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170:. The majority view is that they are the same man, and variations in style are caused by the use of workshop assistants, which many of his large works would certainly have needed. He probably had a workshop in Rome by 1277.
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of the city, for which he provided the statues once decorating the lower part of the façade destroyed in 1589. The surviving statues are now in the Museum of the
Cathedral. While the design of the Church of
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909:
142:
By the end of his career he evidently had one or more workshops of some size, producing work with considerable stylistic variation, and distinguishing his personal hand can be difficult.
324:, 1296. Arnolfo's design for the facade was extended and completed by other architects in the 14th and 15th centuries. It has now been reconstructed in part in the Cathedral Museum.
402:
299:
probably makes a discrete reference to him with a double citation of the Battle at Colle Val d'Elsa, birthplace of the great artist, in the year 1269 in the Cantos XI, XIII of
181:
for the Duomo in Siena
Cathedral (1265–1268), but he soon began to work independently on an important tomb sculpture. In 1266–1267 he worked in Rome for King
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The monumental character of
Arnolfo's work has left its mark on the appearance of Florence. His funerary monuments became the model for Gothic
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303:. Dante almost certainly met Arnolfo, as architect of the cathedral in Florence, at latest when Dante was prior of Florence in 1300.
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has been attributed to
Arnolfo, this is highly disputed. Vasari also attributed to him the urban plan of the new city of
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Arnolfo's biography is complicated by lingering uncertainties as to whether "Arnolfo di Cambio", born in
614:
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The name "Arnolfo di Lapo" by which he is mentioned in some sources was an invention by his biographer
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The traditional date of 1302 has been recently discovered to be wrong. See Tomasi, 2007.
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In 1294–1295 he worked in
Florence, mainly as an architect. According to his biographer
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699:
230:, where he worked in 1285 and 1293 respectively. In this period he also worked on the
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Gardner, Julian (March 1972). "The Tomb of
Cardinal Annibaldi by Arnolfo di Cambio".
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725:
History of
Renaissance Art: Painting, Sculpture, Architecture Throughout Europe
839:, London, Penguin Books, 1966, 3rd edn 1993 (now Yale History of Art series).
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The Art of
Building in Ancient and Modern Times, Or, Architecture Illustrated
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in 1300, and designed the sixth city wall around
Florence (1284–1333).
96:
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203:) for which he took as a model an ancient Roman statue of the goddess
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in Rome, not to mention "Arnolfus
Architectus" who signed the tomb of
824:
Tomasi, Michele (February 2007). "Lo stil novo del Gotico italiano".
185:, King of Sicily, portraying him in the famous statue housed in the
572:(in Italian). Borgomanero, Novara, Italy: Giuliano Ladolfi Editore.
208:
86:
344:, Rome, completed 1285 and signed "Arnolfus cum suo socio Petro".
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is traditionally attributed to him, but this is often doubted. .
472:
Monument of Pope Boniface VIII, Vatican crypt (Grotte Vaticane)
290:
Lives of the Most Excellent Painters, Sculptors, and Architects
657:(828). Burlington Magazine Publications Ltd.: 136–141.
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Detail of the tomb of Riccardo Cardinal Annibaldi, at
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Giorgio Vasari included a biography of Arnolfo in his
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Encyclopedia of the History of Classical Archaeology
366:. This was the first major work of Arnolfo in Rome.
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456:Fountain of the Thirsty People (Fontana Minore) –
910:13th-century people from the Republic of Florence
431:Monument to Riccardo Cardinal Annibaldi (1276) –
556:The Renaissance Discovery of Classical Antiquity
8:
837:Art and Architecture in Italy, 1250 to 1400
16:13th century Italian architect and sculptor
264:, he was in charge of construction of the
218:art, and its influence can be seen in the
20:
857:Arnolfo di Cambio in the "History of Art"
610:Siena, Florence, and Padua: Case studies
224:Basilica of Saint Paul Outside the Walls
222:and polychrome glass decorations in the
680:(2000). "Charles of Anjou reassessed".
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211:and jewels reproduce antique models.
189:. He signed the wall tomb of Cardinal
7:
197:, including an enthroned Madonna (a
558:(Oxford: Blackwell) 1973:14 note 2.
127:, who began as a lead assistant to
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479:, is often attributed to Arnolfo.
177:’s chief assistant on the marble
570:L'Estetica Dantesca del Dualismo
466:(who died 1282) – San Domenico,
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920:13th-century Italian sculptors
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700:10.1016/S0304-4181(99)00012-3
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214:In Rome Arnolfo had seen the
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568:Lombardi, Giancarlo (2022).
342:Saint Paul Outside the Walls
131:. He is documented as being
760:"Tomb of Cardinal de Braye"
721:Gilbert, Creighton (1972).
683:Journal of Medieval History
583:Heck, Johann Georg (1856).
475:St. Peter Enthroned inside
335:Santa Cecilia in Trastevere
228:Santa Cecilia in Trastevere
193:(d. 1282) in the church of
164:Santa Cecilia in Trastevere
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787:Thomson de Grummond, Nancy
758:Krén, Emil; Marx, Daniel.
395:Santa Maria Maggiore, Rome
410:Florence Cathedral Museum
242:, and on the monument of
895:Architects of cathedrals
863:1 September 2018 at the
433:San Giovanni in Laterano
650:The Burlington Magazine
240:Santa Maria in Aracoeli
195:San Domenico in Orvieto
160:San Paolo fuori le Mura
925:Italian male sculptors
179:Siena Cathedral Pulpit
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81:Architect and sculptor
615:Yale University Press
421:(1276, attributed) –
318:Santa Maria del Fiore
275:San Giovanni Valdarno
249:The bronze statue of
135:or Head of Works for
90:
477:St. Peter's Basilica
255:St. Peter's Basilica
236:Santa Maria Maggiore
123:and sculptor of the
119:– 1300/1310) was an
885:14th-century deaths
500:. See Tomasi, 2007.
42:Colle di Val d'Elsa
765:Web Gallery of Art
451:Capitoline Museums
440:Charles I of Anjou
330:in Florence, 1299.
322:Florence Cathedral
244:Pope Boniface VIII
191:Guillaume de Braye
183:Charles I of Anjou
168:Pope Boniface VIII
137:Florence Cathedral
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900:Gothic architects
464:Guillaume de Bray
462:Tomb of Cardinal
121:Italian architect
110:Arnolfo di Cambio
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731:H.N. Abrams
692:Tandfonline
591:D. Appleton
447: 1277
271:Santa Croce
216:Cosmatesque
187:Campidoglio
133:capomaestro
117: 1240
104: 1282
70:Nationality
874:Categories
845:0300055854
733:. p.
694:: 93–114.
637:White, 105
545:White, 106
438:Statue of
301:Purgatorio
205:Abundantia
55:1302-03-08
797:Routledge
708:159990935
536:White, 93
518:White, 30
484:Footnotes
349:Sculpture
266:cathedral
251:St. Peter
146:Biography
38:1232/1240
861:Archived
826:Medioevo
607:(1995).
246:(1300).
232:presepio
220:intarsia
125:Duecento
91:Tomb of
63:Florence
818:Sources
468:Orvieto
458:Perugia
453:, Rome.
427:Viterbo
173:He was
156:ciboria
97:Orvieto
73:Italian
843:
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435:, Rome
337:, Rome
200:Maestà
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690:(1).
659:JSTOR
238:, on
209:tiara
841:ISBN
801:ISBN
773:2018
739:ISBN
619:ISBN
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49:Died
31:Born
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