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197:, in which he frequently faults Milton's style or places exceptionable passages in square brackets, claiming they are the work of another hand. The Richardsons' responses to Bentley helped to lay the foundation for subsequent interpretation of the poem.
213:. He was also an excellent and prolific draughtsman, and made a number of chalk drawings of friends and family. Recent research has shed light also on his activity as a printmaker, once again mostly in the field of portraiture. He was the master of
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over eighteen days. Another large collection of painting, prints, drawings, etc. (1241 lots in all) was auctioned by
Christopher Cock over eighteen evenings from 22 January to 11 February 1747. Today a drawing that still bears Richardson's
107:), was an English artist, collector of drawings and writer on art, working almost entirely as a portrait-painter in London. He was considered by some art-critics as one of the three foremost painters of his time. He was the master of
185:. It was said that the book became the basis for future purchases of art by wealthy collectors and therefore shaped English interest in foreign old masters. It also provided an important model for Johann Joachim Winckelmann's
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the painter, who had previously been
Richardson's pupil. He was also survived by his son, Jonathan Richardson the Younger (1694–1771), who was brought up as a gentleman; he dabbled in painting and
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181:. The book was compiled by Richardson the elder using material gathered by his son whilst touring Italy in 1720. This was a very popular book and was used by young men as a basis for their
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Carol Gibson-Wood, 'Richardson, Jonathan, the elder (1667–1745)', Oxford
Dictionary of National Biography, Oxford University Press, 2004; online edn, Jan 2008
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240:. Horace Walpole stated that he "painted a little" but whatever works he created are now lost. He left a large and valuable collection of 4,749
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A catalogue of the genuine and entire collection of
Italian and other drawings, Prints, Models, and Casts, Of the late Eminent Mr. Jonathan ...
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158:'s apprentice, but he was released early when his master retired. Richardson was lucky enough to be taken on as a painting apprentice by
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in London on 12 January 1667 to
William and Mary Richardson. In 1672 his father died and his mother married again. Richardson became a
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An Essay on the Whole Art of
Criticism as it Relates to Painting and an Argument in Behalf of the Science of a Connoisseur
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gains substantially in value. Richardson has been described as one of the "greatest collectors of drawings of all time."
162:. He learnt the art of portraiture from Riley whilst living at his master's house. Richardson's wife was Riley's niece.
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Thomas
Fanshawe (1696–1758), 4th of Parsloes Manor, (attributed to Richardson), ca. 1736.
123:. This book is credited with being "the first significant work of artistic theory in English."
103:(12 January 1667 – 28 May 1745), sometimes called "the Elder" to distinguish him from his son (
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By J. Richardson, father and son. With the life of the author, and a discourse on the poem.
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An
Account of Some of the Statues, Bas-Reliefs, Drawings, and Pictures in Italy (1722)
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An
Account of Some of the Statues, Bas-Reliefs, Drawings, and Pictures in Italy (1722)
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193:(1734). These notes are, in part, a response to Richard Bentley's 1732 edition of
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115:. Richardson was even more influential as a writer; he is credited with inspiring
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Richardson was considered as one of the three foremost painters of his time with
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Richardson was even more influential as a writer than as a painter according to
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Dušan Vasić, "Jonathan
Richardson junior and the Plague of Marseilles", 2022,
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Bryony Bartlett-Rawlings, "Jonathan Richardson (1667–1745) as Etcher",
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177:. In 1722, Richardson published with his son, also Jonathan (1694–1771),
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Finsten, Jill (1993). "A Self Portrait of Jonathan Richardson".
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http://www.printquarterly.com/8-contents/66-contents-2018.html
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Jonathan Richardson: Art Theorist of the English Enlightenment
325:, London – National Portrait Gallery, accessed January 2010
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on 28 May 1745 he left four daughters, one of whom married
373:, Dictionary of National Biography, accessed January 2010
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Faithful Labourers: A Reception History of Paradise Lost
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Explanatory notes and remarks on Milton's Paradise lost
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Explanatory Notes and Remarks on Milton's Paradise Lost
189:(1764). Richardson and his son also co-authored their
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Les marques de collections de dessins & d'estampes
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133 artworks by or after Jonathon Richardson the Elder
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404:, Dictionary of Art Historians, accessed January 2009
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169:. He is credited with inspiring
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