141:'s influence, such as the dark and shiny fantasy landscape, the formula-shaped surfaces and the trees leaning to the left. But Macke also used Cubist influences here for the first time, albeit in a "moderate way." According to art historian Johannes Langner, there is also the "schematic plastic form" characteristic of Cubism and "a wave of energies that pushes to the left", recognizable by the diagonal elements of the composition. Macke's conception of Cubism was softer and more pictorial than that of his colleagues; in contrast to Marc's images, it is more reminiscent of
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The paintings landscape shows three people and two horses. In the background, there are sharp, round mountains with a dark yellow sky, in front of which there are huts. The figures are "Indians" as Macke imagined them to be. Two are mounted on horses, and the third is holding a spear adorned with
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and who had the desire to break with
European artistic traditions and deal with the exotic. Art historian Rosel Gollek quotes August Macke as saying that painting is "a joy in nature" for him. While his fellow
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painters until about 1910. The motif of Macke's painting, the "noble savage", is also related to Cubism. It is the craving for paradise that has been in the consciousness of
European avant-gardes since
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blue, white and red feathers. The outlines are painted sharply, but the colors run in the flat areas, as is typical of Macke's painting. Some things are reminiscent of
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Rosel Gollek, "Der Blaue Reiter im
Lenbachhaus München", Catalogue in the Städtischen Galerie, Prestel Munich, 1974 (German), ISBN 3-7913-0056-3
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artists had "an intellectual claim difficult to convey", Macke had the "magic of a humorous, fairy tale, mythical sound filled with poetry".
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44 cm × 60 cm (17 in × 24 in)
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204:, Prestel Verlag Munich, 2014 (German), ISBN 978-3-7913-5311-1
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is an oil-on-canvas painting executed in 1911 by the German
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120:. The painting belongs to the collection of the
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191:, Verlag W. Kohlhammer, Munich, 1957 (German)
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147:Neue Künstlervereinigung München
226:. Taschen, Köln/New York, 2000
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371:Landscape with Cows and Camel
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307:Portrait with Apples
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132:Description
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