138:
286:
25:
248:
368:
263:, would seem to indicate more than a little public recognition. He and his wife, however, were reported to be living in such poverty that he had to burn his paintings and canvases as firewood during the winter; a story which, if true, would help to account for the small number of his known works. He is also referred to as a
255:
In 1860, he returned to
Salvador and his painting took on tropical tones and colors. Unfortunately, a fire in his home destroyed most of this early work. When his adoptive father died in 1862, he returned to France for the funeral and remained there the rest of his life.
240:. He was adopted by a French couple, Pierre Emmanuel and Rose Zamor, and was taken to France in 1845. As soon as he was old enough, he began to study music and drawing. He later attended the
420:
410:
415:
405:
279:
430:
425:
108:
259:
After this point, there are numerous gaps in his life story. A photograph of him, attributed to the famous French photographer
42:
89:
46:
61:
435:
275:
68:
35:
372:
75:
379:
311:
57:
270:
His first true recognition came in 1984, when a
Brazilian art dealer "discovered" his works on auction at
400:
395:
260:
145:
327:
137:
285:
343:
274:
in Paris and bought all 37 paintings being offered. They were put on display a year later at the
236:
As a child, he was apparently abandoned at the "Basílica Nossa
Senhora da Conceição da Praia" in
241:
186:
290:
237:
82:
225:
213:
197:
220:?) was a Brazilian-born painter who lived in France. He specialized in landscapes and
389:
271:
264:
24:
221:
217:
174:
247:
367:
244:, where he received his first exposure to contemporary trends in art.
246:
160:
382:
Unsourced biographical details which may be original research.
18:
193:
182:
167:
153:
123:
49:. Unsourced material may be challenged and removed.
8:
267:, although no specific projects are cited.
136:
120:
346:, Lisetta Levi, & Ernestina Karman,
109:Learn how and when to remove this message
284:
304:
7:
47:adding citations to reliable sources
421:20th-century Brazilian male artists
411:19th-century Brazilian male artists
350:, Museu de Arte de São Paulo (1985)
323:
321:
319:
380:Artes & Humor de Mulher (blog)
14:
330:@ the Enciclopédia Itaú Cultural.
280:Fundação Armando Alvares Penteado
366:
251:Still Life with a Chicken (1872)
23:
416:20th-century Brazilian painters
406:19th-century Brazilian painters
34:needs additional citations for
1:
431:Brazilian emigrants to France
357:. São Paulo: Edições K (1988)
355:Pintores negros do oitocentos
353:José Roberto Teixeira Leite,
312:Benezit Dictionary of Artists
206:Manuel Pierre Hubert Zamore
131:Manuel Pierre Hubert Zamore
452:
276:Museu de Arte de São Paulo
144:(photograph attributed to
135:
130:
426:Académie Julian alumni
295:
252:
375:at Wikimedia Commons
288:
250:
210:Emmanuel Hector Zamor
436:Orientalist painters
224:in the style of the
43:improve this article
344:Pietro Maria Bardi
296:
282:followed in 1990.
253:
371:Media related to
291:Museu Afro Brasil
203:
202:
119:
118:
111:
93:
16:Brazilian painter
443:
370:
331:
325:
314:
309:
289:Negro Children,
278:. A show at the
140:
121:
114:
107:
103:
100:
94:
92:
58:"Emmanuel Zamor"
51:
27:
19:
451:
450:
446:
445:
444:
442:
441:
440:
386:
385:
364:
340:
338:Further reading
335:
334:
328:Brief biography
326:
317:
310:
306:
301:
293:
242:Académie Julian
234:
226:Barbizon school
198:Barbizon school
187:Académie Julian
178:
172:
163:
158:
149:
143:
126:
115:
104:
98:
95:
52:
50:
40:
28:
17:
12:
11:
5:
449:
447:
439:
438:
433:
428:
423:
418:
413:
408:
403:
398:
388:
387:
384:
383:
373:Emmanuel Zamor
363:
362:External links
360:
359:
358:
351:
348:Emmanuel Zamor
339:
336:
333:
332:
315:
303:
302:
300:
297:
233:
230:
201:
200:
195:
191:
190:
184:
180:
179:
173:
169:
165:
164:
159:
155:
151:
150:
142:Emmanuel Zamor
141:
133:
132:
128:
127:
125:Emmanuel Zamor
124:
117:
116:
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
448:
437:
434:
432:
429:
427:
424:
422:
419:
417:
414:
412:
409:
407:
404:
402:
399:
397:
394:
393:
391:
381:
378:
377:
376:
374:
369:
361:
356:
352:
349:
345:
342:
341:
337:
329:
324:
322:
320:
316:
313:
308:
305:
298:
292:
287:
283:
281:
277:
273:
268:
266:
262:
257:
249:
245:
243:
239:
231:
229:
227:
223:
219:
215:
211:
207:
199:
196:
192:
188:
185:
181:
176:
170:
166:
162:
156:
152:
147:
139:
134:
129:
122:
113:
110:
102:
99:November 2014
91:
88:
84:
81:
77:
74:
70:
67:
63:
60: –
59:
55:
54:Find sources:
48:
44:
38:
37:
32:This article
30:
26:
21:
20:
401:1910s deaths
396:1840s births
365:
354:
347:
307:
269:
265:set designer
258:
254:
235:
209:
205:
204:
105:
96:
86:
79:
72:
65:
53:
41:Please help
36:verification
33:
222:still lifes
390:Categories
299:References
294:(1860/62?)
272:Christie's
212:(c. 1840,
69:newspapers
232:Biography
183:Education
238:Salvador
216:- 1919,
214:Salvador
218:Créteil
208:a.k.a.
189:, Paris
175:Créteil
171:1917/19
83:scholar
157:c.1840
85:
78:
71:
64:
56:
261:Nadar
194:Style
161:Bahia
146:Nadar
90:JSTOR
76:books
168:Died
154:Born
62:news
45:by
392::
318:^
228:.
177:?
148:)
112:)
106:(
101:)
97:(
87:·
80:·
73:·
66:·
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
