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179:(OUP, 2014). The book brings together a wide range of the painter's still lifes from the late 17th and early 18th centuries, mostly from the time when Collier was living in London. Their themes were almost exclusively arrangements of journals, engravings, letters, medals, combs, sealing wax sticks and other ephemera, signifying an updating of the older 'memento mori' still life model.
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Though
Collier is listed in the Haarlem guild register as a member on a page headed "1646", the last two digits must have been switched and he probably became a member in 1664 (a year suspiciously lacking member registrations), like other members listed with him and mistakenly registered on that
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listed "Evert Colier" in 1702 as one of the
Haarlem guild members who had known his father. Van der Vinne was probably his teacher when Collier registered with the Haarlem guild in 1664. They both later influenced the Haarlem still-life painter Barend van Eisen.
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by 1686 and to London in 1693. He returned to Leiden in the years 1702–1706, based on signed and dated works there, but was back in London at the end of his life where he was buried
September 8, 1708 at
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Allgemeines
Lexikon der bildenden Künstler von der Antike bis zur Gegenwart / unter Mitwirkung von 300 Fachgelehrten des In- und Auslandes; hrsg. von Ulrich Thieme und Felix Becker (1907–1950)
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paintings. His first name is sometimes spelled "Edward" or "Edwaert" or "Eduwaert" or "Edwart," and his last name is sometimes spelled "Colyer" or "Kollier".
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Adriaan van der
Willigen en Fred G. Meijer, A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525–1725, Leiden 2003
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fashion. Like Van der Vinne before him, he often included prints, but these tended to be popular prints of the day.
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His works tend to be an arrangement of pieces of paper painted to "pop out" of the surface in a
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De archiefbescheiden van het St. Lukasgilde te
Haarlem 1497-1798, Hessel Miedema, 1980,
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A Trompe-l'œil of
Newspapers, Letters and Writing Implements on a Wooden Board
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166:(London) are among the public collections having paintings by Evert Collier.
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Evert
Collier's oil on canvas Self-Portrait with a Vanitas Still-life, 1684,
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270:(1695), Oil on Canvas, 24 1/2 x 29 3/4 in, M.S. Rau Antiques, New Orleans
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412: This article incorporates text from a publication now in the
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The US historian, Dror
Wahrman, has written a book on Collier's
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429:. Vol. I (3rd ed.). London: George Bell & Sons.
200:) previously attributed to Collier was later attributed to
66:(26 January 1642 – few days before 8 September 1708) was a
219:, 54 x 67.3 cm, includes a print after Staverenus
106:, where his earliest paintings show the influence of
427:Bryan's Dictionary of Painters and Engravers (A–K)
461:The Still Lifes of Edwaert Collier (1642–1708).
198:Vanitas Still Life with Globe, Skull and Violin
274:Still Life with a volume of Wither's Emblemes
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463:Ph.D. thesis. University of Helsinki, 2014.
373:According to Paul Taylor, Londen, July 1999
276:(1696), Oil on Canvas, 83.8 × 107.9 cm
258:(1699), Oil on Canvas, 76.2 × 63.5 cm
252:(1683), Oil on Canvas, 44.4 × 52.8 cm
217:A trompe-l'œil still life of a letter rack
156:National Portrait Gallery (United Kingdom)
264:(1695), Oil on Canvas, 24 5/8 × 20 1/2 in
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296:(1684), Oil on Canvas, 99 × 123 cm
290:(1662), Oil on Wood, 94 × 112.1 cm
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441:Netherlands Institute for Art History
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300:Self Portrait with Vanitas Still Life
94:Collier was baptized Evert Calier in
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425:. In Graves, Robert Edmund (ed.).
384:"toegeschreven aan Pieter Legouch"
126:, where he became a member of the
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482:, Oxford University Press, 2014.
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59:entitled Parliament, Circa 1695
122:By 1667, Collier had moved to
108:Vincent Laurensz van der Vinne
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110:, who became a member of the
19:For the English pirate, see
246:(1699), 58.8 × 46.2 cm
196:An oil on canvas painting (
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480:Mr. Collier's Letter Racks
177:Mr. Collier's Letter Racks
152:Indianapolis Museum of Art
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550:Dutch still life painters
525:Dutch Golden Age painters
112:Haarlem Guild of St. Luke
128:Leiden Guild of St. Luke
302:(1684), Oil on Canvas,
137:St. James's, Piccadilly
114:in 1649, and whose son
21:Edward Collier (pirate)
304:Honolulu Museum of Art
268:Still Life: Parliament
148:Honolulu Museum of Art
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32:Honolulu Museum of Art
545:Painters from Haarlem
362:Egbert van Heemskerck
262:Still Life: The Smell
130:in 1673. He moved to
116:Laurens van der Vinne
102:. He was trained in
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555:Trompe-l'œil artists
540:Painters from Leiden
162:(Amsterdam) and the
530:Dutch male painters
535:Artists from Breda
500:Web Gallery of Art
294:Vanitas Still Life
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488:978-0-19-973886-1
469:978-952-10-9980-9
459:Tuominen, Minna:
236:Petrus Staverenus
144:Denver Art Museum
55:Edward Collier's
41:Edward Collier's
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520:1708 deaths
515:1642 births
390:October 29,
160:Rijksmuseum
509:Categories
435:References
256:Still Life
76:known for
71:still-life
132:Amsterdam
421:(1886).
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327:in the
288:Vanitas
282:Vanitas
175:works,
104:Haarlem
78:vanitas
74:painter
57:vanitas
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158:, the
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386:. RKD
310:Notes
232:Smell
183:Works
96:Breda
484:ISBN
465:ISBN
392:2021
360:and
341:ISBN
164:Tate
142:The
90:Life
80:and
329:RKD
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
