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486:, Frans Floris and ending with Hieronymus Cock. The book includes a poem by Lampsonius dedicated to the memory of Hieronymus Cock and applauding the work of his widow. The portraits and texts present an honour roll of the earlier generations of Netherlandish artists. Their publication thus contributed to the formation of a canon of famous Netherlandish painters, which was well underway even before
124:. Cock is regarded as one of the most important print publishers of his time in northern Europe. His publishing house played a key role in the transformation of printmaking from an activity of individual artists and craftsmen into an industry based on division of labour. His house published more than 1,100 prints between 1548 and his death in 1570, a vast number by earlier standards.
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published in 1610 a book with almost the same title ('Pictorum aliquot celebrium, præcipué Germaniæ Inferioris', in
English: 'Effigies of some celebrated painters, chiefly of Lower Germany') that contained 69 engraved portraits of painters. Hondius' work included in its first part reworked versions
391:), a set of 23 engraved portraits of artists with short verses in Latin printed below them. Hieronymus Cock had been working on this publication at the time of his death. The quality of the 23 prints was outstanding as they had been made by some of the leading engravers of the time such as
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of 22 of the portraits of the 1572 publication. The portrait of
Hieronymus Cock (often numbered 23) was not included by Hondius maybe because the likeness was made after death, rather than drawn "ad vivum" (after the living model) as was the case for the other portraits.
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While far more important and influential as a publisher, Cock was also an artist of talent, as seen in his last series of 12 landscape etchings of 1558, which are somewhat in the fantastic style of the paintings of his brother
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At his death in 1570 Cock left behind the most prominent print publishing establishment in Europe north of the Alps. His widow
Volcxken continued the publishing house until her death in 1601. In 1572 she published a book by
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168:(the "House of the Four Winds"). The publishing house issued its first prints in 1548. The majority of Cock's prints were made after paintings or designs purposely made for him by artists from the
775:
Jeffrey Chipps Smith, 'Historians of
Northern European Art: From Johann Neudörfer and Karel van Mander to the Rembrandt Research Project', in: Babette Bohn, James M. Saslow,
248:. The series of landscapes were drawn from nature in the vicinity of Antwerp and had an important influence on the development of Flemish and Dutch realist landscape art.
355:('Many varieties of grotesques') in 1556. The publication of these books contributed to the spread of the so-called Floris style throughout the Netherlands.
659:
Larry Silver, Peasant Scenes and
Landscapes. The Rise of Pictorial Genres in the Antwerp Art Market. Philadelphia: University of Pennsylvania Press, 2006
671:
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copied many of the engravings published by Cock in 1551 for his volume on Rome entitled 'Discorsi sopra L'antichita di Roma' (Venice: Ziletti, 1583).
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Riggs, Timothy A. "Hieronymus Cock. Printmaker and
Publisher", PhD dissertation, Yale University 1971, published in the series
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In 1559 and 1561 he published two series of landscape prints by an anonymous
Flemish draughtsman now referred to as the
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The Cock couple standing in the doorways of their workshop under the sign of "IIII vens" in a 1560 print
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in 1545. He resided in Rome from 1546 to 1547. When he returned to
Antwerp in 1547, he married
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850:"Exchange: Landscapes with Biblical and Mythological Scenes: The Flight into Egypt, NO. 4 o"
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published in 1604 his biographies of early and contemporary
Netherlandish artists in his
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introduction and entries by
Suzanne Boorsch; catalogue raisonné by Michal and R.E. Lewis
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throughout northern Europe as Cock published prints made by prominent engravers such as
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Joanna Woodall, Dem dry bones. Portrayal in print after the death of the original model
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The artists included in the book were (in the order in which they appear in the book):
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599:" Grove Art Online. Oxford Art Online. Oxford University Press. Web. 15 Jun. 2014
1008:"Works – Hieronymus Cock – Artists – Michael C. Carlos Museum, Emory University"
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Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 June. 2014
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Cock's work is held in the permanent collections of many museums, including the
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in the publishing of Cornelis Floris' designs for monuments and ornaments: the
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351:('The many new designs of antique sculptures') was published in 1557 and the
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were both painters and draftsmen. He was admitted as a master painter in the
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802:"Loading... | Collections Online - Museum of New Zealand Te Papa Tongarewa"
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De liggeren en andere historische archieven der Antwerpsche sint Lucasgilde
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and parts of the western coasts of Europe and Africa, and is the earliest
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worked at Cock's printing house from 1557 and succeeded him in 1570.
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Hieronymus Cock collaborated with Antwerp architect and designer
160:. Together with his wife he founded in 1548 the publishing house
898:"Philadelphia Museum of Art - Collections Object : Hearing"
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Hieronymus Cock was born into an artistic family. His father
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Cock employed some of the best engravers of his time such as
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Praecipua aliquot Romanae Antiquitatis Ruinarum Monimenta
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Pictorum aliquot celebrium Germaniae inferioris effigies
366:
Pictorum aliquot celebrium Germaniae inferioris effigies
116:(1518 – 3 October 1570) was a Flemish painter and
650:, Metropolitan Museum of Art Publications, 1984, p. 18
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played an important role in the spread of the Italian
389:
Effigies of some celebrated painters of Lower Germany
349:
Veelderley niewe inuentien van antycksche sepultueren
597:
Hans Devisscher and Timothy Riggs. "Hieronymus Cock.
936:"Hieronymus Cock | Princeton University Art Museum"
699:. Atlas of Historic New Mexico Maps. Archived from
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79:
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192:as well as architectural and ornament designs by
276:after the work of leading Italian painters like
984:"Prudence, from the "Set of the Seven Virtues""
761:Pictorum aliquot celebrium Germaniae inferioris
737:, Garland Publishers, New York / London, 1977.
8:
779:, John Wiley & Sons, 2 Jan, 2012, p. 509
756:
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316:. This map encompasses the eastern coast of
217:, by Hieronymus Cock from set of Roman Ruins
791:in the effigies, Courtauld Institute of Art
777:A Companion to Renaissance and Baroque Art
735:Outstanding Dissertations in the Fine Arts
120:as well as a publisher and distributor of
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16:Dutch engraver and printmaker (1518–1570)
722:Carl Van de Velde. "Cornelis Floris II."
296:. The Italian historian of architecture
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512:Museum of New Zealand Te Papa Tongarewa
353:Veelderley veranderinghe van grotissen
580:Netherlands Institute for Art History
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524:University of Michigan Museum of Art
71:October 1570 (aged 51–52)
686:at the Library of Congress' website
303:Cock collaborated with the Spanish
132:. Altogether he etched 62 plates.
922:"Hieronymous Cock: Artist Objects"
14:
627:Ph. Rombouts and Th. van Lerius,
208:Ruins of the Baths of Diocletian
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632:Volume 1, Antwerp, 1864, p. 156
646:The engravings of Giorgio Ghisi
540:Princeton University Art Museum
246:Master of the Small Landscapes
1:
1084:16th-century Flemish painters
964:Museum Boijmans Van Beuningen
544:Museum Boijmans Van Beuningen
211:
1012:collections.carlos.emory.edu
789:Portrait of Hieronymus Cock
36:Portrait of Hieronymus Cock
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806:collections.tepapa.govt.nz
765:Courtauld Institute of Art
532:Philadelphia Museum of Art
528:Metropolitan Museum of Art
345:Cornelis Floris de Vriendt
270:Dirck Volckertsz Coornhert
114:Hieronymus Wellens de Cock
336:and the first to use the
178:Pieter Brueghel the Elder
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552:Michael C. Carlos Museum
476:Pieter Bruegel the Elder
940:artmuseum.princeton.edu
854:exchange.umma.umich.edu
763:printed in 1572 at the
468:Pieter Coecke van Aelst
988:Saint Louis Art Museum
548:Saint Louis Art Museum
464:Jan Cornelisz Vermeyen
387:(literal translation:
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198:Hans Vredeman de Vries
186:Maarten van Heemskerck
1089:Painters from Antwerp
674:at the British Museum
420:Rogier van der Weyden
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256:The publishing house
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1055:at Wikimedia Commons
1043:at Wikimedia Commons
830:portlandartmuseum.us
536:Fralin Museum of Art
381:Dominicus Lampsonius
358:The Dutch publisher
902:www.philamuseum.org
520:Portland Art Museum
474:, Lambert Lombard,
150:Guild of Saint Luke
142:Jan Wellens de Cock
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1051:Media related to
1039:Media related to
960:"Hieronymus Cock"
878:www.metmuseum.org
874:"Hieronymus Cock"
826:"Hieronymus Cock"
499:Hendrik Hondius I
460:Herri met de Bles
428:Bernard van Orley
338:name "California"
298:Vincenzo Scamozzi
166:In de Vier Winden
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444:Lucas van Leyden
416:Hieronymus Bosch
397:Adriaen Collaert
332:wall map of the
294:Andrea del Sarto
262:High Renaissance
258:Aux Quatre Vents
237:and the Italian
227:Adriaen Collaert
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190:Hieronymus Bosch
162:Aux quatre vents
158:Volcxken Diericx
144:and his brother
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703:on 7 March 2014
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436:Joachim Patinir
408:Hubert van Eyck
393:Johannes Wierix
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308:Diego Gutiérrez
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194:Cornelis Floris
182:Lambert Lombard
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110:Hieronymus Cock
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497:The publisher
492:Schilder-boeck
472:Jan van Scorel
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440:Quentin Matsys
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313:Map of America
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484:Lucas Gassel
456:Matthys Cock
412:Jan van Eyck
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305:cartographer
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231:Philip Galle
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174:Frans Floris
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146:Matthys Cock
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130:Matthys Cock
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1074:1570 deaths
1069:1518 births
506:Collections
282:Primaticcio
215: 1550
102:Renaissance
88:printmaking
1063:Categories
1017:2021-03-12
993:2021-03-12
969:2021-03-12
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907:2021-03-12
883:2021-03-12
859:2021-03-12
835:2021-03-12
811:2021-03-12
634:(in Dutch)
608:Riggs, 102
583:(in Dutch)
558:References
550:, and the
480:Willem Key
432:Jan Mabuse
424:Dirk Bouts
310:on a 1562
334:New World
286:Bronzino
172:such as
98:Movement
92:printing
84:Painting
707:7 March
578:at the
383:called
322:Central
278:Raphael
154:Antwerp
74:Antwerp
61:Antwerp
52: (
546:, the
542:, the
538:, the
534:, the
530:, the
526:, the
522:, the
518:, the
514:, the
122:prints
118:etcher
330:scale
112:, or
709:2014
399:and
324:and
292:and
272:and
200:.
196:and
188:and
136:Life
68:Died
54:1518
50:1518
47:Born
164:or
152:in
38:by
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