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1164:. This discovery led to further patronage for construction of the church. The layout is almost a Greek cross, with four nearly identical wings extending from the striking central dome. Much of the ground structure is undecorated, above intricately decorated. The overwhelmingly vertical decoration of the façade is granted liveliness by horizontal convexity. In his will, this bachelor called this church his
1891:
378:' apparently coming into the room itself or floating far above it. The ornamented architectural framework essentially forms five compartments. The central and most significant part celebrates the glorification of the reign of Urban VIII in a light filled scene populated with allegorical figures and Barberini family emblems.
537:
Sacchi argued for few figures, since he felt it was not possible to grant meaningful individuality, a distinct role, to more than a few figures per scene. Cortona, on the other hand, lobbied for an art that could accommodate many subplots to a central concept. He also likely viewed the possibility of
542:
is known to have laughed at this discussion around fixed numbers. Others have seen in this dichotomy, the long-standing debate whether visual art is about theoretical principles and meant to narrate a full story, or a painterly decorative endeavor, meant to delight the senses. Cortona was a director
452:
He thus began work on the decoration of the grand-ducal reception rooms on the first floor of the
Palazzo Pitti, now part of the Palatine Gallery. In these five Planetary Rooms, the hierarchical sequence of the deities is based on Ptolomeic cosmology; Venus, Apollo, Mars, Jupiter (the Medici Throne
457:, a member of the circle of Michelangelo Buonarroti the Younger. These highly ornate ceilings with frescoes and elaborate stucco work essentially celebrate the Medici lineage and the bestowal of virtuous leadership. Pietro left Florence in 1647 to return to Rome, and his pupil and collaborator,
1207:
are now thought to have been started around 1618. The dramatic and highly studied poses effected by the figures are in keeping with the style of other
Renaissance Baroque anatomical artists, although nowhere does such an approach find any fuller expression than in these plates.
1194:
commissioned by the
Marchese Sacchetti. This garden palace or casino gathered a variety of features in a novel fashion, including a garden facade with convex arms, and highly decorated niches, and elaborate tiered staircases surrounding a fountain.
445:. The first two frescoes represented the "ages" of gold and silver. In 1641, he was recalled to paint the 'Bronze Age' and 'Iron Age' frescoes. It is said he was guided in the formulation of the allegorical designs by
1159:
or director of the
Accademia from 1634–38, he obtained permission to dig in the crypt of the church, which led the likely mistaken finding of remains attributed to the first century Roman martyr and Saint
1674:
Susinno, Francesco (1960). Felice Le
Monnier. ed. Le vite dei pittori messinesi; text, introduction and bibliographic notes by Valentino Martinelli. Italy (originally published 1724 in Italy): Firenze.
366:
321:
185:
in Rome. He also painted numerous canvases. Only a limited number of his architectural projects were built but nonetheless they are as distinctive and as inventive as those of his rivals.
428:
1649:
Dizionario degli architetti, scultori, pittori, intagliatori in rame ed in pietra, coniatori di medaglie, musaicisti, niellatori, intarsiatori d'ogni etá e d'ogni nazione
381:
The illusion of spatial extension through paint, the grandiose theme and the skill of execution could only astonish and impress the visitor. However, Cortona's panegyric
2039:
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Prior to becoming famous as an architect, Pietro drew anatomical plates that would not be engraved and published until a hundred years after his death. The plates in
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1345:
His traditional year of birth is 1596, but as he was baptised on 27 November 1597, some more recent books on
Cortona give his year of birth as 1597 as for example
1319:
2205:
385:
extravaganzas may be less popular in a world familiar with minimalism and such like, yet they are precursors of the sunny figures and cherubim infested with
1944:
345:
gallery (completed 1601). In 1633, Pope Urban VIII (Maffeo
Barberini) commissioned from Cortona a large fresco painting for the main salon ceiling of the
353:. It was completed six years later, following Cortona's influential visit to northern Italy where he would have seen at first hand perspectival works by
1305:
1911:
309:, the papal nephew, and their patronage of Cortona provided him with ample scope to demonstrate his abilities as a painter of frescoes and canvases.
2195:
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2015:
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Fresco cycles were numerous in
Cortona's Rome; many represented "quadri riportati" or painted framed episodes imitating canvases as found in the
2200:
1973:
1461:
1191:
518:, but he published a treatise on painting in 1652 under a pseudonym and in collaboration. He refused invitations to both France and Spain.
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room) and Saturn, but minus
Mercury and the Moon which should have come before Venus. The program for the Planetary Rooms was prepared by
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using many human figures in decorative detail or to represent a general concept. Within the context of this debate, the french painter
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Quagliata, Iana (2006). Giambattista
Quagliata, Pittore E Architetto Del '600. Monza, Italy: Stampato da Quick Printing.
1068:
481:
2180:
1985:
1360:
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Cortona had been patronized by the Tuscan community in Rome, hence it was not surprising when he was passing through
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were involved in theoretical controversies regarding the number of figures that were appropriate in a painted work.
404:
269:. Such contacts helped him gain an early major commission in Rome (1624–1626), a fresco decoration in the church of
2215:
2145:
2066:
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1930:
910:
557:(Stamperia, Giovanni Antonio Bonardi, Florence, 1652). Authorship in subsequent editions is attributed to Cortona.
1571:"Stoning of St. Stephen (1660 Pietro da Cortona), art – 4 Enoch: The Online Encyclopedia of Second Temple Judaism"
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In Rome, he had encouragement from many prominent patrons. According to Cortona's biographers his gifted copy of
182:
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was one of his assistants on the Barberini Ceiling. Sources for (W); while sources for (H). Source for MB is
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Cortona employed or trained many prominent artists, who then disseminated his grand manner style. Apart from
1979:
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1991:
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Trattato della pittura e scultura, uso et abuso loro – Giulio Ottonelli, Pietro da Cortona – Google Books
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For a number of years, Cortona was involved for decades in the decoration of the ceiling frescoes in the
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marks a watershed in Baroque painting. Following the architecture of the room, he created the painted
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847:
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401:, and remind us that Baroque painting could be grand in an epic manner and exuberant in spirit.
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of an open airy architectural framework against which figures are situated, usually seen 'al di
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Trattato della pittura e scultura, uso et abuso loro: composto da un theologo ed da un pittore
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1502:
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126:
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Pietro da Cortona at the Pitti Palace. A Study of the Planetary Rooms and Related Projects
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the painter's guild in Rome, in 1634. It was at the Academy in 1636 that Cortona and
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Cortona also contributed to a treatise in Florence along with the theologian and
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210:, but soon he departed for Rome at around 1612/3, where he joined the studio of
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Vite de' Pittore Scultori ed Architetti deall'anno 1641 sino all'anno 1673
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Another influential work for its day was the design and decoration of the
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in Rome and carried out extensive painting and decorative schemes for the
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1226:
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excesses. They contrast markedly with the darker naturalism prominent in
371:
166:
1143:
Among Cortona's more important architectural projects are the church of
1599:
Wittkower, R. Art & Architecture in Italy 1600–1750, Pelican, 263–5
1044:
247:
199:
158:
154:
131:
130:; 1 November 1596 or 1597 – 16 May 1669) was an Italian
110:
60:
1801:
1733:
Bryan, Michael (1889). Walter Armstrong; Robert Edmund Graves (eds.).
169:. He is best known for his frescoed ceilings such as the vault of the
1663:
Storia della Val di Nievole dall'origine di Pescia fino all'anno 1818
1180:
547:
386:
358:
1922:
1793:
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403:
316:
232:
488:) in Rome, a work not finished until 1665. Other frescoes are in
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works and with the classicising compositions by painters such as
432:
293:(the latter, c. 1629), and to paint a series of frescoes in the
162:
134:
painter and architect. Along with his contemporaries and rivals
1926:
1736:
Dictionary of Painters and Engravers, Biographical and Critical
1133:
Dictionary of Painters and Engravers, Biographical and Critical
305:. In the Sacchetti orbit, he met Pope Urban VIII and Cardinal
198:
Berrettini was born into a family of artisans and masons, in
146:. He was also an important designer of interior decorations.
16:
Italian painter and architect of the High Baroque (1596–1669)
514:
Towards the end of his life he devoted much of his time to
181:
in Florence and for the Oratorian fathers at the church of
153:, but is primarily known by the name of his native town of
1610:
The Lives of the Modern Painters, sculptors and Architects
142:, he was one of the key figures in the emergence of Roman
1776:
Connors, Joseph (1982). "Cortona, Pietro Berrettini da"
1784:
Connors, Joseph (1998). "Pietro da Cortona 1597–1669".
1479:, Volume 14, by Nicolo Bettoni; Milan (1831); page 130.
1127:
Romanelli and Camassei also trained under Domenichino.
1813:
Patrons and Painters; Art and Society in Baroque Italy
1786:
The Journal of the Society of Architectural Historians
1171:
He also renovated the exterior renewal of the ancient
431:
to paint a series of frescoes intended to represent
2081:
2058:
2007:
1960:
106:
98:
90:
71:
42:
23:
1810:
1715:Picture collector's manual; Dictionary of Painters
1608:Gian Pietro Bellori, "Life of Nicolas Poussin" in
2040:Caesar Restoring Cleopatra to the Throne of Egypt
2032:Allegory of Divine Providence and Barberini Power
1739:. Vol. II L-Z. London: George Bell and Sons.
367:Allegory of Divine Providence and Barberini Power
322:Allegory of Divine Providence and Barberini Power
281:engaged Cortona to paint three large canvases of
222:and Cardinal Orsini had commissioned from him an
1846:Pietro da Cortona and Roman Baroque Architecture
273:that was being renovated under the direction of
1652:. Vol. 1. Gaetano Schiepatti. p. 135.
461:, was left to complete the cycle by the 1660s.
429:Ferdinando II de' Medici, Grand Duke of Tuscany
214:. He was involved in fresco decorations at the
1938:
1836:Loire, Stéphane (1998). "Pietro da Cortona".
569:, others that worked in his studio included:
441:in the small Sala della Stufa, a room in the
8:
1848:. New Haven; London: Yale University Press.
1612:(Cambridge University Press: 2010), p. 323.
1507:Art and Architecture in Italy, 1600 to 1750
1147:(completed in 1664), and the church of the
206:. He trained in painting in Florence under
1945:
1931:
1923:
1752:"Casino al Pigneto del Marchese Sacchetti"
31:
20:
1492:, Princeton University Press, 1977, p. 78
507:in Rome. The work currently hangs in the
571:
474:Romulus and Remus Sheltered by Faustulus
2048:Romulus and Remus Taken in by Faustulus
1338:
1215:
301:, using a team that included the young
265:, papal treasurer during the papacy of
254:fresco brought him to the attention of
1718:. London: T. & W. Boone. pp.
2206:Architects of Roman Catholic churches
125:
7:
1974:Villa Pigneto del Marchese Sacchetti
1861:Macmillan Encyclopedia of Architects
1431:These three canvases are now in the
1386:The latter group included his uncle
543:of the Accademia from 1634 to 1638.
427:in 1637, that he should be asked by
1349:, Lo Bianco A. (ed.), Electa, 1997.
1326:Venus as Huntress Appears to Aeneas
447:Michelangelo Buonarroti the Younger
1859:Placzek, Adolf K., editor (1982).
1817:. Yale University Press. pp.
526:He was elected as director of the
14:
1477:Biblioteca enciclopedica italiana
1405:, Hess J. Leipzig and Vienna 1934
1270:Ananias restores sight to St Paul
218:in 1622-3 under the direction of
1889:
1448:Galleria Nazionale d'Arte Antica
1318:
1304:
1290:
1276:
1262:
1248:
1234:
1218:
313:Grand Salon of Palazzo Barberini
127:[ˈpjɛːtroda(k)korˈtoːna]
2196:17th-century Italian architects
1988:(high altar design, 1650s–1667)
1968:Villa Sacchetti at Castelfusano
1780:1982; vol. 1, pp. 455–466.
295:Villa Sacchetti at Castelfusano
1896:Paintings by Pietro da Cortona
1:
2201:17th-century Italian painters
1692:Wittkower R. p 543 and p 550.
1533:Campbell, M. 1972, p. 146-154
1242:Virgin and Child with Saints
1069:Giovanni Francesco Romanelli
501:The Stoning of Saint Stephen
1986:San Giovanni dei Fiorentini
1347:Pietro da Cortona 1597–1669
1037:Rodomonte di Pasquino Pieri
505:Sant'Ambrogio della Massima
2232:
2161:Italian interior designers
2151:Italian Baroque architects
2067:The History of Constantine
2024:The Death of Saint Alexius
1970:(1624–1629, also frescoes)
1844:Merz, Jörg Martin (2008).
1622:Ottonelli, Giulio (1652).
911:Giovanni Battista Langetti
357:and the colour palette of
224:Adoration of the Shepherds
2112:Santa Maria in Vallicella
1912:A Design for a Quarantore
1875:Rendina, Claudio (2000).
1809:Haskell, Francis (1980).
1712:Hobbes, James R. (1849).
1646:Ticozzi, Stefano (1830).
677:Giovanni Ventura Borghesi
522:Debate with Andrea Sacchi
486:Santa Maria in Vallicella
419:Frescoes in Palazzo Pitti
283:The Sacrifice of Polyxena
183:Santa Maria in Vallicella
102:Painting and architecture
30:
2156:Italian Baroque painters
2000:(restoration, 1635–1669)
1994:(restoration, 1656–1667)
1464:14 December 2004 at the
1256:Martyrdom of St Lawrence
974:Giovanni Battista Natali
2211:Italian Roman Catholics
1980:Santa Maria in Via Lata
1879:. Rome: Newton Compton.
1838:The Burlington Magazine
1185:Santa Maria in Via Lata
855:Pistoia, moved to Rome
716:Bevagna, moved to Rome
624:Pistoia, moved to Rome
291:The Rape of the Sabines
57:1 November 1596 or 1597
1992:Santa Maria della Pace
1173:Santa Maria della Pace
1139:Architectural projects
1129:Giovanni Maria Bottala
693:Giovanni Maria Bottala
551:Giandomenico Ottonelli
477:
415:
324:
287:The Triumph of Bacchus
243:
228:San Salvatore in Lauro
204:Grand Duchy of Tuscany
161:. He worked mainly in
65:Grand Duchy of Tuscany
2191:Italian male painters
2176:Architects from Lazio
1916:San Lorenzo in Damaso
1898:at Wikimedia Commons
1863:. London: Macmillan.
1547:Catholic Encyclopedia
1418:by Raphael is in the
1377:Connors 1982, p. 455.
1365:Enciclopedia Italiana
1359:Gamba, Carlo (1935).
1312:Stoning of St Stephen
1175:(1656–1667), and the
1149:Accademia di San Luca
499:In 1660, he executed
472:
414:by Pietro da Cortona.
407:
338:The Loves of the Gods
320:
236:
202:, then a town in the
173:or main salon of the
2089:Baroque architecture
1998:Santi Luca e Martina
1877:Enciclopedia di Roma
1701:J. R. Hobbes, p. 58.
1155:. While Cortona was
1145:Santi Luca e Martina
1084:Pietro Paolo Baldini
633:Marcantonio Bellavia
455:Francesco Rondinelli
144:Baroque architecture
136:Gian Lorenzo Bernini
2186:People from Cortona
2016:Rape of the Sabines
1982:(1658–1660, façade)
1909:Pietro da Cortona,
1488:Campbell, Malcolm,
1361:"PIETRO da Cortona"
663:(Cortona's nephew)
647:Francesco Bonifazio
307:Francesco Barberini
239:Rape of the Sabines
140:Francesco Borromini
2181:Painters from Rome
2070:(1622-1640) (with
1904:Tabulae anatomicae
1665:, (1846) page 389.
1388:Filippo Berrettini
1205:Tabulae anatomicae
1054:Giovanni Quagliata
1041:Active circa 1680
1005:Bartolomeo Palommo
965:(Active Florence)
848:Giacinto Gimignani
661:Lorenzo Berrettini
528:Academy of St Luke
503:for the church of
478:
416:
325:
256:Marcello Sacchetti
244:
220:Agostino Ciampelli
2216:Catholic painters
2146:Pietro da Cortona
2133:
2132:
2126:(painting master)
2120:(painting master)
2072:Peter Paul Rubens
1976:(1630, destroyed)
1954:Pietro da Cortona
1894:Media related to
1754:. Romeartlover.it
1543:Pietro Berrettini
1503:Wittkower, Rudolf
1444:Palazzo Barberini
1433:Capitoline Museum
1400:Giovanni Baglione
1199:Anatomical plates
1179:(with an unusual
1151:, located in the
1135:(Volume II L-Z).
1125:
1124:
1113:Adriano Zabarelli
989:Adriano Palladino
941:Giovanni Marracci
834:Camillo Gabrielli
818:Onofrio Gabrielli
771:Guglielmo Cortese
725:Salvi Castellucci
351:Palazzo Barberini
333:Annibale Carracci
175:Palazzo Barberini
151:Pietro Berrettini
119:Pietro da Cortona
116:
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47:Pietro Berrettini
25:Pietro da Cortona
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1577:. Archived from
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1166:beloved daughter
927:Pietro Lucatelli
864:Filippo Gherardi
786:Vincenzo Dandini
773:(Il Borgognone)
608:Rome, Gennazano
572:
509:Hermitage Museum
490:Palazzo Pamphilj
347:Barberini family
279:Sacchetti family
264:
129:
124:
78:
56:
54:
35:
21:
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1581:on 18 July 2012
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1513:. p. 253.
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1466:Wayback Machine
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1099:Raffaello Vanni
959:(Lieven Mehus)
709:Andrea Camassei
563:
540:Nicolas Poussin
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467:
421:
364:Cortona's huge
343:Palazzo Farnese
315:
277:. In 1626, the
267:Pope Urban VIII
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1885:External links
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1601:
1592:
1575:www.4enoch.org
1562:
1551:
1535:
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1494:
1481:
1469:
1452:
1436:
1424:
1414:The fresco of
1407:
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1351:
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1197:
1187:(appr. 1660).
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879:Paolo Gismondi
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844:
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836:
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802:Nicholas Duval
798:
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484:Chiesa Nuova (
466:
463:
420:
417:
355:Paolo Veronese
331:ceiling or in
329:Sistine Chapel
314:
311:
226:(c. 1626) for
216:Palazzo Mattei
208:Andrea Commodi
195:
192:
190:
187:
114:
113:
108:
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103:
100:
99:Known for
96:
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88:
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81:
79:(aged 72)
73:
69:
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59:
46:
44:
40:
39:
36:
28:
27:
24:
15:
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2125:
2124:Baccio Ciarpi
2122:
2119:
2116:
2113:
2110:
2107:
2106:Santa Bibiana
2104:
2101:
2100:Palazzo Pitti
2098:
2095:
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1869:9780029250006
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1854:9780300111231
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1520:9780140561166
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1511:Penguin Books
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1367:(in Italian).
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756:Giovanni Coli
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637:17th century
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623:
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617:Lazzaro Baldi
615:
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529:
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494:Piazza Navona
491:
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450:
448:
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443:Palazzo Pitti
440:
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399:Andrea Sacchi
396:
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303:Andrea Sacchi
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271:Santa Bibiana
268:
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212:Baccio Ciarpi
209:
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179:Medici family
176:
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137:
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74:
70:
66:
62:
45:
41:
37:Self-Portrait
34:
29:
22:
19:
2166:1590s births
2065:
2046:
2038:
2030:
2022:
2014:
1953:
1910:
1903:
1888:
1876:
1860:
1845:
1837:
1819:38–40, 60–62
1812:
1785:
1777:
1756:. Retrieved
1745:
1735:
1728:
1714:
1706:
1697:
1688:
1679:
1670:
1658:
1648:
1641:
1629:. Retrieved
1624:
1617:
1609:
1604:
1595:
1583:. Retrieved
1579:the original
1574:
1565:
1554:
1538:
1529:
1506:
1497:
1489:
1484:
1472:
1455:
1439:
1427:
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1394:
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1373:
1364:
1354:
1346:
1341:
1325:
1311:
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1202:
1189:
1170:
1165:
1156:
1142:
1132:
1126:
564:
554:
545:
536:
525:
516:architecture
513:
500:
498:
479:
473:
451:
435:
422:
408:
391:Caravaggisti
383:trompe-l'œil
380:
365:
363:
349:palace; the
336:
326:
290:
286:
282:
251:
245:
237:
223:
197:
194:Early career
170:
150:
149:He was born
148:
118:
117:
84:Papal States
77:(1669-05-16)
18:
2171:1669 deaths
1788:: 318–321.
1446:is now the
1153:Roman Forum
1021:Pio Paolino
957:Livio Mehus
741:Carlo Cesio
581:Birthplace
438:Ages of Man
395:Domenichino
376:sotto in su
259: [
91:Nationality
75:16 May 1669
2140:Categories
2114:(frescoes)
2108:(frescoes)
2102:(frescoes)
2096:(frescoes)
2059:Tapestries
1840:: 219–222.
1771:References
1585:3 February
1073:1617–1662
1058:1603–1673
993:1610–1680
978:1630–1700
962:1630–1691
945:1637–1704
915:1635–1676
883:1612–1685
868:1643–1701
852:1611–1681
822:1616–1706
809:The Hague
745:1626–1686
729:1608–1672
713:1602–1649
681:1640–1708
621:1623–1703
567:Ciro Ferri
496:(1651–4).
465:Late works
459:Ciro Ferri
411:Golden Age
53:1596-11-01
2051:(c. 1643)
2027:(c. 1638)
2019:(c. 1630)
2008:Paintings
1961:Buildings
1750:Roberto.
1559:seen here
793:Florence
732:Florence
668:Florence
482:Oratorian
476:, c. 1643
242:, 1630–31
189:Biography
1919:, c.1632
1505:(1980).
1462:Archived
1157:principe
1061:Messina
1025:? -1681
996:Cortona
886:Perugia
825:Messina
575:Painter
553:titled:
425:Florence
372:illusion
167:Florence
123:Italian:
107:Movement
2082:Related
1778:Placzek
1758:17 July
1631:17 July
1549:article
1450:, Rome.
1416:Galatea
1212:Gallery
1162:Martina
1093:(H)(W)
1078:(H)(W)
1045:Vellano
968:(H)(W)
951:(H)(W)
902:Naples
889:(H)(W)
873:(H)(W)
858:(H)(W)
796:(W)(W)
780:(H)(W)
765:(H)(W)
760:?-1681
750:(H)(W)
735:(H)(W)
700:Naples
687:(H)(W)
655:(H)(W)
627:(H)(W)
584:Source
341:in the
297:, near
275:Bernini
252:Galatea
248:Raphael
200:Cortona
159:Tuscany
155:Cortona
132:Baroque
111:Baroque
94:Italian
61:Cortona
1867:
1852:
1825:
1802:991350
1800:
1517:
1422:, Rome
1181:loggia
1177:façade
1028:Udine
1009:1612-
948:Lucca
918:Genoa
806:1644-
790:1607-
697:1613-
611:Other
578:Dates
561:Pupils
548:Jesuit
433:Ovid's
387:rococo
359:Titian
289:, and
171:salone
82:Rome,
1798:JSTOR
1333:Notes
1227:Pietà
1183:) of
1088:(13)
1012:Rome
999:(MB)
899:1632
684:Rome
436:Four
299:Ostia
263:]
1865:ISBN
1850:ISBN
1823:ISBN
1760:2014
1722:–65.
1633:2014
1587:2022
1515:ISBN
1121:(W)
1107:(W)
1031:(H)
1015:(H)
983:(H)
935:(W)
921:(H)
905:(H)
842:(W)
828:(H)
812:(H)
719:(W)
703:(H)
671:(W)
595:(H)
409:The
397:and
165:and
163:Rome
138:and
72:Died
43:Born
1914:at
1790:doi
492:in
335:'s
250:'s
157:in
2142::
1821:.
1796:.
1720:63
1573:.
1509:.
1363:.
1168:.
511:.
449:.
361:.
285:,
261:sv
230:.
63:,
2074:)
1946:e
1939:t
1932:v
1871:.
1856:.
1831:.
1804:.
1792::
1762:.
1710:*
1635:.
1589:.
1545:-
1523:.
121:(
55:)
51:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
