This form of
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was distributed weekly and highlighted
Victorian fashion trends of the time including accessories to go with the piece. All of the prints for the magazine were hand-colored and inserted with text descriptions explaining the fashions being showcased. Anaïs did not only illustrate for French fashion
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Anaïs went to marry an architect and aquafortist engraver named
Gabriel Toudouze in 1845. They were only married for 9 years before he died in 1854, leaving Anaïs to take care of their three young children. To provide for her family, Anaïs worked and produced many fashion illustration plates for
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Anaïs' daughter, Isabelle, followed in her mother's footsteps and became a fashion illustrator and painter. Her oldest son
Gustave became a novelist, and his son Georges-Gustave wrote a book about his family's fashion illustration and artistic history titled,
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Anaïs worked for over 35 fashion publications during her career. Fashion magazines became hugely popular from 1830 to 1870, providing ample work for female illustrators. She did the majority of her work for the fashion magazine in France called
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and
Isabelle. All of the siblings were artists and Héloïse and Anaïs worked closely together on many projects for fashion plate illustrations and had similar styles. They came from a long line of ancestors that were also artists including,
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Self-portrait of Héloïse and Anaïs Colin, 1836. Each of the sisters painted the portrait of the other.
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431:. London: London: Bloosmbury Visual Arts, an imprint of Bloomsbury Publishing Plc. pp. 102–113.
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A Lady in a
Hunting Costume with a Lady in Walking Costume on a Mountain Path from La Mode Illustrée
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381:. Callan, Georgina O'Hara. (Rev., expanded and updated ed.). New York: Thames and Hudson.
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709:"Le Follet, Courrier des Salons, Journal des Modes - Person - National Portrait Gallery"
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629:"Explore the collection > toudouze, adèle anaïs colin - Museo Nacional del Prado"
273:(1834-1835), watercolor by Anaïs and Héloïse Colin, Musee de la Mode et du Costume.
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177:. The daughters learned skills from their father instead of attending an academy.
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Anaïs was the second oldest sister of the Colin family. She had an older sister,
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Anaïs' father was a supporter of the
Romantic movement and close friends to
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carry a collection of her prints while others are still around for sale.
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illustrator, born in
Ukraine. She was born to a painter and lithographer,
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publications, she also illustrated for
British fashion journals such as
205:. Her second son also Edouard became a painter. Anaïs died in 1899.
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The Thames and Hudson dictionary of fashion and fashion designers
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Marcus, S. (2003). "Reflections on
Victorian Fashion Plates".
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461:. New Haven and London: Yale University Press. p. 176.
654:"Search the Collection | The Museum of Fine Arts, Houston"
188:, and Paul Gavarni. This sparked Anaïs' interest in the
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Calahan, April (2015). Cannell, Karen
Trivette (ed.).
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Photograph portrait of Anaïs Toudouze by Paul Berthier
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Toilettes de Mme. L. Massieu, from La Mode Illustrée
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The Metropolitan Museum of Art, i.e. The Met Museum
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283:Portrait d'une dame portant une robe à crinoline
249:, a painter and lithographer who worked with
16:Ukraine-born French fashion plate illustrator
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289:Portrait of a young woman seated in a chair
140:Adele-Anaïs Colin; 1822–1899) was a French
684:"Fashion Plate (Object Name) - (40.9.212)"
514:"La Mode Illustree French Fashion Prints"
328:Le Conseiller des Dames et de Demoiselles
111:Learn how and when to remove this message
197:fashion magazines, journals, and books.
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148:and his wife, who was also a painter.
579:"Adèle Anaïs Colin-Toudouze | artnet"
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458:Fashion Plates: 150 Years of Style
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755:19th-century French lithographers
428:Paris Fashion: A Cultural History
377:Callan, Georgina O'Hara. (1998).
356:National Portrait Gallery, London
235:(which was equivalent to today's
775:19th-century French illustrators
301:The Metropolitan Museum of Art.
242:Englishwoman's Domestic Magazine
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688:Virginia Museum of Fine Arts |
259:The Metropolitan Museum of Art
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353:Virginia Museum of Fine Art
350:Museum of Fine Art, Houston
279:, graphite pencil on paper
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750:French women illustrators
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425:Steele, Valerie (2017).
291:(1842–1842), watercolor
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484:"Adele-Anais Toudouze"
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60:"Adele-Anaïs Toudouze"
482:Peters, Greg (2017).
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146:Alexandre-Marie Colin
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760:Fashion illustrators
633:www.museodelprado.es
326:Fashion plate, from
317:Fashion Illustration
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765:Women lithographers
203:Le Costume françois
175:Jean-Baptise Greuze
296:Public collections
277:A Girl and Her Cat
228:La Belle Assemblee
186:Théodore Gericault
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546:(3): 4–33.
540:Differences
247:Jules David
734:Categories
713:npg.org.uk
361:References
71:newspapers
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305:La Saison
233:The Queen
152:Biography
718:30 March
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492:Archived
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101:May 2018
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