1809:... My attention has been directed to a paragraph in your last number, expressive of surprise at "an announcement in the papers of the death of the Rev. E. T. Daniell" and of "hope that the statement may be an error". I regret to inform you that the announcement is too certainly true; that Mr. Daniell's friends in England are in possession of a letter from Mr. John Purdie, H.B.M.V.-Consul at Adalia, communicating the mournful intelligence of Mr. Daniell's death, at that gentleman's house, on the 24th September last, after a protracted illness of (with intervals of convalescence) more than two months, during which lengthened period of suffering. It is but justice to her majesty's Vice-Consul to say, that all accounts concur in stating that the deceased received from that gentleman the most remitting kindness and attention. I am, &c. Robert Campbell."
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862:. He then visited Cyprus and painted a watercolour of the island, possibly while anchored off shore. The author Rita Severis has compared his painting with the watercolours of Turner, whom he was known to admire. In her book on artistic representations of the island from 1700 to 1960, she wrote: "The interplay of the blue sea and the sandy colour of the land – which is repeated successfully in the foreground of the picture – accentuates the distance between the viewer and the land while simultaneously increasing the desire to look more closely and attentively at the subject."
928:, travelling during the hottest part of the year. He was forced back to Adalia after suffering a second attack of malaria, and at Purdie's house dictated what was to be his last letter, which expressed his intentions to continue his work. He lost consciousness after sleeping whilst exposed to the heat of the day on the front terrace of Purdie's residence, and died a week later, on 24 September. He was buried in the city. The Norfolk historian Frederick Beecheno wrote in 1889 that Daniell was "buried beneath an ancient granite column in the court of a Greek church in the centre of the town of Adalia".
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362:. The school was a unique phenomenon in the history of 19th-century British art: Norwich was the first English city outside London which had the right conditions for a provincial art movement. It had more locally born artists than any other similar city, and its theatrical, artistic, philosophical and musical cultures were cross-fertilised in a way that was unique outside the capital.
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artist is known to have mourned
Daniell's early death deeply, saying repeatedly to Roberts that he would never form such a friendship again. Roberts later wrote: "Poor Daniell, like Wilkie, went to Syria after me, but neither returned. Had Daniell returned to England, I have reason to know, from Turner's own mouth, he would have been entrusted with his law affairs."
1704:. The book was never published. In 1921, Hardie delivered a lecture to the Print-Collectors' Club in which he discussed Daniell's plates. He has described them as "full of interest and technical value, and at the same time curiously modern in their spirit", adding of him: "He reaches a very high level of refined thought and execution in his
1021:, who remembered him as the "old friend" who had introduced her to etching and admired her drawings. In 1891 she wrote: "My recollection of his face was that of one of the openest that could be seen – a superb forehead, and splendid teeth, which showed themselves with every smile, and no one smiled and laughed more genially."
643:, Daniell wrote: "You probably, thought I was haranguing the plough-boys in Norfolk, and you find me among the Dons of Grosvenor Square, and having to preach (as I must) next Wednesday at St. George's, Hanover Square. I wish you would come and give me some assistance." In about 1836 he moved to rooms in Green Street, near
391:, and his second wife Anne Drosier, the daughter of John Drosier of Rudham Grange, Norfolk. Sir Thomas' first wife, with whom he had a son Earle and a daughter Anne, died in London in 1792. Their daughter married John Holmes in Norfolk in 1802 and died in childbirth in 1805. Her brother Earle was an officer in the
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Most of
Daniell's works form part of the Norfolk Museums Collections, or are held at the British Museum, which obtained some of them before 1852 and purchased his prints as early as 1856.The original impressions are generally held in public collections. Binyon's biographical article appeared in 1889.
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Daniell's 52 attributed etchings, though small in number and not exhibited during his lifetime, are the basis for his reputation as an artist. In 1899, Binyon considered his etchings to be – from a historical point of view – the most remarkable of his works, anticipating
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Forbes paid tribute to his friend
Daniell, writing that his illness "destroyed a traveller whose talents, scholarship, and research would have made Lycia a bright spot on the map of Asia Minor, and whose manliness of character and kindness of heart endeared him to all who had the happiness of knowing
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Walpole sees
Daniell's watercolours as having a style that "is all his own" – freely drawn, ambitious and "having a powerful feeling for the atmosphere of the landscape". She notes how his delicate outlines and distinctively varied tones convey a sense of space and give an illusion of
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His admiration for Turner inspired Turner with genuine affection for him. Boxall has told me that at an R.A. dinner, he and Turner sitting with one between them, Turner leant back, and touched Boxall to attract silently his attention, and then pointing to a glass of wine in his other hand, whispered
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was rejected by the Royal
Academy in 1840, Daniell came to his friend's assistance. The picture was taken to Daniell's house and hung above the fireplace, where it was admired by his dinner guests, including two members of the Academy. Daniell reprimanded them, saying "You are a pretty set of men to
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Before leaving for the Middle East, Daniell commissioned a portrait of J. M. W. Turner from
Linnell. Turner had previously refused to sit for the artist, and it was difficult to get his agreement to be portrayed. Daniell positioned the two men opposite each other at dinner, so Linnell could observe
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in 1806, leaving a young widow and infant son. He left his
Dominican lands to her, and his Antigua estate to his adult son Earle, subject to him providing a guaranteed annual income of £300 to the family in Norfolk. Anne Daniell and her son moved to a house in St. Giles Street, Norwich. She died in
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Martin Hardie asserted: "If only more proofs from his fine plates been made available for collectors and museums he would be more readily placed among the great etchers of the world." Miklos Rajnai, a Keeper of Art at
Norwich Castle Museum, compared Daniell's skill as an etcher with John Crome and
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than his
Norwich School contemporaries. He lived during a time when "it was not suitable for young gentlemen to become artists", and his private income and position as a curate meant he was to remain an amateur artist throughout his life; in a letter to Rigby, he referred to himself as a "tree and
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in the plate. The burrs allowed the ink to collect, producing a darker tone in some of his prints. Thistlethwaite views the large drypoint etchings and
Norfolk landscapes made after 1831 as being "supremely independent and for his time unique", once he had moved away from the traditional style of
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Daniell later employed a looser style, moving away from Stannard and towards that of Andrew Geddes and other Scottish etchers, whose output he almost certainly first saw while in Scotland during the summer of 1831. His was outstanding in the use of drypoint, strengthening his design by using the
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He may have helped Turner spiritually. His biographer James Hamilton writes that he was "able to supply spiritual comfort that Turner required to help him fill the holes left by the deaths of his father and friends and to ease the fears of a naturally reflective man approaching old age". The old
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and David Roberts, and the drawings produced on his last tour "reveal a vision that emulates that of David Roberts and exceeds that of Edward Lear". Clifford identified Daniell's distinctively bold style and sense of draughtsmanship, but pointed out what he saw as weaknesses in some of the
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The writer Derek Clifford believed Daniell's distinctive style was influenced by the methods of John Sell Cotman, an artist Daniell deeply admired, but the art historian Andrew Moore writes that "his artistic influences are not readily established," and Searle notes that he had an "assured
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Daniell's friendship with Turner, whom he first met in London, was short but intense. He was a regular guest at Daniell's gatherings and dinner parties, and they quickly became close friends. He was considered by Daniell's circle of artists to be their doyen. Beecheno, in his
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individuality that recalls no one else". The historian Josephine Walpole, who believes Daniell's talent has yet to be properly recognised, has praised his ability to "create a sense of space, a feeling of heat or cold, of poverty or plenty, with apparent lack of effort".
666:. Daniell was among those who strongly opposed the proposed refacing. Letters written from London show that he had not forgotten this contentious issue. He planned a plate of Ninham's drawing of the castle as a gesture of his opposition to the project, informing the
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1501:. He stopped etching after his move to London. Although his Norfolk prints are mostly landscapes, they were intended to be artistic rather than topographically accurate, and any figures were used simply to indicate the scale of the landscape they were set in.
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Daniell's watercolours have been highly praised by art historians. They were described by Hardie as "the perfection of free sketching". Binyon described them as showing him "at the height of his subject", and according to
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Although none of Daniells' etchings were exhibited or published during his lifetime, some were given to friends. They were first shown in public in 1891 in a Norwich Arts Circle exhibition. In 1882, the economist
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1118:, recalled that on one occasion Turner was asked his opinion of Daniell's work. "'Very clever, Sir, very clever' was the great master's dictum, delivered in his usual blunt way." Elizabeth Rigby wrote of Daniell:
577:, Jane Thistlethwaite wrote that his Scottish scenes "testify in their subjects to his enthusiasm for the beauties of Scotland and in their technique to his almost certain acquaintance with the Scottish etchers".
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Many of Daniell's etchings were printed in Norwich by Henry Ninham, who lived a short distance from Daniell's house on St. Giles Street. His friendships with Ninham and Joseph Stannard may have begun at school.
624:, all of which have been preserved, show he led an active life in the parish. He continued to etch at this time, and in Thistlethwaite's view whilst there produced his "loveliest and most sophisticated plates".
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A memorial was placed near his tomb in Antalya "by his affectionate and grieving relatives". Another memorial can be seen in Norwich, on the wall of the church of St. Mary Coslany. His will is preserved in the
620:, a post he held for eighteen months. Letters to John Linnell show he felt a need to increase his income during this period in his life. Little is known of his career as a Norfolk curate, but the Banham
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Daniell's first attempts at etching were made with Joseph Stannard in February 1824. The style of his earliest works were influenced by Stannard, but he later became more affected by the works of
531:... there is a Daniel too come to judgement! a second Daniel! – Verily, I have gotten more substantial criticism from this young man than from anyone since Havell was my messmate."
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Turner's romantic style is approached by Daniell's watercolours painted during his travels abroad. Coincidentally, Turner toured Switzerland in 1829, visiting sites Daniell had earlier depicted.
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in 1842 confirmed the artist's death to the public: "The hopes we expressed last week, that there might be some error in the reported death of the Rev. E. T. Daniell, must, we fear, be abandoned
1469:, a very interesting artist of the Norwich School, whose plates, etched in the eighteen-twenties, are remarkable for genuine etcher's vision, expressive charm, and delicacy of craft. His
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Daniell was an active patrons of the arts and held regular dinner parties and other gatherings at his London home. It became a resort of painters including John Linnell, David Roberts,
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Daniell's oil paintings generally depicted subjects encountered on his continental travels, and he showed them at annual exhibitions in London. He was an honorary exhibitor with the
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The route Daniell took during his eighteen months on the Continent is revealed by the order of his paintings. His travels through Switzerland are reminiscent of those of the artist
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The Norwich School of Painting: being a full account of the Norwich exhibitions, the lives of the painters, the lists of their respective exhibits, and descriptions of the pictures
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In 1832 Daniell exhibited a number of his own pictures of scenes in Italy, Switzerland and France with the Norwich Society of Artists, which were favourably commented upon by the
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Daniell had the financial means to travel abroad to find subjects to paint, and during 1829 and 1830 he spent the months between his classics studies and his master's degree on a
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768:. During the expedition 18 ancient cities were located. After spending the winter at Xanthos, Daniell chose to remain in Lycia to help survey the region, in company with
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or white. The 120 large sketches at Norwich Castle and the further 64 at the British Museum may have been made in preparation for future works that were never made.
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said, "What strikes one most at first is the astonishing air of space and magnitude conveyed, the fluid wash of sunlight in these towering gorges and open valleys."
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in September 1840. Although Roberts' paintings of the Middle East are thought to have compelled him to tour abroad, he had also been told of recent discoveries in
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copy of the portrait of Daniell remained with Linnell and was in his studio at Linnell's death, an indication of the personal attachment he felt for his friend.
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that the art historian William Dickes described as "well-centred performances, painted with a fluid brush, and revealing a delicate appreciation of tone".
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that "I have had a very beautiful drawing made of it, and I mean to etch it the size of the drawing." His etching of the old keep was never completed.
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On 2 June 1833, Daniell was ordained to the priesthood, but continued as the curate at Banham until 1834. That year he was appointed to the curacy of
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429:, had been bought in 1779 from the family of his first wife. He retired and moved to the west of Norfolk, but his health deteriorated and he died of
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229:. In 1840, after resigning his curacy and leaving England for the Middle East, he travelled to Egypt, Palestine and Syria, and joined the explorer
1014:, Linnell's biographer, described Daniell's home as "a treasure-house of art, (which) comprised works by some of the best painters of the day".
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Roberts wrote that Daniell "adored Turner, when I and others doubted, and taught me to see and to distinguish his beauties over that of others
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The history of the island of Antigua, one of the Leeward Caribbees in the West Indies, from the first settlement in 1635 to the present time
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pretend to stand up for high art and to proclaim the Academy the fosterer of artistic talent, and yet allow such a picture to be rejected!"
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but, as with his curacy at St. Mark's, no official records of his employment have survived. In a letter written in 1835 to his Oxford tutor
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Daniell's Middle East landscapes have provided important documentary evidence of the region during the 1840s. His works were exhibited at
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No etcher of this early English period evinced a truer and more subtle understanding and handling of the medium than Crome's pupil, the
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and Forbes its natural history; Daniell was to make records of any discoveries. In Lycia he produced a series of watercolours, of which
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They corresponded regularly and Linnell was a frequent guest at Daniell's rooms in London. Daniell encouraged him to complete his
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Caribbeana: being miscellaneous papers relating to the history, genealogy, topography, and antiquities of the British West Indies
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the following week. The tablet to his memory in Snettisham Church gives his age as 53, but the parish records show he died at 73.
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watercolours: a "fear" of using colour, the emptiness of some of the panoramic views, and an unsuitable use of coloured paper.
1131:... the old man really had a fond and personal regard for this young clergyman, which I doubt he ever evinced for the other."
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had set sail the previous day – and was forced to amend his plans. There was a chance to return to Rhodes by
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Turner carefully and portray his likeness from memory. Due to Daniell's death, the completed painting was never delivered.
905:, contracted, according to Forbes and Spratt, "by lingering too long among the unhealthy marshes of the Pamphylian coast".
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182:, a group of artists connected by location and personal and professional relationships, who were mainly inspired by the
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On 8 February 1840, Linnell's diary mentioned: "To Mr. Daniell to see Roberts's drawings of Egypt and Palestine, etc."
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and the continent; and those made during his curacy at Banham, which includes his most assured work of this period,
445:, where the drawing master was John Crome. He was involved in the art world at a young age; the brothers Thomas and
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The Royal Academy of Arts; a complete dictionary of contributors and their work from its foundation in 1769 to 1904
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In the summer of 1832, Daniell went on a walking trip in Scotland, accompanied by two contemporaries from Oxford,
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said the etchings "anticipated far more than nearly anything of Crome or Cotman the modern revival of etching".
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He stayed at Purdie's residence to recuperate, and wrote to Forbes and Spratt describing his discoveries at
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1073:(1828–1833), offering to buy it himself if it did not sell. When the painting was exhibited in 1839 at the
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Daniell first met the artist John Linnell while he was at Oxford. Linnell asked him to promote the sale of
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858:) in April 1842. Spratt and Forbes left the city before Daniell, who travelled overland after meeting the
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and Henry Ninham etched in this way after 1831, producing works of a quality approaching Daniell's own.
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Edward Daniell's last letter is included in Volume II, chapter IX of Edward Forbes and Thomas Spratt's
307:, whose pupils included Edward Daniell. Crome was the leading spirit of the Norwich School of painters.
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A dictionary of artists who have exhibited works in the principal London exhibitions from 1760 to 1893
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Landscape between ideology and the aesthetic: Marxist essays on British art and art theory, 1750–1850
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Twelve etchings by the Reverend E. T. Daniell with a short notice of his life by R.H. Inglis Palgrave
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Parish records for Banham, from 19 October 1832 to 23 March 1834, written by Edward Thomas Daniell:
3394:"Twelve Etchings by the Rev. E. T. Daniell with a short notice of his life by R. H. Inglis Palgrave"
1493:, his masterpiece from his early years; a more grandiose group of etchings made during his tours of
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Anne Daniell's portrait was painted in Norwich by Daniell's friend Linnell a year before her death.
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etchers like Geddes. He is thought to have introduced drypoint etching to his Norwich peers; both
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as a watercolour that expresses to her all that is best about Daniell's "understated artistry".
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and Lyrbe. Before he had fully recovered he left the city to undertake a solitary expedition to
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4235:(subscription may be required or content may be available in libraries that are in the UK)
4080:. Norwich: Norfolk Museums Service for the Paul Mellon Centre for Studies in British Art.
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2876:"Will of Reverend Edward Thomas Daniell, Clerk of Park Street Grosvenor Square, Middlesex"
2297:(subscription may be required or content may be available in libraries that are in the UK)
2103:(subscription may be required or content may be available in libraries that are in the UK)
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and join the returning ships, but he instead travelled to Adalia with the newly-appointed
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to return to Lycia and rejoin Forbes and Spratt, but he missed his ship –
1456:, full of light and air, proves him to be in the direct line of the masters." (Salaman,
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John Jun. Holmes in "Bishop's transcripts for the Archdeaconry of Norfolk, 1686–1941",
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to find landscapes to depict, Daniell resigned his curacy and left England to tour the
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459:] who accompanied us to your house last week and who wishes to possess a drawing".
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The Norwich Society of Artists, 1805–1833: a dictionary of contributors and their work
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The British school of etching, being a lecture delivered to the Print Collectors' Club
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Norfolk Annals: A Chronological Record of Remarkable Events in the Nineteenth Century
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1183:. During the sole instance of an exhibition of his works with the Society, he showed
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and close to St. Mark's, living there until his departure for the Holy Land in 1840.
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162:(6 June 1804 – 24 September 1842) was an English artist known for his
4033:; Johnson, Frederic; Bloom, J Harvey (1910). "Norfolk Parish Registers: Marriages".
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Travels in Lycia, Milyas, and the Cibyratis, in company with the Late E. T. Daniell
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Travels in Lycia, Milyas, and the Cibyratis, in company with the Late E. T. Daniell
1529:(1824), Norfolk Museums Collections. This work is probably Daniell's first etching.
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for the city, John Purdie. During the journey Daniell became feverishly ill with
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countryside, many also depicted other landscapes, and coastal and urban scenes.
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arrived and Daniell accepted an offer of a passage to England. In June he left
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who were connected personally or professionally. Though mainly inspired by the
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Most of the 200 inscriptions found by the expedition were copied by Daniell.
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Thomas Daniell died at Snettisham Lodge on 17 March 1806, and was buried at
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Proceedings of the Geological Society of London, November 1833 to June 1838
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which began in the 1850s. His prints were made by his friend and neighbour
3883:(2017). "Cultural Philanthropy and the Invention of the Norwich School".
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565:. The trip provided him with subject material and influenced his use of
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245:) intending to recuperate, but died from a second attack of the disease.
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832:. His original drawings are now lost, but they were later published in
817:
765:
681:
At some date after June 1840, perhaps inspired by the Scottish painter
535:
426:
320:
261:
242:
238:
194:
183:
163:
117:
76:
834:
Travels in Lycia, Milyas, and the Cibyratis, in company with the Late
441:
Edward Daniell grew up with his mother in Norwich and was educated at
1293:
1289:
1202:
He served on bodies involved with the arts, becoming a Fellow of the
882:
750:
743:
609:
605:
430:
214:
190:
4279:
3906:"Inscriptions from Lydia and Pisidia copied by Daniell and Fellows"
1159:(1829), pencil and brown wash on paper, Norfolk Museums Collections
1440:
1151:
1098:
1062:, paying the difference of twenty guineas. In 1828 Linnell made a
1028:
947:
907:
859:
847:. Birch's collection contains a single page of Daniell's original
829:
825:
793:
731:
707:
698:
694:
584:
496:
397:
299:
234:
175:
4143:. London; Wappingers' Falls, New York: Philip Wilson Publishers.
1700:, and 24 copies of the book were printed, one of which is at the
486:
through France, Italy, Germany and Switzerland, producing scenic
4110:
4000:
3697:
727:
655:
435:
4406:
3250:
3248:
3246:
2066:
Bishop's transcripts for the Archdeaconry of Norfolk, 1686–1941
527:, who wrote: "What a shoal of amateur artists we have got here!
3832:. Vol. 2 The Romantic Period. London: B.T. Batsford Ltd.
2636:
2634:
2567:
2565:
2563:
2561:
2559:
2557:
2402:
2400:
2398:
2396:
2394:
2392:
2390:
2388:
2386:
2384:
2371:
2369:
2367:
2365:
2352:
2350:
2269:
2267:
2265:
2263:
2261:
2259:
2257:
1675:
Norwich Castle – before the restoration of 1834
455:
2919:
2917:
2755:
2753:
2751:
2749:
1197:
Ruined Tombs, on the Via Nomentana, Rome, painted on the spot
569:
etching, as he was able to study the work of etchers such as
3126:
2112:
2110:
1838:
went on a sketching tour of Egypt and the Holy Land in 1849.
722:
Daniell was in Athens by the end of the year, and sailed to
3444:"Art in Norwich Spring 16 British Art Show Special Edition"
2167:
Image 587 in "Baptisms, marriages and burials, 1773–1782",
1249:(1840), as well as four pictures at the British Institute (
1243:
Sketch from a picture of the Mountains of Savoy from Geneva
4399:, describing some of the events of the expedition in Lycia
2970:
2968:
1821:
was a British painter who died and was buried at sea, off
1223:
Sketch for a Picture of the Mountains of Savoy from Geneva
1077:, it helped to enhance Linnell's reputation as an artist.
3466:"From Norfolk to Nubia The watercolours of E. T. Daniell"
3277:
3275:
3062:
3060:
2668:
2666:
2664:
2582:
2580:
2423:
2421:
2419:
2417:
2415:
3328:
3326:
2736:
2734:
2732:
2719:
2717:
2621:
2619:
2544:
2542:
2540:
2538:
2320:
2318:
2316:
2244:
2242:
2240:
2127:
2125:
1856:
1854:
248:
Daniell normally used a small number of colours for his
193:
to wealthy parents, Daniell grew up and was educated in
3954:. Vol. I (1801–1850). Norwich: Norfolk Chronicle.
3560:
Cundall, Herbert Minton (1920). Holme, Geoffrey (ed.).
3197:
3195:
2440:
2438:
2436:
2337:
2335:
2333:
1717:
From Norfolk to Nubia: The Watercolours of E.T. Daniell
962:(pencil on paper, undated), Norfolk Museums Collections
760:, a ship sent by the British Government to convey home
178:, part of modern-day Turkey. He is associated with the
2651:
2649:
2455:
2453:
2044:
2028:
2026:
2024:
2022:
1950:
1948:
1899:
1897:
1895:
453:
in 1822 about "our young friend Mr Daniells [
3618:. Vol. II. Eastbourne, UK: Eastbourne Fine Art.
2770:
2768:
1193:
Ruins of a Claudian Aqueduct, in the Campagna di Roma
4102:
The great painter-etchers from Rembrandt to Whistler
3995:. Vol. I. London: Mitchell, Hughes and Clarke.
3495:. Privately printed (Limited edition of 50 copies).
2294:. No. 479. London. 28 November 1828. p. 1.
2009:
2007:
2005:
2003:
2001:
1999:
783:. Spratt was responsible for researching the area's
421:. His estates, including 291 acres (118 ha) at
383:
in central London, to Sir Thomas Daniell, a retired
1825:, returning from his first trip to the Middle East.
1225:(oil on canvas, 1839?), Norfolk Museums Collections
839:, and his notes were transcribed (inaccurately) by
631:, North Audley Street in London, and took rooms in
147:
123:
109:
95:
87:
65:
46:
23:
4190:
3858:
3776:
1189:Lake of Geneva, from Lausanne, painted on the spot
662:from 1834 to 1839, replicating the original blank
592:, North Audley Street, as it appeared in the 1830s
538:of the country were copied by the Norwich artist
237:(now in Turkey) as an illustrator. He contracted
1719:, an exhibition held at Norwich Castle in 2016.
1071:St. John the Baptist Preaching in the Wilderness
1066:of Daniell and taught him how to paint in oils.
5699:Infectious disease deaths in the Ottoman Empire
3932:Jarrolds' official illustrated guide to Norwich
3380:
1463:
1120:
854:The expedition arrived at Adalia (now known as
407:Mrs Daniell, Mother of the Artist E. T. Daniell
3368:
3305:
3293:
3254:
2571:
2406:
2356:
2273:
808:In March 1842, Fellows left for London on HMS
523:in 1820. In Rome and Naples he met the artist
4418:
4168:The Letters of Elizabeth Rigby, Lady Eastlake
4017:. Vol. II. London: Mitchell and Hughes.
3718:. Vol. 2. London: R. & J.E. Taylor.
3102:
3051:
462:On 9 December 1823, aged 19, Daniell went to
8:
4300:. Woodbridge, UK: Antique Collectors' Club.
4201:(online ed.). Oxford University Press.
4060:Journals and Correspondence of Lady Eastlake
2798:
2786:
2759:
2684:
1478:John Sell Cotman. The British art historian
1208:Society for the Encouragement of British Art
701:(now part of modern Turkey) by the explorer
534:Daniell may also have visited Spain, as his
413:Sir Thomas purchased land and slaves in the
3642:. London; Norwich: Jarrold & Sons Ltd.
3513:"Edward Thomas Daniell, Painter and Etcher"
1874:"Portrait of the Rev Edward Thomas Daniell"
1052:View of Lymington, the Isle of Wight beyond
608:, and three days later was licensed as the
4425:
4411:
4403:
3605:: CS1 maint: location missing publisher (
2086:"Births, Deaths, Marriages and Obituaries"
1801:A letter from Daniell's brother-in-law in
912:Plaque in St. Mary Coslany Church, Norwich
31:
20:
4886:William Philip Barnes Freeman (1813–1897)
4278:
4174:. Liverpool: Liverpool University Press.
4041:. London: Phillimore & Co.: 105–120.
3971:. Norwich: HMSO/Norwich Museums Service.
3186:
2497:"Norwich Castle Museum & Art Gallery"
2092:. British Library Newspapers. 24 May 1805
1978:
1927:
1698:Twelve Etchings of the Rev. E. T. Daniell
326:The school's most important artists were
4248:. Vol. 1. London: Bentley and Son.
3861:The Norwich School of Painters 1803–1833
3213:
3174:
3066:
2998:
2974:
2947:
2672:
2598:
2586:
2529:
2483:
2375:
2231:
2195:
1860:
1542:River Scene with Man fishing from a Boat
1217:
4391:Extract of a letter from Edward Daniell
4345:Works relating to Edward Thomas Daniell
4198:Oxford Dictionary of National Biography
4140:Travelling artists in Cyprus, 1700–1960
3430:
3266:
3225:
3114:
3090:
3039:
3016:RA Collection: People and Organisations
2923:
2708:
2696:
1990:
1954:
1915:
1850:
1728:
1516:
1323:
1206:in 1835, and a committee member of the
1058:. At a later date, he exchanged it for
1017:One of Daniell's pupils was the writer
311:Edward Daniell was associated with the
241:there and reached Adalia (now known as
4076:Rajnai, Miklos; Stevens, Mary (1976).
3598:
3418:
3356:
3332:
3317:
3281:
3237:
3162:
3150:
3138:
3078:
2896:
2862:
2774:
2740:
2723:
2640:
2625:
2610:
2548:
2517:
2444:
2324:
2307:
2288:"University and Clerical intelligence"
2248:
2219:
2207:
2155:
2143:
2131:
2116:
1903:
1263:The Lake of Geneva, from near Lausanne
1148:List of works by Edward Thomas Daniell
749:He met Fellows in the Turkish city of
5684:19th-century English Anglican priests
4324:. Vol. III. London: J. Chapman.
4298:Art and Artists of the Norwich School
3712:Geological Society of London (1838).
3344:
3201:
2986:
2959:
2935:
2908:
2471:
2459:
2427:
2341:
2032:
2013:
1939:
221:in 1832 and appointed to a curacy at
7:
4063:. Vol. 1. London: John Murray.
3547:. London: Cory, Adams & Mackay.
2655:
2045:Phillimore, Johnson & Bloom 1910
1426:personified later in the century by
753:and joined his expedition, boarding
434:1836 aged 64, and was buried in the
170:he made during an expedition to the
16:English landscape painter and etcher
5704:Infectious disease deaths in Turkey
5613:other members of the Norwich School
4035:Phillimore's Parish Register Series
1966:
1574:(1827), Norfolk Museums Collections
1559:(1825), Norfolk Museums Collections
1544:(1824), Norfolk Museums Collections
1381:(1841), Norfolk Museums Collections
1351:(1841), Norfolk Museums Collections
1336:(1827), Norfolk Museums Collections
726:early in 1841. He travelled up the
685:who had travelled to Egypt and the
375:Edward Thomas Daniell was born on 6
4347:in the Norfolk Museums Collections
3811:. London: Print Collectors' Club.
3783:. London: Hodder & Stoughton.
3740:. Vol. 2. London: H. Graves.
3545:Watercolours of the Norwich School
3446:. Art in Norwich. 2016. p. 47
2812:"Obituary. The Rev. E. T. Daniell"
1438:, writing in the 1910s, observed:
764:recently discovered by Fellows at
14:
5689:19th-century English male artists
5649:People educated at Norwich School
3127:Geological Society of London 1838
3012:"Sir David Wilkie RA (1785–1841)"
2177:Bishop's transcripts for Yarmouth
1272:draw from a deliberately limited
3829:Water-colour Painting in Britain
1667:
1645:
1623:
1601:
1579:
1564:
1549:
1534:
1519:
1401:
1386:
1379:Interior of Convent, Mount Sinai
1371:
1356:
1341:
1326:
1319:Interior of Convent, Mount Sinai
1288:, with details emphasised using
1106:, painted from memory by Linnell
1043:Illustrations of the Book of Job
738:, on a route that took him past
278:, and he anticipated the modern
233:'s archaeological expedition in
213:, in 1828, he was ordained as a
4321:The life of Joseph Blanco White
4263:"The etchings of E. T. Daniell"
3910:The Journal of Hellenic Studies
3491:Beecheno, Frederick R. (1889).
1572:Aylsham Bridge, or Burgh Bridge
1422:with their freedom of line the
142:watercolours of the Middle East
5591:Stannard/Hodgson/Coppin family
4357:Works by Edward Thomas Daniell
4351:Works by Edward Thomas Daniell
4120:Etchings of the Norwich School
3566:. London: Geoffrey Holme Ltd.
3543:Clifford, Derek Plint (1965).
1662:), Norfolk Museums Collections
1640:), Norfolk Museums Collections
1618:), Norfolk Museums Collections
1596:), Norfolk Museums Collections
799:Larnaka, Cypress, from the Sea
596:On 2 October 1832 Daniell was
511:), Norfolk Museums Collections
478:Travels in Europe and Scotland
417:, which were then part of the
1:
5659:19th-century English painters
4261:Thistlethwaite, Jane (1974).
4240:Story, Alfred Thomas (1892).
3969:The Norwich School of Artists
3581:Palgrave, Robert Harry Inglis
1677:, Norfolk Museums Collections
1656:
1634:
1612:
1590:
1432:James Abbott McNeill Whistler
1366:, Norfolk Museums Collections
1255:Ruins of the Campagna of Rome
1233:, showing four pieces there:
575:The Etchings of E. T. Daniell
505:
197:, where he was taught art by
4230:UK public library membership
4118:Searle, Geoffrey R. (2015).
4095:Salaman, Malcolm C. (1914).
4055:Quiller-Couch, Arthur Thomas
3660:"The Late Rev. E.T. Daniell"
2844:(786): 993. 19 November 1842
1834:The English artist and poet
1702:Victoria & Albert Museum
1499:Whitlingham Lane near Trowse
1204:Geological Society of London
5072:Maria Margitson (1832–1896)
4361:Yale Center for British Art
4296:Walpole, Josephine (1997).
3692:. London: John van Voorst.
3684:Spratt, Thomas Abel Brimage
3381:Daniell & Palgrave 1882
1505:needle's point to create a
1123:solemnly, "Edward Daniell".
870:In late May 1842 the ships
717:Yale Center for British Art
354:, along with Cotman's sons
5720:
5356:Norwich Society of Artists
4899:Joseph Geldart (1808–1882)
4443:Norwich Society of Artists
4434:Norwich School of painters
4105:. London: The Studio Ltd.
1631:Whitlingham Lane by Trowse
1145:
1008:William Clarkson Stanfield
770:Thomas Abel Brimage Spratt
313:Norwich School of painters
296:Norwich School of painters
293:
180:Norwich School of painters
152:Norwich School of painters
138:Whitlingham Lane by Trowse
5674:English landscape artists
4450:
4440:
4137:Severis, Rita C. (2000).
3967:Moore, Andrew W. (1985).
3889:. Leiden, Boston: Brill.
3634:Dickes, William Frederick
3103:Rajnai & Stevens 1976
1334:Burgh Bridge near Aylsham
734:, and then from Egypt to
30:
4711:Victoria Susanna Colkett
4246:The Life of John Linnell
4192:"Daniell, Edward Thomas"
4122:. Norwich: Lasse Press.
3948:Mackie, Charles (1901).
3775:Hamilton, James (1997).
3666:(787). London: 1014–1015
3579:Daniell, Edward Thomas;
2938:, pp. 159, 267–268.
2799:Forbes & Spratt 1847
2787:Forbes & Spratt 1847
2760:Forbes & Spratt 1847
2685:Forbes & Spratt 1847
1142:Works and artistic style
1084:When Linnell's painting
1054:for the price of thirty
938:National Archives at Kew
371:Early life and education
5669:English watercolourists
5227:Eloise Harriet Stannard
5117:John Ninham (1754–1817)
4759:Frederick George Cotman
4373:(image 60 onwards) and
4189:Smail, Richard (2004).
4165:Sheldon, Julie (2009).
3826:Hardie, Martin (1966).
3805:Hardie, Martin (1921).
3493:E. T. Daniell: a memoir
2878:. The National Archives
2499:. Norfolk Museums. 2020
1587:Castle of Dunolly, Oban
1046:by the artist and poet
517:James Pattison Cockburn
464:Balliol College, Oxford
315:, a regional school of
211:Balliol College, Oxford
4353:in the British Museum.
3929:Hooper, James (1900).
3468:. East Anglia Art Fund
1527:Church Tower and Trees
1475:
1461:
1411:(1842), British Museum
1396:(1842), British Museum
1308:, ranks him alongside
1226:
1160:
1125:
1107:
1037:
963:
944:Friends and associates
913:
805:
772:, a lieutenant in the
719:
593:
512:
443:Norwich Grammar School
410:
308:
205:. After graduating in
100:Norwich Grammar School
60:London, United Kingdom
5664:English male painters
5525:Cotman/Thirtle family
4993:John Berney Ladbrooke
4855:Edward Thomas Daniell
4384:registration required
4207:10.1093/ref:odnb/7123
4158:registration required
4009:Oliver, Vere Langford
3987:Oliver, Vere Langford
3847:registration required
3798:registration required
3762:. London: H. Graves.
3616:East Anglian Painters
2818:: 36. 1 February 1843
2643:, pp. 1014–1015.
2183:registration required
2072:registration required
1444:
1394:Termessus, looking SE
1251:The Temple of Minerva
1221:
1214:Oils and watercolours
1155:
1102:
1032:
1000:Charles Lock Eastlake
996:John Callcott Horsley
951:
911:
797:
711:
677:Tour of the Near East
637:St. George's Hospital
588:
500:
401:
303:
294:Further information:
250:watercolour paintings
160:Edward Thomas Daniell
25:Edward Thomas Daniell
5654:Artists from Norwich
4695:Samuel David Colkett
4377:(image 56 onwards).
4369:(image 64 onwards),
4316:White, Joseph Blanco
4273:(1). Norwich: 1–22.
3658:(26 November 1842).
3614:Day, Harold (1968).
1310:William James Müller
1306:Bure Bridge, Aylsham
953:Portrait of the Rev
635:. He also worked at
633:Park Street, Mayfair
519:, who published his
449:wrote to the artist
438:of St Mary Coslany.
5694:Deaths from malaria
4977:Frederick Ladbrooke
4807:Miles Edmund Cotman
4267:Norfolk Archaeology
3935:. London: Jarrold.
3904:Hill, G.F. (1895).
3865:. Oxford: Phaidon.
3369:Thistlethwaite 1974
3306:Thistlethwaite 1974
3294:Thistlethwaite 1974
3269:, pp. 33, 180.
3255:Thistlethwaite 1974
3228:, pp. 158–159.
3042:, pp. 156–157.
2989:, pp. 269–270.
2926:, pp. 617–618.
2899:, pp. 545–546.
2838:"Our Weekly Gossip"
2572:Thistlethwaite 1974
2474:, pp. 178–179.
2407:Thistlethwaite 1974
2378:, pp. 319–320.
2357:Thistlethwaite 1974
2274:Thistlethwaite 1974
2119:, pp. 184–186.
1930:, pp. 181–182.
1471:View of Whitlingham
1454:View of Whitlingham
1446:View of Whitlingham
1364:Near Kalabshee 1841
1169:higher social class
1167:, Daniell was of a
1075:British Institution
650:The outer shell of
641:Joseph Blanco White
550:December 1830, aged
231:Sir Charles Fellows
168:landscape paintings
130:etchings of Norfolk
5275:Arthur James Stark
5057:Horace Beevor Love
4775:John Joseph Cotman
3587:. Great Yarmouth.
3563:The Norwich School
3216:, pp. 51, 71.
3052:Quiller-Couch 1895
1918:, pp. 12, 32.
1653:At Banham, Norfolk
1467:Rev. E. T. Daniell
1462:
1235:Sion in the Valais
1227:
1185:Sketch from Nature
1161:
1108:
1064:portrait miniature
1038:
964:
914:
806:
720:
594:
563:Edmund Walker Head
513:
411:
360:John Joseph Cotman
317:landscape painters
309:
280:revival of etching
114:Landscape painting
5624:
5623:
4945:John Cantiloe Joy
4839:John Berney Crome
4307:978-1-85149-261-9
4228:(Subscription or
4181:978-1-84631-194-9
4150:978-0-85-667522-5
4129:978-0-95687-589-1
4087:978-0-903101-29-5
4031:Phillimore, W P W
3978:978-0-11-701587-6
3896:9-789-00426-900-2
3881:Hemingway, Andrew
3872:978-0-7148-2001-9
3855:Hemingway, Andrew
3839:978-0-7134-0717-4
3818:978-1-164-14764-0
3790:978-1-4000-6015-3
3625:978-0-902010-10-9
3320:, pp. 65–69.
2430:, pp. 97–98.
1993:, pp. 10–11.
1981:, pp. 9, 79.
1409:Stadium of Cibyra
1284:, brown pink and
1172:house sketcher".
1060:Boy Minding Sheep
746:in October 1841.
602:Norwich Cathedral
260:, brown pink and
223:St. Mark's Church
157:
156:
104:Oxford University
69:24 September 1842
5711:
5558:Ladbrooke family
5370:
5365:
5358:
5353:
5346:
5341:
5163:Frederick Sandys
5009:Robert Ladbrooke
4791:John Sell Cotman
4500:
4495:
4488:
4483:
4476:
4471:
4464:
4459:
4427:
4420:
4413:
4404:
4387:
4333:
4311:
4292:
4282:
4257:
4236:
4233:
4225:
4223:
4221:
4194:
4185:
4173:
4161:
4154:
4133:
4114:
4091:
4072:
4050:
4026:
4004:
3982:
3963:
3944:
3925:
3923:
3921:
3900:
3876:
3864:
3850:
3843:
3822:
3801:
3794:
3782:
3771:
3754:Graves, Algernon
3749:
3732:Graves, Algernon
3727:
3701:
3675:
3673:
3671:
3651:
3629:
3610:
3604:
3596:
3575:
3556:
3539:
3537:
3535:
3509:Binyon, Laurence
3504:
3478:
3477:
3475:
3473:
3462:
3456:
3455:
3453:
3451:
3440:
3434:
3428:
3422:
3416:
3410:
3409:
3407:
3405:
3390:
3384:
3378:
3372:
3366:
3360:
3354:
3348:
3342:
3336:
3330:
3321:
3315:
3309:
3308:, pp. 1, 8.
3303:
3297:
3296:, pp. 1, 4.
3291:
3285:
3279:
3270:
3264:
3258:
3252:
3241:
3235:
3229:
3223:
3217:
3211:
3205:
3199:
3190:
3184:
3178:
3172:
3166:
3160:
3154:
3148:
3142:
3136:
3130:
3124:
3118:
3112:
3106:
3100:
3094:
3088:
3082:
3076:
3070:
3064:
3055:
3049:
3043:
3037:
3031:
3030:
3028:
3026:
3008:
3002:
2996:
2990:
2984:
2978:
2972:
2963:
2957:
2951:
2945:
2939:
2933:
2927:
2921:
2912:
2906:
2900:
2894:
2888:
2887:
2885:
2883:
2872:
2866:
2860:
2854:
2853:
2851:
2849:
2834:
2828:
2827:
2825:
2823:
2808:
2802:
2801:, pp. 1–36.
2796:
2790:
2784:
2778:
2772:
2763:
2757:
2744:
2738:
2727:
2721:
2712:
2706:
2700:
2694:
2688:
2682:
2676:
2670:
2659:
2653:
2644:
2638:
2629:
2623:
2614:
2608:
2602:
2596:
2590:
2584:
2575:
2569:
2552:
2546:
2533:
2527:
2521:
2515:
2509:
2508:
2506:
2504:
2493:
2487:
2481:
2475:
2469:
2463:
2457:
2448:
2442:
2431:
2425:
2410:
2404:
2379:
2373:
2360:
2354:
2345:
2339:
2328:
2322:
2311:
2305:
2299:
2298:
2295:
2283:
2277:
2271:
2252:
2246:
2235:
2229:
2223:
2217:
2211:
2205:
2199:
2193:
2187:
2186:
2165:
2159:
2153:
2147:
2141:
2135:
2129:
2120:
2114:
2105:
2104:
2101:
2099:
2097:
2082:
2076:
2075:
2062:John Jun. Holmes
2054:
2048:
2042:
2036:
2030:
2017:
2011:
1994:
1988:
1982:
1976:
1970:
1964:
1958:
1952:
1943:
1937:
1931:
1925:
1919:
1913:
1907:
1901:
1890:
1889:
1887:
1885:
1870:
1864:
1858:
1839:
1832:
1826:
1816:
1810:
1808:
1799:
1793:
1786:
1780:
1777:
1771:
1768:
1762:
1755:
1749:
1746:
1740:
1733:
1715:in 1968, and at
1671:
1661:
1658:
1649:
1639:
1636:
1627:
1617:
1614:
1605:
1595:
1592:
1583:
1568:
1553:
1538:
1523:
1468:
1405:
1390:
1375:
1360:
1345:
1330:
1302:Andrew Hemingway
1239:View of St. Malo
1163:As the son of a
1130:
1115:
1005:
972:William Mulready
956:
837:
693:. He arrived in
645:Grosvenor Square
553:
549:
530:
510:
507:
502:Bridge at Toledo
474:on 25 May 1831.
385:attorney-general
381:Charlotte Street
378:
352:John Sell Cotman
340:Robert Ladbrooke
272:John Sell Cotman
269:
126:
72:
56:
54:
35:
21:
5719:
5718:
5714:
5713:
5712:
5710:
5709:
5708:
5679:English etchers
5629:
5628:
5625:
5620:
5619:
5618:
5617:
5616:
5615:
5614:
5609:
5606:
5605:
5604:
5603:
5598:
5595:
5594:
5593:
5592:
5587:
5584:
5583:
5582:
5581:
5576:
5573:
5572:
5571:
5570:
5565:
5562:
5561:
5560:
5559:
5554:
5551:
5550:
5549:
5548:
5543:
5540:
5539:
5538:
5537:
5532:
5529:
5528:
5527:
5526:
5521:
5518:
5517:
5516:
5515:
5510:
5507:
5506:
5505:
5500:
5499:
5494:
5493:
5488:
5487:
5482:
5481:
5476:
5475:
5470:
5469:
5464:
5463:
5458:
5457:
5452:
5451:
5446:
5445:
5440:
5439:
5434:
5433:
5428:
5427:
5422:
5421:
5416:
5415:
5410:
5409:
5404:
5403:
5398:
5397:
5392:
5391:
5386:
5385:
5380:
5379:
5373:
5372:
5371:
5366:
5363:
5360:
5359:
5354:
5351:
5348:
5347:
5342:
5339:
5335:
5334:
5332:
5329:
5328:
5327:
5326:
5325:(1796 – c.1832)
5318:
5316:
5313:
5312:
5311:
5310:
5302:
5300:
5297:
5296:
5295:
5294:
5286:
5284:
5281:
5280:
5279:
5278:
5270:
5268:
5265:
5264:
5263:
5262:
5259:Joseph Stannard
5254:
5252:
5249:
5248:
5247:
5246:
5238:
5236:
5233:
5232:
5231:
5230:
5222:
5220:
5217:
5216:
5215:
5214:
5211:Alfred Stannard
5206:
5204:
5201:
5200:
5199:
5198:
5190:
5188:
5185:
5184:
5183:
5182:
5174:
5172:
5169:
5168:
5167:
5166:
5158:
5156:
5153:
5152:
5151:
5150:
5142:
5140:
5137:
5136:
5135:
5134:
5126:
5124:
5121:
5120:
5119:
5118:
5113:
5111:
5108:
5107:
5106:
5105:
5097:
5095:
5092:
5091:
5090:
5089:
5081:
5079:
5076:
5075:
5074:
5073:
5068:
5066:
5063:
5062:
5061:
5060:
5052:
5050:
5047:
5046:
5045:
5044:
5036:
5034:
5031:
5030:
5029:
5028:
5020:
5018:
5015:
5014:
5013:
5012:
5004:
5002:
4999:
4998:
4997:
4996:
4988:
4986:
4983:
4982:
4981:
4980:
4972:
4970:
4967:
4966:
4965:
4964:
4956:
4954:
4951:
4950:
4949:
4948:
4940:
4938:
4935:
4934:
4933:
4932:
4924:
4922:
4919:
4918:
4917:
4916:
4913:Charles Hodgson
4908:
4906:
4903:
4902:
4901:
4900:
4895:
4893:
4890:
4889:
4888:
4887:
4882:
4880:
4877:
4876:
4875:
4874:
4866:
4864:
4861:
4860:
4859:
4858:
4850:
4848:
4845:
4844:
4843:
4842:
4834:
4832:
4829:
4828:
4827:
4826:
4818:
4816:
4813:
4812:
4811:
4810:
4802:
4800:
4797:
4796:
4795:
4794:
4786:
4784:
4781:
4780:
4779:
4778:
4770:
4768:
4765:
4764:
4763:
4762:
4754:
4752:
4749:
4748:
4747:
4746:
4738:
4736:
4733:
4732:
4731:
4730:
4722:
4720:
4717:
4716:
4715:
4714:
4706:
4704:
4701:
4700:
4699:
4698:
4690:
4688:
4685:
4684:
4683:
4682:
4674:
4672:
4669:
4668:
4667:
4666:
4658:
4656:
4653:
4652:
4651:
4650:
4642:
4640:
4637:
4636:
4635:
4630:
4629:
4624:
4623:
4618:
4617:
4612:
4611:
4606:
4605:
4600:
4599:
4594:
4593:
4588:
4587:
4582:
4581:
4576:
4575:
4570:
4569:
4564:
4563:
4558:
4557:
4552:
4551:
4546:
4545:
4540:
4539:
4534:
4533:
4528:
4527:
4522:
4521:
4516:
4515:
4510:
4509:
4503:
4502:
4501:
4496:
4493:
4490:
4489:
4484:
4481:
4478:
4477:
4474:Norwich Society
4472:
4469:
4466:
4465:
4460:
4457:
4446:
4436:
4431:
4381:
4341:
4336:
4314:
4308:
4295:
4280:10.5284/1078074
4260:
4239:
4234:
4227:
4219:
4217:
4188:
4182:
4171:
4164:
4155:
4151:
4136:
4130:
4117:
4094:
4088:
4075:
4053:
4029:
4007:
3985:
3979:
3966:
3947:
3928:
3919:
3917:
3903:
3897:
3879:
3873:
3853:
3844:
3840:
3825:
3819:
3804:
3795:
3791:
3774:
3752:
3730:
3711:
3678:
3669:
3667:
3654:
3632:
3626:
3613:
3597:
3578:
3559:
3542:
3533:
3531:
3507:
3490:
3486:
3481:
3471:
3469:
3464:
3463:
3459:
3449:
3447:
3442:
3441:
3437:
3433:, p. 1591.
3429:
3425:
3417:
3413:
3403:
3401:
3392:
3391:
3387:
3379:
3375:
3367:
3363:
3355:
3351:
3343:
3339:
3331:
3324:
3316:
3312:
3304:
3300:
3292:
3288:
3280:
3273:
3265:
3261:
3253:
3244:
3236:
3232:
3224:
3220:
3212:
3208:
3200:
3193:
3185:
3181:
3173:
3169:
3161:
3157:
3149:
3145:
3137:
3133:
3125:
3121:
3113:
3109:
3101:
3097:
3089:
3085:
3077:
3073:
3065:
3058:
3054:, pp. 6–7.
3050:
3046:
3038:
3034:
3024:
3022:
3010:
3009:
3005:
2997:
2993:
2985:
2981:
2973:
2966:
2958:
2954:
2946:
2942:
2934:
2930:
2922:
2915:
2907:
2903:
2895:
2891:
2881:
2879:
2874:
2873:
2869:
2861:
2857:
2847:
2845:
2836:
2835:
2831:
2821:
2819:
2816:The Art Journal
2810:
2809:
2805:
2797:
2793:
2785:
2781:
2773:
2766:
2758:
2747:
2739:
2730:
2722:
2715:
2707:
2703:
2695:
2691:
2683:
2679:
2671:
2662:
2654:
2647:
2639:
2632:
2624:
2617:
2609:
2605:
2597:
2593:
2585:
2578:
2570:
2555:
2547:
2536:
2528:
2524:
2516:
2512:
2502:
2500:
2495:
2494:
2490:
2482:
2478:
2470:
2466:
2458:
2451:
2443:
2434:
2426:
2413:
2405:
2382:
2374:
2363:
2355:
2348:
2340:
2331:
2323:
2314:
2306:
2302:
2296:
2286:
2284:
2280:
2272:
2255:
2247:
2238:
2234:, pp. 5–6.
2230:
2226:
2218:
2214:
2206:
2202:
2194:
2190:
2180:
2166:
2162:
2154:
2150:
2142:
2138:
2130:
2123:
2115:
2108:
2102:
2095:
2093:
2084:
2083:
2079:
2069:
2055:
2051:
2043:
2039:
2031:
2020:
2012:
1997:
1989:
1985:
1977:
1973:
1965:
1961:
1953:
1946:
1938:
1934:
1926:
1922:
1914:
1910:
1902:
1893:
1883:
1881:
1872:
1871:
1867:
1859:
1852:
1848:
1843:
1842:
1833:
1829:
1817:
1813:
1806:
1800:
1796:
1787:
1783:
1778:
1774:
1769:
1765:
1756:
1752:
1747:
1743:
1734:
1730:
1725:
1694:Inglis Palgrave
1685:
1678:
1672:
1663:
1659:
1650:
1641:
1637:
1628:
1619:
1615:
1606:
1597:
1593:
1584:
1575:
1569:
1560:
1554:
1545:
1539:
1530:
1524:
1487:J. M. W. Turner
1466:
1436:Malcolm Salaman
1424:etching revival
1419:
1412:
1406:
1397:
1391:
1382:
1376:
1367:
1361:
1352:
1346:
1337:
1331:
1317:detail, citing
1216:
1181:Norwich Mercury
1150:
1144:
1128:
1113:
1104:J. M. W. Turner
1097:
1095:J. M. W. Turner
1036:(self portrait)
1027:
1019:Elizabeth Rigby
1004:J. M. W. Turner
1003:
988:William Collins
980:Thomas Creswick
954:
946:
868:
835:
789:Laurence Binyon
713:Nablous, Jordan
703:Charles Fellows
679:
658:was refaced in
583:
551:
547:
528:
508:
480:
415:Leeward Islands
376:
373:
368:
332:Joseph Stannard
298:
292:
267:J. M. W. Turner
265:
203:Joseph Stannard
124:
83:
74:
70:
61:
58:
52:
50:
42:
26:
17:
12:
11:
5:
5717:
5715:
5707:
5706:
5701:
5696:
5691:
5686:
5681:
5676:
5671:
5666:
5661:
5656:
5651:
5646:
5641:
5631:
5630:
5622:
5621:
5612:
5611:
5610:
5608:
5607:
5601:
5600:
5599:
5597:
5596:
5590:
5589:
5588:
5586:
5585:
5579:
5578:
5577:
5575:
5574:
5568:
5567:
5566:
5564:
5563:
5557:
5556:
5555:
5553:
5552:
5546:
5545:
5544:
5542:
5541:
5535:
5534:
5533:
5531:
5530:
5524:
5523:
5522:
5520:
5519:
5514:Colkett family
5513:
5512:
5511:
5509:
5508:
5503:
5501:
5497:
5495:
5491:
5489:
5485:
5483:
5479:
5477:
5473:
5471:
5467:
5465:
5461:
5459:
5455:
5453:
5449:
5447:
5443:
5441:
5437:
5435:
5431:
5429:
5425:
5423:
5419:
5417:
5413:
5411:
5407:
5405:
5401:
5399:
5395:
5393:
5389:
5387:
5383:
5381:
5377:
5375:
5374:
5362:
5361:
5350:
5349:
5338:
5337:
5336:
5333:
5331:
5330:
5323:George Vincent
5321:
5320:
5319:
5317:
5315:
5314:
5305:
5304:
5303:
5301:
5299:
5298:
5289:
5288:
5287:
5285:
5283:
5282:
5273:
5272:
5271:
5269:
5267:
5266:
5257:
5256:
5255:
5253:
5251:
5250:
5243:Emily Stannard
5241:
5240:
5239:
5237:
5235:
5234:
5225:
5224:
5223:
5221:
5219:
5218:
5209:
5208:
5207:
5205:
5203:
5202:
5193:
5192:
5191:
5189:
5187:
5186:
5177:
5176:
5175:
5173:
5171:
5170:
5161:
5160:
5159:
5157:
5155:
5154:
5145:
5144:
5143:
5141:
5139:
5138:
5129:
5128:
5127:
5125:
5123:
5122:
5116:
5115:
5114:
5112:
5110:
5109:
5100:
5099:
5098:
5096:
5094:
5093:
5086:John Middleton
5084:
5083:
5082:
5080:
5078:
5077:
5071:
5070:
5069:
5067:
5065:
5064:
5055:
5054:
5053:
5051:
5049:
5048:
5039:
5038:
5037:
5035:
5033:
5032:
5023:
5022:
5021:
5019:
5017:
5016:
5007:
5006:
5005:
5003:
5001:
5000:
4991:
4990:
4989:
4987:
4985:
4984:
4975:
4974:
4973:
4971:
4969:
4968:
4959:
4958:
4957:
4955:
4953:
4952:
4943:
4942:
4941:
4939:
4937:
4936:
4927:
4926:
4925:
4923:
4921:
4920:
4911:
4910:
4909:
4907:
4905:
4904:
4898:
4897:
4896:
4894:
4892:
4891:
4885:
4884:
4883:
4881:
4879:
4878:
4869:
4868:
4867:
4865:
4863:
4862:
4853:
4852:
4851:
4849:
4847:
4846:
4837:
4836:
4835:
4833:
4831:
4830:
4821:
4820:
4819:
4817:
4815:
4814:
4805:
4804:
4803:
4801:
4799:
4798:
4789:
4788:
4787:
4785:
4783:
4782:
4773:
4772:
4771:
4769:
4767:
4766:
4757:
4756:
4755:
4753:
4751:
4750:
4741:
4740:
4739:
4737:
4735:
4734:
4725:
4724:
4723:
4721:
4719:
4718:
4709:
4708:
4707:
4705:
4703:
4702:
4693:
4692:
4691:
4689:
4687:
4686:
4677:
4676:
4675:
4673:
4671:
4670:
4661:
4660:
4659:
4657:
4655:
4654:
4645:
4644:
4643:
4641:
4639:
4638:
4633:
4631:
4627:
4625:
4621:
4619:
4615:
4613:
4609:
4607:
4603:
4601:
4597:
4595:
4591:
4589:
4585:
4583:
4579:
4577:
4573:
4571:
4567:
4565:
4561:
4559:
4555:
4553:
4549:
4547:
4543:
4541:
4537:
4535:
4531:
4529:
4525:
4523:
4519:
4517:
4513:
4511:
4507:
4505:
4504:
4492:
4491:
4480:
4479:
4468:
4467:
4456:
4455:
4454:
4453:
4452:
4451:
4448:
4447:
4441:
4438:
4437:
4432:
4430:
4429:
4422:
4415:
4407:
4401:
4400:
4388:
4363:
4354:
4348:
4340:
4339:External links
4337:
4335:
4334:
4312:
4306:
4293:
4258:
4237:
4186:
4180:
4162:
4149:
4134:
4128:
4115:
4097:Holme, Charles
4092:
4086:
4073:
4051:
4027:
4005:
3983:
3977:
3964:
3945:
3926:
3901:
3895:
3877:
3871:
3851:
3838:
3823:
3817:
3802:
3789:
3772:
3750:
3728:
3709:
3680:Forbes, Edward
3676:
3656:Forbes, Edward
3652:
3630:
3624:
3611:
3576:
3557:
3540:
3523:(12). London.
3505:
3487:
3485:
3482:
3480:
3479:
3457:
3435:
3423:
3411:
3385:
3373:
3361:
3349:
3347:, p. 109.
3337:
3322:
3310:
3298:
3286:
3284:, p. 106.
3271:
3259:
3242:
3230:
3218:
3206:
3204:, p. 111.
3191:
3187:Hemingway 1979
3179:
3167:
3165:, p. 553.
3155:
3143:
3141:, p. 241.
3131:
3129:, p. 340.
3119:
3117:, p. 158.
3107:
3095:
3093:, p. 159.
3083:
3071:
3056:
3044:
3032:
3003:
3001:, p. 319.
2991:
2979:
2977:, p. 356.
2964:
2962:, p. 268.
2952:
2940:
2928:
2913:
2911:, p. 267.
2901:
2889:
2867:
2855:
2829:
2803:
2791:
2779:
2764:
2745:
2743:, p. 214.
2728:
2726:, p. 549.
2713:
2701:
2689:
2687:, p. 214.
2677:
2660:
2658:, p. 116.
2645:
2630:
2628:, p. 212.
2615:
2613:, p. 211.
2603:
2591:
2576:
2553:
2551:, p. 548.
2534:
2522:
2520:, p. 545.
2510:
2488:
2476:
2464:
2449:
2432:
2411:
2380:
2361:
2346:
2344:, p. 110.
2329:
2327:, p. 544.
2312:
2300:
2278:
2253:
2251:, p. 543.
2236:
2224:
2222:, p. 186.
2212:
2200:
2188:
2160:
2158:, p. 225.
2148:
2146:, p. 177.
2136:
2134:, p. 546.
2121:
2106:
2077:
2049:
2037:
2018:
1995:
1983:
1979:Hemingway 1979
1971:
1959:
1944:
1932:
1928:Hemingway 2017
1920:
1908:
1891:
1878:British Museum
1865:
1849:
1847:
1844:
1841:
1840:
1827:
1811:
1794:
1781:
1772:
1763:
1750:
1741:
1727:
1726:
1724:
1721:
1706:Borough Bridge
1684:
1681:
1680:
1679:
1673:
1666:
1664:
1651:
1644:
1642:
1629:
1622:
1620:
1607:
1600:
1598:
1585:
1578:
1576:
1570:
1563:
1561:
1557:Flordon Bridge
1555:
1548:
1546:
1540:
1533:
1531:
1525:
1518:
1491:Flordon Bridge
1450:British Museum
1418:
1415:
1414:
1413:
1407:
1400:
1398:
1392:
1385:
1383:
1377:
1370:
1368:
1362:
1355:
1353:
1347:
1340:
1338:
1332:
1325:
1215:
1212:
1143:
1140:
1096:
1093:
1026:
1023:
992:Abraham Cooper
984:Edwin Landseer
945:
942:
867:
864:
845:British Museum
803:British Museum
678:
675:
652:Norwich Castle
582:
579:
559:George Denison
479:
476:
472:Master of Arts
419:British Empire
372:
369:
367:
364:
336:George Vincent
291:
288:
155:
154:
149:
145:
144:
134:Flordon Bridge
127:
121:
120:
111:
110:Known for
107:
106:
97:
93:
92:
89:
85:
84:
81:Ottoman Empire
75:
73:(aged 38)
67:
63:
62:
59:
48:
44:
43:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
5716:
5705:
5702:
5700:
5697:
5695:
5692:
5690:
5687:
5685:
5682:
5680:
5677:
5675:
5672:
5670:
5667:
5665:
5662:
5660:
5657:
5655:
5652:
5650:
5647:
5645:
5642:
5640:
5637:
5636:
5634:
5627:
5580:Sandys family
5569:Ninham family
5369:
5357:
5345:
5324:
5308:
5292:
5276:
5260:
5244:
5228:
5212:
5196:
5195:James Sillett
5180:
5179:Obadiah Short
5164:
5148:
5147:Anthony Sands
5132:
5131:Alfred Priest
5103:
5087:
5058:
5042:
5026:
5010:
4994:
4978:
4962:
4946:
4930:
4929:David Hodgson
4915:(c.1770–1856)
4914:
4872:
4856:
4840:
4824:
4808:
4792:
4776:
4760:
4744:
4743:Daniel Coppin
4728:
4712:
4696:
4680:
4679:Joseph Clover
4664:
4648:
4499:
4487:
4475:
4463:
4449:
4444:
4439:
4435:
4428:
4423:
4421:
4416:
4414:
4409:
4408:
4405:
4398:
4397:
4396:The Athenaeum
4392:
4389:
4385:
4380:
4376:
4372:
4368:
4364:
4362:
4358:
4355:
4352:
4349:
4346:
4343:
4342:
4338:
4331:
4327:
4323:
4322:
4317:
4313:
4309:
4303:
4299:
4294:
4290:
4286:
4281:
4276:
4272:
4268:
4264:
4259:
4255:
4251:
4247:
4243:
4238:
4231:
4216:
4212:
4208:
4204:
4200:
4199:
4193:
4187:
4183:
4177:
4170:
4169:
4163:
4159:
4152:
4146:
4142:
4141:
4135:
4131:
4125:
4121:
4116:
4112:
4108:
4104:
4103:
4098:
4093:
4089:
4083:
4079:
4074:
4070:
4066:
4062:
4061:
4056:
4052:
4048:
4044:
4040:
4036:
4032:
4028:
4024:
4020:
4016:
4015:
4010:
4006:
4002:
3998:
3994:
3993:
3988:
3984:
3980:
3974:
3970:
3965:
3961:
3957:
3953:
3952:
3946:
3942:
3938:
3934:
3933:
3927:
3915:
3911:
3907:
3902:
3898:
3892:
3888:
3887:
3882:
3878:
3874:
3868:
3863:
3862:
3856:
3852:
3848:
3841:
3835:
3831:
3830:
3824:
3820:
3814:
3810:
3809:
3803:
3799:
3792:
3786:
3781:
3780:
3773:
3769:
3765:
3761:
3760:
3755:
3751:
3747:
3743:
3739:
3738:
3733:
3729:
3725:
3721:
3717:
3716:
3710:
3708:
3704:
3699:
3695:
3691:
3690:
3685:
3681:
3677:
3665:
3664:The Athenaeum
3661:
3657:
3653:
3649:
3645:
3641:
3640:
3635:
3631:
3627:
3621:
3617:
3612:
3608:
3602:
3594:
3590:
3586:
3582:
3577:
3573:
3569:
3565:
3564:
3558:
3554:
3550:
3546:
3541:
3530:
3526:
3522:
3518:
3514:
3510:
3506:
3502:
3498:
3494:
3489:
3488:
3483:
3467:
3461:
3458:
3445:
3439:
3436:
3432:
3427:
3424:
3421:, p. 15.
3420:
3415:
3412:
3399:
3395:
3389:
3386:
3382:
3377:
3374:
3370:
3365:
3362:
3359:, p. 68.
3358:
3353:
3350:
3346:
3341:
3338:
3335:, p. 69.
3334:
3329:
3327:
3323:
3319:
3314:
3311:
3307:
3302:
3299:
3295:
3290:
3287:
3283:
3278:
3276:
3272:
3268:
3263:
3260:
3256:
3251:
3249:
3247:
3243:
3240:, p. 66.
3239:
3234:
3231:
3227:
3222:
3219:
3215:
3214:Clifford 1965
3210:
3207:
3203:
3198:
3196:
3192:
3189:, p. 70.
3188:
3183:
3180:
3177:, p. 71.
3176:
3175:Clifford 1965
3171:
3168:
3164:
3159:
3156:
3153:, p. 71.
3152:
3147:
3144:
3140:
3135:
3132:
3128:
3123:
3120:
3116:
3111:
3108:
3105:, p. 43.
3104:
3099:
3096:
3092:
3087:
3084:
3081:, p. 67.
3080:
3075:
3072:
3069:, p. 51.
3068:
3067:Clifford 1965
3063:
3061:
3057:
3053:
3048:
3045:
3041:
3036:
3033:
3021:
3020:Royal Academy
3017:
3013:
3007:
3004:
3000:
2999:Hamilton 1997
2995:
2992:
2988:
2983:
2980:
2976:
2975:Hamilton 1997
2971:
2969:
2965:
2961:
2956:
2953:
2950:, p. 19.
2949:
2948:Beecheno 1889
2944:
2941:
2937:
2932:
2929:
2925:
2920:
2918:
2914:
2910:
2905:
2902:
2898:
2893:
2890:
2877:
2871:
2868:
2865:, p. 41.
2864:
2859:
2856:
2843:
2839:
2833:
2830:
2817:
2813:
2807:
2804:
2800:
2795:
2792:
2789:, p. 36.
2788:
2783:
2780:
2776:
2771:
2769:
2765:
2762:, p. xv.
2761:
2756:
2754:
2752:
2750:
2746:
2742:
2737:
2735:
2733:
2729:
2725:
2720:
2718:
2714:
2711:, p. 97.
2710:
2705:
2702:
2699:, p. 96.
2698:
2693:
2690:
2686:
2681:
2678:
2675:, p. 23.
2674:
2673:Beecheno 1889
2669:
2667:
2665:
2661:
2657:
2652:
2650:
2646:
2642:
2637:
2635:
2631:
2627:
2622:
2620:
2616:
2612:
2607:
2604:
2601:, p. 22.
2600:
2599:Beecheno 1889
2595:
2592:
2589:, p. 26.
2588:
2587:Beecheno 1889
2583:
2581:
2577:
2573:
2568:
2566:
2564:
2562:
2560:
2558:
2554:
2550:
2545:
2543:
2541:
2539:
2535:
2532:, p. 20.
2531:
2530:Beecheno 1889
2526:
2523:
2519:
2514:
2511:
2498:
2492:
2489:
2486:, p. 16.
2485:
2484:Beecheno 1889
2480:
2477:
2473:
2468:
2465:
2462:, p. 98.
2461:
2456:
2454:
2450:
2447:, p. 64.
2446:
2441:
2439:
2437:
2433:
2429:
2424:
2422:
2420:
2418:
2416:
2412:
2408:
2403:
2401:
2399:
2397:
2395:
2393:
2391:
2389:
2387:
2385:
2381:
2377:
2376:Hamilton 1997
2372:
2370:
2368:
2366:
2362:
2358:
2353:
2351:
2347:
2343:
2338:
2336:
2334:
2330:
2326:
2321:
2319:
2317:
2313:
2310:, p. 65.
2309:
2304:
2301:
2293:
2289:
2282:
2279:
2275:
2270:
2268:
2266:
2264:
2262:
2260:
2258:
2254:
2250:
2245:
2243:
2241:
2237:
2233:
2232:Beecheno 1889
2228:
2225:
2221:
2216:
2213:
2210:, p. 47.
2209:
2204:
2201:
2197:
2196:Beecheno 1889
2192:
2189:
2184:
2178:
2174:
2170:
2164:
2161:
2157:
2152:
2149:
2145:
2140:
2137:
2133:
2128:
2126:
2122:
2118:
2113:
2111:
2107:
2091:
2087:
2081:
2078:
2073:
2067:
2063:
2059:
2053:
2050:
2046:
2041:
2038:
2035:, p. 97.
2034:
2029:
2027:
2025:
2023:
2019:
2015:
2010:
2008:
2006:
2004:
2002:
2000:
1996:
1992:
1987:
1984:
1980:
1975:
1972:
1968:
1963:
1960:
1956:
1951:
1949:
1945:
1941:
1936:
1933:
1929:
1924:
1921:
1917:
1912:
1909:
1906:, p. 69.
1905:
1900:
1898:
1896:
1892:
1879:
1875:
1869:
1866:
1863:, p. 13.
1862:
1861:Beecheno 1889
1857:
1855:
1851:
1845:
1837:
1831:
1828:
1824:
1820:
1815:
1812:
1804:
1798:
1795:
1791:
1785:
1782:
1776:
1773:
1767:
1764:
1760:
1754:
1751:
1745:
1742:
1738:
1732:
1729:
1722:
1720:
1718:
1714:
1709:
1707:
1703:
1699:
1695:
1689:
1682:
1676:
1670:
1665:
1654:
1648:
1643:
1632:
1626:
1621:
1610:
1604:
1599:
1588:
1582:
1577:
1573:
1567:
1562:
1558:
1552:
1547:
1543:
1537:
1532:
1528:
1522:
1517:
1515:
1513:
1508:
1502:
1500:
1496:
1492:
1488:
1483:
1481:
1474:
1472:
1459:
1455:
1451:
1447:
1443:
1439:
1437:
1433:
1429:
1428:Seymour Haden
1425:
1416:
1410:
1404:
1399:
1395:
1389:
1384:
1380:
1374:
1369:
1365:
1359:
1354:
1350:
1344:
1339:
1335:
1329:
1324:
1322:
1320:
1314:
1311:
1307:
1303:
1297:
1295:
1291:
1287:
1283:
1279:
1275:
1271:
1266:
1264:
1260:
1256:
1252:
1248:
1244:
1240:
1236:
1232:
1231:Royal Academy
1224:
1220:
1213:
1211:
1210:in May 1837.
1209:
1205:
1200:
1198:
1194:
1190:
1186:
1182:
1177:
1173:
1170:
1166:
1158:
1154:
1149:
1141:
1139:
1136:
1132:
1124:
1119:
1117:
1114:E. T. Daniell
1105:
1101:
1094:
1092:
1089:
1088:
1082:
1078:
1076:
1072:
1067:
1065:
1061:
1057:
1053:
1049:
1048:William Blake
1045:
1044:
1035:
1031:
1024:
1022:
1020:
1015:
1013:
1009:
1001:
997:
993:
989:
985:
981:
977:
973:
968:
961:
957:
955:E. T. Daniell
950:
943:
941:
939:
933:
929:
927:
923:
919:
910:
906:
904:
900:
896:
892:
888:
884:
880:
876:
875:
865:
863:
861:
857:
852:
850:
846:
842:
838:
836:E. T. Daniell
831:
827:
823:
819:
815:
811:
804:
800:
796:
792:
790:
786:
782:
781:Edward Forbes
779:
775:
771:
767:
763:
759:
758:
752:
747:
745:
742:. He reached
741:
737:
733:
729:
725:
718:
714:
710:
706:
704:
700:
696:
692:
688:
684:
683:David Roberts
676:
674:
672:
671:Dawson Turner
669:
665:
661:
657:
653:
648:
646:
642:
638:
634:
630:
625:
623:
619:
615:
614:parish church
611:
607:
603:
599:
591:
587:
581:Church career
580:
578:
576:
572:
571:Andrew Geddes
568:
564:
560:
555:
545:
541:
537:
532:
526:
522:
521:Swiss Scenery
518:
503:
499:
495:
493:
489:
488:oil paintings
485:
477:
475:
473:
469:
465:
460:
458:
457:
452:
448:
447:Chambers Hall
444:
439:
437:
432:
428:
424:
423:Dickenson Bay
420:
416:
408:
404:
400:
396:
394:
393:12th Dragoons
390:
386:
382:
379:June 1804 at
370:
365:
363:
361:
357:
353:
349:
345:
341:
337:
333:
329:
324:
322:
318:
314:
306:
302:
297:
289:
287:
285:
281:
277:
273:
268:
263:
259:
255:
251:
246:
244:
240:
236:
232:
228:
224:
220:
216:
212:
208:
204:
200:
196:
192:
187:
186:countryside.
185:
181:
177:
173:
169:
165:
161:
153:
150:
146:
143:
139:
135:
131:
128:
122:
119:
115:
112:
108:
105:
101:
98:
94:
90:
86:
82:
78:
68:
64:
49:
45:
40:
34:
29:
22:
19:
5626:
5602:Stark family
5547:Joy brothers
5536:Crome family
5367:
5355:
5343:
5307:John Thirtle
5102:Henry Ninham
5041:Thomas Lound
5025:Robert Leman
4871:Robert Dixon
4854:
4727:Edwin Cooper
4663:James Bulwer
4647:Henry Bright
4497:
4485:
4473:
4461:
4442:
4394:
4379:FamilySearch
4320:
4297:
4270:
4266:
4245:
4218:. Retrieved
4196:
4167:
4139:
4119:
4101:
4077:
4059:
4038:
4034:
4013:
3991:
3968:
3950:
3931:
3918:. Retrieved
3913:
3909:
3885:
3860:
3828:
3807:
3778:
3758:
3736:
3714:
3688:
3668:. Retrieved
3663:
3638:
3615:
3584:
3562:
3544:
3532:. Retrieved
3520:
3516:
3492:
3484:Bibliography
3470:. Retrieved
3460:
3448:. Retrieved
3438:
3431:Walpole 1997
3426:
3414:
3402:. Retrieved
3397:
3388:
3376:
3371:, p. 8.
3364:
3352:
3340:
3313:
3301:
3289:
3267:Salaman 1914
3262:
3257:, p. 6.
3233:
3226:Walpole 1997
3221:
3209:
3182:
3170:
3158:
3146:
3134:
3122:
3115:Walpole 1997
3110:
3098:
3091:Walpole 1997
3086:
3074:
3047:
3040:Walpole 1997
3035:
3025:23 September
3023:. Retrieved
3015:
3006:
2994:
2982:
2955:
2943:
2931:
2924:Sheldon 2009
2904:
2892:
2880:. Retrieved
2870:
2858:
2846:. Retrieved
2842:The Athenæum
2841:
2832:
2820:. Retrieved
2815:
2806:
2794:
2782:
2709:Severis 2000
2704:
2697:Severis 2000
2692:
2680:
2606:
2594:
2574:, p. 4.
2525:
2513:
2501:. Retrieved
2491:
2479:
2467:
2409:, p. 3.
2359:, p. 2.
2303:
2292:The Standard
2291:
2281:
2276:, p. 1.
2227:
2215:
2203:
2198:, p. 5.
2191:
2176:
2169:FamilySearch
2168:
2163:
2151:
2139:
2094:. Retrieved
2090:Morning Post
2089:
2080:
2065:
2058:FamilySearch
2057:
2052:
2040:
1991:Walpole 1997
1986:
1974:
1969:, p. 7.
1962:
1957:, p. 1.
1955:Cundall 1920
1942:, p. 9.
1935:
1923:
1916:Cundall 1920
1911:
1882:. Retrieved
1868:
1830:
1819:David Wilkie
1814:
1803:The Athenæum
1802:
1797:
1789:
1784:
1775:
1766:
1753:
1744:
1731:
1716:
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1705:
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1674:
1652:
1630:
1609:Ruin at Rome
1608:
1586:
1571:
1556:
1541:
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1512:Thomas Lound
1503:
1498:
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1333:
1318:
1315:
1305:
1298:
1294:burnt sienna
1270:watercolours
1267:
1262:
1261:(1839); and
1259:Meadow scene
1258:
1254:
1250:
1246:
1245:(1839); and
1242:
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1070:
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1051:
1041:
1039:
1034:John Linnell
1025:John Linnell
1016:
1012:Alfred Story
976:William Dyce
969:
965:
960:John Linnell
952:
934:
930:
915:
890:
886:
878:
873:
869:
853:
841:Samuel Birch
833:
809:
807:
798:
756:
748:
721:
712:
680:
649:
626:
595:
574:
556:
544:tuberculosis
540:Henry Ninham
533:
525:Thomas Uwins
520:
514:
501:
492:watercolours
481:
461:
454:
451:John Linnell
440:
412:
406:
403:John Linnell
374:
356:Miles Edmund
348:John Thirtle
325:
310:
284:Henry Ninham
247:
227:John Linnell
188:
174:, including
159:
158:
137:
133:
125:Notable work
71:(1842-09-24)
37:Portrait by
18:
5644:1842 deaths
5639:1804 births
5309:(1777–1839)
5293:(1794-1859)
5291:James Stark
5277:(1831-1902)
5261:(1797-1830)
5245:(1802-1885)
5229:(1829–1915)
5213:(1806–1889)
5197:(1764–1840)
5181:(1803–1886)
5165:(1829–1904)
5149:(1806–1883)
5133:(1810–1850)
5104:(1796–1874)
5088:(1827–1856)
5059:(1800–1838)
5043:(1801–1861)
5027:(1799–1869)
5011:(1768-1842)
4995:(1803-1879)
4979:(1810–1865)
4963:(1803-1865)
4961:William Joy
4947:(1805–1859)
4931:(1798–1864)
4873:(1780–1815)
4857:(1804–1842)
4841:(1794–1842)
4825:(1768–1821)
4809:(1810–1858)
4793:(1782–1842)
4777:(1814–1878)
4761:(1850–1920)
4745:(1771–1822)
4729:(1785–1833)
4713:(1840–1926)
4697:(1806–1863)
4681:(1779–1853)
4665:(1797-1879)
4649:(1810–1873)
4220:17 December
3920:17 December
3670:17 December
3450:18 December
3419:Hardie 1921
3357:Searle 2015
3333:Searle 2015
3318:Searle 2015
3282:Searle 2015
3238:Searle 2015
3163:Dickes 1905
3151:Graves 1895
3139:Graves 1905
3079:Searle 2015
2897:Dickes 1905
2882:17 December
2863:Hooper 1900
2775:Forbes 1842
2741:Binyon 1899
2724:Dickes 1905
2641:Forbes 1842
2626:Binyon 1899
2611:Binyon 1899
2549:Dickes 1905
2518:Dickes 1905
2445:Searle 2015
2325:Dickes 1905
2308:Searle 2015
2249:Dickes 1905
2220:Oliver 1896
2208:Mackie 1901
2156:Oliver 1909
2144:Oliver 1909
2132:Dickes 1905
2117:Oliver 1896
1904:Hardie 1966
1836:Edward Lear
1737:watercolour
1660: 1833
1638: 1833
1616: 1831
1594: 1831
1480:Arthur Hind
1282:ultramarine
762:antiquities
740:Mount Sinai
509: 1831
344:James Stark
258:ultramarine
172:Middle East
88:Nationality
57:6 June 1804
5633:Categories
4823:John Crome
4498:......1833
4486:of Artists
4462:1803......
4232:required.)
3941:1047500582
3746:1066795832
3724:1050830712
3345:Moore 1985
3202:Moore 1985
2987:Story 1892
2960:Story 1892
2936:Story 1892
2909:Story 1892
2472:White 1845
2460:Moore 1985
2428:Moore 1985
2342:Moore 1985
2175:). Citing
2064:). Citing
2033:Moore 1985
2014:Smail 2004
1940:Moore 1985
1846:References
1759:Snettisham
1458:The Studio
1247:Kenilworth
1157:Bonneville
1146:See also:
1116:: a memoir
849:manuscript
785:topography
778:naturalist
776:, and the
774:Royal Navy
724:Alexandria
660:Bath stone
629:St. Mark's
590:St. Mark's
484:Grand Tour
328:John Crome
305:John Crome
290:Background
199:John Crome
53:1804-06-06
4445:1803-1833
4330:225022207
4254:833744497
4069:833587661
4047:504630626
4023:908980133
3768:758406892
3703:Volumes 1
3648:192940599
3601:cite book
3593:558920940
3572:651802612
3529:665160418
2656:Hill 1895
2173:Image 587
1823:Gibraltar
1713:Aldeburgh
1265:(1840)).
922:Pamphylia
918:Apollonia
872:HMS
736:Palestine
691:Near East
687:Holy Land
668:antiquary
622:registers
395:by 1806.
252:, mainly
96:Education
4318:(1845).
4215:56568095
4111:14002883
4057:(1895).
4011:(1896).
4001:09029898
3989:(1909).
3960:17339408
3916:. London
3857:(1979).
3756:(1895).
3734:(1905).
3698:05010095
3686:(1847).
3636:(1905).
3583:(1882).
3517:The Dome
3511:(1899).
3501:27318993
3404:7 August
1967:Day 1968
1495:Scotland
1448:(1827),
1417:Etchings
1257:(1838);
1253:(1836);
1241:(1838);
1237:(1837);
801:(1842),
715:(1841),
664:arcading
598:ordained
567:drypoint
536:etchings
468:classics
466:to read
389:Dominica
276:drypoint
207:classics
189:Born in
166:and the
164:etchings
148:Movement
4359:in the
4289:1979600
4099:(ed.).
3553:1624701
3534:17 July
3472:18 June
3398:V&A
2822:13 July
2096:10 July
1460:, 1914)
1452:. "His
1286:gamboge
1274:palette
1165:baronet
1056:guineas
926:Pisidia
903:malaria
887:Monarch
874:Monarch
856:Antalya
843:at the
822:Marmara
818:Sillyon
766:Xanthos
612:of the
427:Antigua
321:Norfolk
262:gamboge
243:Antalya
239:malaria
195:Norwich
184:Norfolk
132:(e.g.,
118:etching
91:English
77:Antalya
39:Linnell
4328:
4304:
4287:
4252:
4242:"XVII"
4226:
4213:
4178:
4147:
4126:
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4067:
4045:
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3869:
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3787:
3779:Turner
3766:
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3646:
3622:
3591:
3570:
3551:
3527:
3499:
3400:. 2017
2503:6 June
1880:. 2019
1876:. The
1807:
1696:wrote
1683:Legacy
1349:Kobban
1290:bistre
1195:, and
1129:
932:him".
899:consul
895:caïque
883:Rhodes
810:Beacon
757:Beacon
751:Smyrna
744:Beirut
618:Banham
610:curate
606:deacon
552:
548:
529:
431:cancer
409:(1835)
377:
219:Banham
215:curate
191:London
140:) and
41:(1835)
4172:(PDF)
2848:1 May
1884:4 May
1723:Notes
1278:sepia
891:Media
879:Media
866:Death
860:Pasha
830:Lyrbe
826:Perga
814:Selge
732:Nubia
699:Lycia
695:Corfu
604:as a
573:. In
254:sepia
235:Lycia
176:Lycia
5504:1960
5498:1950
5492:1940
5486:1930
5480:1920
5474:1910
5468:1900
5462:1890
5456:1880
5450:1870
5444:1860
5438:1850
5432:1840
5426:1830
5420:1820
5414:1810
5408:1800
5402:1790
5396:1780
5390:1770
5384:1760
5378:1750
5368:1833
5344:1803
4634:1960
4628:1950
4622:1940
4616:1930
4610:1920
4604:1910
4598:1900
4592:1890
4586:1880
4580:1870
4574:1860
4568:1850
4562:1840
4556:1830
4550:1820
4544:1810
4538:1800
4532:1790
4526:1780
4520:1770
4514:1760
4508:1750
4375:1834
4371:1833
4367:1832
4326:OCLC
4302:ISBN
4285:OCLC
4250:OCLC
4222:2018
4211:OCLC
4176:ISBN
4145:ISBN
4124:ISBN
4107:LCCN
4082:ISBN
4065:OCLC
4043:OCLC
4019:OCLC
3997:LCCN
3973:ISBN
3956:OCLC
3937:OCLC
3922:2018
3891:ISBN
3867:ISBN
3834:ISBN
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3785:ISBN
3764:OCLC
3742:OCLC
3720:OCLC
3705:and
3694:LCCN
3672:2018
3644:OCLC
3620:ISBN
3607:link
3589:OCLC
3568:OCLC
3549:OCLC
3536:2020
3525:OCLC
3497:OCLC
3474:2020
3452:2018
3406:2020
3027:2020
2884:2018
2850:2019
2824:2020
2505:2020
2098:2020
1886:2019
1507:burr
1430:and
1268:His
1087:Noon
1006:and
924:and
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877:and
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755:HMS
728:Nile
656:keep
561:and
554:33.
546:on 7
490:and
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366:Life
358:and
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