332:, where Christ appears among the peasant family assembled for their meal in a modern German farmhouse "parlor". This work was especially criticized by some Catholics who saw it as a "desecration" of Christ, whereas R. A. Cram wrote that by painting "Christ among the common people here and now" Uhde had "built up a most significant art." The religious content has been seen as "a vehicle for his quest to endow his work with deeper meaning". According to the art historian Bettina Brand, Uhde's work was controversial partly because "setting episodes from the Gospels in the context of contemporary poverty ... suggested that the Christian demand of equality for all men had not been met politically or socially." Besides this, his religious paintings "seemed to document the cultural and ethical progressivenes of Protestantism against the
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1158:. R. S. Badger. p. 160: "It is about just this motive, Christ among the common people here and now, that Fritz Von Uhde has built up a most significant art. This artist is a man of mark. He commands respect. He has suffered for more than one artistic faith. In this new application of a principle which is, after all, not infinitely removed from that of much of the great religious painting of the past, there is an unquestionable quality of poetry, of devotion, and of power. The point of view is Protestant in so far as every aspect of hieratic or liturgical significance is debarred. But Fritz Von Uhnde commands, nevertheless, a profound admiration and is a moral force in the world. He is in line with the Gospels if not with an institutional art."
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Uhde became an honorary member of the academies of Munich, Dresden and Berlin. He became the first
President of the Secession, and progressing in his naturalistic conception, he came to develop his own "unacademic" syle. He gave rise to a complete change in German art, and counted among his followers
228:
He became less active in the art world after 1900, but continued to paint until his last days. This was the time when, in the opinion of
Charles & Carl, he created "the most vivid and artistic paintings of his career", so that he can be considered "one of the most important artists of the 20th
548:(1896; Kunstmuseum, DĂĽsseldorf). Works he painted during summers spent at Dachau and Starnberg in the 1890s show an increasingly Impressionistic rendering of sunlight, which is also evident in paintings Uhde made after the late 1890s of his daughters in the garden.
282:, who prepared a biographical writing of him, said "as a painter of children ... Uhde is extraordinarily distinguished. He does not depict them ... as amusing or charming dolls, but with extreme, very strict naturalness." Revivalist of the practice of treating
151:'s supervision. He worked for a short time in that master's studio, but principally studied from nature and his old Netherland models. As a late starter in his art studies, he was determined to succeed quickly. The final work he painted at Munkácsy's school,
104:
in
Dresden. Totally at variance with the spirit prevailing there, later that year he left his studies to join the army. He became horsemanship instructor to the regiment of the assembled guard, and was promoted to Lieutenant in 1868.
446:, as he said: "many of the French artists wished to find the light in Nature. I wished to find the light within the figure that I was presenting. In Christ I grasped the embodiment of the outward and the inward light." Like
1155:
Christian Art: An
Illustrated Monthly Magazine Devoted to Current Church Building, American and Foreign, and the Allied Ecclesiological Arts, with Expert Discussions of All Topics Relating to Christian Archaeology, Volume
301:; children and youngsters, as well as young and old women. He chose both indoor and outdoor settings, with detailed and ordinary surroundings, and often natural colorful landscapes. In addition, he frequently depicted
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1131:. Oldenbourg Verlag, p. 47: "Die zweite, herausragende Figur der Besprechung ist Fritz von Uhde, dessen religiös-sentimentale Malerei dem französischen Publikum der achtziger Jahre wohlbekannt war."
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96:. His family, moderately wealthy civil servants, had artistic interests. His father was actually a part-time painter and his maternal grandfather was director of the Royal Museums in
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episodes realistically by transferring them to modern days, Uhde's work was also appreciated by others who praised his symbolic message and sense of evangelical morality.
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of Uhde's work was often criticized as vulgar or ugly, his paintings also attracted the admiration of others. His work was well known to the French public.
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Fritz von Uhde, 1848–1911: Beiträge des 1. Internationalen
Wolkenburger Symposiums zur Kunst vom 20. bis 22. Mai 2011 auf Schloss Wolkenburg
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After his wife's death in 1886, Uhde was very involved in the lives of his three daughters, whom he painted in numerous works such as
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Terra
Foundation for American Art. p. 137: "In 1877, Perry went with her family to Munich, where she studied under Fritz von Uhde".
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he had learned in Munich in favor of a colorism informed by the works of the French
Impressionists. Encouraged by his contemporary
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His early work consisted of landscapes and battle pieces, but Uhde's inclination was later almost solely directed towards
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In his later years, he made paintings of a woman with wings of angels, and he reproduced some biblical scenes like
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100:. Uhde found art appealing while studying at the Gymnasium at this city, and in 1866 he was admitted to the
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The German Genius: Europe's Third
Renaissance, the Second Scientific Revolution and the Twentieth Century.
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German
Masters of the Nineteenth Century: Paintings and Drawings from the Federal Republic of Germany
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In 1882 a journey to the Netherlands brought about a change in his style, as he abandoned the dark
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in Vienna in 1876, Uhde left the army in 1877 with the intention to become an artist. He moved to
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186:). This conflict between innovation and caution characterized the greater part of his career.
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Jesus Christ in World History: His Presence and Representation in Cyclical and Linear Settings
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in that year to attend the Academy of Fine Arts. There, he particularly came to admire the
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painting, but chose to exhibit a more conventional version of the composition, the
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Council in Wolkenburg, Saxony, and Uhde shared his father's Christian commitment.
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Portrait of a lady: peintures et photographies américaines en France, 1870–1915.
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Spirit of an Age: Nineteenth-Century Paintings From the Nationalgalerie, Berlin
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Masterpieces of Western Art: A History of Art in 900 Individual Studies, Part 1
1193:"Un retour aux sources du catholicisme – L'Histoire par l'image – Plein cadre"
559:(1897, Stuttgart Museum – which includes a portrait of the unworldly composer
473:), Christ preaches to a group of modern youngsters. Similar in conception are
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Metropolitan Museum of Art (New York, N.Y.), Art Gallery of Ontario (1981).
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1248:. Stuttgart : Deutsche Verlags-Anstalt – via Internet Archive.
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1373:. Vol. 27 (11th ed.). Cambridge University Press. p. 563.
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Simon and Schuster. See Chapter "Germany's Montmartre: The Other Dachau"
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The Munich Secession and America. A Guide for Educators and Students
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In his work, Uhde often depicted the ordinary lives of families of
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This article incorporates text from a publication now in the
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Unsuccessful in his attempts to gain admittance to the studios of
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and religious subjects. His father had been the President of the
1098:. Short Oxford History of Germany. Oxford University Press.
340:
Religious paintings where Christ appears among common people
1230:
Willem J. van Asselt, Paul Van Geest, Daniela Muller 2007.
1301:
Frye Foundation & Museum Villa Stuck, Munich (2009).
1232:
Iconoclasm and Iconoclash: Struggle for Religious Identity
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Thomas Theodor Heine, 1867–1948: the satirist as an artist
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or proletarian families in settings of his country. Like
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The Visual Arts in Germany 1890–1937: Utopia and Despair
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where his studies of the Dutch painters continued under
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mentioned Uhde in personal correspondence. The critic
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of 1880, where it was awarded an honorable mention.
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969:"Fritz von Uhde (1848–1911) at www.pinakothek.de"
497:. Other works of his in public collections are:
209:(Society of Fine Artists), better known as the
36:; 22 May 1848 – 25 February 1911) was a German
189:In about 1890, Uhde became a professor at the
1455:Uhde: des Meisters Gemälde in 285 Abbildungen
1292:, www.musee-orsay.fr. Retrieved 30 June 2022.
8:
963:
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461:), Christ addresses a crowd of 19th-century
253:The Mealtime Prayer or Grace before the Meal
1449:. Bielefeld : Velhagen & Klasing.
328:(Komm, Herr Jesus, sei unser Gast), of the
305:as visiting common people, poor people and
1169:Marsden Hartley: Race, Region, and Nation.
1127:Kitschen, Friederike; Drost, Julia. 2007.
942:; Peck, H. T.; Colby, F. M., eds. (1905).
170:, whose portrait he painted, Uhde painted
1079:Charles, Victoria; Carl, Klaus H. 2011.
225:was influenced by him in his early work.
1377:Forster-Hahn, Françoise, et al. (2001).
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872:. University of California Press. p. 36
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442:In general, Uhde was an unconventional
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1458:. Stuttgart. Deutsche Verlags-Anstalt.
475:Suffer Little Children to come unto Me
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954:(1st ed.). New York: Dodd, Mead.
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229:century". He died in Munich in 1911.
205:, one of the founding members of the
7:
1443:Ostini, Fritz, Freiherr von (1902),
1381:. London: National Gallery Company.
1070:. Manchester University Press. p. 31
1068:The Expressionist Roots of Modernism
324:One of his well-known paintings was
1393:A Religious Painter, Fritz Von Uhde
1341:Grove Art Online. Oxford Art Online
1339:Brand, Bettina. "Uhde, Fritz von".
88:, 1883, Alte Nationalgalerie Berlin
1144:. New York Graphic Society. p. 395
352:Let the little children come to me
14:
1409:. University of California Press.
1085:. Parkstone International., p. 38
1009:Forster-Hahn, et al. 2001, p. 178
172:Fishermen's Children in Zandvoort
1558:20th-century German male artists
1548:19th-century German male artists
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1244:Rosenhagen, Hans (21 May 1908).
1041:. University of Wisconsin. p. 32
1035:Kubly, Vincent Frederick. 1959.
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567:(1898, New Pinakothek, Munich),
544:(1889; Kunsthalle, Hamburg) and
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495:The Miraculous Draught of Fishes
425:The little princess of the heath
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221:most of the younger generation.
128:, influencing her use of color.
1416:. Manchester University Press,
1343:. Oxford University Press. Web.
1314:. 24 January – 12 April, p. 18.
993:Musée américain Giverny, 2008.
1221:Walther, Ingo F., 2002, p. 534
951:New International Encyclopedia
728:Shepherdess at the Dachau Camp
533:(1896; Magdeburg Museum), and
326:Come, Lord Jesus, be our Guest
1:
1430:Anton Bruckner: Rustic Genius
1398:Jongeneel, Jan A. B. (2009).
870:German Expressionist Painting
370:
92:Uhde was born in Wolkenburg,
1553:20th-century German painters
1543:19th-century German painters
1365:Uhde, Fritz Karl Hermann von
1246:"Uhde: des Meisters Gemälde"
180:Arrival of the Organ-Grinder
597:Christ Healing a Sick Child
174:(1882) as an experiment in
48:. His style lay in-between
34:Friedrich Hermann Carl Uhde
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1470:Vogel, Gerd-Helge (2013).
1391:Fraser, W. Lewis. (1897).
1290:Le Christ chez les paysans
1279:Hungarian National Gallery
1153:Cram, Ralph Adams (1908).
1140:Gogh, Vincent van (1958).
1096:Imperial Germany 1871–1918
868:Selz, Peter Howard. 1957.
833:Seated Angel on the Stairs
632:Sisters in the Sewing Room
531:The Wise Men from the East
459:Hungarian National Gallery
108:After meeting the painter
16:German painter (1848–1911)
1461:Stickley, Gustav (1911).
563:as one of the disciples),
499:Christ Among the Peasants
367:Christ with a Farm Family
336:of the Catholic Church."
207:Verein Bildender KĂĽnstler
143:, in 1879 he traveled to
62:painting in his country.
1452:Rosenhagen, Hans (1908).
1094:James Retallack (2008),
1050:Walther, Ingo F., 2002.
713:Portrait of Therese Karl
535:Woman, Why Weepest Thou?
487:The Journey to Bethlehem
193:in Munich. He was, with
1538:19th-century Christians
1476:- 2013. Lukas Verlag.
1370:Encyclopædia Britannica
1181:Berlin National Gallery
945:"Uhde, Fritz von"
773:The Ascension of Christ
565:The Ascension of Christ
537:(1900; Vienna Museum).
467:Christus Predigt am see
455:The Sermon on the Mount
423:(Heathland Princess or
330:Berlin National Gallery
155:, was exhibited in the
1510:Quotations related to
1428:Wolff, Werner (1942).
1412:West, Shearer (2000).
1167:Cassidy, Donna. 2005.
662:Christus and Nicodemus
519:The Farewell of Tobias
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213:. He later joined the
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916:Watson, Pater. 2010.
683:The Difficult Journey
523:Liechtenstein Gallery
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1502:at Wikimedia Commons
1309:4 March 2016 at the
788:Girls on the Veranda
585:Tobias and the Angel
569:Nicodemus and Christ
280:Otto Julius Bierbaum
191:Academy of Fine Arts
102:Academy of Fine Arts
1405:Uhr, Horst (1990).
1212:Cram (1908), p. 160
1066:Lasko, Peter. 2003.
581:Die Predigt Christi
1568:German Protestants
1432:. Dutton & Co.
1326:, p. 108-109.
1118:West (2000), p. 21
1082:Viennese Secession
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184:Kunsthalle Hamburg
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46:religious subjects
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1498:Media related to
975:on 6 October 2014
906:Oxford Art Online
758:Child with a Doll
679:Road to Bethlehem
515:Staedel Institute
491:Munich Pinakothek
471:Sermon at the Sea
126:Lilla Cabot Perry
124:. He also taught
118:Dutch old masters
83:Organ Grinder in
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315:Ludwig Dill
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