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1125:: "since he always had about him boys and beardless youths, whom he loved more than was decent, he acquired the by-name of Sodoma; and in this name, far from taking umbrage or offence, he used to glory, writing about it songs and verses in terza rima, and singing them to the lute with no little facility.") See also: Jeanne Morgan Zarucchi, "Vasari’s Biography of Bazzi as ‘Soddoma’: Art History and Literary Analysis",
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887:. The artist's real surname is uncertain. He is said to have borne the family name of "Sodona" but also the name "Tizzioni". Sodona is the signature on some of his pictures. While Bazzi was corrupted into Razzi, Sodona may have been corrupted into "Sodoma" (Latin and Italian for Sodom, the biblical city).
854:
and that Vasari repaid him by presenting a negative account of Sodoma's morals and demeanour and withholding praise of his work. According to Vasari, the name by which Bazzi was known was "Il
Mattaccio" (the Madcap, the Maniac), this epithet having been bestowed upon him by the monks of Monte
423:. From Lucca, he returned to Siena not long before his death on 14 February 1549 (older narratives say 1554). He had supposedly squandered his property and is said, without documentary support, to have died in penury in the great hospital of Siena. One of his pupils is known as
1119:
però che aveva sempre attorno fanciulli e giovani sbarbati, i quali amava fuor di modo, si acquistò il sopranome di
Soddoma, del quale, non che si prendesse noia o sdegno, se ne gloriava, facendo sopra esso stanze e capitoli e cantandogli in sul liuto assai commodamente.
866:
concurs. Vasari asserts that as he aged, he became too "lazy" to make cartoons for his frescoes but daubed them straight onto the wall. Vasari nevertheless admits that Sodoma produced some works of very fine quality and that during his lifetime his reputation was high.
289:. He executed two great compositions and various ornaments and grotesques in vaulted ceilings divided into feigned compartments in the antique manner that Pinturicchio had recently revived, working at the same time as
204:. After acquiring the strong colouring and other distinctive stylistic features of the Lombard school and – though he is not known to have travelled to Milan – somehow absorbing the superficial mannerisms of
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has become conventional. According to Vasari's testimony, Bazzi always surrounded himself with "boys and beardless youths, whom he loved more than was decent", for which reason he acquired the nickname
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Vasari alleges that Sodoma was always a negligent artist, his early success in Siena, where he painted many portraits, being partly due to lack of competition, a judgment in which
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had begun in 1498. Gaining fluency in the prevailing popular style of
Pinturicchio, Sodoma completed the set in 1502 and included a self-portrait with badgers and ravens.
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with scenes from the Bible and from
Antiquity, the first such work seen in Siena. His painting at this time began to show distinct Florentine influences, especially of
859:, owing to the strange miscellany of animals he kept there. He was a cracker of jokes and fond of music, and he sang poems composed by himself on indecorous subjects.
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1294:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on Il Sodoma (see index)
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Zambrano, Patrizia (September 1994). "A New Scene by Sodoma from the
Ceiling of Palazzo Chigi at Casato di Sotto, Siena".
770:
1638:
1715:
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297:'s rhetorical story that Sodoma's larger works did not satisfy the pope, who engaged Raphael to substitute a program of
1167:, Baltimore, was resolved in 1536; Wolfgang Loseries, "Sodoma's 'Holy Family' in Baltimore: The 'Lost' Arduini tondo"
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Zarucchi, Jeanne Morgan (2015). "Vasari's
Biography of Bazzi as 'Soddoma:' Art History and Literary Analysis,"
994:
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Recent cleaning revealed the essential integrity of Sodoma's existing ceilings, illustrated by
Bartalini 2001.
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said that he ripened into an artist only during two years (1498–1500) that he spent with
Leonardo in Milan.
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408:. Still, according to Vasari, Bazzi took pride in the nickname and composed stanzas and songs about it.
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Zarucchi, Jeanne Morgan (2017). "Félibien's
Biography of 'Le Sodoma' and the Politics of Immorality,"
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have been mistaken for works of
Leonardo da Vinci. His easel pictures are rare; there are two in the
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952:. Sigismondo was the guarantor of Sodoma's performance for Julius, in October 1508, and his brother
541:. Many critics regard one or the other of these paintings as Sodoma's masterpiece. In the choir of
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Before October 1510 he was in Siena, where he painted the exterior of Palazzo Chigi in monochrome
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No. 1092 (March 1994), pp. 168–170 notes a miniature dated 1532 that adapts Sodoma's composition.
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1071:(Pinacoteca, Siena) in the composition of an altar for Santissima Annunziata, Florence, begun by
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A minor painter, called "archaic" by Freedberg 1993:117, of whom one signed picture is known.
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One or more of the preceding sentences incorporates text from a publication now in the
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Giovanni Antonio Bazzi hitherto usually styled ‘Sodoma’, The man and the painter 1477–1549
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In his youth, Bazzi had married, but he and his wife soon separated. A daughter married
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monks and a series of small Ovidian ceiling panels and a frieze depicting the career of
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Sodoma, la vita le opere e gli allievi di uno dei massimi artisti del Rinascimento
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Bartalini, Roberto (September 2001). "Sodoma, the Chigi and the Vatican Stanze".
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Bartalini, Roberto (September 2001). "Sodoma, the Chigi and the Vatican Stanze".
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Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle
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Among his masterpieces are the frescoes, completed in 1526, in the chapel of
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1011:. Vol. 25 (11th ed.). Cambridge University Press. p. 343.
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style of early 16th-century Rome onto the traditions of the provincial
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Sodoma was invited to Rome in 1508 by the celebrated Sienese merchant
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Oliveto. He dressed gaudily, like a mountebank, and his house was a
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Lives of the Most Excellent Painters, Sculptors, and Architects
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became pope (1513), Sodoma presented him with a picture of the
1117:, trans. Luwdig Schorn, Ernst Förster, vol. 4 (1846), 345f. (
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Bazzi returned to Siena and, at a later date, sought work in
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Called again to Rome by Chigi, in the Villa Chigi (now the
262:, on the road from Siena to Rome, illustrating the life of
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A dispute concerning the painting and a tondo now in the
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The Holy Family with Saint John the Baptist and an Angel
200:; he also appears to have been a student of the painter
168:. Il Sodoma painted in a manner that superimposed the
1636:
155:(1477 – 14 February 1549) was the name given to the
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St Benedict repairs a Broken Colander through Prayer
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1146:The face looks too old, apart from anything else;
1217:Marciano-Agostinelli Tozzi, Maria Teresa (1951).
468:(if it really is by him) the direct influence of
254:. His first important works were frescoes in the
653:Oil on canvas, 206 x 154 cm Galleria degli
176:; he spent the bulk of his professional life in
196:, in 1477. His first master was the "archaic"
41:Abbazia territoriale di Monte Oliveto Maggiore
1313:
1267:, Vol. 38.1, No. 142 (Spring 2017), pp. 7–10.
1067:Freedberg (1993:117) notes the source of his
480:painted Sodoma's portrait next to himself in
8:
334:, Sodoma painted subjects from the life of
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1260:, Vol. 70, No. 2 (May 2015), pp. 167–190.
212:family, and began with fresco cycles for
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778:Saint Sebastian with Madonna and Angels
517:(1536–1538). These frescoes depict the
472:. Modern criticism tends not to follow
16:Italian Renaissance painter (1477–1549)
749:Galleria Nazionale d'Arte Antica, Rome
344:Nuptials of the Conqueror with Roxanne
808:The Marriage of Alexander and Roxanne
668:Galleria Nazionale d'Arte Antica Rome
505:, are scenes from the history of the
321:Roxanne Receiving Her Husband's Crown
301:, is not borne out by the documents.
7:
1221:. Messina: Tipografia ditta d'Amico.
910:Italian Pictures in German Galleries
782:Museo Nazionale di San Matteo, Pisa
266:in continuation of the series that
1201:Giovanni Antonio Bazzi 'Il Sodoma'
737:Musée des Beaux-Arts de Strasbourg
14:
1248:Radini Tedeschi, Daniele (2010).
1239:Radini Tedeschi, Daniele (2008).
1230:. Penguin Books. pp. 117–19
1154:are considered more likely models
844:It is said that Sodoma jeered at
560:Some of his works, including the
440:Holy Family with young Saint John
1658:
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1277:
1203:. New York: New York University.
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791:Chigi-Saracini Collection, Siena
642:Galleria Nazionale d'Arte Antica
35:Self-portrait, detail of fresco
1459:Antonio da Sangallo the Younger
1188:Cust, Robert H. Hobart (1906).
1135:10.1179/0075163415Z.00000000094
956:became Sodoma's notable patron.
340:Alexander in the Tent of Darius
598:Museum of Fine Arts, Budapest
509:, painted in conjunction with
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1696:16th-century Italian painters
1691:15th-century Italian painters
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1505:
1226:Freedberg, Sydney J. (1993).
771:Museo Nazionale di San Matteo
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616:Museum of Fine Arts, Budapest
460:Some critics see in Sodoma's
299:Justice, Poetry, and Theology
236:St Benedict repairs a Broken
1731:Italian Renaissance painters
607:Pinacoteca Nazionale, Siena
566:Pinacoteca Nazionale (Siena)
180:, with two periods in Rome.
1228:Painting in Italy 1500–1600
691:Ordination of Saint Alfonso
188:Giovanni Bazzi was born in
1752:
1726:Italian Mannerist painters
1607:Johann Joachim Winckelmann
1597:Art patronage of Julius II
827:Museum & Gallery, Inc.
787:Allegory of Celestial Love
515:Domenico di Pace Beccafumi
493:painted for the church of
277:and was employed there by
1123:trans. Adrienne DeAngelis
995:Rossetti, William Michael
718:Saint Jerome in Penitence
535:Deposition from the Cross
503:Oratory of San Bernardino
399:that Bazzi's nickname of
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635:Rape of the Sabine Women
1265:French Studies Bulletin
1169:The Burlington Magazine
1107:Encyclopædia Britannica
1088:Robert H. Hobart Cust,
1051:The Burlington Magazine
1027:Flickr – Photo Sharing!
1008:Encyclopædia Britannica
944:The Burlington Magazine
933:The Burlington Magazine
798:Galleria Borghese, Roma
628:National Gallery of Art
621:Saint George and Dragon
1711:Painters from Piedmont
1558:Sistine Chapel ceiling
1523:San Pietro in Montorio
1429:Bernardino delle Croci
1194:. London: John Murray.
1191:Giovanni Antonio Bazzi
702:Crying for dead Christ
582:Flagellation of Christ
553:Gallery of Florence a
501:from an angel. In the
491:St. Catherine of Siena
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166:Giovanni Antonio Bazzi
52:Giovanni Antonio Bazzi
1721:Italian male painters
1706:Italian LGBT painters
1454:Sebastiano del Piombo
1384:Mariotto Albertinelli
822:Procession to Calvary
673:Adoration of the Magi
612:The Death of Lucretia
576:Partial list of works
454:Galleria degli Uffizi
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1736:People from Vercelli
1552:St. Peter's Basilica
1419:Antonio da Correggio
1336:Principal proponents
1286:at Wikimedia Commons
1208:Carli, Enzo (1950).
851:Lives of the Artists
840:Critical assessments
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766:Sacra Conversazione
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547:Sacrifice of Abraham
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495:San Domenico (Siena)
483:The School of Athens
1716:Painters from Siena
1484:Antonio Vassilacchi
921:Freedberg 1993: 117
883:Also wrongly spelt
594:The Road to Calvary
587:Museum of Fine Arts
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332:Baldassarre Peruzzi
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1449:Baldassare Peruzzi
1404:Moretto da Brescia
1389:Pellegrino Aretusi
1199:Hayum, A. (1976).
1165:Walters Art Museum
1111:. Giorgio Vasari,
1029:. 24 January 2006.
630:, Washington, D.C.
603:Cinuzzi Deposition
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1686:1540s deaths
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1681:1477 births
1665:Visual arts
1582:(1536–1541)
1574:(1516–1520)
1566:(1509–1524)
1560:(1508–1512)
1554:(1506–1513)
1533:(1501–1504)
1519:(1498–1499)
1493:Major works
1103:"Il Sodoma"
1092:(1906), 65.
1069:Crucifixion
1023:"il sodoma"
680: 1530
662:Three Fates
589:, Budapest
564:now in the
562:Holy Family
537:(1513) and
306:chiaroscuro
264:St Benedict
256:Benedictine
246:Along with
160:Renaissance
88:Nationality
1675:Categories
1182:References
999:Sodoma, Il
857:Noah's ark
657:, Florence
572:, London.
526:Assumption
520:Visitation
456:, Florence
406:Il Soddoma
210:Spannocchi
141:Pope Leo X
1623:The Lives
1538:Mona Lisa
1474:Tamagnino
1469:Il Sodoma
1348:Giorgione
1232:et passim
997:(1911). "
908:, in his
725:, London
499:Eucharist
401:Il Sodoma
389:Mattaccio
381:Il Sodoma
361:cavaliere
356:Cleopatra
202:Giovenone
184:Biography
153:Il Sodoma
128:Patron(s)
96:Education
23:Il Sodoma
1653:Painting
1148:Perugino
1077:Perugino
954:Agostino
812:Fresco,
780:(1542) -
768:(1542) -
761:, Rome
756:(1540) -
708:(1533) -
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533:are the
523:and the
452:(1525).
417:Volterra
385:sodomite
342:and the
238:Colander
214:Olivetan
206:Leonardo
194:Piedmont
190:Vercelli
110:Movement
59:Vercelli
1639:Portals
1590:Related
1358:Raphael
1005:(ed.).
992::
906:Morelli
644:, Rome
545:is the
478:Raphael
464:in the
462:Madonna
354:(or of
291:Raphael
287:Vatican
285:in the
281:in the
163:painter
157:Italian
91:Italian
1525:(1500)
1363:Titian
1284:Sodoma
1241:Sodoma
1219:Sodoma
1210:Sodoma
1001:". In
986:
816:, Rome
773:, Pisa
655:Uffizi
551:Uffizi
507:Virgin
419:, and
393:Matazo
1530:David
1516:Pietà
885:Razzi
871:Notes
833:Pietà
754:Pietà
706:Pietà
529:. In
421:Lucca
348:Leo X
178:Siena
77:Siena
796:Leda
513:and
431:Work
413:Pisa
220:for
70:Died
55:1477
48:Born
1172:136
1150:or
1131:doi
1055:143
948:136
937:143
848:'s
704:or
682:) -
391:or
375:or
224:at
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1506:c.
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675:(
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