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John Bauer (illustrator)

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881: 901:(The Tale of the Moose Hop and the Little Princess Cotton Grass), published in 1913. The first picture is of the princess riding on the moose and the second is of the moose standing guard over the sleeping princess. They were mainly used as pictures on the wall in nurseries. The same tale also contains the picture of Tuvstarr gazing down into the tarn looking for her lost heart, an allegory of innocence lost. Bauer made several studies of this motif. During the 1980s the painting of Tuvstarr and the tarn was used in advertising for a shampoo. This started a debate in Sweden about how works of art, considered part of the national heritage, should be used. In 1999, the picture again appeared in advertising, this time in a manipulated version in which all the trees had been cut down and Tuvstarr seemed to be lamenting them. The award-winning advertising campaign was made by the 1254: 1314: 1379: 801: 1144: 1284: 1189: 592: 1114: 1159: 1299: 660: 1387: 1221: 4602: 1206: 1269: 1472: 409: 930:. This work indicates what kind of paintings Bauer wanted to do, but his commissions from illustrating "Among gnomes and trolls" got in the way. He wrote that he "felt like a Jack-of-all-trades", and made regular outbursts in letters to editors and publishers asking for his help, saying that he "had to work, he wanted a future painting in oil and the rest be damned". By the time he ceased painting his trolls and gnomes, he was tired and worn out and turned to other venues such as 1129: 1174: 497: 1102: 33: 1236: 396:
romanticized versions of the photos, but he succeeded in capturing the nuances and ambiance of the goahtis, and the richness of the Sami garments and crafts. Details from the Sami culture, such as the bent knives, shoes, spears, pots and belts, became important elements in the clothes and ornamentations of Bauer's trolls. Bauer's eye for detail and his numerous notes also made the material an
943: 688:(Allers Family Journal), his friend Ove Eklund stated that "although only mumbled about and never said clearly", he believed that all the creatures he drew actually existed. Eklund had on several occasions accompanied Bauer on his walks through the forests by Lake Vättern, and Bauer's description of all the things he thought existed made Eklund feel he could see them as well. 249: 1354:
Bauer consistently and privately doubted himself. He considered the praise he received for his pictures of trolls and princesses to be "a nice pat on the head for making funny pictures for children". He wanted to paint in oil and make what he called "real art", but he needed the money he received for
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In 1911, when Bauer again was asked to illustrate the book, he made it clear to the publisher that he wanted to retain his pictures along with the copyrights after publication. The publishing house had kept the original illustrations for the previous editions and considered them their property. Bauer
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Ellqvist, on the other hand, had been raised in Stockholm and was a lively person who enjoyed the social life that could only be found in towns or cities. She wanted to settle down in a comfortable place with a husband and have children. Bauer was not sufficiently established an artist to provide for
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Bauer started courting her in 1903, but since they were apart most of the time, this was done by mail. Their relationship developed as they shared their dreams, aspirations, doubts and insecurities in their correspondence. For Bauer, Ellqvist became his inspiration, muse, and "fairy princess"; it was
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at the Royal Swedish Academy of Arts. Ellqvist studied at the separate department for women, since women were not allowed to attend the same classes as the men and their education was conducted in a different manner. So, while Ellqvist was talented and ambitious, she did not have an equal opportunity
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illustrations in a muted color scheme; he also contributed with covers, vignettes and other smaller illustrations. Bauer's most significant creatures, the trolls, were rendered in shades of gray, green, and brown, the colors of the forests, as if these beings had grown from the landscape itself. Due
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Bauer had a time-consuming technique when painting: he would start with a small sketch, no bigger than a stamp, with just the basic shapes. Then he would make another, slightly bigger, sketch with more details. The sketches grew progressively in size and detail until the work reached its final size.
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Yes, there he was, John Bauer, with his brown, eternal pipe glued to the corner of his mouth. Now and then he blew a small cloud of brown troll smoke straight up into the turquoise-bleu, sun-sparkling space. And muttered something far behind his tight, narrow lips—not always so easy to decipher. But
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it was loaded with iron stoves, plowshares, sewing machines and barrels of produce. All the cargo did not fit into the hold and a significant portion was stored unsecured on deck, making the ship top-heavy. The weather was bad and by the time the steamer was at sea a full storm was raging; the wind
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in 1906, where it was sold to a private collector. It is now in the Jönköpings läns museum. Bauer tried to mold Ellqvist into his vision of a creature of the woods and as the perfect artist's wife; he wanted her to make a home for them in a romantic cottage in the woods, while he wandered about the
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he was overwhelmed by the open vistas and colorful landscapes. His encounters with the Sami people and their culture became important for his later works. He took many photos, sketched and made notes of the tools, costumes and objects he saw, but he had difficulty becoming close to the Sami, due to
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The publisher yielded to Bauer for the 1912 edition; he was again illustrating his own book. Printing techniques had also been updated and the pictures could be printed in three colors: black, yellow and blue. With this technical improvement, the prints almost resembled Bauer's original paintings.
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are square pictures about 20 to 25 centimetres (7.9 to 9.8 inches). He doodled on anything at hand, from used stationery to the back of an envelope. Many of his sketches resemble cartoon strips where the pictures get bigger and more detailed. He would also do several versions of the same finished
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August 1922. Investigations indicated that just one third of the cargo had been stowed in the hold, the rest unsecured on deck. The salvage operation turned into a bizarre public attraction; for example, a sewing machine from the steamer was smashed into pieces and sold for one crown each. It is
284:, and although he was deemed well qualified for a place at the academy, he was too young to be accepted. He spent the next two years at the Kaleb Ahltins school for painters. During this time he was, like many teenagers, torn between hope and despair, something that is reflected in his artwork. 913:
Bauer created most of his major works in oil at the beginning of his career, since this was the traditional technique taught at the Royal Swedish Academy of Arts. The trip to northern Sweden resulted in many sketches and watercolors for the Lappland book, but also in an oil on canvas entitled,
563:(Saint Martin, the Holy). He also became intrigued by frescoes. He was exuberant in the study of art, but he also became homesick for the quiet serenity of the Swedish forest which resulted in some of his best winter pictures with white snow, dark woods and the sky glittering with tiny stars. 264:
business at the Östra Torget in Jönköping. The family lived in the apartment above the shop until 1881 when the construction of their house in Sjövik was completed. John, born in 1882, lived at the Villa Sjövik by the shore of Lake Rocksjön with his parents and two brothers, one older and one
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From an early age Bauer had to adapt his illustrations to contemporary printing technique. Full-colour was expensive, so the illustrations were made in one colour plus black. As the process developed and his works became in greater demand, his pictures were eventually printed in full colour.
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was under construction. Contests regarding decorations for the building were held, and most of the noted Swedish artists at that time presented entries and suggestions. Bauer made a number of sketches for these competitions, but his confidence failed and he did not submit any of his drafts.
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As in his earlier works at the academy, Bauer showed an interest in large frescos and, after his visit to Italy, this interest grew. His first chance to create a major work using this technique was in 1912, when he completed a 1.5-by-1.5-metre (4 ft 11 in by 4 ft 11 in)
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Bauer illustrated the 1913–15 editions, printed in the same three colors as previously. 1913 marked the peak of his performance in these books, and Bauer's illustrations from that edition are among the most reproduced of his works. In 1914, his illustrations started to be influenced by the
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The book on Lappland was published in 1908, with eleven watercolors by Bauer. They were painted in Stockholm, almost 18 months after his visit, using the photos and sketches he had collected during his journey. Many of the photos resulted in other drawings and paintings. Most of these were
481:, but all this came at a cost. Bauer was often away, leaving Ellqvist alone at home, and he no longer had the steady income that the illustrations had provided. By 1917, their marriage was in trouble, and in 1918, Bauer put his thoughts about a divorce in a letter to his wife. 453:
a family; throughout his entire lifetime he relied on his parents for financial support. When he proposed to Ellqvist, Bauer did so without the approval of his parents, who thought that he should be more established in a career and self-supporting before marriage.
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Their journey was abandoned after a murder in their building in Rome. Bauer was interrogated by Italian police due to a misunderstanding. He was never a suspect but the situation became public, leaving a bitter memory of their visit to Rome.
868:. At that time Bauer wanted to stop illustrating the series, but was contractually obligated to illustrate one more edition. 1915 was the last year he worked with trolls and gnomes; he said he "was done with them and wanted to move on". The 1415:, and vice versa, these artists did not come in contact with each other's works until the 1910s when they had already established their own style. Any similarities must therefore be credited to their common inspirations by the romantic 507:
Bauer and his wife made a long journey to Italy at Josef's expense in 1909. They chose to travel through Germany and on to Italy based on his readings of medieval towns during a 1902 visit to Germany with his father. The couple visited
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Most of the correspondence attributed to John Bauer (about 1000 letters) is now in the Jönköpings läns museum. The letters in the collection are in the process of being digitized. Other letters to and from Bauer can be found at the
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His art is what I would call great art, in his almost miniaturized works he gives an impression of something much more powerful than many monumental artists can accomplice on acres of canvas. It is not size that matters but
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was sent on a macabre tour throughout Sweden. The newspapers fed people's superstitions that the mythical creatures of the forests had claimed Bauer by sinking the ship. The most common theme was connected to the tale
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December 1906, Bauer and Ellqvist were married. Little is known of their first years together since they now lived in the same house, making letters unnecessary. Bauer had jobs illustrating covers for magazines, like
179:(4 June 1882 – 20 November 1918) was a Swedish painter and illustrator. His work is concerned with landscape and mythology, but he also composed portraits. He is best known for his illustrations of early editions of 1394:
His illustrations have been reprinted many times, and are considered among the classics in fairy tales. As of 2014, books with Bauer's pictures have been published in ten languages. Bauer's works have influenced
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to the limitations of the technology available to his printers, the 1907–10 editions were produced in just two colors: black and yellow. Some of Bauer's original paintings for these prints were in full color.
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Bauer, Ester and their three-year-old son, Bengt, were on their way to their new home in Stockholm, where Bauer hoped for spiritual renewal and a new life for himself and his family. A recent, well-publicized
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imagining all the creatures living there. His paintings frequently included detailed depictions of plants, mosses, lichens and mushrooms found in the Swedish woods. He is best known for his illustrations of
332:). In 1904 he traveled to Lappland to create paintings for a book on the culture of the county and its "exotic wilderness". At the end of 1905, he left the academy and put "Artist" on his business card. 997:, the old Norse goddess of love, war and magic. Ester posed nude for the painting; Bauer shows her as strong, sensual and forceful. Their friends teasingly called it the "breast picture of Mrs. Bauer". 391:
he noted: "All light from above. If the head is tilted forward it is dark. The lit parts of the figure always lighter than the tent canvas. Sharp shadows run like spokes from the middle of the goathi."
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and Hjalmar Lindberg—to create the illustrations. Since Bauer was an inexperienced illustrator by comparison, Lundholm tested his abilities by sending him to create some drawings of Sami people at
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caused the cargo on deck to shift, some of it falling overboard, further destabilizing the ship. The ship capsized and went down, stern first, just 500 metres (1,600 feet) from the next port,
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Swedish photographer Mats Andersson published a book where he revisited the forests of Bauer, using a camera instead of drawing. The pictures were also exhibited at the Abecita art museum in
469:(Among Gnomes and Trolls). In 1908, John and Ester traveled to Italy together; on their return they found a house, the "Villa Björkudden", situated on the shores of Lake Bunn just outside 2046: 3165: 1791: 2792: 672:
Bauer's favorite subject was Swedish nature, the dense forests where the light trickled down through the tree canopies. Ever since he was little he had wandered in the dark woods of
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that the gouache provided. These water-soluble, and fast drying, media allowed Bauer to work on his pictures until the last minute before deadline, something he was prone to do.
432:(The Fairy Princess). He made sketches for the painting in 1904, and finalized them in an oil painting in 1905. Ellqvist is portrayed as a strong, enlightened and unobtainable 2248: 856:
was backed up in his request by other artists facing the same problem. The publishers did not budge from their position and without Bauer's illustrations, book sales dropped.
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Over time, Bauer used Ellqvist as a model less frequently. With the birth of their son, Bauer started to paint pictures with children as part of the composition. The painting
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origin, and Emma Charlotta Wadell, from a farming family from the town Rogberga just outside Jönköping. Josef Bauer came to Sweden in 1863, penniless. He founded a successful
273:(The Jönköping Technical School) from 1892 to 1898. He spent most of his time drawing caricatures of his teachers and daydreaming, something not appreciated by his teachers. 1758: 2203: 905:
and helped further the newly awakened environmental movement in Sweden. In his biography on Bauer, Gunnar Lindqvist argues that the picture has become too commercialized.
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By 1900, he was old enough to attend the Academy of Arts, and was one of the three students admitted that year; the two other successful applicants were his friends
3621: 3508: 1502:(John Bauer, Fantasy and Tales) was made in 2013; created by Ulf Hansson, Kunskapsmedia AB, in co-operation with the Jönköpings läns museum and John Bauer Art HB. 1113: 3522: 1158: 3072: 1188: 539:
to enjoy the ambiance; all of which is recorded in the letters they sent home to Bauer's family. Bauer's sketchbooks are full of studies of antique objects and
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younger; his only sister died at a young age. The family home would remain central to him long after he lived on his own. His initial schooling was at the
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his illustrations. His self-doubts were contrary to his public persona and how he presented himself in self-portraits: strong minded but self-deprecating.
1283: 477:, his grand farewell to the series, which freed him to explore playwriting and make frescos. He showed his paintings at exhibitions and experimented with 4632: 1426:
In Jönköping, a memorial in honour of Bauer stands in the Town park, which was created in 1931 by Swedish sculptor Carl Hultström. Hultström also made a
847:. The books would be published annually, and contain stories by prominent Swedish authors. The majority of Bauer's pictures for the book were full-page 535:
Throughout their travels they studied art and visited churches and museums, which appealed to Bauer's eclectic mind. In the evenings they went to small
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He was given to sketching and drawing from an early age, without encouragement from his family. However, when he turned sixteen and wanted to go to
2316: 934:, writing a compendium on drawing to be used in schools, and starting with frescos. He never got to revisit oil painting fully before he drowned. 902: 3266: 1069:
owns over 1,000 paintings, drawings and sketches by Bauer, which is the world's largest collection of his artwork. He is also represented at the
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deposits in the north of Sweden, Lappland became a frontier for industrial development, instead of an exotic wilderness of the Sami culture and
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The fairy tale world of John Bauer: a walk among gnomes and trolls, knights and princesses accompanied by some of our foremost fairy tale poets
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The most noted of Bauer's pictures are his watercolors, the technique he used when illustrating for books and magazines; he alternated between
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as her male colleagues to develop her artistry, and society's expectation was that her role in life would be that of housewife, not artist.
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Bauer did not consider the illustrations he made to be (real) work, as opposed to oil paintings, just trifles he received money for doing.
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Netflix Original Chilling Adventures of Sabrina uses many works by Bauer throughout the Spellman Mortuary and The Academy of Unseen Arts.
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movement began to flourish, but at the same time were considerably younger than those dominating the Swedish art scene: artists such as
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John Bauers sagovärld: en vandring bland tomtar och troll, riddare och prinsessor tillsammans med några av våra främsta sagodiktare
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picture, such as one where the motif is depicted in a summer and winter scene. He did not observe the traditional hierarchy in the
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Until the 1980s, the most reproduced and publicized of Bauer's works were two paintings depicting the princess and the moose from
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to study art, they were enthusiastic for him and backed him financially. In 1898, he was one of the 40 applicants to study at the
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and the Malmö konstmuseum. The John Bauer Museum in Ebenhausen, Germany is a museum dedicated to the life and works of Bauer.
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their shyness. He recorded his experiences in his diary and in letters to his family and friends. After a visit to a Sami
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featuring the raising of the ship were shown in cinemas all over Sweden. In order to finance the salvage operation, the
3530: 1727: 1722: 1128: 208:, Germany and Italy early in his career, and these cultures deeply informed his work. He painted and illustrated in a 2119: 1066: 2324: 1636: 927: 2716: 2500: 616:, killing all 24 people on board, including the Bauers. Most of the passengers had been trapped in their cabins. 577: 200:. While there he received his first commissions to illustrate stories in books and magazines, and met the artist 659: 628:
estimated that about 20,000 people came to watch the raising of the ship, requiring the addition of trains from
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Look at them, mother Troll said. Look at my sons! You won't find more beautiful trolls on this side of the moon
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Bauer and his friends were part of a generation of Swedish painters who started their careers just before the
4559: 4531:]. Sveriges allmänna konstförenings publikation (in Swedish). Stockholm: Sveriges allmänna konstförening 3682: 1451: 1386: 1087: 834: 181: 894:(Still, Tuvstarr sits and gazes down into the water), painted in 1913, is one of Bauer's most noted works. 3836: 3629: 2096: 872:
had altered Bauer's vision of the world and he stated that he could no longer imagine it as a fairy tale.
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uses inspiration from his artwork and includes Bauer's piece "Stackars lilla basse!" early in the film.
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August 1922, the Bauers were buried at the Östra cemetery in Jönköping (in quarter 04 plot number 06).
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July 1904 Bauer left for Lappland and stayed there for a month. Coming from the dense, dark forests of
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Bauer's pictures continue to be popular at art auctions. At a sale in 2014, one of Bauer's gouaches,
544: 209: 158: 3690: 1525: 1524:(John Bauer—The Mountain King), the movie focuses on the fairy tale artist and his love for Ester. 1484: 1396: 1194: 848: 812: 642: 292: 221: 4593: 3964: 3502: 3017:
Petri, Gunilla (21 April 1980). "Vår barndoms trollvärld" [The trolls of our childhood].
488:(The Root Trolls), completed in 1917, is of Putte sleeping among troll-shaped roots in a forest. 3937:"The Real Places, People, and Art That Inspired the Horrifying Village in 'Midsommar' - credits" 496: 353: 288: 647:(Agneta and the Sea King) from 1910 in which the Sea King lures a maiden into the depths. On 18 312:
While at the academy, he received his first commissions to illustrate magazines (including the
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Swedish poet Roger L. Svensson recalls the Bauer Memorial and Bauer's creations in his poems.
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January 1977. The episode is available in Sweden through the Swedish Television Open Archive.
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were romanticized throughout Scandinavia, and borrowed ideas and motifs from artists like
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When Bauer was 36, he drowned, together with Ester and their son Bengt, in a shipwreck on
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e.g. When they did croquis, the models were not allowed to remove all of their clothing.
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A film project about John and Ester Bauer was started in 2012, by Börje Peratt. Called
4583: 1412: 1070: 965:, at the home of publisher Erik Åkerlund. In 1913, he was asked to do a fresco for the 781: 437: 420: 201: 168: 3563: 3116: 3114: 2173: 2014: 2012: 299:; all of which served him in his later work. One of his teachers, professor and noted 4611: 1446: 1368: 919: 840: 629: 445: 3240: 4119: 1408: 955: 712: 345: 124: 918:(1904). From 1903 to 1905, he made several portraits and landscapes influenced by 723:. Bauer was inspired by these artists, but from his heritage came in contact with 358: 256:
John Bauer was born on 4 June 1882 in Jönköping, the son of Josef Bauer, a man of
248: 4437:]. Första boken om ... (in Swedish). Stockholm: Almqvist & Wiksell. 3910: 1566: 1539: 1460: 1404: 1400: 970: 966: 931: 869: 728: 724: 716: 397: 261: 217: 4021:
Bjurström, Per; Lindqvist, Gunnar; Börtz-Laine, Agneta; Holmberg, Hans (1982).
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Bauer, John (1928). Cyrus Granér; Karl Steenberg; Gottfrid Kallstenius (eds.).
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Italian musician Gianluca Plomitallo, a.k.a. "The Huge", made an album called
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One evening around midsummer, they went with Bianca Maria deep into the forest
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or prints in monochrome or muted colours; he also produced oil paintings and
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Eklund, Ove (1953). "Bergakungens sal" [Hall of the Mountain King].
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John Bauers bästa: ett urval sagor ur Bland tomtar och troll åren 1907–1915
2091:[Get to know John Bauer in a new exhibition at the County Museum]. 839:
In 1907, Bauer was asked by the Åhlén & Åkerlund publishing house (now
608: 470: 4597: 1344:] (in Swedish) (1–12 ed.). Stockholm: Skolboks a.-b. De förenade. 4321:
The best of John Bauer, a selection of tales from Among Gnomes and Trolls
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November 1918 at a depth of 32 metres (105 feet), and was salvaged on 12
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Perilous Passage - Swedish film (2020) on the sinking of Per Brahe 1918
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Bauer's last large work was an oil painting for the auditorium at the
4031:] (in Swedish). Höganäs: Bra Böcker i samarbete med Nationalmus. 3414: 3319: 3295: 3120: 2908: 2884: 2427: 2018: 1934: 1416: 994: 777: 525: 509: 388: 225: 2657:[Historical and famous people buried at the East Cemitary]. 584:
caused Bauer to book their return to Stockholm by boat, the steamer
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in the episode "The childhood picture", by Bengt Lagerkvist on 24
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At dusk she often snuck out just to get a whiff of the good smell
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At dusk she often snuck out just to get a whiff of the good smell
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20 examples of genuine signatures and monograms by John Bauer.
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Some of the exhibitions of his work during his lifetime were:
3145: 3143: 3141: 2655:"Historiska och kända personer begravda på Östra kyrkogården" 2503:[The Getå accident 1918] (in Swedish). Archived from 776:
or techniques at that time. He could make a complete work in
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John Bauers bästa, ett urval sagor ur Bland tomtar och troll
1375:(A Knight Rode Forth), made 551,250 kronor (c. US$ 85,100). 1085:
For illustrations from the famous children's anthology, see
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I, having had the key for many years, understood most of it.
436:. The painting was shown at Bauer's first exhibition at the 3884:"Keiser Av en Dimensjon Ukjent [Projekt] – credits" 3685:[Art tells a story, A picture from our childhood]. 1576:, in which all the songs are named after pictures by Bauer. 747:. The pictures of princes and princesses had elements from 731:
and other German illustrators. He lived in an era when the
4412:] (in Swedish). Umeå: Institutionen för konstvetenskap 4323:] (in Swedish). Stockholm: Åhlén % Åkerlund. 1931 2122:[Digitizing the collected letters of John Bauer]. 1972: 1970: 1441:
Celebrating John Bauer's centennial birthday in 1982, the
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1915 San Francisco – Bauer was awarded the medal of honor.
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Best of John Bauer: Among Gnomes and Trolls, a selection
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A short film for children about Bauer and storytelling,
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Although reluctant to audition for the commission, on 15
3997:] (in Swedish). Jönköping: Jönköpings läns museum. 1819: 1817: 3741:[Mats Andersson interprets Bauer at Abecita]. 2856: 2854: 1987: 1985: 1945: 1943: 1726:(in Swedish). Vol. 2 (1920 ed.). Stockholm: 899:
Sagan om älgtjuren Skutt och lilla prinsessan Tuvstarr
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in 1905 (where he was one of eleven debutants) and in
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11 Illustrations from Die Göttersage der Väter (1911)
2618:[Money was collected during macabre "tour"]. 2089:"Lär känna John Bauer i ny utställning på Länsmuseet" 1390:
The grave of John, Ester and Bengt Bauer in Jönköping
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Drawing class for Sweden's schools for young children
189:), an anthology of Swedish folklore and fairy tales. 1846: 1844: 1491:(Ester—About John Bauers Wife). Ester was played by 977:(Saint Martin, the Holy). At the same time, the new 4551:
Art Signature Dictionary – signatures and monograms
3487:
Catalog of the collection of portraits at Gripsholm
1602:, were inspired by the Oskuldens Vandring painting. 1509:(A Work of Art Tells a Story) featured the picture 164: 154: 134: 120: 106: 98: 87: 68: 42: 23: 885:Still, Tuvstarr sits and gazes down into the water 204:, whom he married in 1906. He traveled throughout 3624:[Ester – about John Bauers wife (1986)]. 3482:Katalog över statens porträttsamling på Gripsholm 3160: 3158: 1630: 1628: 4290:] (in Swedish). Stockholm: Bonnier Carlsen. 4256:] (in Swedish). Stockholm: Bonnier Carlsen. 1651:This experimentation can be seen in the gouache 3960:Minecraft Live: Caves & Cliffs - First Look 3658:[John Bauer, fantasy and fairy tales]. 2711:[The artist John Bauer – a biography]. 2586:"Extratåg sattes in – alla ville se bärgningen" 1910: 892:Ännu sitter Tuvstarr kvar och ser ner i vattnet 690: 305: 4288:The tales of John Bauer, A long, long time ago 4029:John Bauer: an artist and his fairy tale world 2041: 2039: 1598:The Lush Caves from the popular sandbox game, 1367:(Humpe in the Troll Forest), sold for 563,500 196:. At 16 he moved to Stockholm to study at the 4283:John Bauers sagovärld, för länge, länge sedan 2319:[Stuck in the world of fairy tales]. 2251:[The Fairy Princess (Oil painting)]. 2198: 2196: 2194: 1786: 1784: 428:as such he painted her for the first time in 8: 4341:John och Ester, makarna Bauers konst och liv 4182:Agrenius, Helen; Jackson, Charlotte (1996). 1753: 1751: 1749: 1747: 1745: 1583:uses the art of Bauer on his ambient albums. 4346:John and Ester, life and art of the Bauer's 4254:John Bauer's enchanted world of fairy tales 3860:[John Bauer – A knight is riding]. 2160:[Letters to the artist John Bauer] 2120:"Digitalisering av John Bauers brevsamling" 1495:, while John was portrayed by Per Mattsson. 843:) to illustrate their new series of books, 16:Swedish painter and illustrator (1882–1918) 4600: 4212:Andersson, Mats; Söderlind, David (2011). 4024:John Bauer: en konstnär och hans sagovärld 3507:: CS1 maint: location missing publisher ( 2661:. Svenska kyrkan Jönköping. Archived from 1668:"Tuvstarr" is the Swedish common name for 350:Lappland, det stora svenska framtidslandet 20: 4348:] (in Swedish). Stockholm: Carlsson. 4280:Dahlin, Eva; Daniela Villa, eds. (2002). 4222:] (in Swedish). Jönköping: Concrete. 3435: 3307: 3235: 3233: 3224: 3209: 3149: 3132: 3105: 3093: 2992: 2980: 2932: 2845: 2833: 2767: 2755: 2736: 2734: 2695: 2525: 2487: 2463: 2439: 2415: 2273: 2075: 2030: 2003: 1976: 1922: 1898: 1886: 1874: 1862: 1835: 212:style, in part influenced by the Italian 4491:Rudström, Lennart; Jones, Olive (1978). 4132:] (in Swedish). Stockholm: Bonnier. 3739:"Mats Andersson tolkar Bauer på Abecita" 3714:[John Bauer-The mountain king]. 3197: 3172:. Jönköpings Läns Museum. Archived from 3031: 3004: 2896: 2821: 2799:. Jönköpings Läns Museum. Archived from 2779: 2715:. Jönköpings Läns Museum. Archived from 2683: 2536: 2534: 2451: 2369:. Jönköpings läns museum. Archived from 2285: 2235: 2210:. Jönköpings Läns Museum. Archived from 2053:. Jönköpings Läns Museum. Archived from 1961: 1823: 1798:. Jönköpings Läns Museum. Archived from 1765:. Jönköpings läns museum. Archived from 590: 407: 4095:(in Swedish). Stockholm: Liber Förlag. 3990:Om konstnären John Bauer och hans värld 3243:[The art encyclopedia Amanda]. 3071:. Naturskyddsföreningen. Archived from 3052:]. Stockholm: Åhlén & Åkerlund. 2641: 2616:"Pengar samlades in på makaber "turné"" 2310: 2308: 2306: 1699: 1615: 1459:a street was named after Bauer, and in 1097: 922:. He also made his first oil of Ester, 903:Swedish Society for Nature Conservation 4529:John Bauer, the fairy tale illustrator 4188:. Jönköping: Jönköping County Museum. 4156:Wahlenberg, Anne; Bauer, John (1903). 3913:[Rain on the Bauer monument]. 3622:"Ester – om John Bauers hustru (1986)" 3500: 1551:The visual look of the motion picture 1430:in bronze of Bauer, which sits in the 1371:(about US$ 87,000), and a watercolor, 1056:1994 Göteborgs konstmuseum, Gothenburg 1044:1968 Jönköpings läns museum, Jönköping 993:School for Girls) in 1917. It depicts 4065:] (in Swedish). Laholm: Corzima. 3683:"Konstverk berättar, Barndomens bild" 3273:. Gemeinde Oerlenbach. Archived from 2968: 2956: 2944: 2920: 2872: 2860: 2475: 2403: 2391: 2349: 2297: 2144: 1991: 1949: 1850: 1711: 1709: 1707: 1705: 1703: 1419:art of the late 1800s and the art of 607:November 1918, when the steamer left 7: 1382:The John Bauer Monument in Jönköping 926:, a painting with elements from the 4410:John Bauer, Among gnomes and trolls 4185:The artist John Bauer and his world 3745:. Jönköpings-Posten. Archived from 1337:Ritkurs för Sveriges barndomsskolor 303:, Gustaf Cederström praised Bauer: 4405:John Bauer, Bland tomtar och troll 4249:John Bauers förtrollande sagovärld 3886:. Johnjay and Rich. Archived from 3656:"John Bauer, fantasin och sagorna" 3448:Leimola, Jimmie; Andersson, Anna. 2709:"Konstnären John Bauer – biografi" 1569:, who was inspired by Bauer's art. 1047:1973 Thielska galleriet, Stockholm 14: 4633:20th-century Swedish male artists 3771:[Earlier photo classes]. 3562:. Infabvitamin AB. Archived from 3267:"John Bauer Museum in Ebenhausen" 2614:Lindberg, Johan (14 March 2014). 2158:"Brev till konstnären John Bauer" 1487:produced and broadcast the movie 1050:1981–82 Nationalmuseum, Stockholm 267:Jönköpings Högre Allmäna Läroverk 3067:[Fight for the trolls]. 1528:is slated for the role of Bauer. 1500:John Bauer, fantasin och sagorna 1312: 1297: 1282: 1267: 1260:Vill Vallareman (Fairy Shepherd) 1252: 1234: 1219: 1204: 1187: 1172: 1157: 1142: 1127: 1112: 1100: 1037:Posthumous exhibitions include: 559:'s work was the inspiration for 220:cultures. Most of his works are 31: 4467:. London: Chatto & Windus. 4435:The first book about John Bauer 3967:from the original on 2021-11-15 3829:"Jim Henson's the Dark Crystal" 3716:www.johnbauerfilm.wordpress.com 3479:Malmborg, Boo von (1951–1952). 1505:The Sveriges Television series 532:, spending the winter in Rome. 4164:A long, long time ago ... 4063:In the footsteps of John Bauer 3995:About the artist and his world 3554:[Outdoors at Mullsjö] 3271:www.oerlenbach.rhoen-saale.net 2249:"Sagoprinsessan (Oljemålning)" 1463:a square was named after him. 599:in Stockholm after the salvage 1: 4628:20th-century Swedish painters 3858:"John Bauer – Riddaren Rider" 2659:www.svenskakyrkanjonkoping.se 2170:Gothenburg University Library 1641:Gothenburg University Library 282:Royal Swedish Academy of Arts 235:, a lake in southern Sweden. 198:Royal Swedish Academy of Arts 192:Bauer was born and raised in 141:Tuvstarr gazes into the water 111:Royal Swedish Academy of Arts 37:John Bauer with his signature 4643:Swedish fantasy illustrators 4427:Nordström, Lillemor (2000). 3417:–Nationella bibliotekssystem 3241:"Konstnärslexikonett Amanda" 3069:www.naturskyddsforeningen.se 2557:]. Stockholm: Norstedt. 1720:. In Axelsson, Roger (ed.). 1214:, 1917, pen and wash drawing 1165:Wake up Groa, wake up Mother 1041:1934–45 Traveling exhibition 784:just as well as a sketch in 619:The wreckage was found on 22 551:is said to be the basis for 449:forest seeking inspiration. 4663:Accidental deaths in Sweden 4653:Illustrators of fairy tales 4461:Olenius, Elsa, ed. (1973). 4159:Länge, länge sedan ... 3911:"Regn över Bauermonumentet" 3065:"Upp till kamp för trollen" 2552:The sinking and salvage of 2049:[The Art Academy]. 1911:Wahlenberg & Bauer 1903 1761:[The Young Bauer]. 1728:National Archives of Sweden 1723:Svenskt biografiskt lexikon 1320:Lena dances with the knight 1305:Skutt watches over Tuvstarr 1053:1993 Milesgården, Stockholm 340:Following the discovery of 4684: 4430:Första boken om John Bauer 4372:Lundburgh, Holger (2004). 4338:Lindqvist, Gunnar (1991). 4089:Lindqvist, Gunnar (1979). 3456:. Jnytt.se. Archived from 3450:"Statyspecial: John Bauer" 2095:. Jnytt.se. Archived from 1637:National Library of Sweden 832: 767:Most of the originals for 400:documentation of the era. 4668:20th-century illustrators 4594:Bauer, John (1882 - 1918) 4524:John Bauer, sagotecknaren 4521:Schiller, Harald (1935). 4464:Great Swedish fairy tales 4246:Dahlin, Eva, ed. (2009). 4220:The forests of John Bauer 2126:. Jönköpings läns museums 1574:John Bauer–Riddaren Rider 1489:Ester—om John Bauers wife 1432:National Portrait Gallery 663:Bauer at his working desk 524:. They continued through 419:Bauer met fellow student 271:Jönköpings Tekniska Skola 30: 3987:Agrenius, Helen (1996). 3939:. Thrillist. 3 July 2019 3712:"John Bauer–Bergakungen" 2541:Bergquist, Lars (1980). 1290:Tuvstarr riding on Skutt 1120:Lapplanders in snowstorm 1075:Gothenburg Museum of Art 987:Karlskrona flickläroverk 520:and spent two months in 244:Early life and education 4658:Deaths due to shipwreck 3743:www.jonkopingsposten.se 3552:"Friluftsriket Mullsjö" 3341:Humpe in the troll wood 3245:www.lexikonettamanda.se 3168:[Large works]. 2325:Swedish Teachers' Union 2321:www.lararnasnyheter.se/ 1452:Among Gnomes and Trolls 1247:, between 1904 and 1908 1245:and the Sami boy Kauras 1122:, 1904–1905, watercolor 1088:Among Gnomes and Trolls 845:Among Gnomes and Trolls 835:Among Gnomes and Trolls 828:Among Gnomes and Trolls 769:About Gnomes and Trolls 679:Among Gnomes and Trolls 555:(The Swan maiden), and 475:Among Gnomes and Trolls 187:Among Gnomes and Trolls 4572:Pictures by John Bauer 4402:Nilsson, Anna (1999). 3837:The Jim Henson Company 3769:"Tidigare fotokvällar" 3630:Swedish Film Institute 3531:Jönköping Municipality 3376:[641. John Bauer, 3339:[590. John Bauer, 2743:Allers Familje-journal 2547:undergång och bärgning 1589:The 2019 horror movie 1538:Bauer is mentioned in 1522:John Bauer—Bergakungen 1479: 1443:Swedish postal service 1391: 1383: 1067:Jönköpings läns museum 950: 888: 808: 700: 686:Allers Familje-journal 664: 600: 504: 467:Bland tomtar och troll 416: 404:Courtship and marriage 310: 253: 210:romantic nationalistic 182:Bland tomtar och troll 149:Saint Martin, the Holy 4648:People from Jönköping 4638:Swedish male painters 4378:. Edinburgh: Floris. 4058:I John Bauers fotspår 4055:Corin, Claes (2013). 3797:The Sandman companion 3775:. Abecita konstmuseum 3601:Nyköping Municipality 3320:Bjurström et al. 1982 3296:Bjurström et al. 1982 3121:Bjurström et al. 1982 2909:Bjurström et al. 1982 2885:Bjurström et al. 1982 2428:Bjurström et al. 1982 2317:"Fast i sagans värld" 2253:www.digitaltmuseum.se 2019:Bjurström et al. 1982 1935:Bjurström et al. 1982 1542:'s comic book series 1474: 1389: 1381: 979:Stockholm Court House 945: 883: 803: 692:Ove Eklund on Bauer: 684:In a 1953 article in 662: 644:Agneta och sjökungen 594: 571:Death on Lake Vättern 557:Piero della Francesca 503:, 1908, oil on canvas 499: 411: 251: 4166:] (in Swedish). 3660:www.kunskapsmedia.se 3044:Bauer, John (1931). 2803:on 29 September 2014 2507:on February 11, 2012 2373:on 29 September 2014 2365:[New ways]. 2214:on 29 September 2014 1769:on 29 September 2014 1150:Ester in the cottage 465:, and began work on 159:Romantic nationalism 4497:. London: Methuen. 3909:Svensson, Roger L. 3890:on 8 September 2014 3833:www.darkcrystal.com 3794:Bender, Hy (2000). 3773:www.abecitakonst.se 3749:on 3 September 2014 3691:Sveriges Television 3681:Lagerkvist, Bengt. 3378:A knight rode forth 3372:En riddare red fram 3335:Humpe i trollskogen 3176:on 23 December 2014 3166:"Monumentalkonsten" 1485:Sveriges Television 1373:En riddare red fram 1365:Humpe I trollskogen 1229:, 1915, watercolor 866:Italian Renaissance 336:Journey to Lappland 322:De gyllene böckerna 4562:2005-10-28 at the 4375:Swedish folk tales 4215:John Bauers skogar 3737:Marjavaara, Nina. 3636:on 13 October 2014 3523:"John Bauers Park" 3370:"641. John Bauer, 3333:"590. John Bauer, 2887:, pp. 67–110. 2795:[Method]. 2501:"Getåolyckan 1918" 2204:"John & Ester" 1507:Konstverk berättar 1480: 1478:, 1914, watercolor 1392: 1384: 1199:, 1911, watercolor 1196:The merman's queen 1167:, 1911, watercolor 1152:, 1907, watercolor 1073:in Stockholm, the 951: 949:, 1905, oil sketch 924:The Fairy Princess 889: 887:, 1913, watercolor 809: 807:, 1913, watercolor 665: 603:On the night of 19 601: 505: 417: 415:, 1904, oil sketch 413:The Fairy Princess 330:Länge, länge sedan 320:) and books (e.g. 254: 252:A young John Bauer 145:The Fairy Princess 4557:John Bauer Museum 4494:In the troll wood 4263:978-91-638-6333-2 4229:978-91-633-8501-8 4072:978-91-637-3020-7 3862:www.bandcamp.com/ 3800:. London: Titan. 3718:. John Bauer Film 3687:www.oppetarkiv.se 3438:, pp. 90–91. 3382:www.bukowskis.com 3345:www.bukowskis.com 3322:, pp. 26–27. 3310:, pp. 27–78. 3277:on 27 August 2014 3152:, pp. 74–77. 3135:, pp. 66–86. 3034:, pp. 41–45. 2995:, pp. 83–85. 2923:, pp. 20–27. 2875:, pp. 30–ff. 2848:, pp. 27–50. 2836:, pp. 40–43. 2824:, pp. 41–42. 2782:, pp. 38–41. 2770:, pp. 92–93. 2719:on 29 August 2014 2698:, pp. 24–26. 2686:, pp. 30–33. 2644:, pp. 86–87. 2621:Svenska Dagbladet 2594:Svenska Dagbladet 2528:, pp. 85–88. 2466:, pp. 38–39. 2394:, pp. 40–42. 2300:, pp. 18–20. 2276:, pp. 32–34. 2255:. Digitalt Museum 2179:on 27 August 2014 2118:Rossler, Magnus. 1877:, pp. 10–12. 1716:Romdahl, Axel L. 1579:Norwegian Artist 1535:in November 2013. 1449:with motifs from 975:Den helige Martin 737:Theodor Kittelsen 561:Den helige Martin 549:Sandro Botticelli 177:John Albert Bauer 174: 173: 47:John Albert Bauer 4675: 4604: 4580: 4576:Project Runeberg 4568: 4540: 4538: 4536: 4515: 4513: 4511: 4485: 4483: 4481: 4455: 4453: 4451: 4421: 4419: 4417: 4396: 4394: 4392: 4366: 4364: 4362: 4332: 4330: 4328: 4308: 4306: 4304: 4274: 4272: 4270: 4240: 4238: 4236: 4206: 4204: 4202: 4171: 4168:Project Runeberg 4150: 4148: 4146: 4113: 4111: 4109: 4083: 4081: 4079: 4049: 4047: 4045: 4015: 4013: 4011: 3975: 3974: 3973: 3972: 3955: 3949: 3948: 3946: 3944: 3933: 3927: 3926: 3924: 3922: 3906: 3900: 3899: 3897: 3895: 3880: 3874: 3873: 3871: 3869: 3854: 3848: 3847: 3845: 3843: 3825: 3819: 3818: 3816: 3814: 3791: 3785: 3784: 3782: 3780: 3765: 3759: 3758: 3756: 3754: 3734: 3728: 3727: 3725: 3723: 3708: 3702: 3701: 3699: 3697: 3678: 3672: 3671: 3669: 3667: 3652: 3646: 3645: 3643: 3641: 3632:. 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Hansson 1469: 1467:Popular culture 1361: 1352: 1350:Self-reflection 1333: 1323: 1317: 1308: 1302: 1293: 1287: 1278: 1272: 1263: 1257: 1248: 1239: 1230: 1224: 1215: 1209: 1200: 1192: 1183: 1177: 1168: 1162: 1153: 1147: 1138: 1132: 1123: 1117: 1108: 1105: 1083: 1063: 1012:1906 Norrkoping 1009:1905 Gothenburg 1003: 963:Vill-Vallareman 940: 928:Pre-Raphaelites 911: 878: 837: 831: 798: 764: 721:Bruno Liljefors 705: 670: 657: 648: 624: 620: 604: 573: 541:Renaissance art 494: 457: 406: 379: 369:Per Daniel Holm 356: 338: 246: 241: 147: 143: 135: 83: 77: 73: 64: 58: 52: 50: 49: 48: 38: 26: 17: 12: 11: 5: 4681: 4679: 4671: 4670: 4665: 4660: 4655: 4650: 4645: 4640: 4635: 4630: 4625: 4620: 4610: 4609: 4606: 4605: 4598:DigitaltMuseum 4591: 4586: 4581: 4569: 4554: 4546: 4545:External links 4543: 4542: 4541: 4517: 4516: 4503: 4487: 4486: 4473: 4457: 4456: 4443: 4423: 4422: 4398: 4397: 4384: 4368: 4367: 4354: 4334: 4333: 4310: 4309: 4296: 4276: 4275: 4262: 4242: 4241: 4228: 4208: 4207: 4194: 4177: 4174: 4173: 4172: 4152: 4151: 4138: 4122:, ed. (1966). 4115: 4114: 4101: 4085: 4084: 4071: 4051: 4050: 4037: 4017: 4016: 4003: 3982: 3979: 3977: 3976: 3950: 3928: 3901: 3875: 3849: 3820: 3806: 3786: 3760: 3729: 3703: 3673: 3647: 3613: 3580: 3543: 3514: 3471: 3440: 3436:Lindqvist 1979 3428: 3398: 3361: 3324: 3312: 3308:Lindqvist 1979 3300: 3288: 3258: 3229: 3225:Lindqvist 1979 3214: 3210:Lindqvist 1979 3202: 3187: 3154: 3150:Lindqvist 1979 3137: 3133:Lindqvist 1979 3125: 3110: 3106:Lindqvist 1979 3098: 3094:Lindqvist 1979 3086: 3055: 3036: 3024: 3009: 2997: 2993:Lindqvist 1979 2985: 2981:Lindqvist 1979 2973: 2961: 2949: 2937: 2935:, pp. 52. 2933:Lindqvist 1979 2925: 2913: 2901: 2889: 2877: 2865: 2850: 2846:Lindqvist 1979 2838: 2834:Lindqvist 1979 2826: 2814: 2784: 2772: 2768:Lindqvist 1979 2760: 2756:Lindqvist 1979 2748: 2730: 2700: 2696:Lindqvist 1979 2688: 2676: 2646: 2634: 2606: 2577: 2563: 2530: 2526:Lindqvist 1979 2518: 2492: 2488:Lindqvist 1979 2480: 2468: 2464:Lindqvist 1979 2456: 2444: 2440:Lindqvist 1979 2432: 2430:, p. 174. 2420: 2416:Lindqvist 1979 2408: 2396: 2384: 2354: 2342: 2302: 2290: 2278: 2274:Lindqvist 1979 2266: 2240: 2225: 2190: 2149: 2137: 2110: 2080: 2076:Lindqvist 1979 2068: 2035: 2031:Lindqvist 1979 2023: 2008: 2004:Lindqvist 1979 1996: 1981: 1977:Lindqvist 1979 1966: 1954: 1939: 1937:, p. 190. 1927: 1923:Lindqvist 1979 1915: 1903: 1899:Lindqvist 1979 1891: 1887:Lindqvist 1979 1879: 1875:Lindqvist 1979 1867: 1863:Lindqvist 1979 1855: 1840: 1836:Lindqvist 1979 1828: 1813: 1792:"Villa Sjövik" 1780: 1741: 1698: 1696: 1693: 1690: 1689: 1680: 1661: 1644: 1624: 1614: 1613: 1611: 1608: 1607: 1606: 1603: 1596: 1587: 1584: 1577: 1570: 1557:, directed by 1549: 1536: 1529: 1518: 1503: 1496: 1468: 1465: 1421:Albrecht Dürer 1413:Arthur Rackham 1360: 1357: 1351: 1348: 1347: 1346: 1325: 1324: 1318: 1311: 1309: 1303: 1296: 1294: 1288: 1281: 1279: 1275:Tyr and Fenrir 1273: 1266: 1264: 1258: 1251: 1249: 1240: 1233: 1231: 1225: 1218: 1216: 1210: 1203: 1201: 1193: 1186: 1184: 1178: 1171: 1169: 1163: 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3142: 3138: 3134: 3129: 3126: 3123:, p. 18. 3122: 3117: 3115: 3111: 3108:, p. 28. 3107: 3102: 3099: 3096:, p. 58. 3095: 3090: 3087: 3074: 3070: 3066: 3059: 3056: 3051: 3047: 3040: 3037: 3033: 3032:Agrenius 1996 3028: 3025: 3020: 3013: 3010: 3007:, p. 45. 3006: 3005:Agrenius 1996 3001: 2998: 2994: 2989: 2986: 2983:, p. 65. 2982: 2977: 2974: 2971:, p. 36. 2970: 2965: 2962: 2959:, p. 34. 2958: 2953: 2950: 2947:, p. 30. 2946: 2941: 2938: 2934: 2929: 2926: 2922: 2917: 2914: 2911:, p. 36. 2910: 2905: 2902: 2899:, p. 41. 2898: 2897:Agrenius 1996 2893: 2890: 2886: 2881: 2878: 2874: 2869: 2866: 2863:, p. 20. 2862: 2857: 2855: 2851: 2847: 2842: 2839: 2835: 2830: 2827: 2823: 2822:Agrenius 1996 2818: 2815: 2802: 2798: 2797:www.jkpglm.se 2794: 2793:"Arbetsmetod" 2788: 2785: 2781: 2780:Agrenius 1996 2776: 2773: 2769: 2764: 2761: 2758:, p. 90. 2757: 2752: 2749: 2744: 2737: 2735: 2731: 2718: 2714: 2713:www.jkpglm.se 2710: 2704: 2701: 2697: 2692: 2689: 2685: 2684:Agrenius 1996 2680: 2677: 2664: 2660: 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2052: 2051:www.jkpglm.se 2048: 2042: 2040: 2036: 2033:, p. 20. 2032: 2027: 2024: 2021:, p. 14. 2020: 2015: 2013: 2009: 2006:, p. 21. 2005: 2000: 1997: 1994:, p. 14. 1993: 1988: 1986: 1982: 1979:, p. 16. 1978: 1973: 1971: 1967: 1964:, p. 23. 1963: 1962:Agrenius 1996 1958: 1955: 1952:, p. 16. 1951: 1946: 1944: 1940: 1936: 1931: 1928: 1925:, p. 14. 1924: 1919: 1916: 1912: 1907: 1904: 1901:, p. 13. 1900: 1895: 1892: 1889:, p. 12. 1888: 1883: 1880: 1876: 1871: 1868: 1865:, p. 10. 1864: 1859: 1856: 1852: 1847: 1845: 1841: 1837: 1832: 1829: 1825: 1824:Agrenius 1996 1820: 1818: 1814: 1801: 1797: 1796:www.jkpglm.se 1793: 1787: 1785: 1781: 1768: 1764: 1763:www.jkpglm.se 1760: 1754: 1752: 1750: 1748: 1746: 1742: 1730:. p. 783 1729: 1725: 1724: 1719: 1712: 1710: 1708: 1706: 1704: 1700: 1694: 1684: 1681: 1677: 1676: 1672: 1665: 1662: 1658: 1654: 1648: 1645: 1642: 1638: 1631: 1629: 1625: 1619: 1616: 1609: 1604: 1601: 1597: 1594: 1593: 1588: 1585: 1582: 1578: 1575: 1571: 1568: 1564: 1560: 1556: 1555: 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904: 900: 895: 893: 886: 882: 875: 873: 871: 870:war in Europe 867: 861: 857: 853: 850: 846: 842: 841:Bonnier Group 836: 829: 826: 824: 822: 818: 814: 806: 802: 795: 793: 789: 787: 783: 779: 775: 770: 761: 759: 757: 753: 750: 746: 742: 738: 734: 730: 726: 722: 718: 714: 710: 702: 695: 694: 693: 689: 687: 682: 680: 675: 667: 661: 654: 652: 646: 645: 639: 635: 631: 617: 615: 610: 598: 593: 589: 587: 583: 579: 570: 568: 564: 562: 558: 554: 550: 546: 542: 538: 533: 531: 527: 523: 519: 515: 511: 502: 501:Self-portrait 498: 491: 489: 487: 482: 480: 476: 472: 468: 464: 454: 450: 447: 443: 439: 435: 431: 425: 422: 414: 410: 403: 401: 399: 393: 390: 385: 376: 374: 370: 366: 365:Alfred Thörne 360: 355: 351: 347: 343: 335: 333: 331: 327: 326:Ljungars saga 323: 319: 315: 314:Söndags-Nisse 309: 304: 302: 298: 294: 293:Pontus Lanner 290: 285: 283: 279: 274: 272: 268: 263: 259: 250: 243: 238: 236: 234: 229: 227: 223: 219: 215: 211: 207: 203: 199: 195: 190: 188: 184: 183: 178: 170: 167: 163: 160: 157: 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Index


Jönköping
Vättern
Jönköping
Royal Swedish Academy of Arts
Stockholm
Illustration
painting
Romantic nationalism
Ester Ellqvist
Bland tomtar och troll
Jönköping
Royal Swedish Academy of Arts
Ester Ellqvist
Lappland
romantic nationalistic
Renaissance
Sami
watercolors
frescos
Vättern

Bavarian
charcuterie
Stockholm
Royal Swedish Academy of Arts
Ivar Kamke
Pontus Lanner
croquis
historic painter

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