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identified Huang
Gongwang as the artist who "most decisively altered the course of landscape painting, creating models that would have a profound effect on landscapists of later centuries." One of Huang's strongest influences was his technique of using very dry brush strokes together with light ink
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at a
Surveillance Office in the Chiang-che Branch Secretariat (Province), probably engaged in some sort of land tax supervision. Later he served as a secretary in the metropolitan Censorate where he was unfortunately involved in the slander case of a minister, Chang Lu. He seems to have spent quite
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washes (when colour is applied to a specific area using a soft-haired brush with wide strokes that blend them together into a unified wash) to build up his landscape paintings. He also wrote a treatise on landscape painting,
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devoting himself to Taoism. There, over a three-year period (1347–50), he completed one of his most famous, and arguably greatest, works, a long hand scroll
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and he, like many other
Chinese scholars of the time, found his path to officialdom and a good career severely limited. "He was first an unranked
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In art he rejected the landscape conventions of his era's
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640:"Huang Gongwang | Daoist Landscape, Fuchun Mountains, 1350s | Britannica"
603:"Huang Gongwang | Daoist Landscape, Fuchun Mountains, 1350s | Britannica"
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Landscapes Clear and
Radiant: The Art of Wang Hui (1632-1717)
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Chinese Art Under the
Mongols: The Yuan Dynasty (1279-1368)
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Chinese Art Under the
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Huang
Gongwang and "Dwelling in the Fuchun Mountains"
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807:Painters from Suzhou
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546:Dong Yuan
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510:literati
497:Hangzhou
464:Changshu
220:Tzu Chiu
19:In this
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