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The painting shows the Count-Duke standing with his left hand on the hilt of his sword, resting his right hand on a table from where a hat emerges, which in turn rests on a velvet carpet. The sitter wears a sober black coat, with the symbols of his power, a gold chain with large links, gold spurs,
139:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Also noteworthy is the huge neck bust with flat plate in comparison with the smaller size of the head, which creates an interesting visual impact.
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The precise date the painting was finished is not known, however the painter took fees for his work on
December 4, 1624.
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Content in this edit is translated from the existing
Portuguese Knowledge article at ]; see its history for attribution.
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318:, July 22, 1645), a Spanish politician and nobleman, Count of Olivares and Duke of Sanlucar la Mayor, a favorite of
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202 cm (80 in) × 105.5 cm (41.5 in) × 3.5 cm (1.4 in)
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to the source of your translation. A model attribution edit summary is
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Doña
Antonia de Ipeñarrieta y Galdós and Her Son Don Luis
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This article about a seventeenth-century painting is a
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Portuguese article.
169:{{Translated|pt|Retrato do Conde-Duque de Olivares}}
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Yo,conde-Duque de
Olivares. El arte de lo imposible
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Gaspar de Guzmán y
Pimentel, Count-Duke of Olivares
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46:but its sources remain unclear because it lacks
375:El Conde-Duque de Olivares. La pasión de mandar
398:, (1989), edited by Planeta DeAgostini, 1992.
157:accompanying your translation by providing an
119:Click for important translation instructions.
106:expand this article with text translated from
1176:
906:Infanta Margarita in a White and Silver Dress
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381:, (1936), reedited by Espasa, Madrid, 2006.
1006:Prince Baltasar Carlos in the Riding School
302:History and characteristics of the painting
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890:Infanta Margarita Teresa in a Peach Dress
77:Learn how and when to remove this message
1222:Paintings in the São Paulo Museum of Art
930:Infanta Margarita Teresa in a Pink Dress
914:Infanta Margarita Teresa in a Blue Dress
1091:View of the Garden of the Villa Medici
633:Christ in the House of Martha and Mary
286:is a 1624 portrait by Spanish painter
283:Portrait of the Count-Duke of Olivares
196:Portrait of the Count-Duke of Olivares
778:Prince Balthasar Charles with a Dwarf
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810:Prince Balthasar Charles as a Hunter
314:, January 6, 1587 –
882:The Infanta Maria Theresa of Spain
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346:List of works by Diego Velázquez
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16:1624 painting by Diego Velázquez
167:You may also add the template
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707:The Nun Jerónima de la Fuente
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560:Apollo in the Forge of Vulcan
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1202:Portraits by Diego Velázquez
1155:. You can help Knowledge by
1227:17th-century painting stubs
306:The man in the portrait is
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510:The Waterseller of Seville
358:El conde-duque de Olivares
131:Machine translation, like
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329:and the Red Cross of the
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1123:El ministerio del tiempo
998:Prince Balthasar Charles
681:Coronation of the Virgin
665:Temptation of St. Thomas
32:This article includes a
292:São Paulo Museum of Art
241:São Paulo Museum of Art
178:For more guidance, see
61:more precise citations.
1217:17th-century portraits
966:Count-Duke of Olivares
922:Prince Philip Prospero
818:Juan Martínez Montañés
802:Count-Duke of Olivares
739:The Infante Don Carlos
731:Count-Duke of Olivares
568:The Surrender of Breda
552:The Triumph of Bacchus
290:. It is housed in the
649:Adoration of the Magi
479:Old Woman Frying Eggs
180:Knowledge:Translation
151:copyright attribution
974:Margarita of Austria
1126:(television series)
1116:Statue of Velázquez
1033:Don John of Austria
951:Elisabeth of France
826:Pablo de Valladolid
723:Philip IV in Armour
715:Don Luis de Góngora
1072:Don Diego de Acedo
1057:Sebastián de Morra
874:Mariana of Austria
842:Philip IV in Fraga
494:The Farmers' Lunch
331:Order of Calatrava
253:Accession No.
159:interlanguage link
34:list of references
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155:edit summary
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53:Please help
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1099: 1630
1065: 1645
1052:(1637–1639)
1036:(1632–1633)
1028:(1626–1632)
993:(1635–1636)
985:(1634–1635)
898:Las Meninas
893:(1653–1654)
885:(1652–1653)
837:(1638–1639)
829:(1636–1637)
821:(1635–1636)
789:(1632–1633)
771: 1630
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615: 1657
571:(1634–1635)
555:(1628–1629)
521:(1620–1622)
513:(1618–1622)
487: 1618
472: 1617
59:introducing
1196:Categories
1109:Portrayals
1083:Landscapes
1041:Barbarroja
982:Philip III
941:Equestrian
747:Maria Anna
641:Saint Paul
298:, Brazil.
243:, Brazil
229:Dimensions
990:Philip IV
943:portraits
699:Portraits
625:Religious
464:The Lunch
296:São Paulo
222:oil paint
173:talk page
340:See also
237:Location
224:, canvas
149:provide
67:May 2019
1017:Jesters
758:(1630s)
544:History
171:to the
153:in the
112:.
55:improve
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218:Medium
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360:, by
269:[
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400:ISBN
383:ISBN
366:ISBN
316:Toro
312:Rome
280:The
213:1624
210:Year
147:must
145:You
126:View
310:, (
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