1296:
1054:
1353:
1020:
1326:
1241:
1263:
1081:
971:
1005:
1311:
1129:
1226:
1281:
1196:
1111:
986:
956:
941:
1166:
1066:
417:
1151:
1341:
1181:
1211:
1035:
38:
707:
the day before, he falls asleep next to it" Soutine indeed only owned one canvas. The locals took pity at times and at times sympathized with the painter. Soutine painted portraits of the locals, in his works alluding to certain famous series such as those of men in prayer or pastry chefs and café boys, whom he represented facing forward, their working hands often disproportionately depicted. Between 1920 and 1922, he painted around 200 canvases there.
297:
398:
1096:
853:
703:—particularly in October 1919 to obtain his identity card, mandatory for foreigners—he changed residences and studios several times. One of his places of residence was the Maison Laverny, 5 rue de l'hôpital (rue Pierre Rameil). There Soutine was nicknamed by the locals as "el pintre brut" ("the dirty painter"), due to his miserable living conditions on allowances from Zborowski.
1295:
624:, managed at the time by Victor Libion. Libion, who acted as a sort of artists' patron, allowed artists to warm up from the cold in La Rotonde and discuss for hours without requiring them to make additional purchases. After learning French, Soutine — an avid reader of Russian novels — also began to enthusiastically read and immerse himself in French literature, reading
924:"Expression is in the touch" declared Soutine, meaning expression is found in the movement in the rhythm and the passion applied by the pencil against the surface of the canvas. It is said Soutine rapidly moved from linear and rigid drawing of his still life in order to discover "his true element, the touch of color and its sinuous bending".
877:, circa 1923, was sold for $ 1 million in 2004 and resold six months later for twice that price to the National Gallery of Art in Washington, D.C. Heirs of the first seller sued to have the painting returned, claiming the price was unfairly low, and a complex settlement in 2009 required the painting to be transferred to them. In May 2015,
711:
Especially, he imparted extreme deformations to the landscapes, carrying them away in a "rotary movement" already perceived by
Waldemar-George in still lifes: under the pressure of internal forces that seem to compress them, the forms spring forth twisting, and the masses rise "as if caught in a maelstrom" as described by Jover.
1352:
1053:
778:
By 1926, five of
Soutine's paintings were sold at Drouot for amounts ranging from 10,000 to 22,000 francs. However, this did not prevent him from boycotting the opening in June 1927 of the first exhibition of his works by Henri Bing in Bing's gallery on Rue La Boétie. On the other hand, he reportedly
584:
Upon his arrival in Paris, Soutine eagerly immersed himself in his exploration of the French capital. "In a filthy hole like
Smilovitchi," he claimed, where, he also said, they are unaware of the existence of a piano, "one cannot imagine that there are cities like Paris, or music like that of Bach."
706:
During a visit to the Midi, Zborowski wrote to a friend regarding
Soutine: "He gets up at three in the morning, walks twenty kilometers loaded with canvases and colors to find a site he likes, and goes back to bed forgetting to eat. But he unfastens his canvas and, having spread it on the one from
710:
Although
Soutine eventually grew to dislike the place and the works he created there, this period is generally considered a key stage in the evolution of his art. Soutine's art at the period is no longer hesitant; here, he "inject his own emotions into the subjects and figures of his paintings."
1262:
1325:
144:
1310:
1019:
814:
There, despite intense stomach burns that soon forced him to subsist solely on porridge, the painter resumed his work, supplied with canvases and colors by the painter Marcel Laloë. The landscapes from the years 1941-1942 seem to have abandoned warm tones, such as the
795:. From the beginning of the year 1941, he moved from one place to another and was sometimes forced to seek shelter in forests, sleeping outdoors. Leaving Marie-Berthe's place on Littré Street, he sought refuge on Rue des Plants where she had friends, the painter
727:
saw the blood from the carcass leak out onto the corridor outside
Soutine's room, and rushed out screaming, "Someone has killed Soutine." Soutine painted 10 works in this series, which have since become his most well-known. His carcass paintings were inspired by
1240:
940:
522:
as the epicenter of an intellectual and artistic life in Paris. It was the meeting place of writers, painters, sculptors, and actors, often struggling financially, who exchanged and created art and literature whilst sitting and chatting in cafes.
1004:
866:(1924) sold for a record £7.8 million ($ 13.8 million) to an anonymous buyer at a Christie's auction held in London—after it was estimated to fetch £4.8 million. In February 2007, a 1921 portrait of an unidentified man with a red scarf (
1195:
1128:
78:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
1080:
970:
667:, bought 60 of Soutine's paintings on the spot. Soutine, who had been virtually penniless in his years in Paris, immediately took the money, ran into the street, hailed a Paris taxi, and ordered the driver to take him to
985:
1065:
839:
Suffering from a stomach ulcer and bleeding badly, Soutine left a safe hiding place for Paris for emergency surgery, which failed to save his life. On 9 August 1943, he died of a perforated ulcer. He was interred in
1165:
585:
As soon as he has a few pennies in his pocket, he would spend them in order to "immerse himself" in music at
Colonne or Lamoureux concerts, with a preference for Baroque music. He haunted the galleries of the
2238:
617:, that Soutine recognizes himself." Chana Orloff recounted that, seized by a "respectful fear" in front of a Rembrandt, he could also go into ecstasy and exclaim, "It's so beautiful that it drives me mad!".
1225:
955:
530:, not far from Montparnasse, a cosmopolitan commune where painters and sculptors from all over, many from Eastern Europe — rented small studios at a low cost. There, Soutine encountered, among others,
463:
and the 10th of 11 children born to parents Zalman (also reported as
Solomon and Salomon) Moiseevich Sutin (1858–1932) and Sarah Sutina (née Khlamovna) (died in 1938). From 1910 to 1913 he studied in
1340:
1280:
380:, Soutine developed an individual style more concerned with shape, color, and texture than representation, which served as a bridge between more traditional approaches and the developing form of
1110:
1180:
823:
painted in
Richelieu strained Soutine's relationship with the Castaings as he reduced the canvas size before delivering it to them. However, he also tackled new and lighter subjects like
1210:
1150:
2205:, documentary film by Valérie Firla, written by Valérie Firla and Murielle Levy, 52 min, Les Productions du Golem, Ed. Réunion des musées nationaux, broadcast in France in 2008
1034:
2376:
2381:
577:, who was their art dealer. Until he acquired his own studio, he slept and worked at various places, specifically at Krémègne and Kikoïne's, fellow Jewish painters of the
779:
eagerly accepted the opportunity to create set designs for a ballet by
Diaghilev—a project that never materialized due to the sudden death of the impresario in 1929.
1800:
807:. Expelled from several inns where their untidiness or Marie-Berthe's outbursts were criticized, the couple eventually found a house for rent on the way to
2280:
2441:
2406:
1930:
1421:
723:). The stench drove them to send for the police, whom Soutine promptly lectured on the relative importance of art over hygiene. There is a story that
1095:
2228:
663:, a highly influential art dealer, began to champion Soutine's work. In 1923, in a showing arranged by Guillaume, the prominent American collector
81:
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
2189:
2396:
2356:
1900:
2401:
2371:
2068:
1723:
2361:
573:
The two became friends. Modigliani painted Soutine's portrait several times, most famously in 1917, on a door of an apartment belonging to
89:
799:
and his wife. Fearing denunciation by their caretaker, they later assisted the couple's escape, with fake documents, to a village in
2172:
2129:
2110:
2091:
2045:
2001:
767:
1850:
949:(1918) oil on canvas, 21.5 × 18 in., Henry and Rose Pearlman Collection, on long-term loan to the Princeton University Art Museum
589:, either hugging the walls or jumping at the slightest approach, and contemplated for hours his favorite painters: "If he loves
2431:
2421:
1442:
373:
2411:
602:
2386:
841:
527:
1304:(c. 1921–22) oil on canvas, Henry and Rose Pearlman Foundation on long-term loan to the Princeton University Art Museum
2436:
1808:
102:
Content in this edit is translated from the existing French Knowledge article at ]; see its history for attribution.
2266:
1044:
995:
2273:
2391:
898:
648:
692:
539:
2426:
2416:
2366:
416:
97:
2195:
478:
430:
347:
327:
223:
216:
719:
Soutine once horrified his neighbors by keeping an animal carcass in his studio so that he could paint it (
2310:
1522:
598:
381:
1518:
746:. Soutine produced the majority of his works from 1920 to 1929. From 1930 to 1935, the interior designer
1514:
118:
2083:
621:
111:
1319:, c. 1922, Henry and Rose Pearlman Foundation on long-term loan to the Princeton University Art Museum
1274:, c. 1920, Henry and Rose Pearlman Collection on long-term loan to the Princeton University Art Museum
2351:
2346:
574:
531:
507:
277:
2218:
1908:
804:
637:
625:
796:
1346:
View of Cagnes (c. 1924 –25) oil on canvas, 23.7 × 28.8 in., Metropolitan Museum of Art, New York
892:
747:
629:
1479:
2206:
1454:
1059:
Young Girl with a Doll (1926–1927) oil on canvas, 25.5 × 19.5 in., Museum of Fine Arts, Houston
143:
2325:
2320:
2243:
2185:
2168:
2125:
2106:
2087:
2064:
2041:
1997:
1875:
1719:
1377:
567:
559:
551:
448:
422:
403:
250:
175:
93:
2253:
2060:
664:
547:
468:
338:
318:
296:
272:
2289:
1387:
1372:
643:
Zborowski supported Soutine through World War I, taking the struggling artist with him to
610:
578:
543:
501:
377:
358:
313:
2233:
1632:
881:
achieved a record price for the artist of $ 28,165,000 at the Christie's curated auction
357:; 13 January 1893 – August 1943) was a French painter of Belarusian-Jewish origin of the
1664:, « Repères chronologiques », SFPA, hors-série No. 341, 2007, p. 34.
50:
2034:
1397:
800:
734:
688:
672:
660:
633:
606:
484:
472:
452:
230:
2140:
762:
in 1935. He seldom showed his works, but he did take part in the important exhibition
397:
2340:
1836:
535:
518:. Since 1900, the Montparnasse district, popularized by Apollinaire, had supplanted
362:
254:
368:
Inspired by classic painting in the European tradition, exemplified by the works of
2315:
2305:
2020:
1392:
1382:
1361:(c. 1939) oil on canvas, 18 × 19.75 in., The Phillips Collection, Washington, D. C.
1249:(c. 1925), oil on canvas, 53 × 32 in., Albright-Knox Art Gallery, Buffalo, New York
1120:
724:
590:
563:
555:
511:
1074:(c. 1929) oil on canvas, 100 × 73 cm., Metropolitan Museum of Art, New York
852:
791:, Soutine had to escape from the French capital and hide to avoid arrest by the
739:
1822:
1512:
Parmi ceux que fréquentaient le plus les artistes du temps subsistent toujours
888:
519:
444:
171:
1174:(c. 1924) oil on canvas, 32 × 39.5 in., Metropolitan Museum of Art, New York
729:
614:
369:
2194:
Soutine: The power and the fury of an eccentric genius by Stanley Meisler
1593:
870:) sold for $ 17.2 million—a new record—at Sotheby's London auction house.
831:. He also created portraits of children and more serene maternity scenes.
1270:
1219:(c. 1925), oil on canvas, dimensions unknown, Musée de l'Orangerie, Paris
862:
In February 2006, an oil painting of his controversial and iconic series
751:
696:
1189:(c. 1924) oil on canvas, dimensions unknown, Musée de l'Orangerie, Paris
2164:
2160:
1960:
Catalogue de l'exposition « Chaïm Soutine, l'ordre du chaos »
1204:(1925) oil on canvas, dimensions unknown, Kunstmuseum Bern, Switzerland
792:
759:
594:
464:
456:
100:
to the source of your translation. A model attribution edit summary is
17:
1901:"Eva. How Most Expensive Painting In Belarus Became Symbol Of Protest"
1334:(1922) oil on canvas, dimensions unknown, High Museum of Art, Atlanta
1159:(c. 1923) oil on canvas, 35.8 x 39.3 in., Musée de l'Orangerie, Paris
808:
755:
743:
586:
487:. He soon developed a highly personal vision and painting technique.
460:
2248:
1013:(c. 1924) oil on canvas, 73 × 54.3 cm., Saint Louis Art Museum
1402:
851:
770:
in 1937 in Paris, where he was at last hailed as a great painter.
750:
and her husband welcomed him to their summer home, the mansion of
700:
684:
581:. His poverty was such he even slept in stairways and on benches.
515:
2258:
2011:
Giraudon, Colette (2012). "Soutine, ses marchands, ses mécènes".
1992:
Breton, Jean-Jacques (2007). "Soutine ou le lyrisme désespéré".
964:(c. 1920) oil on canvas, 36.2 × 25.5 in., Calvet Museum, Avignon
668:
644:
75:
2262:
1931:"How Eva, a $ 1.8 million Portrait, Became a Symbol of Protest"
683:
Soutine lived for several years in the Midi, initially between
788:
31:
2124:. Folio biographies. Paris: Folio. pp. 203–206 and 308.
2013:
Catalogue de l'exposition " Chaïm Soutine, l'ordre du chaos "
1503:
Giraudon, Colette (2003). "Soutine, Chaïm". Grove Art Online.
2254:
The Yiddish Life of Chaim Soutine (1893-1943): New Materials
764:
The Origins and Development of International Independent Art
158:
Chaim-Itzke Solomonovich Sutin (Хаим-Ицке Соломонович Сутин)
1851:"An Expressionist in Paris: The Paintings of Chaim Soutine"
1422:
Getty Research Institute: Union List of Artist Names Online
2199:
Ifkovic, Ed. Soutine in Exile: A Novel. Createspace, 2017.
2182:
Chaïm Soutine and his Contemporaries: from Russia to Paris
787:
Soon afterwards France was invaded by German troops. As a
526:
La Ruche — whose rotunda stands on Dantzig Passage in the
2036:
An Expressionist in Paris: The Paintings of Chaim Soutine
979:(1922) oil on canvas, 31.5 × 17.5 in., collection unknown
903:
An Expressionist in Paris: The Paintings of Chaim Soutine
1089:(1933) oil on canvas, 18 × 10.5 in., collection unknown
2222:
1443:
By Norman Kleeblatt, September 14, 2018, Hyperallergic
916:
became a symbol of pro-democracy protests in Belarus.
1104:(1936) oil on canvas, 65 × 55 cm., collection unknown
1028:(1924) oil on canvas, 36 × 28 in., collection unknown
901:
has presented major exhibitions of Soutine's work in
758:, so that Soutine could hold his first exhibition in
352:
332:
2155:
Tuchman, Maurice; Dunow, Esti; Perls, Klaus (2001).
1971:
Marie-Madeleine Massé, , Paris, Gallimard, 2012, 48
71:
891:
placed him as a character in his 1952 short story "
447:(Yiddish: סמילאָוויץ, romanized: Smilovitz) in the
289:
264:
246:
238:
210:
202:
186:
153:
134:
2033:
1137:(Èmile Lejeune) (1922-1923), Musée de l'Orangerie
620:Soutine took French lessons, often in the back of
467:at a small art Academy. In 1913, with his friends
1535:
475:, he emigrated to Paris, where he studied at the
2032:Kleeblatt, Norman L.; Kenneth E. Silver (1998).
1958:Esti Dunow et Maurice Tuchman, « »,
1234:(c. 1925) oil on millboard, dimensions unknown,
691:; he then abandoned the French Riviera for the
2105:. La Petite vermillon. Paris: La Table Ronde.
96:accompanying your translation by providing an
62:Click for important translation instructions.
49:expand this article with text translated from
2274:
2149:Chaim Soutine (1893–1943): catalogue raisonné
1684:
1682:
27:French, Jewish Belarusian painter (1893–1943)
8:
476:
365:movement while living and working in Paris.
221:
2377:Emigrants from the Russian Empire to France
2382:French people of Belarusian-Jewish descent
2281:
2267:
2259:
994:(1922–23) oil on canvas, 73 × 54 cm,
738:, which he discovered while studying the
131:
2234:Amedeo Modigliani, "Chaim Soutine" (1917)
1649:
1568:
811:, where friends discreetly visited them.
2144:, Los Angeles County Museum of Art, 1968
1801:"Soutine Suit Settled Over Bargain Beef"
1738:
510:, a residence for struggling artists in
506:For a time, he and his friends lived at
1774:
1762:
1673:
1556:
1414:
1258:
1146:
936:
613:, and more than any other, in those of
361:, who made a major contribution to the
1750:
1701:
1580:
829:The Return from School after the Storm
699:. Regardless of his frequent trips to
2239:New record price for Soutine Painting
1954:
1952:
1786:
566:, as well as Lipchitz who introduced
312:
7:
2184:, Ben Uri Gallery and Museum, 2012,
2147:Tuchman, Maurice; Esti Dunow (1993)
1041:The Floor Waiter (Le Garçon d'étage)
873:One of the beef paintings, known as
1823:"Chaim Soutine (1893-1943) Le Bœuf"
732:'s still life of the same subject,
605:, it is especially in the works of
342:
1359:Return From School After the Storm
1287:Chemin de la Fontaine Fils à Céret
1269:Chemin de la Fontaine des Tins at
25:
2249:Chaim Soutine Museum - Smilovichy
1026:Portrait Of A Man With A Felt Hat
768:Galerie nationale du Jeu de Paume
270:
214:
2442:Burials at Montparnasse Cemetery
2407:20th-century French male artists
2151:. Köln: Benedikt Taschen Verlag.
1351:
1339:
1324:
1317:Steeple of Saint-Pierre at Céret
1309:
1294:
1279:
1261:
1239:
1224:
1209:
1202:Chicken Hung Before a Brick Wall
1194:
1179:
1164:
1149:
1127:
1109:
1094:
1079:
1064:
1052:
1033:
1018:
1003:
984:
969:
954:
939:
415:
396:
295:
142:
36:
1799:Mitchell Martin (1 June 2009).
1536:Tuchman, Dunow & Perls 2001
491:Early life and arrival in Paris
108:{{Translated|fr|Chaïm Soutine}}
2023:(2007). "Matières sensibles".
1072:Portrait of Madeleine Castaing
106:You may also add the template
1:
2397:French Expressionist painters
2357:People from Chervyen District
1996:(34 (Special issue)). Faton.
1907:. 9 July 2020. Archived from
1714:Wullschlager, Jackie (2008).
899:The Jewish Museum in New York
441:Chaim-Iche Solomonovich Sutin
2402:20th-century French painters
2372:Jews from the Russian Empire
2078:Nicoïdski, Clarisse (1993).
2027:(341 (special issue)). SFPA.
1637:Musée d'art moderne de Ceret
1332:Landscape with Figures-Céret
912:In 2020, Soutine's painting
675:, more than 400 miles away.
2362:People from Igumensky Uyezd
2219:An artwork by Chaïm Soutine
2157:Soutine. Catalogue raisonné
2120:Parisot, Christian (2005).
1718:. Allen Lane. p. 154.
1598:Bureau d’art Ecole de Paris
883:Looking forward to the past
353:
333:
2458:
2141:Chaim Soutine (1893–1943)
2040:. New York City: Prestel.
1994:L'Estampille/L'Objet d'Art
695:in 1919, specifically for
499:
217:Vilna Academy of Fine Arts
70:Machine translation, like
2296:
2101:Renault, Olivier (2012).
2080:Soutine ou la profanation
1424:. Retrieved 20 June 2020.
1119:(c. 1935) oil on canvas,
842:Cimetière du Montparnasse
496:La Ruche and Montparnasse
477:
322:
294:
285:
260:
222:
141:
51:the corresponding article
1716:Chagall - Love and Exile
1187:Still life with Pheasant
1117:The Cook (Women in Blue)
868:L'Homme au Foulard Rouge
649:German invasion of Paris
334:Khaim Solomonovich Sutin
148:Soutine (with signature)
1172:Still Life with Rayfish
647:to escape the possible
431:National Gallery of Art
117:For more guidance, see
2432:Jewish School of Paris
2422:French modern painters
2311:Yitzhak Frenkel Frenel
1876:"Chaim Soutine: Flesh"
1289:(1920) details unknown
992:The Little Pastry Chef
859:
817:Landscape of Champigny
774:Between Paris and Midi
382:Abstract Expressionism
323:Хаим Соломонович Сутин
178:, Russian Empire
2055:Mullin, Rick (2012).
2025:Connaissance des Arts
1811:on 19 September 2018.
1662:Connaissance des Arts
1547:Kleeblatt et al., 101
1515:La Closerie des Lilas
933:Portraits and figures
855:
310:French pronunciation:
119:Knowledge:Translation
90:copyright attribution
2412:French male painters
2244:Chaim Soutine: Flesh
1977:(ISBN 9782070138715)
1388:Isaac Frenkel Frenel
1045:Musée de l'Orangerie
996:Musée de l'Orangerie
907:Chaim Soutine: Flesh
479:École des Beaux-Arts
224:École des Beaux-Arts
2387:Belarusian painters
1839:. 30 November 2015.
1765:, pp. 140–141.
1217:The Plucked Chicken
805:Champigny-sur-Veude
693:Pyrénées-Orientales
655:The Interwar period
528:15th arrondissement
408:Portrait of Soutine
314:[ʃaimsutin]
2437:Deaths from ulcers
2138:Tuchman, Maurice;
2084:Jean-Claude Lattès
2059:. Loveland, Ohio:
1043:(1927) Collection
860:
748:Madeleine Castaing
98:interlanguage link
2334:
2333:
2326:Abraham Mintchine
2321:Amedeo Modigliani
2070:978-1-933675-68-8
1978:
1880:The Jewish Museum
1855:The Jewish Museum
1725:978-0-7139-9652-4
1378:Amedeo Modigliani
835:Illness and death
715:Carcass paintings
575:Léopold Zborowski
568:Amadeo Modigliani
560:Nina Niss-Goldman
449:Minsk Governorate
439:Soutine was born
423:Amedeo Modigliani
404:Amedeo Modigliani
351:
331:
303:
302:
278:Léopold Zborowski
176:Minsk Governorate
130:
129:
63:
59:
16:(Redirected from
2449:
2392:Russian painters
2283:
2276:
2269:
2260:
2190:978 0900 157 400
2178:
2135:
2116:
2097:
2074:
2061:Dos Madres Press
2051:
2039:
2028:
2016:
2007:
1979:
1976:
1975:, ill. en coul.
1974:
1969:
1963:
1956:
1947:
1946:
1944:
1942:
1927:
1921:
1920:
1918:
1916:
1911:on 8 August 2020
1897:
1891:
1890:
1888:
1886:
1872:
1866:
1865:
1863:
1861:
1847:
1841:
1840:
1833:
1827:
1826:
1819:
1813:
1812:
1807:. Archived from
1796:
1790:
1784:
1778:
1772:
1766:
1760:
1754:
1748:
1742:
1736:
1730:
1729:
1711:
1705:
1699:
1693:
1691:
1686:
1677:
1671:
1665:
1659:
1653:
1647:
1641:
1640:
1629:
1623:
1621:
1618:Nicoïdski 1993,
1616:
1610:
1609:
1607:
1605:
1600:. 4 January 2019
1590:
1584:
1578:
1572:
1566:
1560:
1554:
1548:
1545:
1539:
1533:
1527:
1510:
1504:
1501:
1495:
1494:
1492:
1490:
1484:geni_family_tree
1476:
1470:
1469:
1467:
1465:
1459:geni_family_tree
1451:
1445:
1440:
1434:
1431:
1425:
1419:
1355:
1343:
1328:
1313:
1298:
1283:
1265:
1243:
1228:
1213:
1198:
1183:
1168:
1153:
1135:Portrait d'homme
1131:
1113:
1098:
1083:
1068:
1056:
1037:
1022:
1007:
988:
973:
958:
943:
665:Albert C. Barnes
482:
481:
469:Pinchus Kremegne
419:
400:
356:
346:
344:
336:
326:
324:
316:
311:
299:
273:Albert C. Barnes
267:
227:
226:
193:
181:
167:
165:
146:
132:
109:
103:
76:Google Translate
61:
57:
40:
39:
32:
21:
2457:
2456:
2452:
2451:
2450:
2448:
2447:
2446:
2427:School of Paris
2417:Jewish painters
2367:Belarusian Jews
2337:
2336:
2335:
2330:
2292:
2287:
2215:
2175:
2154:
2132:
2119:
2113:
2100:
2094:
2077:
2071:
2057:Soutine: A Poem
2054:
2048:
2031:
2019:
2010:
2004:
1991:
1988:
1983:
1982:
1972:
1970:
1966:
1957:
1950:
1940:
1938:
1929:
1928:
1924:
1914:
1912:
1899:
1898:
1894:
1884:
1882:
1874:
1873:
1869:
1859:
1857:
1849:
1848:
1844:
1835:
1834:
1830:
1821:
1820:
1816:
1798:
1797:
1793:
1785:
1781:
1773:
1769:
1761:
1757:
1749:
1745:
1737:
1733:
1726:
1713:
1712:
1708:
1700:
1696:
1689:
1687:
1680:
1672:
1668:
1660:
1656:
1648:
1644:
1633:"Chaïm Soutine"
1631:
1630:
1626:
1619:
1617:
1613:
1603:
1601:
1594:"Chaim SOUTINE"
1592:
1591:
1587:
1579:
1575:
1567:
1563:
1555:
1551:
1546:
1542:
1534:
1530:
1511:
1507:
1502:
1498:
1488:
1486:
1480:"Salomon Sutin"
1478:
1477:
1473:
1463:
1461:
1453:
1452:
1448:
1441:
1437:
1432:
1428:
1420:
1416:
1411:
1373:School Of Paris
1369:
1362:
1356:
1347:
1344:
1335:
1329:
1320:
1314:
1305:
1299:
1290:
1284:
1275:
1266:
1250:
1247:Carcass of Beef
1244:
1235:
1229:
1220:
1214:
1205:
1199:
1190:
1184:
1175:
1169:
1160:
1154:
1138:
1132:
1123:
1114:
1105:
1099:
1090:
1084:
1075:
1069:
1060:
1057:
1048:
1038:
1029:
1023:
1014:
1008:
999:
989:
980:
974:
965:
959:
950:
944:
930:
922:
864:Le Bœuf Écorché
850:
837:
785:
783:German invasion
776:
754:, becoming his
721:Carcass of Beef
717:
681:
657:
579:School of Pairs
504:
502:School of Paris
498:
493:
437:
436:
435:
434:
433:
420:
412:
411:
401:
390:
359:School of Paris
309:
265:
198:
195:
191:
182:
179:
169:
168:13 January 1893
163:
161:
160:
159:
149:
137:
126:
125:
124:
107:
101:
64:
58:(December 2023)
41:
37:
28:
23:
22:
15:
12:
11:
5:
2455:
2453:
2445:
2444:
2439:
2434:
2429:
2424:
2419:
2414:
2409:
2404:
2399:
2394:
2389:
2384:
2379:
2374:
2369:
2364:
2359:
2354:
2349:
2339:
2338:
2332:
2331:
2329:
2328:
2323:
2318:
2313:
2308:
2303:
2297:
2294:
2293:
2290:École de Paris
2288:
2286:
2285:
2278:
2271:
2263:
2257:
2256:
2251:
2246:
2241:
2236:
2231:
2226:
2214:
2213:External links
2211:
2210:
2209:
2200:
2197:
2192:
2179:
2173:
2152:
2145:
2136:
2130:
2117:
2111:
2098:
2092:
2075:
2069:
2052:
2046:
2029:
2017:
2008:
2002:
1987:
1984:
1981:
1980:
1964:
1948:
1937:. 29 June 2020
1922:
1892:
1867:
1842:
1828:
1814:
1791:
1779:
1777:, p. 142.
1767:
1755:
1743:
1731:
1724:
1706:
1694:
1678:
1666:
1654:
1652:, p. 128.
1650:Nicoïdski 1993
1642:
1624:
1611:
1585:
1573:
1569:Nicoïdski 1993
1561:
1559:, p. 204.
1549:
1540:
1528:
1505:
1496:
1471:
1455:"Sarah Sutina"
1446:
1435:
1426:
1413:
1412:
1410:
1407:
1406:
1405:
1400:
1398:Michel Kikoine
1395:
1390:
1385:
1380:
1375:
1368:
1365:
1364:
1363:
1357:
1350:
1348:
1345:
1338:
1336:
1330:
1323:
1321:
1315:
1308:
1306:
1300:
1293:
1291:
1285:
1278:
1276:
1267:
1260:
1252:
1251:
1245:
1238:
1236:
1232:Hanging Turkey
1230:
1223:
1221:
1215:
1208:
1206:
1200:
1193:
1191:
1185:
1178:
1176:
1170:
1163:
1161:
1155:
1148:
1140:
1139:
1133:
1126:
1124:
1115:
1108:
1106:
1100:
1093:
1091:
1085:
1078:
1076:
1070:
1063:
1061:
1058:
1051:
1049:
1039:
1032:
1030:
1024:
1017:
1015:
1009:
1002:
1000:
990:
983:
981:
975:
968:
966:
960:
953:
951:
945:
938:
929:
926:
921:
920:Artistic style
918:
849:
846:
836:
833:
801:Indre-et-Loire
784:
781:
775:
772:
735:Slaughtered Ox
716:
713:
689:Cagnes-sur-Mer
680:
677:
673:French Riviera
661:Paul Guillaume
659:After the war
656:
653:
497:
494:
492:
489:
485:Fernand Cormon
473:Michel Kikoine
453:Russian Empire
421:
414:
413:
402:
395:
394:
393:
392:
391:
389:
386:
301:
300:
292:
291:
287:
286:
283:
282:
281:
280:
275:
268:
262:
261:
258:
257:
251:École de Paris
248:
244:
243:
240:
239:Known for
236:
235:
234:
233:
231:Fernand Cormon
228:
219:
212:
208:
207:
204:
200:
199:
196:
194:(aged 50)
188:
184:
183:
170:
157:
155:
151:
150:
147:
139:
138:
135:
128:
127:
123:
122:
115:
104:
82:
79:
68:
65:
46:
45:
44:
42:
35:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2454:
2443:
2440:
2438:
2435:
2433:
2430:
2428:
2425:
2423:
2420:
2418:
2415:
2413:
2410:
2408:
2405:
2403:
2400:
2398:
2395:
2393:
2390:
2388:
2385:
2383:
2380:
2378:
2375:
2373:
2370:
2368:
2365:
2363:
2360:
2358:
2355:
2353:
2350:
2348:
2345:
2344:
2342:
2327:
2324:
2322:
2319:
2317:
2314:
2312:
2309:
2307:
2304:
2302:
2301:Chaïm Soutine
2299:
2298:
2295:
2291:
2284:
2279:
2277:
2272:
2270:
2265:
2264:
2261:
2255:
2252:
2250:
2247:
2245:
2242:
2240:
2237:
2235:
2232:
2230:
2227:
2224:
2220:
2217:
2216:
2212:
2207:
2204:
2203:Chaïm Soutine
2201:
2198:
2196:
2193:
2191:
2187:
2183:
2180:
2176:
2174:9783822816295
2170:
2166:
2162:
2158:
2153:
2150:
2146:
2143:
2142:
2137:
2133:
2131:9782070306954
2127:
2123:
2118:
2114:
2112:9782710369868
2108:
2104:
2103:Rouge Soutine
2099:
2095:
2093:2-7096-1214-3
2089:
2085:
2081:
2076:
2072:
2066:
2062:
2058:
2053:
2049:
2047:3-7913-1932-9
2043:
2038:
2037:
2030:
2026:
2022:
2021:Jover, Manuel
2018:
2014:
2009:
2005:
2003:9782878441819
1999:
1995:
1990:
1989:
1985:
1968:
1965:
1962:, Hazan, 2012
1961:
1955:
1953:
1949:
1936:
1935:Bloomberg.com
1932:
1926:
1923:
1910:
1906:
1902:
1896:
1893:
1881:
1877:
1871:
1868:
1856:
1852:
1846:
1843:
1838:
1832:
1829:
1824:
1818:
1815:
1810:
1806:
1802:
1795:
1792:
1789:, p. 32.
1788:
1783:
1780:
1776:
1771:
1768:
1764:
1759:
1756:
1753:, p. 50.
1752:
1747:
1744:
1741:, p. 35.
1740:
1739:Giraudon 2012
1735:
1732:
1727:
1721:
1717:
1710:
1707:
1704:, p. 45.
1703:
1698:
1695:
1685:
1683:
1679:
1676:, p. 64.
1675:
1670:
1667:
1663:
1658:
1655:
1651:
1646:
1643:
1638:
1634:
1628:
1625:
1615:
1612:
1599:
1595:
1589:
1586:
1583:, p. 34.
1582:
1577:
1574:
1571:, p. 55.
1570:
1565:
1562:
1558:
1553:
1550:
1544:
1541:
1538:, p. 78.
1537:
1532:
1529:
1525:
1524:
1520:
1516:
1509:
1506:
1500:
1497:
1485:
1481:
1475:
1472:
1460:
1456:
1450:
1447:
1444:
1439:
1436:
1433:Kleeblatt, 13
1430:
1427:
1423:
1418:
1415:
1408:
1404:
1401:
1399:
1396:
1394:
1391:
1389:
1386:
1384:
1381:
1379:
1376:
1374:
1371:
1370:
1366:
1360:
1354:
1349:
1342:
1337:
1333:
1327:
1322:
1318:
1312:
1307:
1303:
1302:View of Céret
1297:
1292:
1288:
1282:
1277:
1273:
1272:
1264:
1259:
1257:
1256:
1248:
1242:
1237:
1233:
1227:
1222:
1218:
1212:
1207:
1203:
1197:
1192:
1188:
1182:
1177:
1173:
1167:
1162:
1158:
1152:
1147:
1145:
1144:
1136:
1130:
1125:
1122:
1118:
1112:
1107:
1103:
1097:
1092:
1088:
1082:
1077:
1073:
1067:
1062:
1055:
1050:
1046:
1042:
1036:
1031:
1027:
1021:
1016:
1012:
1011:Woman in Pink
1006:
1001:
997:
993:
987:
982:
978:
972:
967:
963:
957:
952:
948:
947:Self Portrait
942:
937:
935:
934:
927:
925:
919:
917:
915:
910:
908:
904:
900:
896:
894:
890:
886:
884:
880:
876:
871:
869:
865:
858:
854:
847:
845:
843:
834:
832:
830:
826:
822:
818:
812:
810:
806:
802:
798:
794:
790:
782:
780:
773:
771:
769:
765:
761:
757:
753:
749:
745:
741:
737:
736:
731:
726:
722:
714:
712:
708:
704:
702:
698:
694:
690:
686:
678:
676:
674:
670:
666:
662:
654:
652:
650:
646:
641:
639:
636:, and later,
635:
631:
627:
623:
618:
616:
612:
608:
604:
600:
596:
592:
588:
582:
580:
576:
571:
569:
565:
561:
557:
553:
549:
545:
541:
537:
533:
529:
524:
521:
517:
513:
509:
503:
495:
490:
488:
486:
480:
474:
470:
466:
462:
458:
455:(present-day
454:
450:
446:
442:
432:
428:
427:Chaim Soutine
424:
418:
409:
405:
399:
387:
385:
383:
379:
375:
371:
366:
364:
363:Expressionist
360:
355:
349:
340:
335:
329:
320:
315:
307:
306:Chaïm Soutine
298:
293:
288:
284:
279:
276:
274:
271:
269:
263:
259:
256:
255:Expressionism
252:
249:
245:
241:
237:
232:
229:
225:
220:
218:
215:
213:
209:
205:
201:
197:Paris, France
190:9 August 1943
189:
185:
180:(now Belarus)
177:
173:
156:
152:
145:
140:
136:Chaïm Soutine
133:
120:
116:
113:
105:
99:
95:
91:
87:
83:
80:
77:
73:
69:
67:
66:
60:
54:
52:
47:You can help
43:
34:
33:
30:
19:
2316:Jules Pascin
2306:Marc Chagall
2300:
2229:Hecht Museum
2202:
2181:
2156:
2148:
2139:
2121:
2102:
2079:
2056:
2035:
2024:
2012:
1993:
1967:
1959:
1939:. Retrieved
1934:
1925:
1913:. Retrieved
1909:the original
1904:
1895:
1883:. Retrieved
1879:
1870:
1858:. Retrieved
1854:
1845:
1831:
1817:
1809:the original
1804:
1794:
1782:
1775:Renault 2012
1770:
1763:Renault 2012
1758:
1746:
1734:
1715:
1709:
1697:
1688:Jover 2007,
1674:Renault 2012
1669:
1661:
1657:
1645:
1636:
1627:
1614:
1602:. Retrieved
1597:
1588:
1576:
1564:
1557:Parisot 2005
1552:
1543:
1531:
1513:
1508:
1499:
1487:. Retrieved
1483:
1474:
1462:. Retrieved
1458:
1449:
1438:
1429:
1417:
1393:Jules Pascin
1383:Marc Chagall
1358:
1331:
1316:
1301:
1286:
1268:
1254:
1253:
1246:
1231:
1216:
1201:
1186:
1171:
1156:
1142:
1141:
1134:
1121:Museo Botero
1116:
1101:
1086:
1071:
1040:
1025:
1010:
991:
976:
961:
946:
932:
931:
923:
913:
911:
906:
902:
897:
887:
882:
878:
874:
872:
867:
863:
861:
856:
838:
828:
824:
821:The Big Tree
820:
816:
813:
797:Marcel Laloë
786:
777:
766:held at the
763:
733:
725:Marc Chagall
720:
718:
709:
705:
682:
658:
642:
619:
583:
572:
570:to Soutine.
564:Chana Orloff
525:
512:Montparnasse
505:
440:
438:
426:
407:
367:
305:
304:
192:(1943-08-09)
94:edit summary
85:
56:
48:
29:
2352:1943 deaths
2347:1893 births
1905:BelarusFeed
1751:Breton 2007
1702:Breton 2007
1581:Breton 2007
1143:Still Lifes
1102:Female Nude
1087:Female Nude
905:(1998) and
740:Old Masters
354:Chaim Sutin
203:Nationality
2341:Categories
2122:Modigliani
1986:References
1787:Jover 2007
1523:La Rotonde
1489:19 October
1464:19 October
1255:Landscapes
889:Roald Dahl
630:Baudelaire
622:La Rotonde
532:Archipenko
520:Montmartre
500:See also:
459:). He was
445:Smilavichy
388:Early life
172:Smilavichy
164:1893-01-13
2082:. Paris:
1604:6 January
1409:Footnotes
1157:The Table
977:Farm Girl
962:The Idiot
844:, Paris.
730:Rembrandt
671:, on the
638:Montaigne
615:Rembrandt
370:Rembrandt
348:romanized
343:חײם סוטין
328:romanized
290:Signature
266:Patron(s)
211:Education
112:talk page
53:in French
2015:. Hazan.
1622:114-115.
1367:See also
909:(2018).
825:The Pigs
540:Brancusi
508:La Ruche
429:, 1917,
247:Movement
242:Painting
88:provide
2223:Ben Uri
2221:at the
2165:Taschen
2161:Cologne
1941:1 March
1915:1 March
1805:ArtInfo
1519:Le Dôme
1047:, Paris
998:, Paris
928:Gallery
879:Le Bœuf
875:Le bœuf
793:Gestapo
760:Chicago
756:patrons
742:in the
634:Rimbaud
611:Courbet
599:Chardin
595:Raphael
591:Fouquet
556:Chagall
552:Epstein
548:Kisling
544:Chapiro
536:Zadkine
465:Vilnius
457:Belarus
451:of the
378:Courbet
374:Chardin
350::
339:Yiddish
330::
319:Russian
110:to the
92:in the
55:.
18:Soutine
2188:
2171:
2128:
2109:
2090:
2067:
2044:
2000:
1837:"Skin"
1722:
1526:. (FR)
848:Legacy
809:Chinon
744:Louvre
632:, and
626:Balzac
603:Ingres
601:, and
587:Louvre
483:under
461:Jewish
410:, 1916
206:French
1885:1 May
1860:1 May
1403:Paris
1271:Céret
752:Lèves
701:Paris
697:Céret
685:Vence
679:Céret
516:Paris
443:, in
72:DeepL
2225:site
2186:ISBN
2169:ISBN
2126:ISBN
2107:ISBN
2088:ISBN
2065:ISBN
2042:ISBN
1998:ISBN
1943:2021
1917:2021
1887:2018
1862:2018
1720:ISBN
1606:2024
1491:2020
1466:2020
893:Skin
687:and
669:Nice
645:Nice
609:and
607:Goya
471:and
376:and
187:Died
154:Born
86:must
84:You
1692:20.
914:Eva
895:".
857:Eva
827:or
789:Jew
514:in
74:or
2343::
2167:.
2163::
2159:.
2086:.
2063:.
1973:p.
1951:^
1933:.
1903:.
1878:.
1853:.
1803:.
1690:p.
1681:^
1635:.
1620:p.
1596:.
1521:,
1517:,
1482:.
1457:.
885:.
819:.
803:,
651:.
640:.
628:,
597:,
593:,
562:,
558:,
554:,
550:,
546:,
542:,
538:,
534:,
425:,
406:,
384:.
372:,
345:,
341::
337:;
325:,
321::
317:;
253:,
174:,
2282:e
2275:t
2268:v
2208:.
2177:.
2134:.
2115:.
2096:.
2073:.
2050:.
2006:.
1945:.
1919:.
1889:.
1864:.
1825:.
1728:.
1639:.
1608:.
1493:.
1468:.
308:(
166:)
162:(
121:.
114:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
