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Bathsheba (Gérôme)

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599: 213: 31: 91: 257: 149:, which was arranged so that the trees and shrubbery inclosed and sheltered it from curious eyes, enabling him to pose his model in the open air and obtain different atmospheric effects. A picture painted there in the summer of 1889 is called 128:
And it came to pass in an eveningtide, that David arose from off his bed, and walked upon the roof of the king's house: and from the roof he saw a woman washing herself; and the woman was very beautiful to look
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According to Fanny Field Hering, "This figure is a marvel of plastic grace and delicate flesh-tints, and the effects of light are equally amazing."
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Junker, Yohana A. (2021). "Unsettling the Gaze: Bathsheba beyond Verse and Image". In Hornik, Heidi J.; Boxall, Ian; Dykema, Bobbi (eds.).
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Huber, Lynn R.; Clanton Jr., Dan W.; Webster, Jane S. (2007). "Biblical Subjects in Art". In Roncace, Mark; Gray, Patrick (eds.).
681: 622: 614: 671: 419: 686: 30: 373: 250: 134: 586: 538: 451: 475: 546: 411: 676: 488: 335: 288: 112: 41: 401: 661: 483: 396: 514: 363: 554: 358: 386: 381: 467: 443: 297: 153:, and represents the beautiful wife of Uriah the Hittite, bathing on the terrace-roof of her house. 506: 522: 104: 350: 655: 261: 175: 66: 281: 269: 241: 232: 223: 180: 170: 242:
The Art of Biblical Interpretation: Visual Portrayals of Scriptural Narratives
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Study in black pencil, 232 x 359 mm (9.1 x 14.1 in), in a private collection
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60.5 cm × 100 cm (23.8 in × 39 in)
227:. Courbevoie, Paris: ACR Édition Internationale, PocheCouleur. pp. 132–133. 142: 116: 146: 304: 211: 260:
This article incorporates text from this source, which is in the
308: 273:. Atlanta, GA: Society of Biblical Literature. pp. 197–198. 270:
Teaching the Bible Through Popular Culture and the Arts
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in 1889. The work is now kept in a private collection.
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Blanchard, Kathryn D.; Webster, Jane S., eds. (2012).
245:. Atlanta, GA: Society of Biblical Literature. p. 20. 111:) is an oil painting on canvas by the French painter 254:. New York, NY: Cassell Publishing Company. p. 274. 233:
Lady Parts: Biblical Women and The Vagina Monologues
633: 606: 342: 80: 72: 62: 47: 37: 23: 224:Jean-Léon Gérôme: His Life, His Work, 1824–1904 126: 251:Gérôme: The Life and Works of Jean Léon Gérôme 320: 8: 499:Reception of the Grand Condé at Versailles 327: 313: 305: 29: 20: 89: 191: 236:. Eugene, OR: Wipf & Stock. p. 21. 94:Bathsheba and her maidservant (detail) 7: 197: 195: 531:The Christian Martyrs' Last Prayer 14: 597: 255: 301:. 2002. Retrieved 27 May 2022. 285:. 2017. Retrieved 27 May 2022. 1: 667:Paintings by Jean-Léon Gérôme 374:The Duel After the Masquerade 587:Truth Coming Out of Her Well 539:Slave Market in Ancient Rome 452:The Execution of Marshal Ney 248:Hering, Fanny Field (1892). 221:Ackerman, Gerald M. (1997). 145:, on the roof of his summer 16:Painting by Jean-Léon Gérôme 547:Bonaparte Before the Sphinx 412:Phryne Before the Areopagus 703: 595: 28: 277:"(#17) Jean-Léon Gérôme" 682:Oil on canvas paintings 672:Paintings of Bathsheba 515:A Chat by the Fireside 217: 141:Gérôme worked much at 139: 95: 687:Orientalist paintings 571:Pygmalion and Galatea 215: 93: 468:Prayer in the Mosque 420:Cleopatra and Caesar 298:Dahesh Museum of Art 201:Hering 1892, p. 274. 555:The Carpet Merchant 436:The Death of Caesar 359:The Age of Augustus 289:"Jean-Léon Gérôme, 579:The Birth of Venus 218: 96: 84:Private collection 677:History paintings 649: 648: 507:The Snake Charmer 135:2 Samuel 11:2 KJV 88: 87: 694: 601: 492: 428:The Slave Market 405: 390: 367: 336:Jean-Léon Gérôme 329: 322: 315: 306: 259: 258: 202: 199: 137: 113:Jean-Léon Gérôme 58: 56: 42:Jean-Léon Gérôme 33: 21: 702: 701: 697: 696: 695: 693: 692: 691: 652: 651: 650: 645: 629: 602: 593: 523:The Tulip Folly 486: 399: 384: 361: 338: 333: 256: 210: 205: 200: 193: 189: 167: 159: 138: 133: 125: 54: 52: 17: 12: 11: 5: 700: 698: 690: 689: 684: 679: 674: 669: 664: 662:1889 paintings 654: 653: 647: 646: 644: 643: 641:List of pupils 637: 635: 631: 630: 628: 627: 619: 610: 608: 604: 603: 596: 594: 592: 591: 583: 575: 567: 559: 551: 543: 535: 527: 519: 511: 503: 495: 480: 472: 464: 456: 448: 440: 432: 424: 416: 408: 393: 378: 370: 355: 351:The Cock Fight 346: 344: 340: 339: 334: 332: 331: 324: 317: 309: 303: 302: 286: 274: 265: 246: 237: 228: 209: 206: 204: 203: 190: 188: 185: 184: 183: 178: 173: 166: 163: 158: 155: 131: 124: 121: 86: 85: 82: 78: 77: 74: 70: 69: 64: 60: 59: 49: 45: 44: 39: 35: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 699: 688: 685: 683: 680: 678: 675: 673: 670: 668: 665: 663: 660: 659: 657: 642: 639: 638: 636: 632: 625: 624: 620: 617: 616: 612: 611: 609: 605: 600: 589: 588: 584: 581: 580: 576: 573: 572: 568: 565: 564: 560: 557: 556: 552: 549: 548: 544: 541: 540: 536: 533: 532: 528: 525: 524: 520: 517: 516: 512: 509: 508: 504: 501: 500: 496: 493: 490: 485: 481: 478: 477: 476:Pollice Verso 473: 470: 469: 465: 462: 461: 457: 454: 453: 449: 446: 445: 441: 438: 437: 433: 430: 429: 425: 422: 421: 417: 414: 413: 409: 406: 403: 398: 394: 391: 388: 383: 379: 376: 375: 371: 368: 365: 360: 356: 353: 352: 348: 347: 345: 341: 337: 330: 325: 323: 318: 316: 311: 310: 307: 300: 299: 294: 292: 287: 284: 283: 278: 275: 272: 271: 266: 263: 262:public domain 253: 252: 247: 244: 243: 238: 235: 234: 229: 226: 225: 220: 219: 214: 207: 198: 196: 192: 186: 182: 179: 177: 174: 172: 169: 168: 164: 162: 156: 154: 152: 148: 144: 136: 130: 122: 120: 118: 114: 110: 106: 102: 101: 92: 83: 79: 75: 71: 68: 67:Oil on canvas 65: 61: 50: 46: 43: 40: 36: 32: 27: 22: 19: 621: 613: 585: 577: 569: 562: 561: 553: 545: 537: 529: 521: 513: 505: 497: 484:Chariot Race 482: 474: 466: 460:Bashi-Bazouk 458: 450: 442: 434: 426: 418: 410: 397:The Prisoner 395: 380: 377:(1857, 1859) 372: 357: 349: 296: 290: 280: 268: 249: 240: 231: 222: 176:Academic art 160: 150: 140: 127: 108: 99: 98: 97: 18: 487: [ 400: [ 385: [ 362: [ 293:, ca. 1895" 181:Orientalism 171:2 Samuel 11 656:Categories 607:Sculptures 187:References 115:, made at 73:Dimensions 563:Bathsheba 444:Jerusalem 343:Paintings 291:Bathsheba 282:Sotheby's 151:Bathsheba 109:Bethsabée 100:Bathsheba 24:Bathsheba 382:Diogenes 165:See also 157:Analysis 143:Bougival 132:—  117:Bougival 81:Location 634:Related 623:Tanagra 615:Omphale 208:Sources 147:atelier 123:History 53: ( 626:(1890) 618:(1887) 590:(1896) 582:(1890) 574:(1890) 566:(1889) 558:(1887) 550:(1886) 542:(1884) 534:(1883) 526:(1882) 518:(1881) 510:(1879) 502:(1878) 494:(1876) 479:(1872) 471:(1871) 463:(1869) 455:(1868) 447:(1867) 439:(1867) 431:(1866) 423:(1866) 415:(1861) 407:(1861) 392:(1860) 369:(1855) 354:(1846) 105:French 63:Medium 38:Artist 491:] 404:] 389:] 366:] 129:upon. 55:1889 51:1889 48:Year 658:: 489:fr 402:fr 387:fr 364:fr 295:. 279:. 194:^ 107:: 328:e 321:t 314:v 264:. 103:( 57:)

Index


Jean-Léon Gérôme
Oil on canvas

French
Jean-Léon Gérôme
Bougival
2 Samuel 11:2 KJV
Bougival
atelier
2 Samuel 11
Academic art
Orientalism



Jean-Léon Gérôme: His Life, His Work, 1824–1904
Lady Parts: Biblical Women and The Vagina Monologues
The Art of Biblical Interpretation: Visual Portrayals of Scriptural Narratives
Gérôme: The Life and Works of Jean Léon Gérôme
public domain
Teaching the Bible Through Popular Culture and the Arts
"(#17) Jean-Léon Gérôme"
Sotheby's
"Jean-Léon Gérôme, Bathsheba, ca. 1895"
Dahesh Museum of Art
v
t
e
Jean-Léon Gérôme

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