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to sketch the layouts of his paintings. Although this is not expressly mentioned in his working notes, he does make oblique references to a "drafting machine" and some of his sketches are done on tracing paper. He also possessed a collection of photographs, but there is no indication that these were
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He eventually made contact with a group that was interested in the protection and restoration of monuments and needed to have an illustrated inventory of them. As a result, Gaertner traveled to villages and towns throughout
Prussia, making watercolor sketches, including scenic views meant to be sold
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As the century progressed, he increasingly suffered from competition with the newly emerging art of photography. In 1870, he and his family decided to leave the hectic atmosphere of Berlin and settle in
Flecken Zechlin, a rural area near
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on his return to Berlin. By this means, he was able to attract some middle-class customers, but they proved to be no substitute for royal patronage. He began to turn away from architecture, producing romantic scenes full of steep cliffs,
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190:, the Royal Court Theater painter, where he remained until 1825. During this time, he became increasingly attracted to architectural painting. He was able to finance a study trip to Paris by selling a portrait of King
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to the royal family. While there, he acquired more skill in the manipulation of light and atmosphere, and was inspired by the magnificent vistas of medieval buildings to devote himself almost entirely to painting
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Upon his return to Berlin, he became a free-lance painter. In 1829, he married and ultimately had twelve children. Over the next ten years, he devoted himself to documenting the
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The following year, he began his most famous work: a six panel panorama of Berlin. It was painted from the roof of the
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style buildings of Berlin and, with royal customers in mind, produced a series of scenes depicting the castles in
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Pariser
Lehrjahre. Ein Lexikon zur Ausbildung deutscher Maler in der französischen Hauptstadt. Vol. 1: 1793-1843
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147:(2 June 1801 – 22 February 1877) was a German painter who specialized in depictions of urban architecture.
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In 1821, he accepted a position as a decorative painter in the studios of
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373:(in German), vol. 8, Leipzig: Duncker & Humblot, p. 381
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388:(in German), vol. 6, Berlin: Duncker & Humblot, p. 24
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In 1840, King
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306:Concert Room of Sanssouci Palace, Potsdam, Germany
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347:The Family of Mr. Westfal in the Conservatory
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318:The Chinese Room in the Royal Palace, Berlin
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206:Rear view of the Houses at SchloĂźfreiheit
71:Learn how and when to remove this message
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34:This article includes a list of general
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511:Literature by and about Eduard Gaertner
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289:It is believed that he made use of a
171:In 1806, he moved with his mother to
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575:Painters from the Kingdom of Prussia
465:"Biography National Gallery of Art"
438:. De Gruyter, Berlin/Boston 2013,
40:it lacks sufficient corresponding
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432:Gaertner, (Johann Philipp) Eduard
380:"Gaertner, Johann Philipp Eduard"
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192:Friedrich Wilhelm III of Prussia
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370:Allgemeine Deutsche Biographie
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401:. Propyläen, Frankfurt 1979,
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357:Sources and further reading
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492:"Works by Eduard Gaertner"
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385:Neue Deutsche Biographie
515:German National Library
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