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the day before, he falls asleep next to it" Soutine indeed only owned one canvas. The locals took pity at times and at times sympathized with the painter. Soutine painted portraits of the locals, in his works alluding to certain famous series such as those of men in prayer or pastry chefs and café boys, whom he represented facing forward, their working hands often disproportionately depicted. Between 1920 and 1922, he painted around 200 canvases there.
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613:, managed at the time by Victor Libion. Libion, who acted as a sort of artists' patron, allowed artists to warm up from the cold in La Rotonde and discuss for hours without requiring them to make additional purchases. After learning French, Soutine — an avid reader of Russian novels — also began to enthusiastically read and immerse himself in French literature, reading
913:"Expression is in the touch" declared Soutine, meaning expression is found in the movement in the rhythm and the passion applied by the pencil against the surface of the canvas. It is said Soutine rapidly moved from linear and rigid drawing of his still life in order to discover "his true element, the touch of color and its sinuous bending".
866:, circa 1923, was sold for $ 1 million in 2004 and resold six months later for twice that price to the National Gallery of Art in Washington, D.C. Heirs of the first seller sued to have the painting returned, claiming the price was unfairly low, and a complex settlement in 2009 required the painting to be transferred to them. In May 2015,
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Especially, he imparted extreme deformations to the landscapes, carrying them away in a "rotary movement" already perceived by
Waldemar-George in still lifes: under the pressure of internal forces that seem to compress them, the forms spring forth twisting, and the masses rise "as if caught in a maelstrom" as described by Jover.
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By 1926, five of
Soutine's paintings were sold at Drouot for amounts ranging from 10,000 to 22,000 francs. However, this did not prevent him from boycotting the opening in June 1927 of the first exhibition of his works by Henri Bing in Bing's gallery on Rue La Boétie. On the other hand, he reportedly
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Upon his arrival in Paris, Soutine eagerly immersed himself in his exploration of the French capital. "In a filthy hole like
Smilovitchi," he claimed, where, he also said, they are unaware of the existence of a piano, "one cannot imagine that there are cities like Paris, or music like that of Bach."
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During a visit to the Midi, Zborowski wrote to a friend regarding
Soutine: "He gets up at three in the morning, walks twenty kilometers loaded with canvases and colors to find a site he likes, and goes back to bed forgetting to eat. But he unfastens his canvas and, having spread it on the one from
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Although
Soutine eventually grew to dislike the place and the works he created there, this period is generally considered a key stage in the evolution of his art. Soutine's art at the period is no longer hesitant; here, he "inject his own emotions into the subjects and figures of his paintings."
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There, despite intense stomach burns that soon forced him to subsist solely on porridge, the painter resumed his work, supplied with canvases and colors by the painter Marcel Laloë. The landscapes from the years 1941-1942 seem to have abandoned warm tones, such as the
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saw the blood from the carcass leak out onto the corridor outside
Soutine's room, and rushed out screaming, "Someone has killed Soutine." Soutine painted 10 works in this series, which have since become his most well-known. His carcass paintings were inspired by
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as the epicenter of an intellectual and artistic life in Paris. It was the meeting place of writers, painters, sculptors, and actors, often struggling financially, who exchanged and created art and literature whilst sitting and chatting in cafes.
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855:(1924) sold for a record £7.8 million ($ 13.8 million) to an anonymous buyer at a Christie's auction held in London—after it was estimated to fetch £4.8 million. In February 2007, a 1921 portrait of an unidentified man with a red scarf (
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67:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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Suffering from a stomach ulcer and bleeding badly, Soutine left a safe hiding place for Paris for emergency surgery, which failed to save his life. On 9 August 1943, he died of a perforated ulcer. He was interred in
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As soon as he has a few pennies in his pocket, he would spend them in order to "immerse himself" in music at
Colonne or Lamoureux concerts, with a preference for Baroque music. He haunted the galleries of the
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606:, that Soutine recognizes himself." Chana Orloff recounted that, seized by a "respectful fear" in front of a Rembrandt, he could also go into ecstasy and exclaim, "It's so beautiful that it drives me mad!".
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519:, not far from Montparnasse, a cosmopolitan commune where painters and sculptors from all over, many from Eastern Europe — rented small studios at a low cost. There, Soutine encountered, among others,
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and the 10th of 11 children born to parents Zalman (also reported as
Solomon and Salomon) Moiseevich Sutin (1858–1932) and Sarah Sutina (née Khlamovna) (died in 1938). From 1910 to 1913 he studied in
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369:, Soutine developed an individual style more concerned with shape, color, and texture than representation, which served as a bridge between more traditional approaches and the developing form of
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painted in
Richelieu strained Soutine's relationship with the Castaings as he reduced the canvas size before delivering it to them. However, he also tackled new and lighter subjects like
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2194:, documentary film by Valérie Firla, written by Valérie Firla and Murielle Levy, 52 min, Les Productions du Golem, Ed. Réunion des musées nationaux, broadcast in France in 2008
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566:, who was their art dealer. Until he acquired his own studio, he slept and worked at various places, specifically at Krémègne and Kikoïne's, fellow Jewish painters of the
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eagerly accepted the opportunity to create set designs for a ballet by
Diaghilev—a project that never materialized due to the sudden death of the impresario in 1929.
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796:. Expelled from several inns where their untidiness or Marie-Berthe's outbursts were criticized, the couple eventually found a house for rent on the way to
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712:). The stench drove them to send for the police, whom Soutine promptly lectured on the relative importance of art over hygiene. There is a story that
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652:, a highly influential art dealer, began to champion Soutine's work. In 1923, in a showing arranged by Guillaume, the prominent American collector
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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The two became friends. Modigliani painted Soutine's portrait several times, most famously in 1917, on a door of an apartment belonging to
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and his wife. Fearing denunciation by their caretaker, they later assisted the couple's escape, with fake documents, to a village in
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938:(1918) oil on canvas, 21.5 × 18 in., Henry and Rose Pearlman Collection, on long-term loan to the Princeton University Art Museum
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1293:(c. 1921–22) oil on canvas, Henry and Rose Pearlman Foundation on long-term loan to the Princeton University Art Museum
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Content in this edit is translated from the existing French Knowledge article at ]; see its history for attribution.
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Soutine once horrified his neighbors by keeping an animal carcass in his studio so that he could paint it (
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1308:, c. 1922, Henry and Rose Pearlman Foundation on long-term loan to the Princeton University Art Museum
1263:, c. 1920, Henry and Rose Pearlman Collection on long-term loan to the Princeton University Art Museum
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View of Cagnes (c. 1924 –25) oil on canvas, 23.7 × 28.8 in., Metropolitan Museum of Art, New York
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Young Girl with a Doll (1926–1927) oil on canvas, 25.5 × 19.5 in., Museum of Fine Arts, Houston
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Zborowski supported Soutine through World War I, taking the struggling artist with him to
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achieved a record price for the artist of $ 28,165,000 at the Christie's curated auction
346:; 13 January 1893 – August 1943) was a French painter of Belarusian-Jewish origin of the
1653:, « Repères chronologiques », SFPA, hors-série No. 341, 2007, p. 34.
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in 1935. He seldom showed his works, but he did take part in the important exhibition
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507:. Since 1900, the Montparnasse district, popularized by Apollinaire, had supplanted
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Inspired by classic painting in the European tradition, exemplified by the works of
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1350:(c. 1939) oil on canvas, 18 × 19.75 in., The Phillips Collection, Washington, D. C.
1238:(c. 1925), oil on canvas, 53 × 32 in., Albright-Knox Art Gallery, Buffalo, New York
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1063:(c. 1929) oil on canvas, 100 × 73 cm., Metropolitan Museum of Art, New York
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Parmi ceux que fréquentaient le plus les artistes du temps subsistent toujours
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1163:(c. 1924) oil on canvas, 32 × 39.5 in., Metropolitan Museum of Art, New York
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Soutine: The power and the fury of an eccentric genius by Stanley Meisler
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859:) sold for $ 17.2 million—a new record—at Sotheby's London auction house.
820:. He also created portraits of children and more serene maternity scenes.
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1208:(c. 1925), oil on canvas, dimensions unknown, Musée de l'Orangerie, Paris
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In February 2006, an oil painting of his controversial and iconic series
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1178:(c. 1924) oil on canvas, dimensions unknown, Musée de l'Orangerie, Paris
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1949:
Catalogue de l'exposition « Chaïm Soutine, l'ordre du chaos »
1193:(1925) oil on canvas, dimensions unknown, Kunstmuseum Bern, Switzerland
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to the source of your translation. A model attribution edit summary is
1890:"Eva. How Most Expensive Painting In Belarus Became Symbol Of Protest"
1323:(1922) oil on canvas, dimensions unknown, High Museum of Art, Atlanta
1148:(c. 1923) oil on canvas, 35.8 x 39.3 in., Musée de l'Orangerie, Paris
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476:. He soon developed a highly personal vision and painting technique.
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1002:(c. 1924) oil on canvas, 73 × 54.3 cm., Saint Louis Art Museum
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in 1937 in Paris, where he was at last hailed as a great painter.
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and her husband welcomed him to their summer home, the mansion of
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570:. His poverty was such he even slept in stairways and on benches.
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2000:
Giraudon, Colette (2012). "Soutine, ses marchands, ses mécènes".
1981:
Breton, Jean-Jacques (2007). "Soutine ou le lyrisme désespéré".
953:(c. 1920) oil on canvas, 36.2 × 25.5 in., Calvet Museum, Avignon
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1920:"How Eva, a $ 1.8 million Portrait, Became a Symbol of Protest"
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Soutine lived for several years in the Midi, initially between
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2113:. Folio biographies. Paris: Folio. pp. 203–206 and 308.
2002:
Catalogue de l'exposition " Chaïm Soutine, l'ordre du chaos "
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Giraudon, Colette (2003). "Soutine, Chaïm". Grove Art Online.
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The Yiddish Life of Chaim Soutine (1893-1943): New Materials
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The Origins and Development of International Independent Art
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Chaim-Itzke Solomonovich Sutin (Хаим-Ицке Соломонович Сутин)
1840:"An Expressionist in Paris: The Paintings of Chaim Soutine"
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Getty Research Institute: Union List of Artist Names Online
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Ifkovic, Ed. Soutine in Exile: A Novel. Createspace, 2017.
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Chaïm Soutine and his Contemporaries: from Russia to Paris
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Soon afterwards France was invaded by German troops. As a
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La Ruche — whose rotunda stands on Dantzig Passage in the
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An Expressionist in Paris: The Paintings of Chaim Soutine
968:(1922) oil on canvas, 31.5 × 17.5 in., collection unknown
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An Expressionist in Paris: The Paintings of Chaim Soutine
1078:(1933) oil on canvas, 18 × 10.5 in., collection unknown
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By Norman Kleeblatt, September 14, 2018, Hyperallergic
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became a symbol of pro-democracy protests in Belarus.
1093:(1936) oil on canvas, 65 × 55 cm., collection unknown
1017:(1924) oil on canvas, 36 × 28 in., collection unknown
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has presented major exhibitions of Soutine's work in
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Tuchman, Maurice; Dunow, Esti; Perls, Klaus (2001).
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Marie-Madeleine Massé, , Paris, Gallimard, 2012, 48
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placed him as a character in his 1952 short story "
436:(Yiddish: סמילאָוויץ, romanized: Smilovitz) in the
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1126:(Èmile Lejeune) (1922-1923), Musée de l'Orangerie
609:Soutine took French lessons, often in the back of
456:at a small art Academy. In 1913, with his friends
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464:, he emigrated to Paris, where he studied at the
2021:Kleeblatt, Norman L.; Kenneth E. Silver (1998).
1947:Esti Dunow et Maurice Tuchman, « »,
1223:(c. 1925) oil on millboard, dimensions unknown,
680:; he then abandoned the French Riviera for the
2094:. La Petite vermillon. Paris: La Table Ronde.
85:accompanying your translation by providing an
51:Click for important translation instructions.
38:expand this article with text translated from
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2138:Chaim Soutine (1893–1943): catalogue raisonné
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16:French, Jewish Belarusian painter (1893–1943)
8:
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354:movement while living and working in Paris.
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2366:Emigrants from the Russian Empire to France
2371:French people of Belarusian-Jewish descent
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983:(1922–23) oil on canvas, 73 × 54 cm,
727:, which he discovered while studying the
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2223:Amedeo Modigliani, "Chaim Soutine" (1917)
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800:, where friends discreetly visited them.
2133:, Los Angeles County Museum of Art, 1968
1790:"Soutine Suit Settled Over Bargain Beef"
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818:The Return from School after the Storm
688:. Regardless of his frequent trips to
2228:New record price for Soutine Painting
1943:
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555:, as well as Lipchitz who introduced
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7:
2173:, Ben Uri Gallery and Museum, 2012,
2136:Tuchman, Maurice; Esti Dunow (1993)
1030:The Floor Waiter (Le Garçon d'étage)
862:One of the beef paintings, known as
1812:"Chaim Soutine (1893-1943) Le Bœuf"
721:'s still life of the same subject,
594:, it is especially in the works of
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1348:Return From School After the Storm
1276:Chemin de la Fontaine Fils à Céret
1258:Chemin de la Fontaine des Tins at
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2238:Chaim Soutine Museum - Smilovichy
1015:Portrait Of A Man With A Felt Hat
757:Galerie nationale du Jeu de Paume
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2431:Burials at Montparnasse Cemetery
2396:20th-century French male artists
2140:. Köln: Benedikt Taschen Verlag.
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1306:Steeple of Saint-Pierre at Céret
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1788:Mitchell Martin (1 June 2009).
1525:Tuchman, Dunow & Perls 2001
480:Early life and arrival in Paris
97:{{Translated|fr|Chaïm Soutine}}
2012:(2007). "Matières sensibles".
1061:Portrait of Madeleine Castaing
95:You may also add the template
1:
2386:French Expressionist painters
2346:People from Chervyen District
1985:(34 (Special issue)). Faton.
1896:. 9 July 2020. Archived from
1703:Wullschlager, Jackie (2008).
888:The Jewish Museum in New York
430:Chaim-Iche Solomonovich Sutin
2391:20th-century French painters
2361:Jews from the Russian Empire
2067:Nicoïdski, Clarisse (1993).
2016:(341 (special issue)). SFPA.
1626:Musée d'art moderne de Ceret
1321:Landscape with Figures-Céret
901:In 2020, Soutine's painting
664:, more than 400 miles away.
2351:People from Igumensky Uyezd
2208:An artwork by Chaïm Soutine
2146:Soutine. Catalogue raisonné
2109:Parisot, Christian (2005).
1707:. Allen Lane. p. 154.
1587:Bureau d’art Ecole de Paris
872:Looking forward to the past
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2130:Chaim Soutine (1893–1943)
2029:. New York City: Prestel.
1983:L'Estampille/L'Objet d'Art
684:in 1919, specifically for
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206:Vilna Academy of Fine Arts
59:Machine translation, like
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2090:Renault, Olivier (2012).
2069:Soutine ou la profanation
1413:. Retrieved 20 June 2020.
1108:(c. 1935) oil on canvas,
831:Cimetière du Montparnasse
485:La Ruche and Montparnasse
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40:the corresponding article
1705:Chagall - Love and Exile
1176:Still life with Pheasant
1106:The Cook (Women in Blue)
857:L'Homme au Foulard Rouge
638:German invasion of Paris
323:Khaim Solomonovich Sutin
137:Soutine (with signature)
1161:Still Life with Rayfish
636:to escape the possible
420:National Gallery of Art
106:For more guidance, see
2421:Jewish School of Paris
2411:French modern painters
2300:Yitzhak Frenkel Frenel
1865:"Chaim Soutine: Flesh"
1278:(1920) details unknown
981:The Little Pastry Chef
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806:Landscape of Champigny
763:Between Paris and Midi
371:Abstract Expressionism
312:Хаим Соломонович Сутин
167:, Russian Empire
2044:Mullin, Rick (2012).
2014:Connaissance des Arts
1800:on 19 September 2018.
1651:Connaissance des Arts
1536:Kleeblatt et al., 101
1504:La Closerie des Lilas
922:Portraits and figures
844:
299:French pronunciation:
108:Knowledge:Translation
79:copyright attribution
2401:French male painters
2233:Chaim Soutine: Flesh
1966:(ISBN 9782070138715)
1377:Isaac Frenkel Frenel
1034:Musée de l'Orangerie
985:Musée de l'Orangerie
896:Chaim Soutine: Flesh
468:École des Beaux-Arts
213:École des Beaux-Arts
2376:Belarusian painters
1828:. 30 November 2015.
1754:, pp. 140–141.
1206:The Plucked Chicken
794:Champigny-sur-Veude
682:Pyrénées-Orientales
644:The Interwar period
517:15th arrondissement
397:Portrait of Soutine
303:[ʃaimsutin]
2426:Deaths from ulcers
2127:Tuchman, Maurice;
2073:Jean-Claude Lattès
2048:. Loveland, Ohio:
1032:(1927) Collection
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737:Madeleine Castaing
87:interlanguage link
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2315:Abraham Mintchine
2310:Amedeo Modigliani
2059:978-1-933675-68-8
1967:
1869:The Jewish Museum
1844:The Jewish Museum
1714:978-0-7139-9652-4
1367:Amedeo Modigliani
824:Illness and death
704:Carcass paintings
564:Léopold Zborowski
557:Amadeo Modigliani
549:Nina Niss-Goldman
438:Minsk Governorate
428:Soutine was born
412:Amedeo Modigliani
393:Amedeo Modigliani
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267:Léopold Zborowski
165:Minsk Governorate
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2007:
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413:
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179:9 August 1943
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36:You can help
32:
23:
22:
19:
2305:Jules Pascin
2295:Marc Chagall
2289:
2218:Hecht Museum
2191:
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2145:
2137:
2128:
2110:
2091:
2068:
2045:
2024:
2013:
2001:
1982:
1956:
1948:
1928:. Retrieved
1923:
1914:
1902:. Retrieved
1898:the original
1893:
1884:
1872:. Retrieved
1868:
1859:
1847:. Retrieved
1843:
1834:
1820:
1806:
1798:the original
1793:
1783:
1771:
1764:Renault 2012
1759:
1752:Renault 2012
1747:
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1677:Jover 2007,
1663:Renault 2012
1658:
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1616:
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1591:. Retrieved
1586:
1577:
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1546:Parisot 2005
1541:
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1476:. Retrieved
1472:
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1451:. Retrieved
1447:
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1406:
1382:Jules Pascin
1372:Marc Chagall
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1110:Museo Botero
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810:The Big Tree
809:
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786:Marcel Laloë
775:
766:
755:held at the
752:
722:
714:Marc Chagall
709:
707:
698:
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559:to Soutine.
553:Chana Orloff
514:
501:Montparnasse
494:
429:
427:
415:
396:
356:
294:
293:
181:(1943-08-09)
83:edit summary
74:
45:
37:
18:
2341:1943 deaths
2336:1893 births
1894:BelarusFeed
1740:Breton 2007
1691:Breton 2007
1570:Breton 2007
1132:Still Lifes
1091:Female Nude
1076:Female Nude
894:(1998) and
729:Old Masters
343:Chaim Sutin
192:Nationality
2330:Categories
2111:Modigliani
1975:References
1776:Jover 2007
1512:La Rotonde
1478:19 October
1453:19 October
1244:Landscapes
878:Roald Dahl
619:Baudelaire
611:La Rotonde
521:Archipenko
509:Montmartre
489:See also:
448:). He was
434:Smilavichy
377:Early life
161:Smilavichy
153:1893-01-13
2071:. Paris:
1593:6 January
1398:Footnotes
1146:The Table
966:Farm Girl
951:The Idiot
833:, Paris.
719:Rembrandt
660:, on the
627:Montaigne
604:Rembrandt
359:Rembrandt
337:romanized
332:חײם סוטין
317:romanized
279:Signature
255:Patron(s)
200:Education
101:talk page
42:in French
2004:. Hazan.
1611:114-115.
1356:See also
898:(2018).
814:The Pigs
529:Brancusi
497:La Ruche
418:, 1917,
236:Movement
231:Painting
77:provide
2212:Ben Uri
2210:at the
2154:Taschen
2150:Cologne
1930:1 March
1904:1 March
1794:ArtInfo
1508:Le Dôme
1036:, Paris
987:, Paris
917:Gallery
868:Le Bœuf
864:Le bœuf
782:Gestapo
749:Chicago
745:patrons
731:in the
623:Rimbaud
600:Courbet
588:Chardin
584:Raphael
580:Fouquet
545:Chagall
541:Epstein
537:Kisling
533:Chapiro
525:Zadkine
454:Vilnius
446:Belarus
440:of the
367:Courbet
363:Chardin
339::
328:Yiddish
319::
308:Russian
99:to the
81:in the
44:.
2177:
2160:
2117:
2098:
2079:
2056:
2033:
1989:
1826:"Skin"
1711:
1515:. (FR)
837:Legacy
798:Chinon
733:Louvre
621:, and
615:Balzac
592:Ingres
590:, and
576:Louvre
472:under
450:Jewish
399:, 1916
195:French
1874:1 May
1849:1 May
1392:Paris
1260:Céret
741:Lèves
690:Paris
686:Céret
674:Vence
668:Céret
505:Paris
432:, in
61:DeepL
2214:site
2175:ISBN
2158:ISBN
2115:ISBN
2096:ISBN
2077:ISBN
2054:ISBN
2031:ISBN
1987:ISBN
1932:2021
1906:2021
1876:2018
1851:2018
1709:ISBN
1595:2024
1480:2020
1455:2020
882:Skin
676:and
658:Nice
634:Nice
598:and
596:Goya
460:and
365:and
176:Died
143:Born
75:must
73:You
1681:20.
903:Eva
884:".
846:Eva
816:or
778:Jew
503:in
63:or
2332::
2156:.
2152::
2148:.
2075:.
2052:.
1962:p.
1940:^
1922:.
1892:.
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