598:
81:
462:
262:
477:
660:
435:
719:
703:
621:
642:
733:
1512:
687:
953:
1524:
31:
990:
340:
visited
Florence and befriended the friar. Bartolomeo learned perspective from the younger artist, while Raphael added skills in coloring and handling of drapery, which was noticeable in the works he produced after their meeting. With Raphael, he remained on the friendliest terms, and when he
1119:
514:
Fra
Bartolomeo's compositions are remarkable for skill in the massing of light and shade, richness and delicacy of colouring, and for the admirable drapery of the figures, Bartolomeo having been the first to introduce and use the lay-figure with joints.
597:
250:
His portrait of
Savonarola remains the best known image of the reformer. Fra Bartolomeo painted both in oils and fresco, and some of his drawings are pure landscape sketches that are the earliest of this type from any Italian artist.
502:
Fra
Bartolomeo's figures are generally small and draped. These qualities were alleged against him as defects, and to prove that his style was not the result of want of power, he painted the magnificent figure of the
511:. It is alleged that the latter was felt to be so strongly expressive of suffering and agony, that it was found necessary to remove it from the place where it had been exhibited in the chapel of a convent.
659:
1486:
1095:
85:
1111:
627:
968:
328:
He renounced painting for several years, not resuming until 1504 when he became the head of the monastery workshop in obedience to his superior. In that year he began a
80:
620:
1103:
376:
commissioned him an altarpiece for the Sala del
Consiglio of Florence, now in the Museum of San Marco. Two years later he finished another altarpiece for the
232:
in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints.
973:
261:
1183:
476:
499:. After his hiatus from 1500 to 1503, he seemed to change vision, taking from Raphael the representation of light and its effects over moving shapes.
1035:
461:
718:
1599:
1569:
1559:
298:, who denounced what he viewed as vain and corrupt contemporary art. Savonarola argued for art serving as a direct visual illustration of the
1579:
1594:
641:
934:
834:
1442:
673:
279:. He received the nickname of Baccio della Porta ("Baccio of the Gate"), for his house was near the Gate of San Pier Gattolini.
1322:
1083:
1075:
243:
of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young
1574:
1564:
1176:
916:
702:
434:
1010:, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on Fra Bartolomeo (see index)
311:
1502:
1028:
303:
1006:
1584:
612:
210:
1589:
1554:
1470:
1460:
1364:
895:
353:
1434:
1169:
994:
1059:
686:
632:
364:, where it can be seen now. Also in Lucca, in October 1509, he painted with Albertinelli an altarpiece of the
1415:
1379:
1067:
1021:
889:
360:, influenced somewhat by Venetian colorism. As the Dominicans did not pay for the work, he took it back to
235:
He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized
1421:
1386:
1292:
217:
until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with
1317:
1247:
1143:
1088:
739:
291:
651:
553:
377:
1549:
1544:
1393:
1282:
523:
492:
302:
to educate those unable to read the book. From 1498 is his famous portrait of
Savonarola, now in the
1347:
732:
693:
572:
527:
519:
418:
397:
392:
315:
295:
283:
222:
1528:
1312:
1267:
1252:
765:
761:
667:
369:
272:
53:
247:
with the force of revelation". He remained friends with
Raphael, and each influenced the other.
1231:
930:
912:
840:
830:
1465:
1327:
1262:
1192:
441:
333:
236:
189:
167:
161:
117:
1000:
1516:
1307:
1287:
1272:
1206:
1137:
904:
508:
496:
488:
427:
319:
287:
226:
218:
111:
104:
1480:
1297:
709:
341:
departed from Rome, left in his hands two unfinished pictures which
Raphael completed.
1120:
Assumption of the Virgin with Saint John the
Baptist and Saint Catherine of Alexandria
829:. Judge, Harry George., Toyne, Anthony. Oxford : Oxford University Press. p. 37.
1538:
1427:
1342:
1302:
1277:
964:
959:
469:
402:
373:
1475:
1216:
888:
518:
Among his pupils were
Cecchino del Frate, Benedetto Ciamfanini, Gabriel Rustici,
557:
381:
581:
1401:
1337:
1332:
1211:
899:, vol. 3 (9th ed.), New York: Charles Scribner's Sons, p. 194
844:
405:
in Florence and the frescoes in the Dominican convent of Pian di Mugnone, a
30:
989:
824:
406:
325:
on 26 July 1500. The following year he entered the convent of San Marco.
214:
71:
1523:
1221:
1149:
422:
410:
337:
276:
244:
57:
977:, vol. 3 (11th ed.), Cambridge University Press, p. 124
1226:
608:
585:
543:
357:
345:
90:
306:
in Florence. The following year he was commissioned a fresco of the
1161:
487:
Initially, his works showed the influence of Rosselli's assistant,
958:
This article incorporates text from a publication now in the
475:
460:
433:
361:
322:
299:
260:
229:
79:
1013:
1165:
1017:
425:, of which only drawings remain, his last work is a fresco of
126:
173:
150:
147:
138:
350:
Holy Father, St. Mary Magdalene and St. Catherine of Siena
294:. In the late 1490s, Baccio was drawn to the teachings of
132:
791:
789:
787:
785:
507:(ranked as his masterpiece), and the undraped figure of
806:
804:
193:; 28 March 1472 – 31 October 1517), also known as
1500:
542:(1508) - Oil on canvas, Kaiser – Friedrich – Museum,
120:
176:
170:
135:
129:
123:
1453:
1356:
1240:
1199:
1130:
1051:
144:
141:
64:
42:
21:
213:of religious subjects. He spent all his career in
282:Starting from 1483 or 1484, by recommendation of
290:. In 1490 or 1491 he began a collaboration with
1104:The Virgin Adoring the Child with Saint Joseph
344:At the beginning of 1508, Bartolomeo moved to
1177:
1029:
1007:Pieter Bruegel the Elder: Drawings and Prints
387:In 1513, he went to Rome, where he painted a
221:and in the 1490s fell under the influence of
8:
580:(1515) - Oil on canvas, Alaffre Collection,
552:(1512, with Albertinelli) - Oil on canvas,
332:for Bernardo Bianco's family chapel in the
1184:
1170:
1162:
1036:
1022:
1014:
413:, just outside Florence. After a promised
18:
395:, while from the following years are the
795:
1507:
781:
753:
679:
590:
16:Italian Renaissance painter (1472–1517)
1096:Apparition of the Virgin to St Bernard
810:
86:Apparition of the Virgin to St Bernard
911:(2nd ed.), Thames & Hudson,
857:
336:, finished in 1507. Soon thereafter,
188:
7:
1112:Presentation of Christ in the Temple
1001:Biography from Artist-Biography.info
286:, he apprenticed in the workshop of
266:Holy Family with the Infant St John
36:Presumed portrait of Fra Bartolomeo
909:History of Italian Renaissance Art
823:Norwich, John Julius (1985–1993).
14:
929:, Oxford University Press, Inc.,
481:The Adoration of the Christ Child
1522:
1510:
988:
951:
731:
717:
701:
685:
674:National Museum of Villa Guinigi
658:
640:
619:
596:
314:, completed by Albertinelli and
166:
116:
29:
1323:Antonio da Sangallo the Younger
1076:Portrait of Girolamo Savonarola
826:Oxford illustrated encyclopedia
628:Scene with Christ in the Temple
569:Christ Supported by Two Angels
1:
1600:Friars of San Marco, Florence
1570:16th-century Italian painters
1560:15th-century Italian painters
1406:
1369:
448:He died in Florence in 1517.
366:Madonna and Child with Saints
312:Ospedale di Santa Maria Nuova
203:Paolo di Jacopo del Fattorino
1580:Italian Renaissance painters
648:Madonna in Glory with Saints
550:Madonna in Glory with Saints
304:Museo Nazionale di San Marco
225:, which led him to become a
205:, and his original nickname
1595:Dominican Order in Florence
969:Bartolommeo di Pagholo, Fra
887:Baynes, T. S., ed. (1878),
571:(c. 1514) - Oil on canvas,
211:Italian Renaissance painter
1616:
1471:Johann Joachim Winckelmann
1461:Art patronage of Julius II
1087:(1499–1501) (completed by
890:"Baccio della Porta"
725:Christ Crowned with Thorns
925:Vaughan, William (2000),
431:also in Pian di Mugnone.
190:[bartolo(m)ˈmɛːo]
68:31 October 1517 (aged 45)
28:
666:God the Father with Sts
633:Kunsthistorisches Museum
199:Bartolommeo di San Marco
974:Encyclopædia Britannica
927:Encyclopedia of Artists
896:Encyclopædia Britannica
565:(1512) - Oil on canvas,
296:Fra Girolamo Savonarola
1422:Sistine Chapel ceiling
1387:San Pietro in Montorio
1293:Bernardino delle Croci
484:
473:
445:
372:. On 26 November 1510
352:for the Dominicans of
268:
195:Bartolommeo di Pagholo
93:
1575:Painters from Tuscany
1565:Italian male painters
1318:Sebastiano del Piombo
1248:Mariotto Albertinelli
1144:Mariotto Albertinelli
1089:Mariotto Albertinelli
609:Galleria degli Uffizi
479:
464:
437:
330:Vision of St. Bernard
318:when Baccio became a
292:Mariotto Albertinelli
264:
83:
1416:St. Peter's Basilica
1283:Antonio da Correggio
1200:Principal proponents
997:at Wikimedia Commons
524:Domenico Ghirlandaio
493:Domenico Ghirlandaio
241:Vision of St Bernard
1348:Antonio Vassilacchi
694:Girolamo Savonarola
573:Casa Vasari, Arezzo
546:(destroyed in 1945)
528:Fra Paolo Pistolese
520:Ridolfo Ghirlandaio
398:St. Mark Evangelist
393:Pinacoteca Vaticana
316:Giuliano Bugiardini
308:Universal Judgement
284:Benedetto da Maiano
239:style, seen in his
1585:Italian Dominicans
1313:Baldassare Peruzzi
1268:Moretto da Brescia
1253:Pellegrino Aretusi
762:Italian diminutive
681:Portraits, details
670:and Mary Magdalene
668:Catherine of Siena
652:Besançon Cathedral
540:Assumption of Mary
505:St Mark Evangelist
485:
474:
446:
354:San Pietro Martire
273:Savignano di Prato
269:
207:Baccio della Porta
94:
54:Savignano di Prato
47:Baccio della Porta
1590:Catholic painters
1555:People from Prato
1498:
1497:
1443:The Last Judgment
1232:Leonardo da Vinci
1159:
1158:
993:Media related to
871:Vite, Terza Parte
563:Holy Conversation
78:
77:
1607:
1527:
1526:
1515:
1514:
1513:
1506:
1466:Jacob Burckhardt
1411:
1410: 1502–1516
1408:
1374:
1373: 1492–1498
1371:
1328:Andrea del Sarto
1263:Ludovico Beretta
1193:High Renaissance
1186:
1179:
1172:
1163:
1038:
1031:
1024:
1015:
992:
978:
957:
955:
954:
939:
921:
905:Hartt, Frederick
900:
892:
874:
867:
861:
855:
849:
848:
820:
814:
808:
799:
793:
769:
758:
735:
721:
705:
689:
662:
644:
623:
600:
442:Four Evangelists
440:Christ with the
438:Fra Bartolomeo:
419:Alfonso I d'Este
334:Badia Fiorentina
237:High Renaissance
192:
187:
183:
182:
179:
178:
175:
172:
165:
157:
156:
153:
152:
149:
146:
143:
140:
137:
134:
131:
128:
125:
122:
115:
107:
37:
33:
19:
1615:
1614:
1610:
1609:
1608:
1606:
1605:
1604:
1535:
1534:
1533:
1521:
1511:
1509:
1501:
1499:
1494:
1449:
1435:Transfiguration
1409:
1372:
1365:The Last Supper
1352:
1308:Maffeo Olivieri
1288:Piero di Cosimo
1273:Gasparo Cairano
1236:
1207:Donato Bramante
1195:
1190:
1160:
1155:
1138:Cosimo Rosselli
1126:
1047:
1042:
985:
967:, ed. (1911), "
963:
952:
950:
937:
924:
919:
903:
886:
883:
878:
877:
868:
864:
856:
852:
837:
822:
821:
817:
809:
802:
794:
783:
778:
773:
772:
760:"Baccio" is an
759:
755:
750:
743:
736:
727:
722:
713:
706:
697:
690:
676:
663:
654:
645:
636:
624:
615:
607:
601:
592:Religious works
536:
509:Saint Sebastian
497:Filippino Lippi
491:, and those of
489:Piero di Cosimo
459:
454:
428:Noli me tangere
370:local cathedral
288:Cosimo Rosselli
271:He was born in
259:
219:Cosimo Rosselli
185:
169:
160:
159:
119:
110:
109:
103:
74:
69:
60:
51:
49:
48:
38:
35:
24:
17:
12:
11:
5:
1613:
1611:
1603:
1602:
1597:
1592:
1587:
1582:
1577:
1572:
1567:
1562:
1557:
1552:
1547:
1537:
1536:
1532:
1531:
1519:
1496:
1495:
1493:
1492:
1491:
1490:
1481:Giorgio Vasari
1478:
1473:
1468:
1463:
1457:
1455:
1451:
1450:
1448:
1447:
1439:
1431:
1425:
1419:
1413:
1398:
1390:
1384:
1376:
1360:
1358:
1354:
1353:
1351:
1350:
1345:
1340:
1335:
1330:
1325:
1320:
1315:
1310:
1305:
1300:
1298:Girolamo Genga
1295:
1290:
1285:
1280:
1275:
1270:
1265:
1260:
1258:Fra Bartolomeo
1255:
1250:
1244:
1242:
1238:
1237:
1235:
1234:
1229:
1224:
1219:
1214:
1209:
1203:
1201:
1197:
1196:
1191:
1189:
1188:
1181:
1174:
1166:
1157:
1156:
1154:
1153:
1147:
1146:(collaborator)
1141:
1134:
1132:
1128:
1127:
1125:
1124:
1116:
1108:
1100:
1092:
1084:Last Judgement
1080:
1072:
1071:(c. 1490–1495)
1064:
1063:(c. 1490–1495)
1055:
1053:
1049:
1048:
1045:Fra Bartolomeo
1043:
1041:
1040:
1033:
1026:
1018:
1012:
1011:
1003:
998:
995:Fra Bartolomeo
984:
983:External links
981:
980:
979:
965:Chisholm, Hugh
942:
941:
935:
922:
917:
901:
882:
879:
876:
875:
862:
860:, p. 477.
850:
835:
815:
813:, p. 194.
800:
798:, p. 451.
780:
779:
777:
774:
771:
770:
752:
751:
749:
746:
745:
744:
737:
730:
728:
723:
716:
714:
710:Thomas Aquinas
707:
700:
698:
691:
684:
682:
678:
677:
664:
657:
655:
646:
639:
637:
625:
618:
616:
602:
595:
593:
589:
588:
575:
566:
560:
547:
535:
532:
458:
455:
453:
450:
415:Feast of Venus
389:Peter and Paul
258:
255:
97:Fra Bartolomeo
76:
75:
70:
66:
62:
61:
52:
46:
44:
40:
39:
34:
26:
25:
23:Fra Bartolomeo
22:
15:
13:
10:
9:
6:
4:
3:
2:
1612:
1601:
1598:
1596:
1593:
1591:
1588:
1586:
1583:
1581:
1578:
1576:
1573:
1571:
1568:
1566:
1563:
1561:
1558:
1556:
1553:
1551:
1548:
1546:
1543:
1542:
1540:
1530:
1525:
1520:
1518:
1508:
1504:
1489:
1488:
1484:
1483:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1458:
1456:
1452:
1445:
1444:
1440:
1437:
1436:
1432:
1429:
1428:Raphael Rooms
1426:
1423:
1420:
1417:
1414:
1404:
1403:
1399:
1396:
1395:
1391:
1388:
1385:
1382:
1381:
1377:
1367:
1366:
1362:
1361:
1359:
1355:
1349:
1346:
1344:
1343:Palma Vecchio
1341:
1339:
1336:
1334:
1331:
1329:
1326:
1324:
1321:
1319:
1316:
1314:
1311:
1309:
1306:
1304:
1303:Lorenzo Lotto
1301:
1299:
1296:
1294:
1291:
1289:
1286:
1284:
1281:
1279:
1278:Giulio Clovio
1276:
1274:
1271:
1269:
1266:
1264:
1261:
1259:
1256:
1254:
1251:
1249:
1246:
1245:
1243:
1241:Other artists
1239:
1233:
1230:
1228:
1225:
1223:
1220:
1218:
1215:
1213:
1210:
1208:
1205:
1204:
1202:
1198:
1194:
1187:
1182:
1180:
1175:
1173:
1168:
1167:
1164:
1151:
1148:
1145:
1142:
1139:
1136:
1135:
1133:
1129:
1122:
1121:
1117:
1114:
1113:
1109:
1107:(before 1511)
1106:
1105:
1101:
1098:
1097:
1093:
1090:
1086:
1085:
1081:
1078:
1077:
1073:
1070:
1069:
1065:
1062:
1061:
1057:
1056:
1054:
1050:
1046:
1039:
1034:
1032:
1027:
1025:
1020:
1019:
1016:
1009:
1008:
1004:
1002:
999:
996:
991:
987:
986:
982:
976:
975:
970:
966:
961:
960:public domain
949:
948:
947:
946:
938:
936:0-19-521572-9
932:
928:
923:
920:
914:
910:
906:
902:
898:
897:
891:
885:
884:
880:
872:
866:
863:
859:
854:
851:
846:
842:
838:
836:0-19-869129-7
832:
828:
827:
819:
816:
812:
807:
805:
801:
797:
796:Chisholm 1911
792:
790:
788:
786:
782:
775:
767:
763:
757:
754:
747:
742:
741:
734:
729:
726:
720:
715:
712:
711:
704:
699:
696:
695:
688:
683:
680:
675:
671:
669:
661:
656:
653:
649:
643:
638:
634:
630:
629:
622:
617:
614:
610:
605:
599:
594:
591:
587:
583:
579:
578:St. Sebastian
576:
574:
570:
567:
564:
561:
559:
555:
551:
548:
545:
541:
538:
537:
533:
531:
529:
525:
521:
516:
512:
510:
506:
500:
498:
494:
490:
482:
478:
471:
470:Palazzo Pitti
467:
463:
456:
451:
449:
444:
443:
436:
432:
430:
429:
424:
420:
416:
412:
408:
404:
403:Palazzo Pitti
400:
399:
394:
391:, now in the
390:
385:
383:
379:
375:
374:Pier Soderini
371:
367:
363:
359:
355:
351:
347:
342:
339:
335:
331:
326:
324:
321:
317:
313:
309:
305:
301:
297:
293:
289:
285:
280:
278:
274:
267:
263:
256:
254:
252:
248:
246:
242:
238:
233:
231:
228:
224:
220:
216:
212:
208:
204:
200:
196:
191:
181:
163:
155:
113:
106:
102:
98:
92:
89:(1504-1507),
88:
87:
82:
73:
67:
63:
59:
55:
50:28 March 1472
45:
41:
32:
27:
20:
1485:
1476:Leonardeschi
1441:
1433:
1400:
1392:
1378:
1363:
1257:
1217:Michelangelo
1118:
1110:
1102:
1094:
1082:
1074:
1066:
1058:
1044:
1005:
972:
945:Attribution:
944:
943:
926:
908:
894:
870:
865:
853:
825:
818:
756:
738:
724:
708:
692:
665:
647:
626:
604:Annunciation
603:
577:
568:
562:
549:
539:
522:(the son of
517:
513:
504:
501:
486:
480:
465:
447:
439:
426:
414:
396:
388:
386:
365:
349:
343:
329:
327:
307:
281:
270:
265:
253:
249:
240:
234:
206:
202:
198:
194:
100:
96:
95:
84:
1550:1517 deaths
1545:1472 births
1529:Visual arts
1446:(1536–1541)
1438:(1516–1520)
1430:(1509–1524)
1424:(1508–1512)
1418:(1506–1513)
1397:(1501–1504)
1383:(1498–1499)
1357:Major works
1099:(1504–1507)
811:Baynes 1878
766:Bartolommeo
472:, Florence.
348:to paint a
101:Bartolommeo
1539:Categories
1152:(disciple)
918:0500235104
858:Hartt 1987
776:References
223:Savonarola
1487:The Lives
1402:Mona Lisa
1338:Tamagnino
1333:Il Sodoma
1212:Giorgione
1123:(c. 1516)
1079:(c. 1498)
1052:Paintings
554:Cathedral
417:for Duke
378:cathedral
320:Dominican
227:Dominican
209:, was an
1517:Painting
1140:(master)
907:(1987),
869:Vasari,
845:11814265
635:, Vienna
631:(1516),
613:Florence
558:Besançon
483:(detail)
468:(1516).
407:frazione
382:Besançon
368:for the
310:for the
215:Florence
186:Italian:
72:Florence
1503:Portals
1454:Related
1222:Raphael
1150:Raphael
1131:Related
1060:Minerva
962::
881:Sources
582:Pézenas
526:), and
423:Ferrara
411:Fiesole
338:Raphael
277:Tuscany
245:Raphael
58:Tuscany
1389:(1500)
1227:Titian
1115:(1516)
1068:Porcia
956:
933:
915:
843:
833:
606:(1500)
586:France
544:Berlin
534:Pieces
358:Murano
346:Venice
91:Uffizi
1394:David
1380:Pietà
764:for "
748:Notes
466:Pietà
457:Style
452:Works
362:Lucca
323:friar
300:Bible
230:friar
931:ISBN
913:ISBN
841:OCLC
831:ISBN
495:and
257:Life
65:Died
43:Born
971:",
740:Job
556:of
421:of
409:of
401:of
380:of
356:in
127:ɑːr
99:or
1541::
1407:c.
1370:c.
893:,
839:.
803:^
784:^
768:".
672:,
650:,
611:,
584:,
530:.
384:.
275:,
201:,
197:,
184:,
180:-/
174:oʊ
168:/-
164::
162:US
158:,
151:oʊ
148:eɪ
114::
112:UK
105:OP
56:,
1505::
1412:)
1405:(
1375:)
1368:(
1185:e
1178:t
1171:v
1091:)
1037:e
1030:t
1023:v
940:.
873:.
847:.
177:l
171:t
154:/
145:m
142:ˈ
139:ə
136:l
133:ɒ
130:t
124:b
121:ˌ
118:/
108:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
