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elaborated this text according to his fancy, and in such a manner as to render it difficult to exhibit his picture in public. One marvels what historical passage authorises such a grave impropriety and so improbable an interpretation of the theme. The figure of Maria
Padilla is erect in the midst of the court, while the king, who is buried in the depths of an armchair, scans her from head to foot, the courtiers grouped behind and the maids of honour in front! It is astonishing that a scene in such bad taste should have tempted so talented a man as M. Gervais.
176:
of M. Paul
Gervais, it will not be on account of its surpassing merit. The artist has chosen for his subject the narrative of a chronicler: "When the beautiful favourite took her bath it was the custom for the king (Peter the Cruel) and his courtiers to go and keep her company." M. Gervais has
167:
to his taste. The paintings were by Paul
Gervais, a fashionable artist at the time. Gervais also decorated the casinos in Monaco and Nice and the Capitole in Toulouse. An 1895 book reported with grave disapproval that
201:. It depicted nubile young women playing with peacocks and cheetahs, watched by a catlike Sphinx. Gervais made original watercolor illustrations on Japanese paper for a special edition of
193:(1904). It depicted nymphs and centaurs fleeing from a car that is approaching them along a winding coast road with its headlights blazing. The painting was exhibited at the 1904
30:
107:(7 September 1859 – 11 March 1944) was a French painter who was fashionable around the end of the 19th century. He is known for his sensuous paintings of nude women.
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135:. In July 1891 Gervais won the Prix du Salon with 19 votes against 16 for M. Chigot and 5 for M. Henri Martin. In 1904 Gervais was at the
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Paul
Gervais's paintings celebrate seductive women, love, and the virtues of civilization.
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155:, one of the founders of the JOB cigarette paper company, died in 1892,. His son-in-law
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Paintings and
Sculpture in the Collection of the National Academy of Design: 1826-1925
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229:(in French), Illustrated by Paul Gervais, Paris: Mercure de France, p. 332
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commissioned the architect and designer LĂ©opold
Carlier to remodel Bardou's
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Urban
Interstices: The Aesthetics and the Politics of the In-between
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Benezit
Dictionary of British Graphic Artists and Illustrators
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185:, now lost but reproduced as the frontispiece to
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119:, France on 7 September 1859. He was a pupil of
516:Hutchins, Chris; Thompson, Peter (2011-10-14),
457:Calonne, Alphonse de (1895), "The Two Salons",
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127:(1847–1914). Paul Gervais was teaching at the
582:(72), Burlington Magazine Publications Ltd.,
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209:, which was sold for a high price in 1909.
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181:Around 1900 Gervais produced the painting
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18:
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314:Hôtel Pams, Perpignan, visite – viaFrance
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576:The Burlington Magazine for Connoisseurs
574:R. E. D. (March 1909), "Art in France",
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563:, BnF: Bibliothèque nationale de France
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298:
252:
431:Brighenti, Andrea Mubi (2016-02-11),
226:Aphrodite – moeurs antiques – 68e éd.
172:Although notice will be taken of the
143:. He died in Paris on 11 March 1944.
139:, where he taught the British artist
131:in 1887, where one of his pupils was
7:
599:, Cassell, Petter & Galpin, 1891
115:Paul-Jean-Louis Gervais was born in
329:L'hôtel Pams – Mairie de Perpignan
14:
604:Wollen, Peter; Kerr, Joe (2002),
474:Dearinger, David Bernard (2004),
681:19th-century French male artists
661:20th-century French male artists
547:(in French), Mairie de Perpignan
405:Bénézit, Emmanual (2012-06-21),
411:, Oxford University Press USA,
263:Paul Gervais (1859-1944) – BnF
1:
502:HĂ´tel Pams, Perpignan, visite
463:, Henry S. King & Company
656:20th-century French painters
651:19th-century French painters
505:(in French), viaFrance S.A.S
377:Hutchins & Thompson 2011
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199:HĂ´tel de Paris Monte-Carlo
607:Autopia: Cars and Culture
28:
560:Paul Gervais (1859-1944)
287:The Magazine of Art 1891
671:French Realist painters
519:Athina The Last Onassis
105:Paul-Jean-Louis Gervais
35:La Fontaine de Jouvence
23:Paul-Jean-Louis Gervais
460:The Nineteenth Century
353:Wollen & Kerr 2002
179:
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96:The madness of Titania
676:Artists from Toulouse
666:French genre painters
191:The Complete Motorist
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203:Le Maison sur le Nil
133:Abbott Fuller Graves
596:The Magazine of Art
123:(1824–1904) and of
99:Musée des Augustins
610:, Reaktion Books,
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617:978-1-86189-132-7
529:978-0-9570207-5-7
487:978-1-55595-029-3
444:978-1-317-00373-1
418:978-0-19-992305-2
153:Pierre Bardou-Job
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365:Brighenti 2016
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275:Dearinger 2004
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242:JOB Collection
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141:Charles Ginner
137:Académie Vitti
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70:(aged 84)
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16:French painter
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66:11 March 1944
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621:, retrieved
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544:L'hĂ´tel Pams
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522:, BookBaby,
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491:, retrieved
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448:, retrieved
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341:Calonne 1895
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299:Bénézit 2012
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277:, p. 6.
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225:
221:Pierre LouĂżs
213:Publications
207:Pierre LouĂżs
202:
190:
187:Filson Young
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68:(1944-03-11)
646:1944 deaths
641:1859 births
635:Categories
623:2017-07-01
567:2017-07-01
551:2015-12-30
535:2017-07-01
509:2015-12-31
493:2017-07-01
467:2017-07-01
450:2017-07-01
424:2017-07-01
161:HĂ´tel Pams
157:Jules Pams
82:Occupation
47:1859-09-07
165:Perpignan
236:See also
223:(1896),
117:Toulouse
76:, France
57:, France
55:Toulouse
398:Sources
379:, PT69.
85:Painter
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588:857828
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183:Fright
584:JSTOR
248:Notes
195:Salon
74:Paris
612:ISBN
524:ISBN
482:ISBN
439:ISBN
413:ISBN
147:Work
111:Life
63:Died
41:Born
205:by
189:'s
163:in
637::
580:14
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321:^
306:^
255:^
331:.
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49:)
45:(
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