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written in 1849, he displays his main character Chiaro as an artist with spiritual inclinations. In the text, Chiaro's spirit appears before him in the form of a woman who instructs him to "set thine hand and thy soul to serve man with God." The
Rossetti Archive defines this text as "Rossetti's way of constellating his commitments to art, religious devotion, and a thoroughly secular historicism." Likewise, in "The Blessed Damozel", written between 1847 and 1870, Rossetti uses biblical language such as "From the gold bar of Heaven" to describe the Damozel looking down to Earth from Heaven. Here we see a connection between body and soul, mortal and supernatural, a common theme in Rossetti's works. In "Ave" (1847), Mary awaits the day that she will meet her son in Heaven, uniting the earthly with the heavenly. The text highlights a strong element in
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1540:, Lowry explained his fascination with the Rossetti women in relation to his own work: "I don't like his women at all, but they fascinate me, like a snake. That's why I always buy Rossetti whenever I can. His women are really rather horrible. It's like a friend of mine who says he hates my work, although it fascinates him." The friend Lowry referred to was businessman Monty Bloom, to whom he also explained his obsession with Rossetti's portraits: "They are not real women. They are dreams. He used them for something in his mind caused by the death of his wife. I may be quite wrong there, but significantly they all came after the death of his wife."
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584:, published early in 1850, Rossetti contributed a poem, "The Blessed Damozel", and a story about a fictional early Italian artist inspired by a vision of a woman who bids him combine the human and the divine in his art. Rossetti was always more interested in the medieval than in the modern side of the movement, working on translations of
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This passage makes apparent
Rossetti's desire not to just support the poet's narrative, but to create an allegorical illustration that functions separately from the text as well. In this respect, Pre-Raphaelite illustrations go beyond depicting an episode from a poem, but rather function like subject
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He was painting in oils with water-colour brushes, as thinly as in water-colour, on canvas which he had primed with white till the surface was a smooth as cardboard, and every tint remained transparent. I saw at once that he was not an orthodox boy, but acting purely from the aesthetic motive. The
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in 1865 and was immediately struck by her beauty. She agreed to sit for him the following day, but failed to arrive. He spotted her again weeks later, jumped from the cab he was in and persuaded her to go straight to his studio. He paid her a weekly fee to sit for him exclusively, afraid that other
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From the beginning of the
Brotherhood's formation in 1848, their pieces of art included subjects of noble or religious disposition. Their aim was to communicate a message of "moral reform" through the style of their works, exhibiting a "truth to nature". Specifically in Rossetti's "Hand and Soul",
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finished in 1849, are evident of this claim. The painting's altar is decorated very similarly to that of a
Catholic altar, proving his familiarity with the Anglo-Catholic revival. The subject of the painting, the Blessed Virgin, is sewing a red cloth, a significant part of the Oxford Movement that
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have recently come up to town from Oxford, and are now very intimate friends of mine. Their names are Morris and Jones. They have turned artists instead of taking up any other career to which the university generally leads, and both are men of real genius. Jones's designs are marvels of finish and
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as the epitome of physical eroticism, while Jane Burden, the wife of his business partner
William Morris, was glamorised as an ethereal goddess. "As in Rossetti's previous reforms, the new kind of subject appeared in the context of a wholesale reconfiguration of the practice of painting, from the
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in 1857 and known colloquially as the 'Moxon
Tennyson'). Moxon envisioned Royal Academicians as the illustrators for the ambitious project, but this vision was quickly disrupted once Millais, a founding member of the Pre-Raphaelite Brotherhood, became involved in the project. Millais recruited
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and
Rossetti for the project, and the involvement of these artists reshaped the entire production of the book. In reference to the Pre-Raphaelite illustrations, Laurence Housman wrote " The illustrations of the Pre-Raphaelites were personal and intellectual readings of the poems to which they
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The popularity, frequent reproduction, and general availability of
Rossetti's later paintings of women have led to this association with "a morbid and languorous sensuality". His small-scale early works and drawings are less well known, but it is in these that his originality, technical
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Around 1860, Rossetti returned to oil painting, abandoning the dense medieval compositions of the 1850s in favour of powerful close-up images of women in flat pictorial spaces characterised by dense colour. These paintings became a major influence on the development of the
European
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emphasized the embroidering of altar cloths by women. Oxford
Reformers identified two major aspects to their movement, that "the end of all religion must be communion with God," and "that the Church was divinely instituted for the very purpose of bringing about this consummation."
677:, begun in 1853 and unfinished at his death, was his only major modern-life subject. It depicted a prostitute, lifted from the street by a country drover who recognises his old sweetheart. However, Rossetti increasingly preferred symbolic and mythological images to realistic ones.
659:, exhibited in 1850, and the "increasingly hysterical critical reaction that greeted Pre-Raphaelitism" that year, Rossetti turned to watercolours, which could be sold privately. Although his work subsequently won support from John Ruskin, Rossetti only rarely exhibited thereafter.
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paintings within a text. Illustration is not subservient to text and vice versa. Careful and conscientious craftsmanship is practiced in every aspect of production, and each element, though qualifiedly artistic in its own right, contributes to a unified art object (the book).
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Jane Morris, whom Rossetti had used as a model for the Oxford Union murals he painted with William Morris and Edward Burne-Jones in 1857, also sat for him during these years, she "consumed and obsessed him in paint, poetry, and life". Jane Morris was also photographed by
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in 1976. Lowry was president of the Newcastle-based 'Rossetti Society', which was founded in 1966. Lowry's private collection of works was chiefly built around Rossetti's paintings and sketches of Elizabeth Siddal and Jane Morris, and notable pieces included
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belonged, not merely echoes in line of the words of the text." The Pre-Raphaelites' visualization of Tennyson's poems indicated the range of possibilities in interpreting written works, as did their unique approach to visualizing narrative on the canvas.
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and Jane sat for him at Kelmscott, where he created a soulful series of dream-like portraits. In 1874, Morris reorganised his decorative arts firm, cutting Rossetti out of the business, and the polite fiction that both men were in residence with Jane at
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Pre-Raphaelite illustrations do not simply refer to the text in which they appear; rather, they are part of a bigger program of art: the book as a whole. Rossetti's philosophy about the role of illustration was revealed in an 1855 letter to poet
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most basic level of materials and techniques up to the most abstract or conceptual level of the meanings and ideas that can be embodied in visual form." These new works were based not on medievalism, but on the Italian High
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removal. He had been suffering from alcohol psychosis for some time brought on by the excessive amounts of whisky he used to drown out the bitter taste of the chloral hydrate. He is buried in the churchyard of All Saints at
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The savage reaction of critics to Rossetti's first collection of poetry contributed to a mental breakdown in June 1872, and although he joined Jane Morris at Kelmscott that September, he "spent his days in a haze of
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Every Pre-Raphaelite landscape background is painted to the last touch, in the open air, from the thing itself. Every Pre-Raphaelite figure, however studied in expression, is a true portrait of some living
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Literature was integrated into the Pre-Raphaelite Brotherhood's artistic practice from the beginning (including that of Rossetti), with many paintings making direct literary references. For example,
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On Easter Sunday, 1882, he died at the country house of a friend, where he had gone in a vain attempt to recover his health, which had been destroyed by chloral as his wife's had been destroyed by
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The youthful Rossetti is described as "self-possessed, articulate, passionate and charismatic" but also "ardent, poetic and feckless". Like all his siblings, he aspired to be a poet and attended
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recorded that services had begun changing in the church since the start of the "High Anglican movement". Rev. William Dodsworth was responsible for these changes, including the addition of the
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671:, an important model for the Pre-Raphaelite painters. Over the next decade, she became his muse, his pupil, and his passion. They were married in 1860. Rossetti's incomplete picture
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1254:(described delicately by William Allington as Rossetti's "housekeeper") in her own establishment nearby in Chelsea, and painted many voluptuous images of her between 1863 and 1865.
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417:, Gabriel Charles Dante Rossetti was born in London, on 12 May 1828. His family and friends called him Gabriel, but in publications he put the name Dante first in honour of
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as Dante Gabriel Rossetti for his Halloween costume. His wife Dr. Lilith Sternin-Crane appears as Rossetti's sister Christina. Their son Frederick is dressed as Spiderman.
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could not be maintained. Rossetti abruptly left Kelmscott in July 1874 and never returned. Toward the end of his life, he sank into a morbid state, darkened by his
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708:. He also developed a novel drawing technique in pen-and-ink. His first published illustration was "The Maids of Elfen-Mere" (1855), for a poem by his friend
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church. It is noted that the Anglo-Catholic revival very much affected Rossetti in the late 1840s and early 1850s. The spiritual expressions of his painting
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inspired his art of the 1850s. He created a method of painting in watercolours, using thick pigments mixed with gum to give rich effects similar to medieval
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There is evidence to suggest that a number of paintings by Paula Modersohn-Becker (1876β1907) were influenced by the Pre-Raphaelite painter Dante Rossetti.
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artists might employ her. They shared a lasting bond; after Rossetti's death Wilding was said to have travelled regularly to place a wreath on his grave.
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2788:"Dante Gabriel Rossetti β Definition, pictures, pronunciation and usage notes β Oxford Advanced Learner's Dictionary at OxfordLearnersDictionaries.com"
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in 1862, possibly a suicide, shortly after giving birth to a stillborn child. Rossetti became increasingly depressed, and when Elizabeth was buried at
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1354:. Their eroticism and sensuality caused offence. One poem, "Nuptial Sleep", described a couple falling asleep after sex. It was part of Rossetti's
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from six poems by Rossetti. One song in that cycle, "Silent Noon", is one of Vaughan Williams's best known and most frequently performed songs.
449:, who had died seven years before his birth, was Rossetti's maternal uncle. During his childhood, Rossetti was home educated and later attended
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735:. Neither Burne-Jones nor Morris knew Rossetti, but were much influenced by his works, and met him by recruiting him as a contributor to their
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1716:: while Rossetti's line read "Look in my face; my name is Might-have-been" the Hole lyric is "Look at my face; my name is Might-have-been."
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practice of placing flowers and candles by the altar. Rossetti and his family, along with two of his colleagues (one of which cofounded the
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a hypermedia archive of the complete writings and pictures of Dante Gabriel Rossetti (and a lot of additional contextual information)"
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The group's intention was to reform English art by rejecting what they considered to be the mechanistic approach first adopted by the
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National Trust, all contain large collections of Rossetti's work; Salford was bequeathed a number of works following the death of
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etc.βthose where one can allegorize on one's own hook, without killing for oneself and everyone a distinct idea of the poet's."
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843:. Rossetti's key bindings were designed between 1861 and 1871. He collaborated as a designer/illustrator with his sister, poet
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Debra N. Mancoff (2021). 'Dante Gabriel Rossetti: Portraits of Women (Victoria and Albert Museum)', Thames and Hudson Ltd,
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321:. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence
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3754:"The Awakening β Phoebe Anna Traquair β t β Artists A-Z β Online Collection β Collection β National Galleries of Scotland"
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England began to see a revival of religious beliefs and practices starting in 1833 and moving onward to about 1845. The
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How Sir Galahad. Sir Bors, and Sir Percival were fed with the Sanc Grael; But Sir Percival's Sister Died Along the Way
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Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by
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movement. In them, Rossetti's depiction of women became almost obsessively stylised. He portrayed his new lover
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Rossetti's first major paintings in oil display the realist qualities of the early Pre-Raphaelite movement. His
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Rossetti's personal life was closely linked to his work, especially his relationships with his models and muses
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1892:(1868), Delaware Art Museum (Fanny Cornforth, overpainted at Kelsmcott 1872β73 with the face of Alexa Wilding)
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2016:
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282:), was an English poet, illustrator, painter, translator, and member of the Rossetti family. He founded the
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Poetry, Pictures, and Popular Publishing: The Illustrated Gift Book and Victorian Visual Culture 1855β1875
2400:"Rossetti divided his attention between painting and poetry for the rest of his life" - Poetry Foundation
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Rebecca Jelbert: "Paula Modersohn-Beckerβs self-portraits and the influence of Dante Gabriel Rossetti."
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and other medieval Italian poets, and adopting the stylistic characteristics of the early Italians.
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traditions that had been lost in the Church of England. Rossetti and his family had been attending
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mixture of genius and dilettantism of both men shut me up for the moment, and whetted my curiosity.
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inventiveness, and significance in the movement away from Academic tradition can best be seen. As
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debating-hall under construction, pursued a commission to paint the upper walls with scenes from
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A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
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3667:, 3d ed.: 2 (Kindle Location 40729). McFarland & Company, Inc., Publishers. Kindle Edition.
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and to decorate the roof between the open timbers. Seven artists were recruited, among them
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of intensely described fragments. It was Rossetti's most substantial literary achievement.
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One of Rossetti's most prominent contributions to illustration was the collaborative book,
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In Season 10, Episode 7, "Bar Wars V: The Final Judgment" first broadcast 31 October 1991
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Guido Cavalcanti. "Ballata. He reveals, in a Dialogue, his increasing love for Mandetta."
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and increasing mental instability. He spent his last years as a recluse at Cheyne Walk.
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included some translations, such as his "Ballad Of Dead Ladies", an 1869 translation of
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was a series of interacting monuments to these moments β an elaborate whole made from a
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The grave of Dante Gabriel Rossetti in the churchyard of All Saints, Birchington-on-Sea
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1388:" is credited to Rossetti as a neologism used for the first time in this translation.)
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Sylvie Broussine, Christopher Newall (2021). 'Rossetti's Portraits', Pallas Athene,
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and sought to refine bindings and illustrations to align with the principles of the
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For many years, Rossetti worked on English translations of Italian poetry including
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835:(1818). Rossetti was particularly critical of the gaudy ornamentation of Victorian
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495:' Drawing Academy from 1841 to 1845, when he enrolled in the Antique School of the
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325:. Poetry and image are closely entwined in Rossetti's work. He frequently wrote
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Poems and Translations 1850β1870, Together with the Prose Story 'Hand and Soul'
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Rossetti's Wombat: Pre-Raphaelites and Australian animals in Victorian London
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Gabriel Rossetti and other members of the Rossetti family are characters in
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in London. He also wished to be a painter, having shown a great interest in
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During these years, Rossetti was prevailed upon by friends, in particular
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1350:. They created controversy when they were attacked as the epitome of the
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900:"I have not begun even designing for them yet, but fancy I shall try the
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in progress in Hunt's studio and remarked on young Rossetti's technique:
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438:
3965:(poems and translations, with introduction). Cambridge University Press
3931:
Prelude to the Last Decade: Dante Gabriel Rossetti in the summer of 1872
739:
which Morris founded in 1856 to promote his ideas about art and poetry.
3603:
2281:
1599:
1316:
1139: in this section. Unsourced material may be challenged and removed.
552:
462:
4189:
2263:
1611:
1366:
1244:
1228:
1027:
1023:
975:
that describes Mary's body and soul having been assumed into Heaven.
796:
326:
2280:
William Morris reading to Jane Morris while she takes the waters at
3665:
Resting Places: The Burial Sites of More Than 14,000 Famous Persons
2011:(1878), one of Rossetti's last paintings, now in the collection of
1574:(1967). The Pre-Raphaelite Brotherhood has been the subject of two
727:
His visions of Arthurian romance and medieval design also inspired
4164:
3140:
Arthur Boyd Houghton: A Selection from his Work in Black and White
2342:
1527:
1475:
1414:
1401:
1321:
1256:
1240:
1223:
After the death of his wife, Rossetti leased a Tudor House at 16,
1210:
1084:
1073:
986:
919:
859:
741:
595:
505:
503:, with whom he retained a close relationship throughout his life.
454:
397:
382:
371:
3193:
3191:
897:, when he wrote, in reference to his work on the Moxon Tennyson:
4244:. General Collection, Beinecke Rare Book and Manuscript Library.
3904:
Boos, Florence S. The Poetry of Dante G. Rossetti. Mouton, 1973.
1552:
may be hailed as a forerunner of the new ideas" in English Art.
294:. Rossetti inspired the next generation of artists and writers,
4678:
4256:
3202:. Vol. 15. West Virginia University Press. pp. 21β35.
2464:
Dante Alighieri. "Sestina. Of the Lady Pietra degli Scrovigni."
779:
That summer Morris and Rossetti visited Oxford and finding the
4226:
2458:
Dante's Dream on the Day of the Death of Beatrice: 9 June 1290
1639:
Rossetti's poem "The Blessed Damozel" was the inspiration for
1575:
1108:
2877:
2875:
3916:
The Stream's Secret: The Symbolism of Dante Gabriel Rossetti
1436:
and whisky". The next summer he was much improved, and both
339:(1877), while also creating art to illustrate poems such as
1729:
was described by Bowie as a parody of a Rossetti painting.
1231:, asking friends to meet him at the "Wombat's Lair" at the
256:
250:
241:
1548:
wrote in 1916, "Rossetti more than any other artist since
771:
imaginative detail, unequalled by anything unless perhaps
441:; ostensibly Gabriel was baptised as and was a practising
3623:
3621:
403:
Portrait of Frances Gabriele Rossetti the Artist's Mother
2849:
2847:
2171:, Rossetti's first published woodcut illustration (1855)
437:, at least prior to his marriage, and his mother was an
4015:
The Rossettis in Wonderland. A Victorian Family History
3979:
The Pre-Raphaelites: Their Lives in Letters and Diaries
3524:
Recollections of Dante Gabriel Rossetti and his circle
2454:(for a drawing; September 1869; 1860β1861, 1867, 1869)
1391:
In 1881, Rossetti published a second volume of poems,
228:(12 May 1828 β 9 April 1882), generally known as
3986:
Dante Gabriel Rossetti and the Game that Must Be Lost
3947:. London: Thames and Hudson, New York: H. N. Abrams.
3157:. London: George G. Harrap & Co. Ltd. p. 17.
511:
Portrait of Dante Gabriel Rossetti at 22 years of Age
302:
in particular. His work also influenced the European
265:
247:
2113:
Drawing of Fanny Cornforth, graphite on paper (1869)
958:) had also attended St. Andrew's on Wells Street, a
253:
238:
5418:
5347:
5338:
I Am Half-Sick of Shadows, Said the Lady of Shalott
4990:
4758:
4587:
4534:
4515:
4498:
4290:
1064:Rossetti's wife, Elizabeth, died of an overdose of
1037:In 1861, Rossetti became a founding partner in the
580:For the first issue of the brotherhood's magazine,
244:
209:
168:
147:
119:
98:
90:
73:
54:
23:
3390:Artists and Writers in Revolt: The Pre-Raphaelites
3127:. Athens, Ohio: Ohio University Press. p. 43.
3058:Watkinson, Ray, "Painting" in Parry (1996), p. 93.
1702:used lines from Rossetti's "Superscription", from
4248:Poems by Dante Gabriel Rossetti at English Poetry
4223:"Website about Rossetti's wife, Elizabeth Siddal"
2413:(for a Picture; 1877 JanuaryβFebruary; 1875β1877)
2236:Sir Tristram and la Belle Ysoude drink the potion
655:Stung by criticism of his second major painting,
559:and the formal training regime introduced by Sir
5584:People educated at King's College School, London
2573:Mary Magdalene at the Door of Simon the Pharisee
1000:, signalled a new direction in Rossetti's work (
605:(1849). The models were the artist's mother for
3684:
3682:
1994:(1874; model: Jane Morris) Tate Britain, London
764:
648:
573:
4186:47 artworks by or after Dante Gabriel Rossetti
3363:"Did Rossetti really need to exhume his wife?"
3142:. London, England: Trubner and Co. p. 13.
1076:'s Beatrice in a number of paintings, such as
4690:
4268:
3338:
3336:
3334:
3048:. Vol. 3. London: Smith, Elder & Co.
3018:. Vol. 3. London: Smith, Elder & Co.
2365:The Collected Works of Dante Gabriel Rossetti
1811:(1865β1866) (Models:Marie Ford, Ellen Smith,
8:
4336:Joan of Arc Kissing the Sword of Deliverance
4030:Collected Writings of Dante Gabriel Rossetti
3938:The Correspondence of Dante Gabriel Rossetti
3909:A Victorian Romantic: Dante Gabriel Rossetti
3215:"John Wesley and the Anglo-Catholic Revival"
1395:, which included the remaining sonnets from
567:Italian and Flemish art. The eminent critic
4008:Life with Rossetti: or, No peacocks allowed
3810:"Lady Lilith, Dante Gabriel Rossetti, 1868"
2753:List of paintings by Dante Gabriel Rossetti
2710:(for a picture; 1868 January 16; 1863β1869)
2581:(for a drawing; 1853, 1869β1871, 1875β1876)
2186:, one of two illustrations by Rossetti for
1871:(1867), Metropolitan Museum of Art (model:
1744:List of paintings by Dante Gabriel Rossetti
4877:Louisa Beresford, Marchioness of Waterford
4697:
4683:
4675:
4275:
4261:
4253:
3500:
3498:
2997:
2995:
2621:(for a drawing; 1849β1856; 1869 September)
2477:(for a picture; 1878β1880, 1880 September)
720:and illustrations for works by his sister
31:
20:
5639:Writers who illustrated their own writing
4087:, New York: Watson-Giptill Publications,
3604:"Dante Gabriel Rossetti, 'The Day Dream'"
3155:The Pre-Raphaelites in Literature and Art
2535:("A Sonnet is a moment's monument"; 1880)
1794:(1864), watercolour, Tate Britain, London
1199:Learn how and when to remove this message
807:, and Jane became Morris's wife in 1859.
329:to accompany his pictures, spanning from
5156:The Finding of the Saviour in the Temple
4617:Tristram and Isoude stained glass panels
4156:Works by or about Dante Gabriel Rossetti
4028:Rossetti, D. G., & J. Marsh (2000).
3933:. Manchester : The John Rylands Library.
3715:Quoted in Treuherz et al. (2003), p. 12.
3100:"Dante Gabriel Rossetti Material Design"
2212:, illustration for Christina Rossetti's
4050:Sharp, Frank C., and Jan Marsh (2012),
3643:Birchington Heritage Trust - Newsletter
2779:
2319:(a translation), 1861; republished as
2251:
2225:
2158:
2028:
1747:
1719:The British release cover for the 1970
1688:, inspired by a sonnet from Rossetti's
1655:(1879β1962) set to music as one of his
638:(1850) portray Mary as a teenage girl.
140: 1860; died 1862)
4207:"Birmingham Museums and Art Gallery's"
4061:. London: Middlesex University Press.
3936:Fredeman, William E. (ed.) (2002β08),
3027:
3025:
2971:Treuherz et al. (2003), pp. 19, 24β25.
2625:Perlascura. Twelve Coins for One Queen
2041:(1848), pen and sepia with some pencil
1662:, Rossetti's poem "The One Hope" from
795:, and the work was hastily begun. The
3963:Dante Gabriel Rossetti - an anthology
3537:The Blue Bower: Rossetti in the 1860s
3200:Rossetti's "Ave" and Related Pictures
3115:
3113:
2827:"Rossetti Archive Chronology Exhibit"
1272:In 1865, he discovered auburn-haired
867:, watercolour and bodycolour, 1857-59
277:
7:
5634:Pre-Raphaelite stained glass artists
5053:Our English Coasts ('Strayed Sheep')
4052:The Collected Letters of Jane Morris
3918:. Cambridge: The Lutterworth Press,
2505:(for a picture; 1854; 1881 February)
2240:Morris, Marshall, Faulkner & Co.
1605:The character of Dr. Frasier Crane (
1137:adding citations to reliable sources
1043:Morris, Marshall, Faulkner & Co.
758:In February 1857, Rossetti wrote to
480:, in its original location near the
4138:from the original on 15 April 2021.
4041:The Works of Dante Gabriel Rossetti
3988:. New Haven: Yale University Press.
3580:. www.artmagick.com. Archived from
3393:. David & Charles. p. 46.
3038:"Morris, William (1834β1896)"
2980:Treuherz et al. (2003), pp. 175β76.
2383:The Works of Dante Gabriel Rossetti
2099:Portrait of Marie Spartali Stillman
2054:Drawing of Elizabeth Siddal reading
1673:(1872β1958) created his song cycle
1485:Collections and critical assessment
411:Gabriele Pasquale Giuseppe Rossetti
16:English poet and artist (1828β1882)
5018:Christ in the House of His Parents
4217:from the original on 13 July 2009.
3781:, vol.159, no.1373 (2017): 617-22.
3342:Treuherz et al. (2003), pp. 52β54.
2989:Treuherz et al. (2003), pp. 39β41.
2816:Treuherz et al. (2003), pp. 15β18.
2184:King Arthur and the Weeping Queens
1909:(1864β1870), Tate Britain (model:
1411:(1880). The sitter is Jane Morris.
409:The son of Γ©migrΓ© Italian scholar
38:Portrait of Dante Gabriel Rossetti
14:
5514:British people of Italian descent
5509:English people of Italian descent
5217:King Cophetua and the Beggar Maid
4242:Dante Gabriel Rossetti Collection
3796:Springer International Publishing
3752:Scotland, National Galleries of.
3170:"The Oxford Movement (1833β1845)"
3008:"Burne-Jones, Edward Coley"
1760:(1857), watercolour, Tate Britain
1594:, in which Rossetti is played by
766:Two young men, projectors of the
306:and was a major precursor of the
4172:
4017:. London: Haus Publishing, 2011.
3558:Rossetti, Dante Gabriel (1870).
3044:Dictionary of National Biography
3014:Dictionary of National Biography
2727:
2604:(for a picture; 1869; 1868β1871)
2575:(for a drawing; 1853β1859; 1869)
2417:Beatrice, her Damozels, and Love
2327:Rossetti, Dante Gabriel (1870).
2290:
2272:
2254:
2228:
2202:
2176:
2161:
2137:
2118:
2106:
2091:
2076:
2061:
2046:
2031:
1999:
1982:
1964:
1939:
1918:
1897:
1880:
1861:
1840:
1820:
1799:
1784:
1765:
1750:
1382:Ballade des dames du temps jadis
1113:
865:Sir Galahad at the ruined Chapel
825:(1849), depicts an episode from
234:
215:
4508:(with other artists, 1857β1859)
4165:Works by Dante Gabriel Rossetti
4147:Works by Dante Gabriel Rossetti
4072:. London: Thames & Hudson,
4054:, Boydell & Brewer, London.
4032:. Chicago: New Amsterdam Books.
3981:. London: Collins & Brown.
3459:"National Library of Australia"
3430:. Victoria County History, 2004
3361:Marsh, Jan (15 February 2012).
3263:Victorian Short Fiction Project
2899:Treuherz et al. (2003), pp. 15.
2655:The Return of Tibullus to Delia
2619:The Passover in the Holy Family
2391:, Oxford University Press, 1913
2132:; 1870), graphite on wove paper
1959:, Lawrence (model: Jane Morris)
1124:needs additional citations for
137:
5619:Translators of Dante Alighieri
5197:Pygmalion and the Image series
3852:"Rossetti Archive Doubleworks"
3706:Treuherz et al. (2003), p. 16.
3697:Treuherz et al. (2003), p. 12.
3413:Treuherz et al. (2003), p. 80.
3351:Treuherz et al. (2003), p. 64.
3238:The Metropolitan Museum of Art
2962:Treuherz et al. (2003), p. 33.
2926:Quoted in Marsh (1996), p. 21.
2908:Treuherz et al. (2003), p. 22.
2881:Treuherz et al. (2003), p. 19.
2792:oxfordlearnersdictionaries.com
2367:, 2 volumes, 1886 (posthumous)
2242:, design by Rossetti (1862β63)
832:Isabella, or, the Pot of Basil
768:Oxford and Cambridge Magazine,
540:which they founded along with
226:Gabriel Charles Dante Rossetti
58:Gabriel Charles Dante Rossetti
1:
5524:19th-century English painters
5067:Paolo and Francesca da Rimini
4320:Paolo and Francesca da Rimini
3929:Fredeman, William E. (1971).
2769:RossettiβPolidori family tree
2214:Goblin Market and Other Poems
1532:Blue plaque at 16 Cheyne Walk
1504:Museum and Art Galleries and
1096:by Charles Lutwidge Dodgson (
737:Oxford and Cambridge Magazine
421:. He was the brother of poet
415:Frances Mary Lavinia Polidori
40:
5534:19th-century English writers
4947:John Roddam Spencer Stanhope
4872:Robert Braithwaite Martineau
4068:, and Becker, Edwin (2003).
3940:. 7 vols. Cambridge: Brewer.
3645:. Birchington Heritage Trust
1974:(1870; model: Jane Morris),
1758:The Tune of the Seven Towers
1588:as Rossetti. The second was
964:The Girlhood of Mary Virgin,
944:Christ Church, Albany Street
916:Religious influence on works
520:Following the exhibition of
5629:Pre-Raphaelite illustrators
4304:The Girlhood of Mary Virgin
4171:(public domain audiobooks)
3911:. London: Frederick Muller.
3792:David Bowie and Romanticism
3526:, ed. Mander, (1984) p. 46.
2714:William and Marie. A Ballad
2663:(for a Picture; 1870, 1877)
2371:Ballads and Narrative Poems
2071:(1858), pen and ink drawing
1609:) appears in an episode of
1326:Rossetti reading proofs of
1002:Museum of Fine Arts, Boston
751:, 1850, a depiction of the
602:The Girlhood of Mary Virgin
332:The Girlhood of Mary Virgin
176:Christina Georgina Rossetti
5660:
5599:19th-century English poets
4962:Algernon Charles Swinburne
4706:Pre-Raphaelite Brotherhood
4595:Pre-Raphaelite Brotherhood
3991:Parry, Linda (1996), ed.,
3138:Housman, Laurence (1896).
3082:"The Cover Sells the Book"
2645:(for a design; 1875, 1882)
2509:Francesca Da Rimini. Dante
2298:Mrs. Morris and the Wombat
2210:Golden Head by Golden Head
2190:'s illustrated edition of
1741:
1726:The Man Who Sold the World
1602:on Tuesday, 21 July 2009.
1578:period dramas. The first,
1352:"fleshly school of poetry"
1045:with Morris, Burne-Jones,
956:Pre-Raphaelite Brotherhood
847:, on the first edition of
538:Pre-Raphaelite Brotherhood
457:, along with the works of
284:Pre-Raphaelite Brotherhood
94:Poet, illustrator, painter
5274:The Roses of Heliogabalus
4897:Valentine Cameron Prinsep
4715:
3885:. London: Pavilion Books
3758:www.nationalgalleries.org
3726:"BBC Desperate Romantics"
3637:Orpwood, Pat (May 2004).
3627:Todd (2001), pp. 128β129.
3403:– via Google Books.
3176:. Robert Appleton Company
3121:Janzen Kooistra, Lorraine
2917:Hilton (1970), pp. 31β35.
2696:St. Agnes of Intercession
2377:Sonnets and Lyrical Poems
2238:, stained-glass panel by
1832:(1865β1869, unfinished),
946:since 1843. His brother,
214:
30:
5589:Artists' Rifles soldiers
5544:Polidori-Rossetti family
5259:The Legend of Briar Rose
5088:The Awakening Conscience
4745:Frederic George Stephens
4740:William Michael Rossetti
4566:William Michael Rossetti
4560:Maria Francesca Rossetti
4181:Leeds University Library
4010:. London:Macdonald. ISBN
3943:Hilton, Timothy (1970).
3907:Doughty, Oswald (1949),
3831:"Rossetti Archive Books"
3562:(1st ed.). London:
3548:Todd (2001), pp. 123β30.
3198:Bentley, D.M.R. (1977).
3153:Welland, Dennis (1953).
2855:"Dante Gabriel Rossetti"
2351:revised and reissued as
2331:(1st ed.). London:
2248:Caricatures and sketches
2169:The Maids of Elphen-Mere
2039:La Belle Dame sans Merci
1629:Hide Me Among the Graves
1148:"Dante Gabriel Rossetti"
977:William Michael Rossetti
973:Anglican Marian theology
948:William Michael Rossetti
532:. Rossetti's own poem, "
431:Maria Francesca Rossetti
427:William Michael Rossetti
188:William Michael Rossetti
182:Maria Francesca Rossetti
5549:Pre-Raphaelite painters
5444:Rossetti and His Circle
5385:Marie Spartali Stillman
4972:John William Waterhouse
4957:John Melhuish Strudwick
4952:Marie Spartali Stillman
4822:Charles Allston Collins
4638:Rossetti and His Circle
4085:Pre-Raphaelites at Home
4035:Rossetti, D. G., &
3779:The Burlington Magazine
3639:"The Rossetti Bungalow"
2831:www.rossettiarchive.org
2759:Rossetti and His Circle
2317:The Early Italian Poets
2130:Portrait of Jane Morris
2084:Drawing of Annie Miller
2017:Marie Spartali Stillman
1560:Rossetti was played by
1348:Poems by D. G. Rossetti
1344:Charles Augustus Howell
929:George Wylie Hutchinson
692:The Early Italian Poets
629:Girlhood of Mary Virgin
387:Original manuscript of
345:by the celebrated poet
5644:Dante Gabriel Rossetti
5604:English male novelists
5046:The Light of the World
4982:William Lindsay Windus
4730:Dante Gabriel Rossetti
4284:Dante Gabriel Rossetti
4211:preraphaelites.org.org
4070:Dante Gabriel Rossetti
3984:McGann, J. J. (2000).
3883:Dante Gabriel Rossetti
3513:Pedrick (1964), p. 130
3428:British History Online
2704:(1863β1864; 1869β1870)
2579:Michael Scott's Wooing
2511:(1855; 1862 September)
2431:(1847β1870; 1871β1881)
1698:The 1990s grunge band
1671:Ralph Vaughan Williams
1598:. It was broadcast on
1533:
1481:
1423:
1412:
1339:
1269:
1266:Museo de Arte de Ponce
1220:
1101:
1094:Dante Gabriel Rossetti
1005:
931:
925:Dante Gabriel Rossetti
868:
777:
755:
667:In 1850, Rossetti met
653:
618:
578:
551:artists who succeeded
517:
453:, and often read the
406:
395:
380:
230:Dante Gabriel Rossetti
196:(maternal grandfather)
25:Dante Gabriel Rossetti
5609:Deaths from nephritis
5529:English male painters
5191:A Vision of Fiammetta
5095:The Hireling Shepherd
4807:Georgiana Burne-Jones
4464:A Vision of Fiammetta
4198:Paintings of Rossetti
4179:Archival material at
4130:The Rossetti Archive,
4083:Todd, Pamela (2001).
4066:Prettejohn, Elizabeth
3914:Drew, Rodger (2006),
3688:Rohde (2000), p. 276.
3676:Rohde (2000). p. 396.
3314:"The Blessed Damozel"
2890:Hilton (1970), p. 26.
2673:Silence. For a Design
2669:(for a picture; 1864)
2608:Parody on "Uncle Ned"
2546:(for a picture; 1875)
2407:(1865 October β 1868)
2155:Woodcut illustrations
2149:(1873), colored chalk
2008:A Vision of Fiammetta
1953:Spencer Museum of Art
1929:(The Blue Silk Dress)
1742:Further information:
1536:In an interview with
1531:
1479:
1418:
1405:
1325:
1260:
1214:
1088:
990:
923:
877:Alfred, Lord Tennyson
863:
855:The Prince's Progress
745:
714:Alfred, Lord Tennyson
663:Dante and Medievalism
599:
509:
478:King's College School
451:King's College School
447:John William Polidori
401:
386:
375:
200:John William Polidori
106:King's College School
48:George Frederic Watts
5564:Painters from London
5539:English illustrators
5309:Hylas and the Nymphs
4862:Edward Robert Hughes
4827:Frank Cadogan Cowper
4772:Lawrence Alma-Tadema
4725:John Everett Millais
4006:Pedrick, G. (1964).
3995:. New York: Abrams,
3856:The Rossetti Archive
3504:Todd (2001), p. 116.
3492:Todd (2001), p. 113.
3483:Todd (2001), p. 109.
3448:Todd (2001), p. 107.
3373:on 19 February 2012.
3293:The Rossetti Archive
3234:"The Pre-Raphelites"
2953:Marsh (1996), p. 17.
2944:Marsh (1996), p. 16.
2935:Marsh (1996), p. 21.
2649:"Retro me, Sathana!"
2425:(1855; 1858 June 25)
2353:Poems. A New Edition
2321:Dante and His Circle
1976:Aberdeen Art Gallery
1957:University of Kansas
1682:Phoebe Anna Traquair
1372:The 1870 collection
1250:Rossetti maintained
1133:improve this article
996:(1859), modelled by
817:John Everett Millais
803:, as models for the
748:Ecce Ancilla Domini!
694:in 1861). These and
542:John Everett Millais
526:The Eve of St. Agnes
292:John Everett Millais
5468:Desperate Romantics
5330:The Lady of Shalott
5266:The Lady of Shalott
5210:Cymon and Iphigenia
5177:The Shadow of Death
5129:Oxford Union murals
5074:The Last of England
5032:Ecce Ancilla Domini
4977:William James Webbe
4720:William Holman Hunt
4662:Desperate Romantics
4506:Oxford Union murals
4456:The Blessed Damozel
4312:Ecce Ancilla Domini
4057:Simons, J. (2008).
3977:Marsh, Jan (1996).
3945:The Pre-Raphaelites
3893:; New York: Abrams
3798:. 2022. p. 74.
3584:on 18 December 2014
3535:Spencer-Longhurst,
3232:Meagher, Jennifer.
3086:Delaware Art Museum
2798:on 22 February 2014
2533:Introductory Sonnet
2466:(1848 , 1861, 1874)
2447:The Bride's Prelude
2429:The Blessed Damozel
2423:Beauty and the Bird
2385:, 1911 (posthumous)
2379:, 1894 (posthumous)
2373:, 1893 (posthumous)
2359:Ballads and Sonnets
2013:Andrew Lloyd Webber
1852:(1871β1878; model:
1849:The Blessed Damozel
1834:Delaware Art Museum
1710:" from their album
1591:Desperate Romantics
1568:'s television film
1393:Ballads and Sonnets
1328:Ballads and Sonnets
1305:John Robert Parsons
1285:The Blessed Damozel
1059:Peter Paul Marshall
886:William Holman Hunt
805:Oxford Union murals
657:Ecce Ancilla Domini
635:Ecce Ancilla Domini
534:The Blessed Damozel
522:William Holman Hunt
515:William Holman Hunt
433:. His father was a
391:by Rossetti, 1848,
356:(whom he married),
288:William Holman Hunt
279:[rosΛsetti]
5519:English male poets
5238:Dante and Beatrice
4902:Christina Rossetti
4842:Henry Treffry Dunn
4802:Edward Burne-Jones
4777:George Price Boyce
4630:La Damoiselle Γ©lue
4572:Christina Rossetti
4064:Treuherz, Julian,
4043:. Ellis, London. (
3385:Williamson, Audrey
3219:Project Canterbury
2564:(1850, 1861, 1864)
2069:Hamlet and Ophelia
1779:, Hamburg, Germany
1777:Kunsthalle Hamburg
1646:La Damoiselle Γ©lue
1584:, (1975) features
1534:
1482:
1471:Birchington-on-Sea
1424:
1413:
1340:
1336:Henry Treffry Dunn
1319:in 1871 and 1873.
1270:
1221:
1102:
1006:
932:
869:
845:Christina Rossetti
841:Aesthetic Movement
760:William Bell Scott
756:
733:Edward Burne-Jones
722:Christina Rossetti
640:William Bell Scott
619:
518:
423:Christina Rossetti
407:
396:
381:
347:Christina Rossetti
308:Aesthetic movement
300:Edward Burne-Jones
84:Birchington-on-Sea
5559:English Anglicans
5486:
5485:
5231:The Golden Stairs
4892:Joseph Noel Paton
4867:Frederic Leighton
4672:
4671:
4665:(2009 miniseries)
4657:(1975 miniseries)
4554:Gabriele Rossetti
4408:Veronica Veronese
4368:Venus Verticordia
4298:List of paintings
4151:Project Gutenberg
4023:The House Of Life
3924:978-0-7188-3057-1
3899:978-1-85793-950-7
3891:978-1-85793-412-0
3566:. pp. 177β8.
3400:978-0-7153-72-623
2859:Poetry Foundation
2708:Venus Verticordia
2692:(1866; 1864β1870)
2667:The Seed of David
2657:(1853β1855, 1867)
2639:(1872; 1871β1882)
2596:On William Morris
2483:(6 November 1869)
2481:Death of A Wombat
2443:(1864β1869; 1866)
1706:, in their song "
1690:The House of Life
1675:The House of Life
1521:and a drawing of
1473:, Kent, England.
1427:Decline and death
1397:The House of Life
1363:The House of Life
1359:The House of Life
1279:Veronica Veronese
1209:
1208:
1201:
1183:
1105:Cheyne Walk years
1070:Highgate Cemetery
895:William Allingham
789:Valentine Prinsep
785:Le Morte d'Arthur
710:William Allingham
701:Le Morte d'Arthur
696:Sir Thomas Malory
323:The House of Life
223:
222:
155:Gabriele Rossetti
5651:
5594:Morris & Co.
5438:Morris & Co.
5355:Elizabeth Siddal
5252:The Magic Circle
5245:Love's Messenger
5002:
4927:Elizabeth Siddal
4917:Frederick Sandys
4832:Evelyn De Morgan
4797:Richard Burchett
4792:Lucy Madox Brown
4787:Ford Madox Brown
4699:
4692:
4685:
4676:
4612:Morris & Co.
4578:Gaetano Polidori
4548:Frances Polidori
4542:Elizabeth Siddal
4277:
4270:
4263:
4254:
4238:
4236:
4234:
4229:on 25 March 2004
4225:. Archived from
4218:
4202:
4176:
4175:
4160:Internet Archive
4139:
4021:Rossetti, D. G.
3867:
3866:
3864:
3862:
3848:
3842:
3841:
3839:
3837:
3827:
3821:
3820:
3818:
3816:
3806:
3800:
3799:
3788:
3782:
3775:
3769:
3768:
3766:
3764:
3749:
3743:
3740:
3734:
3733:
3722:
3716:
3713:
3707:
3704:
3698:
3695:
3689:
3686:
3677:
3674:
3668:
3661:
3655:
3654:
3652:
3650:
3634:
3628:
3625:
3616:
3615:
3613:
3611:
3600:
3594:
3593:
3591:
3589:
3574:
3568:
3567:
3555:
3549:
3546:
3540:
3533:
3527:
3520:
3514:
3511:
3505:
3502:
3493:
3490:
3484:
3481:
3475:
3474:
3472:
3470:
3461:. Archived from
3455:
3449:
3446:
3440:
3439:
3437:
3435:
3420:
3414:
3411:
3405:
3404:
3381:
3375:
3374:
3369:. Archived from
3358:
3352:
3349:
3343:
3340:
3329:
3328:
3326:
3324:
3318:Rossetti Archive
3310:
3304:
3303:
3301:
3299:
3285:
3279:
3278:
3276:
3274:
3265:. Archived from
3255:
3249:
3248:
3246:
3244:
3229:
3223:
3222:
3210:
3204:
3203:
3195:
3186:
3185:
3183:
3181:
3168:Barry, William.
3165:
3159:
3158:
3150:
3144:
3143:
3135:
3129:
3128:
3117:
3108:
3107:
3104:Rossetti Archive
3096:
3090:
3089:
3078:
3072:
3065:
3059:
3056:
3050:
3049:
3046:(1st supplement)
3040:
3029:
3020:
3019:
3016:(1st supplement)
3010:
2999:
2990:
2987:
2981:
2978:
2972:
2969:
2963:
2960:
2954:
2951:
2945:
2942:
2936:
2933:
2927:
2924:
2918:
2915:
2909:
2906:
2900:
2897:
2891:
2888:
2882:
2879:
2870:
2869:
2867:
2865:
2851:
2842:
2841:
2839:
2837:
2823:
2817:
2814:
2808:
2807:
2805:
2803:
2794:. Archived from
2784:
2737:
2732:
2731:
2598:(1871 September)
2492:Fazio's Mistress
2343:Rossetti Archive
2339:facsimile online
2336:
2294:
2276:
2258:
2232:
2206:
2180:
2165:
2141:
2122:
2110:
2095:
2080:
2065:
2050:
2035:
2003:
1986:
1968:
1943:
1922:
1911:Elizabeth Siddal
1901:
1884:
1865:
1844:
1824:
1803:
1788:
1769:
1754:
1462:Bright's disease
1204:
1197:
1193:
1190:
1184:
1182:
1141:
1117:
1109:
1055:Charles Faulkner
1047:Ford Madox Brown
775:'s finest works.
669:Elizabeth Siddal
501:Ford Madox Brown
491:. He studied at
467:Sir Walter Scott
354:Elizabeth Siddal
281:
276:
269:
263:
262:
259:
258:
255:
252:
249:
246:
243:
240:
219:
202:(maternal uncle)
194:Gaetano Polidori
160:Frances Polidori
141:
139:
126:Elizabeth Siddal
80:
66:
64:
45:
42:
35:
21:
5659:
5658:
5654:
5653:
5652:
5650:
5649:
5648:
5624:Rossetti family
5614:Burials in Kent
5574:Victorian poets
5489:
5488:
5487:
5482:
5460:The Love School
5452:Dante's Inferno
5414:
5360:Fanny Cornforth
5343:
5323:The Love Potion
5003:
5000:
4998:
4997:
4995:
4993:
4986:
4937:Rebecca Solomon
4887:Alexander Munro
4837:Walter Deverell
4765:
4763:
4761:
4754:
4735:James Collinson
4711:
4703:
4673:
4668:
4654:The Love School
4646:Dante's Inferno
4583:
4530:
4511:
4494:
4376:Pia de' Tolomei
4286:
4281:
4232:
4230:
4221:
4205:
4195:
4173:
4126:
4123:
3875:
3870:
3860:
3858:
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3808:
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3790:
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3762:
3760:
3751:
3750:
3746:
3741:
3737:
3724:
3723:
3719:
3714:
3710:
3705:
3701:
3696:
3692:
3687:
3680:
3675:
3671:
3663:Wilson, Scott.
3662:
3658:
3648:
3646:
3636:
3635:
3631:
3626:
3619:
3609:
3607:
3606:. www.vam.ac.uk
3602:
3601:
3597:
3587:
3585:
3578:"The Day Dream"
3576:
3575:
3571:
3557:
3556:
3552:
3547:
3543:
3534:
3530:
3521:
3517:
3512:
3508:
3503:
3496:
3491:
3487:
3482:
3478:
3468:
3466:
3457:
3456:
3452:
3447:
3443:
3433:
3431:
3422:
3421:
3417:
3412:
3408:
3401:
3383:
3382:
3378:
3360:
3359:
3355:
3350:
3346:
3341:
3332:
3322:
3320:
3312:
3311:
3307:
3297:
3295:
3289:"Hand and Soul"
3287:
3286:
3282:
3272:
3270:
3269:on 14 July 2014
3259:"Hand and Soul"
3257:
3256:
3252:
3242:
3240:
3231:
3230:
3226:
3212:
3211:
3207:
3197:
3196:
3189:
3179:
3177:
3167:
3166:
3162:
3152:
3151:
3147:
3137:
3136:
3132:
3119:
3118:
3111:
3098:
3097:
3093:
3080:
3079:
3075:
3066:
3062:
3057:
3053:
3031:
3030:
3023:
3001:
3000:
2993:
2988:
2984:
2979:
2975:
2970:
2966:
2961:
2957:
2952:
2948:
2943:
2939:
2934:
2930:
2925:
2921:
2916:
2912:
2907:
2903:
2898:
2894:
2889:
2885:
2880:
2873:
2863:
2861:
2853:
2852:
2845:
2835:
2833:
2825:
2824:
2820:
2815:
2811:
2801:
2799:
2786:
2785:
2781:
2777:
2762:, 1922 book by
2733:
2726:
2723:
2591:Old and New Art
2568:Mary's Girlhood
2562:Love's Greeting
2470:Dante at Verona
2411:Astarte Syriaca
2398:
2326:
2313:
2308:
2301:
2295:
2286:
2277:
2268:
2259:
2250:
2243:
2233:
2224:
2222:Decorative arts
2217:
2207:
2198:
2181:
2172:
2166:
2157:
2150:
2142:
2133:
2123:
2114:
2111:
2102:
2096:
2087:
2081:
2072:
2066:
2057:
2051:
2042:
2036:
2027:
2020:
2004:
1995:
1987:
1978:
1969:
1960:
1948:Pia de' Tolomei
1944:
1935:
1933:Kelmscott Manor
1923:
1914:
1902:
1893:
1885:
1876:
1873:Fanny Cornforth
1866:
1857:
1845:
1836:
1825:
1816:
1804:
1795:
1789:
1780:
1770:
1761:
1755:
1746:
1740:
1735:
1637:
1621:
1581:The Love School
1571:Dante's Inferno
1558:
1506:Wightwick Manor
1487:
1451:chloral hydrate
1429:
1384:". (The word "
1378:François Villon
1356:sonnet sequence
1309:Kelmscott Manor
1262:The Roman Widow
1252:Fanny Cornforth
1215:His home at 16
1205:
1194:
1188:
1185:
1142:
1140:
1130:
1118:
1107:
1039:decorative arts
1015:Fanny Cornforth
998:Fanny Cornforth
985:
983:A new direction
936:Oxford Movement
918:
813:
682:Dante Alighieri
665:
624:
609:and his sister
594:
561:Joshua Reynolds
419:Dante Alighieri
370:
358:Fanny Cornforth
337:Astarte Syriaca
274:
267:
237:
233:
205:
164:
143:
135:
131:
128:
115:
86:, Kent, England
82:
78:
69:London, England
68:
62:
60:
59:
50:
43:
26:
17:
12:
11:
5:
5657:
5655:
5647:
5646:
5641:
5636:
5631:
5626:
5621:
5616:
5611:
5606:
5601:
5596:
5591:
5586:
5581:
5579:Artist authors
5576:
5571:
5566:
5561:
5556:
5554:Anglican poets
5551:
5546:
5541:
5536:
5531:
5526:
5521:
5516:
5511:
5506:
5501:
5491:
5490:
5484:
5483:
5481:
5480:
5472:
5464:
5456:
5448:
5440:
5435:
5430:
5422:
5420:
5416:
5415:
5413:
5412:
5407:
5402:
5397:
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5387:
5382:
5377:
5372:
5367:
5362:
5357:
5351:
5349:
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5344:
5342:
5341:
5334:
5326:
5319:
5312:
5305:
5298:
5291:
5284:
5277:
5270:
5262:
5255:
5248:
5241:
5234:
5227:
5220:
5213:
5206:
5199:
5194:
5187:
5180:
5173:
5166:
5159:
5152:
5149:Mary Magdalene
5145:
5138:
5131:
5126:
5119:
5112:
5105:
5098:
5091:
5084:
5077:
5070:
5063:
5056:
5049:
5042:
5035:
5028:
5021:
5014:
5006:
5004:
4991:
4988:
4987:
4985:
4984:
4979:
4974:
4969:
4964:
4959:
4954:
4949:
4944:
4942:Simeon Solomon
4939:
4934:
4929:
4924:
4919:
4914:
4909:
4904:
4899:
4894:
4889:
4884:
4882:William Morris
4879:
4874:
4869:
4864:
4859:
4854:
4849:
4844:
4839:
4834:
4829:
4824:
4819:
4814:
4812:James Campbell
4809:
4804:
4799:
4794:
4789:
4784:
4779:
4774:
4768:
4766:
4759:
4756:
4755:
4753:
4752:
4750:Thomas Woolner
4747:
4742:
4737:
4732:
4727:
4722:
4716:
4713:
4712:
4704:
4702:
4701:
4694:
4687:
4679:
4670:
4669:
4667:
4666:
4658:
4650:
4642:
4634:
4633:(1893 cantata)
4626:
4624:Great Bookcase
4621:
4620:
4619:
4609:
4604:
4597:
4591:
4589:
4585:
4584:
4582:
4581:
4575:
4569:
4563:
4557:
4551:
4545:
4538:
4536:
4532:
4531:
4529:
4528:
4519:
4517:
4513:
4512:
4510:
4509:
4502:
4500:
4496:
4495:
4493:
4492:
4484:
4476:
4468:
4460:
4452:
4444:
4436:
4428:
4424:La Ghirlandata
4420:
4412:
4404:
4396:
4388:
4387:(c. 1864β1870)
4380:
4372:
4364:
4356:
4348:
4340:
4332:
4324:
4316:
4308:
4300:
4294:
4292:
4288:
4287:
4282:
4280:
4279:
4272:
4265:
4257:
4251:
4250:
4245:
4239:
4219:
4203:
4193:
4183:
4177:
4162:
4153:
4144:
4122:
4121:External links
4119:
4118:
4117:
4115:978-0500480717
4107:
4104:978-1843682097
4096:
4081:
4062:
4055:
4048:
4039:, ed. (1911),
4037:W. W. Rossetti
4033:
4026:
4018:
4011:
4004:
3993:William Morris
3989:
3982:
3975:
3956:
3941:
3934:
3927:
3912:
3905:
3902:
3874:
3871:
3869:
3868:
3843:
3822:
3801:
3783:
3770:
3744:
3735:
3717:
3708:
3699:
3690:
3678:
3669:
3656:
3629:
3617:
3595:
3569:
3550:
3541:
3528:
3515:
3506:
3494:
3485:
3476:
3465:on 6 June 2011
3450:
3441:
3415:
3406:
3399:
3376:
3353:
3344:
3330:
3305:
3280:
3250:
3224:
3205:
3187:
3160:
3145:
3130:
3109:
3091:
3073:
3069:William Morris
3060:
3051:
3035:, ed. (1901).
3021:
3005:, ed. (1901).
2991:
2982:
2973:
2964:
2955:
2946:
2937:
2928:
2919:
2910:
2901:
2892:
2883:
2871:
2843:
2818:
2809:
2778:
2776:
2773:
2772:
2771:
2766:
2755:
2750:
2745:
2739:
2738:
2722:
2719:
2718:
2717:
2711:
2705:
2699:
2693:
2687:
2681:
2676:
2670:
2664:
2658:
2652:
2646:
2640:
2634:
2628:
2622:
2616:
2611:
2605:
2599:
2593:
2588:
2582:
2576:
2570:
2565:
2559:
2556:Lisa ed Elviro
2553:
2547:
2541:
2536:
2530:
2524:
2518:
2512:
2506:
2500:
2495:
2489:
2484:
2478:
2472:
2467:
2461:
2455:
2449:
2444:
2438:
2432:
2426:
2420:
2414:
2408:
2405:Aspecta Medusa
2397:
2394:
2393:
2392:
2386:
2380:
2374:
2368:
2362:
2356:
2346:
2324:
2312:
2309:
2307:
2304:
2303:
2302:
2296:
2289:
2287:
2278:
2271:
2269:
2260:
2253:
2249:
2246:
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2244:
2234:
2227:
2223:
2220:
2219:
2218:
2208:
2201:
2199:
2182:
2175:
2173:
2167:
2160:
2156:
2153:
2152:
2151:
2143:
2136:
2134:
2124:
2117:
2115:
2112:
2105:
2103:
2097:
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2088:
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2075:
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2067:
2060:
2058:
2052:
2045:
2043:
2037:
2030:
2026:
2023:
2022:
2021:
2005:
1998:
1996:
1988:
1981:
1979:
1970:
1963:
1961:
1945:
1938:
1936:
1924:
1917:
1915:
1903:
1896:
1894:
1886:
1879:
1877:
1867:
1860:
1858:
1846:
1839:
1837:
1826:
1819:
1817:
1815:, Keomi), Tate
1805:
1798:
1796:
1790:
1783:
1781:
1771:
1764:
1762:
1756:
1749:
1739:
1736:
1734:
1731:
1713:Celebrity Skin
1708:Celebrity Skin
1641:Claude Debussy
1636:
1633:
1620:
1617:
1607:Kelsey Grammer
1557:
1554:
1486:
1483:
1447:drug addiction
1428:
1425:
1207:
1206:
1121:
1119:
1112:
1106:
1103:
984:
981:
917:
914:
879:(published by
819:' early work,
812:
809:
729:William Morris
690:(published as
664:
661:
623:
620:
593:
590:
435:Roman Catholic
393:Ashley Library
369:
366:
349:, his sister.
296:William Morris
221:
220:
212:
211:
207:
206:
204:
203:
197:
191:
185:
179:
172:
170:
166:
165:
163:
162:
157:
151:
149:
145:
144:
133:
129:
124:
123:
121:
117:
116:
114:
113:
108:
102:
100:
96:
95:
92:
88:
87:
81:(aged 53)
75:
71:
70:
56:
52:
51:
36:
28:
27:
24:
15:
13:
10:
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5470:(2009 series)
5469:
5465:
5463:
5462:(1975 series)
5461:
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5395:Maria Zambaco
5393:
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5390:Alexa Wilding
5388:
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5225:
5224:The Day Dream
5221:
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5212:
5211:
5207:
5205:
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5170:Beata Beatrix
5167:
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5163:Morgan le Fay
5160:
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5146:
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5139:
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5136:
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5123:Bocca Baciata
5120:
5118:
5117:
5116:Autumn Leaves
5113:
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5110:
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5060:The Scapegoat
5057:
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4960:
4958:
4955:
4953:
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4945:
4943:
4940:
4938:
4935:
4933:
4932:James Smetham
4930:
4928:
4925:
4923:
4922:Thomas Seddon
4920:
4918:
4915:
4913:
4910:
4908:
4905:
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4898:
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4883:
4880:
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4860:
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4857:Arthur Hughes
4855:
4853:
4852:Henry Holiday
4850:
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4608:
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4580:(grandfather)
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4472:The Day Dream
4469:
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4410:
4409:
4405:
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4397:
4394:
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4392:Dante's Dream
4389:
4386:
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4384:Beata Beatrix
4381:
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4328:Bocca Baciata
4325:
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4142:Jerome McGann
4140:Developed by
4137:
4133:
4131:
4125:
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4120:
4116:
4112:
4108:
4105:
4101:
4097:
4094:
4093:0-8230-4285-5
4090:
4086:
4082:
4079:
4078:0-500-09316-4
4075:
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4024:
4019:
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4012:
4009:
4005:
4002:
4001:0-8109-4282-8
3998:
3994:
3990:
3987:
3983:
3980:
3976:
3974:
3972:
3971:9781107639799
3968:
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3268:
3264:
3260:
3254:
3251:
3239:
3235:
3228:
3225:
3220:
3216:
3213:Taylor, G.W.
3209:
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3149:
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2783:
2780:
2774:
2770:
2767:
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2761:
2760:
2756:
2754:
2751:
2749:
2748:James Smetham
2746:
2744:
2741:
2740:
2736:
2735:Poetry portal
2730:
2725:
2720:
2715:
2712:
2709:
2706:
2703:
2700:
2697:
2694:
2691:
2690:Soul's Beauty
2688:
2685:
2682:
2680:
2677:
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2668:
2665:
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2583:
2580:
2577:
2574:
2571:
2569:
2566:
2563:
2560:
2557:
2554:
2551:
2550:La Pia. Dante
2548:
2545:
2544:La Bella Mano
2542:
2540:
2537:
2534:
2531:
2528:
2525:
2522:
2521:Hand and Soul
2519:
2516:
2513:
2510:
2507:
2504:
2501:
2499:
2496:
2493:
2490:
2488:
2485:
2482:
2479:
2476:
2475:The Day-Dream
2473:
2471:
2468:
2465:
2462:
2460:(1875 , 1856)
2459:
2456:
2453:
2450:
2448:
2445:
2442:
2441:Body's Beauty
2439:
2436:
2435:Bocca Baciata
2433:
2430:
2427:
2424:
2421:
2418:
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2412:
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2322:
2318:
2315:
2314:
2310:
2306:Written works
2305:
2299:
2293:
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2275:
2270:
2266:
2265:
2257:
2252:
2247:
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2215:
2211:
2205:
2200:
2196:
2193:
2189:
2185:
2179:
2174:
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2164:
2159:
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2147:
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2100:
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2074:
2070:
2064:
2059:
2055:
2049:
2044:
2040:
2034:
2029:
2024:
2018:
2014:
2010:
2009:
2002:
1997:
1993:
1992:
1985:
1980:
1977:
1973:
1967:
1962:
1958:
1954:
1951:(1868β1880),
1950:
1949:
1942:
1937:
1934:
1930:
1928:
1921:
1916:
1912:
1908:
1907:
1906:Beata Beatrix
1900:
1895:
1891:
1890:
1883:
1878:
1874:
1870:
1864:
1859:
1855:
1854:Alexa Wilding
1851:
1850:
1843:
1838:
1835:
1831:
1830:
1823:
1818:
1814:
1810:
1809:
1802:
1797:
1793:
1787:
1782:
1778:
1774:
1773:Helen of Troy
1768:
1763:
1759:
1753:
1748:
1745:
1737:
1732:
1730:
1728:
1727:
1722:
1717:
1715:
1714:
1709:
1705:
1704:House of Life
1701:
1696:
1693:
1691:
1687:
1686:The Awakening
1683:
1678:
1676:
1672:
1667:
1665:
1661:
1659:
1654:
1650:
1648:
1647:
1642:
1634:
1632:
1630:
1627:' 2012 novel
1626:
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1507:
1503:
1499:
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1491:
1484:
1478:
1474:
1472:
1467:
1463:
1460:. He died of
1459:
1454:
1452:
1448:
1444:
1439:
1438:Alexa Wilding
1435:
1426:
1421:
1420:Alexa Wilding
1417:
1410:
1409:
1408:The Day Dream
1404:
1400:
1398:
1394:
1389:
1387:
1383:
1379:
1375:
1370:
1368:
1364:
1360:
1357:
1353:
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1314:
1310:
1306:
1300:
1297:
1293:
1292:
1287:
1286:
1281:
1280:
1275:
1274:Alexa Wilding
1268:, Puerto Rico
1267:
1263:
1259:
1255:
1253:
1248:
1246:
1242:
1238:
1237:Regent's Park
1234:
1230:
1226:
1218:
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1203:
1200:
1192:
1181:
1178:
1174:
1171:
1167:
1164:
1160:
1157:
1153:
1150: β
1149:
1145:
1144:Find sources:
1138:
1134:
1128:
1127:
1122:This section
1120:
1116:
1111:
1110:
1104:
1099:
1098:Lewis Carroll
1095:
1091:
1090:Albumen print
1087:
1083:
1081:
1080:
1079:Beata Beatrix
1075:
1071:
1067:
1062:
1060:
1056:
1052:
1048:
1044:
1040:
1035:
1033:
1029:
1025:
1021:
1016:
1012:
1003:
999:
995:
994:
993:Bocca Baciata
989:
982:
980:
978:
974:
968:
965:
961:
960:High Anglican
957:
953:
949:
945:
941:
937:
930:
926:
922:
915:
913:
909:
907:
906:Palace of Art
903:
902:Vision of Sin
898:
896:
890:
887:
882:
878:
874:
866:
862:
858:
856:
852:
851:
850:Goblin Market
846:
842:
838:
834:
833:
828:
824:
823:
818:
810:
808:
806:
802:
798:
794:
793:Arthur Hughes
790:
786:
782:
776:
774:
769:
763:
761:
754:
750:
749:
744:
740:
738:
734:
730:
725:
723:
719:
715:
711:
707:
706:illuminations
703:
702:
697:
693:
689:
688:
687:La Vita Nuova
683:
678:
676:
675:
670:
662:
660:
658:
652:
647:
645:
641:
637:
636:
631:
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604:
603:
598:
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583:
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570:
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554:
550:
545:
543:
539:
535:
531:
527:
523:
516:
512:
508:
504:
502:
498:
497:Royal Academy
494:
490:
487:
483:
479:
474:
472:
468:
464:
460:
456:
452:
448:
444:
440:
436:
432:
429:, and author
428:
424:
420:
416:
413:and his wife
412:
404:
400:
394:
390:
385:
378:
377:Self-portrait
374:
367:
365:
363:
359:
355:
350:
348:
344:
343:
342:Goblin Market
338:
334:
333:
328:
324:
320:
319:William Blake
316:
311:
309:
305:
301:
297:
293:
289:
286:in 1848 with
285:
280:
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111:Royal Academy
109:
107:
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101:
97:
93:
89:
85:
76:
72:
57:
53:
49:
39:
34:
29:
22:
19:
5475:
5467:
5459:
5451:
5442:
5433:Hogarth Club
5425:
5410:Ruth Herbert
5400:Dorothy Dene
5375:Annie Miller
5336:
5329:
5321:
5314:
5307:
5300:
5295:Flaming June
5293:
5286:
5279:
5272:
5268:(Waterhouse)
5265:
5257:
5250:
5243:
5236:
5229:
5222:
5215:
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5044:
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5016:
5009:
5001:post-period)
4999:(period and
4967:Henry Wallis
4847:William Dyce
4817:John Collier
4762:artists and
4729:
4660:
4652:
4644:
4636:
4628:
4607:Hogarth Club
4599:
4524:Ligeia Siren
4522:
4486:
4478:
4470:
4462:
4454:
4446:
4438:
4430:
4422:
4414:
4406:
4400:Water Willow
4398:
4390:
4382:
4374:
4366:
4358:
4350:
4342:
4334:
4326:
4318:
4310:
4302:
4283:
4231:. Retrieved
4227:the original
4210:
4197:
4188: at the
4129:
4084:
4069:
4058:
4051:
4040:
4029:
4022:
4014:
4013:Roe, Dinah:
4007:
3992:
3985:
3978:
3962:
3959:Lucas, F. L.
3944:
3937:
3930:
3915:
3908:
3882:
3879:Ash, Russell
3873:Bibliography
3859:. Retrieved
3855:
3846:
3834:. Retrieved
3825:
3813:. Retrieved
3804:
3791:
3786:
3778:
3773:
3761:. Retrieved
3757:
3747:
3738:
3720:
3711:
3702:
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3664:
3659:
3647:. Retrieved
3642:
3632:
3608:. Retrieved
3598:
3586:. Retrieved
3582:the original
3572:
3559:
3553:
3544:
3536:
3531:
3523:
3518:
3509:
3488:
3479:
3467:. Retrieved
3463:the original
3453:
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3432:. Retrieved
3427:
3418:
3409:
3389:
3379:
3371:the original
3366:
3356:
3347:
3321:. Retrieved
3317:
3308:
3296:. Retrieved
3292:
3283:
3271:. Retrieved
3267:the original
3262:
3253:
3241:. Retrieved
3237:
3227:
3218:
3208:
3199:
3178:. Retrieved
3173:
3163:
3154:
3148:
3139:
3133:
3124:
3103:
3094:
3085:
3076:
3071:, pp. 14β16.
3068:
3063:
3054:
3042:
3012:
2985:
2976:
2967:
2958:
2949:
2940:
2931:
2922:
2913:
2904:
2895:
2886:
2862:. Retrieved
2858:
2834:. Retrieved
2830:
2821:
2812:
2800:. Retrieved
2796:the original
2791:
2782:
2764:Max Beerbohm
2757:
2713:
2707:
2701:
2698:(1850; 1860)
2695:
2689:
2683:
2679:Sister Helen
2678:
2675:(1870, 1877)
2672:
2666:
2660:
2654:
2651:(1847, 1848)
2648:
2643:The Question
2642:
2636:
2631:The Portrait
2630:
2624:
2618:
2614:Parted Love!
2613:
2607:
2601:
2595:
2590:
2584:
2578:
2572:
2567:
2561:
2555:
2549:
2543:
2538:
2532:
2526:
2520:
2514:
2508:
2502:
2497:
2494:(1863; 1873)
2491:
2486:
2480:
2474:
2469:
2463:
2457:
2451:
2446:
2440:
2434:
2428:
2422:
2416:
2410:
2404:
2399:
2396:Double works
2388:
2382:
2376:
2370:
2364:
2358:
2352:
2348:
2337:Details and
2328:
2320:
2316:
2297:
2279:
2261:
2235:
2213:
2209:
2194:
2188:Edward Moxon
2183:
2168:
2146:Ligeia Siren
2144:
2129:
2126:The Roseleaf
2125:
2098:
2083:
2068:
2053:
2038:
2006:
1989:
1971:
1946:
1925:
1904:
1887:
1868:
1847:
1828:
1806:
1791:
1772:
1757:
1724:
1718:
1711:
1703:
1697:
1694:
1689:
1685:
1679:
1674:
1668:
1663:
1657:
1653:John Ireland
1651:
1644:
1638:
1628:
1622:
1610:
1604:
1596:Aidan Turner
1589:
1586:Ben Kingsley
1579:
1569:
1559:
1542:
1535:
1523:Annie Miller
1518:
1514:
1490:Tate Britain
1488:
1455:
1430:
1406:
1396:
1392:
1390:
1373:
1371:
1362:
1358:
1347:
1341:
1327:
1301:
1289:
1283:
1277:
1271:
1261:
1249:
1222:
1195:
1186:
1176:
1169:
1162:
1155:
1143:
1131:Please help
1126:verification
1123:
1093:
1077:
1063:
1036:
1007:
991:
969:
963:
933:
924:
910:
905:
901:
899:
891:
881:Edward Moxon
872:
870:
864:
854:
848:
830:
820:
814:
784:
781:Oxford Union
778:
773:Albert DΓΌrer
767:
765:
757:
753:Annunciation
746:
736:
726:
717:
699:
691:
685:
679:
672:
666:
656:
654:
649:
643:
633:
627:
625:
600:
581:
579:
574:
565:Quattrocento
557:Michelangelo
546:
525:
524:'s painting
519:
510:
475:
408:
402:
388:
376:
351:
340:
336:
330:
322:
312:
229:
225:
224:
79:(1882-04-09)
77:9 April 1882
37:
18:
5504:1882 deaths
5499:1828 births
5478:(2014 film)
5454:(1967 film)
5447:(1922 book)
5405:Fanny Eaton
5380:Jane Morris
5370:Sophie Gray
5316:Lady Godiva
5203:The Beloved
5142:Roman Widow
5135:Lady Lilith
4994:well-known
4912:Emma Sandys
4907:John Ruskin
4760:Associated
4709:(paintings)
4649:(1967 film)
4641:(1922 book)
4491:(1854β1881)
4483:(1876β1881)
4459:(1875β1878)
4448:A Sea-Spell
4440:Roman Widow
4419:(1866β1873)
4416:Lady Lilith
4371:(1864β1868)
4352:Monna Vanna
4347:(1865β1866)
4344:The Beloved
3564:F. S. Ellis
3434:21 December
3033:Lee, Sidney
3003:Lee, Sidney
2743:English art
2661:A Sea-Spell
2552:(1868β1880)
2539:Joan of Arc
2527:Hero's Lamp
2437:(1859β1860)
2333:F. S. Ellis
2262:Death of a
1927:Jane Morris
1889:Lady Lilith
1869:Lady Lilith
1813:Fanny Eaton
1808:The Beloved
1721:David Bowie
1658:Three Songs
1643:'s cantata
1566:Ken Russell
1562:Oliver Reed
1538:Mervyn Levy
1510:L. S. Lowry
1332:Cheyne Walk
1291:A SeaβSpell
1225:Cheyne Walk
1217:Cheyne Walk
1051:Philip Webb
1022:artists of
1020:Renaissance
853:(1862) and
801:Jane Burden
632:(1849) and
569:John Ruskin
489:Italian art
459:Shakespeare
389:Autumn Song
362:Jane Morris
335:(1849) and
67:12 May 1828
44: 1871
5569:Sonneteers
5493:Categories
5476:Effie Gray
5365:Effie Gray
5184:Proserpine
5102:April Love
4782:John Brett
4432:Proserpine
4360:Monna Rosa
3953:0810904241
3174:New Advent
2836:1 February
2802:8 December
2775:References
2684:Sorrentino
2637:Proserpine
2487:Eden Bower
2192:Tennyson's
1991:Proserpine
1625:Tim Powers
1519:Proserpine
1498:Manchester
1494:Birmingham
1399:sequence.
1386:yesteryear
1233:London Zoo
1159:newspapers
837:gift books
827:John Keats
622:Beginnings
615:the Virgin
607:Saint Anne
530:John Keats
493:Henry Sass
471:Lord Byron
368:Early life
315:John Keats
304:Symbolists
91:Occupation
63:1828-05-12
4568:(brother)
4480:Mnemosyne
4379:(c. 1868)
4291:Paintings
4045:full text
3815:21 August
3610:15 August
3588:15 August
2702:Troy Town
2585:Mnemosyne
2498:Fiammetta
2452:Cassandra
1738:Paintings
1680:In 1904,
1635:Influence
1546:Roger Fry
1466:hydrocele
1443:Kelmscott
1380:'s poem "
1313:Kelmscott
1011:Symbolist
940:Christian
857:(1866).
811:Book arts
611:Christina
549:Mannerist
425:, critic
210:Signature
190:(brother)
169:Relatives
99:Education
5427:The Germ
4601:The Germ
4574:(sister)
4562:(sister)
4556:(father)
4550:(mother)
4516:Drawings
4215:Archived
4169:LibriVox
4136:Archived
3961:(2013),
3881:(1995),
3763:15 March
3730:BBC News
3469:25 March
3387:(1976).
3123:(2011).
2721:See also
2025:Drawings
2015:(model:
1931:(1868),
1775:, 1863,
1684:painted
1669:In 1904
1666:(1870).
1649:(1888).
1458:laudanum
1264:(1874),
1219:, London
1189:May 2017
1066:laudanum
1032:Veronese
952:Catholic
822:Isabella
797:frescoes
644:Girlhood
582:The Germ
486:Medieval
443:Anglican
439:Anglican
275:Italian:
184:(sister)
178:(sister)
5419:Related
5039:Mariana
5011:Ophelia
4764:figures
4588:Related
4233:16 July
4158:at the
3861:15 June
3836:15 June
3539:(2006).
3323:15 June
3298:15 June
3243:15 June
3221:. SPCK.
3180:15 June
3067:Parry,
2864:15 June
2602:Pandora
2503:"Found"
2419:(1865?)
2282:Bad Ems
1972:Mariana
1733:Gallery
1619:Fiction
1600:BBC Two
1515:Pandora
1502:Salford
1434:chloral
1317:Iceland
1229:wombats
1173:scholar
1100:; 1863)
576:person.
571:wrote:
553:Raphael
463:Dickens
327:sonnets
148:Parents
142:
134:
130:
5348:Models
5332:(Hunt)
5281:Lilith
4544:(wife)
4535:Family
4527:(1873)
4499:Murals
4475:(1880)
4467:(1880)
4451:(1877)
4443:(1874)
4435:(1874)
4427:(1873)
4411:(1872)
4403:(1871)
4395:(1871)
4363:(1867)
4355:(1866)
4339:(1863)
4331:(1859)
4323:(1855)
4315:(1850)
4307:(1849)
4190:Art UK
4113:
4102:
4091:
4076:
3999:
3969:
3951:
3922:
3897:
3889:
3649:7 July
3522:Dunn,
3397:
3367:TheTLS
3273:6 June
2716:(1841)
2686:(1843)
2633:(1869)
2627:(1878)
2610:(1852)
2587:(1880)
2558:(1843)
2529:(1875)
2523:(1849)
2517:(1861)
2361:, 1881
2355:, 1881
2323:, 1874
2300:(1869)
2285:(1869)
2267:(1869)
2264:Wombat
2216:(1862)
2197:(1857)
2101:(1869)
2086:(1860)
2056:(1854)
1723:album
1660:(1926)
1612:Cheers
1422:(1879)
1367:mosaic
1338:(1882)
1330:at 16
1296:Strand
1245:toucan
1243:and a
1175:
1168:
1161:
1154:
1146:
1041:firm,
1028:Titian
1024:Venice
904:, and
592:Career
482:Strand
469:, and
405:(1877)
379:, 1847
360:, and
120:Spouse
5109:Found
4996:works
4992:Some
4488:Found
3560:Poems
2349:Poems
2329:Poems
2311:Books
2195:Poems
1829:Found
1664:Poems
1556:Media
1550:Blake
1374:Poems
1334:, by
1241:llama
1180:JSTOR
1166:books
1074:Dante
873:Poems
718:Poems
674:Found
586:Dante
455:Bible
136:(
132:
46:, by
5302:Hope
5081:Work
4235:2019
4192:site
4111:ISBN
4100:ISBN
4089:ISBN
4074:ISBN
3997:ISBN
3967:ISBN
3949:ISBN
3920:ISBN
3895:ISBN
3887:ISBN
3863:2014
3838:2014
3817:2010
3765:2016
3651:2023
3612:2016
3590:2016
3471:2009
3436:2022
3395:ISBN
3325:2014
3300:2014
3275:2014
3245:2014
3182:2014
2866:2014
2838:2018
2804:2012
1700:Hole
1152:news
1057:and
1030:and
791:and
731:and
642:saw
613:for
555:and
317:and
298:and
290:and
74:Died
55:Born
5288:Eos
4167:at
4149:at
2341:at
1576:BBC
1564:in
1449:to
1311:at
1235:in
1135:by
1092:of
927:by
875:by
716:'s
698:'s
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513:by
270:-ee
268:ZET
266:rΙ-
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