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for the festival of
Christmas in his father's house. He lived to see the day when, becoming celebrated as a composer of scriptural episodes, his sacred subjects were transferred in numberless repetitions to the roadside churches of the Austrian state, where peasants thus learnt to admire modern art
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and in 1841 professor of composition in the
Academy of Vienna. After this he completed the monumental pictures of the church of St Nepomuk, and in 1854–61 a vast series of wall paintings which cover the inside of the Lerchenfeld church at Vienna. In 1872 he was pensioned and made a knight of the
242:, "ssentially creative as a landscape draughtsman, he had no feeling for colour; and when he produced monumental pictures he was not nearly so successful as when designing subjects for woodcuts. Führich's fame extended far beyond the Austrian capital, and his illustrations to
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224:, he composed with great skill, especially in outline. His mastery of distribution, form, movement and expression was considerable. In its peculiar way his drapery was perfectly cast.
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The year 1829 saw him again in Prague. In 1831 he finished the "Triumph of Christ", later in the
Raczynski palace at Berlin. In 1834 he was made
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reviving the models of earlier ages. He learned the elements of art in his father's workshop where he practised drawing.
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Führich was an adherent of the
Nazarene movement, a romantic religious artist who sought to restore the spirit of
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and give new shape to biblical subjects. Without the power of Peter von
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In 1826 he went to Rome, where he added three frescoes to those executed by
Cornelius and
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series. On his journeys to
Dresden and Vienna he became fond of Dürer's creations.
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Madonna with child, Saint
Adelheid and Saint Francis by Joseph von Führich
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551:. Vol. 11 (11th ed.). Cambridge University Press. p. 290.
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In 1816, his father sent him to the
Academy of Prague to study under
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order of Franz Joseph; 1875 is the date of his illustrations to the
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This article incorporates text from a publication now in the
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This article incorporates text from this source, which is in the
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Vol. 6. New York: Robert Appleton Company, 1909. 10 August 2023
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Gietmann, Gerhard. "Joseph Führich." The Catholic Encyclopedia
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exhibiting temptation in a human yet demoniacal shape."
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231:Austrian 10 Gulden note (1863) designed by Führich
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563:Works by or about Joseph von Führich
514:. New York: Robert Appleton Company.
319:, painted by Josef von Führich, 1837
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450:. Münster: LIT. p. 51.
188:' illustrations to Goethe's
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