Knowledge (XXG)

Pro Tools

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1585:, equalization, and dynamics processing can be applied to audio clips non-destructively and in real-time with Elastic Audio and Clip Effects; gain can be adjusted statically or dynamically on individual clips with Clip Gain; fade and crossfades can be applied, adjusted and are processed in real-time. All other types of audio processing can be rendered on the timeline with the AudioSuite (non-real-time) version of AAX plug-ins. Audio clips can be converted to MIDI data using the Celemony 1218:, Digidesign launched a line of PCIe DSP cards that both adopted the new card slot format and slightly changed the combination of chips. HD Process cards were replaced with HD Accel, each mounting nine Motorola 56321 chips running at 200 MHz and each providing twice the power than an HD Process card; track count for systems mounting an HD Accel was extended to 192/96/36 tracks at 48/96/192 kHz sample rates. The use of 8065: 1262:, were omitted. Some of them, as well as support for 48 tracks/96 voices (extended to 64 tracks/128 voices with Pro Tools 8) and additional plug-ins, were made available through an expansion package called "Music Production Toolkit". The "Complete Production Toolkit", introduced with Pro Tools 8, added support for surround mixing and 128 tracks (while the system was still limited to 128 voices). 8055: 1254:
was the entry-level range of the available interface; Digi 001 and Digi 002/003, which also provided a control surface, were the upper range. The Eleven Rack also ran on Pro Tools LE, included in-box DSP processing via an FPGA chip, offloading guitar amp/speaker emulation, and guitar effects plug-in processing to the interface, allowing them to run without taxing the host system.
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Digidesign Audio Engine (DAE) created by Peter Richert. DAE was also provided as a separate application to favor hardware support from third-party developers, enabling the use of Pro Tools hardware and plug-ins on other DAWs. Selling more than 8,000 systems worldwide, Pro Tools II became the best-selling digital audio workstation.
1321:'s acquisition of German virtual instruments developer Wizoo in 2005, Pro Tools 8 was supplied with its first built-in virtual instruments library, the AIR Creative Collection, as well as with some new plug-ins, to make it more appealing for music production. An expansion was also available, called AIR Complete Collection. 1495:
voices at 176.4/192 kHz). Up to three HDX cards could be installed on a single system for a maximum of 768/384/192 total voices and for increased processing power. On Native systems, voice count was limited to 96/48/24 voices with the standard version of Pro Tools and 256/128/64 voices with Pro Tools HD software.
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multiple sources; dynamic plug-in processing allowed to reduce CPU usage when active native plug-ins do not receive any input. Two separate buffers were used for playback and for monitoring of record-enabled or input-monitored tracks. The new video engine (AVE) improved performance and handling of multiple CPU cores.
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Up to twelve Pro Tools Ultimate systems with dedicated hardware can be linked together over an Ethernet network—for example, in multi-user mixing environments where different mix components (such as dialog, ADR, effects, and music) reside on different systems, or if a larger track count or processing
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plug-in) can be committed to new tracks containing their rendered output. Virtual instruments can be committed to audio to prepare an arrangement project for mixing; track commit is also used to free up system resources during mixing or when the session is shared with systems not having some plug-ins
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To maintain performance consistency, HDX products were specified with a fixed maximum number of voices (each voice representing a monophonic channel). Each HDX card enabled 256 simultaneous voices at 44.1/48 kHz; voice count halved when the sample rate doubled (128 voices at 88.2/96 kHz, 64
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operating system in 2001, Digidesign made a substantial redesign of Pro Tools hardware and software. Pro Tools | HD was launched in 2002, replacing the Pro Tools | 24 system and relying on a new range of DSP cards (HD Core and HD Process, replacing MIX Core and MIX Farm), new interfaces running at up
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With a redesigned Disk I/O card, Pro Tools III was able to provide 16 tracks with a single NuBus card; the system could be expanded using TDM to up to three Disk I/O cards, achieving 48 tracks. DSP Farm cards were introduced to increase the processing power needed for a more extensive real-time audio
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The first Pro Tools system was launched on June 5, 1991. It was based on an adapted version of Deck (ProDeck) along with Digidesign's new editing software, ProEdit, created by Mark Jeffery; Sound Designer II was still supplied for two-channel editing. Pro Tools relied on Digidesign's Audiomedia card,
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Similarly, tracks can be frozen with their output rendered at the end of the plug-in chain or at a specific insert of their chain. Editing is suspended on frozen tracks, but they can subsequently be unfrozen if further adjustments are needed. For example, virtual instruments can be frozen to free up
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MIDI notes, velocities, and controllers can be edited directly on the timeline, each MIDI track showing an individual piano roll, or in a specific window, where several MIDI and Instrument tracks can be shown together in a single piano roll with color-coding. Multiple MIDI controllers for each track
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master tracks. Alternate audio and MIDI content can be recorded, shown, and edited in multiple layers for each track (called playlists), which can be used for track compositing. All the mixer parameters (such as track and sends volume, pan, and mute status) and plug-in parameters can be changed over
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In 1993, Josh Rosen, Mats Myrberg and John Dalton, the OSC's engineers who developed Deck, split from Digidesign to focus on releasing lower-cost multi-track software that would run on computers with no additional hardware. This software was known as Session (for stereo-only audio cards) and Session
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The core engine and much of the user interface of the first iteration of Pro Tools was based on Deck. The software, published in 1990, was the first multi-track digital recorder based on a personal computer. It was developed by OSC, a small San Francisco company founded the same year, in conjunction
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Starting from the same year, a dial-up service provided by Beaverton Digital Systems, called MacMusic, allowed Sound Designer users to download and install the entire Emulator II sound library to other less expensive samplers: sample libraries could be shared across different manufacturers platforms
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Track contents and any of its properties can be selectively exchanged between Pro Tools sessions with Import Session Data (for example, importing audio clips from an external session to a designated track while keeping track settings or importing track inserts while keeping audio clips). Similarly,
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The main mix of the session—or any internal mix bus or output path—can be bounced to disk in real-time (if hardware inserts from analog hardware are used, or if any audio or MIDI source is monitored live into the session) or offline (faster-than-real-time). The selected source can be mixed to mono,
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driver on a Windows. Core Audio allowed device aggregation, enabling using of more than one interface simultaneously. Some Pro Tools HD software features, such as automatic plug-in delay compensation, OMF/AAF file import, Timecode ruler, and multi-track Beat Detective, were included in the standard
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Pro Tools LE, first introduced and distributed in 1999 with the Digi 001 interface, was a specific Pro Tools version in which the signal processing entirely relied on the host CPU. The software required a Digidesign interface to run, which acted as a copy-protection mechanism for the software. Mbox
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Other software milestones were background tasks processing (such as fade rendering, file conversion or relinking), real-time insertion of TDM plug-ins during playback, and a browser/database environment introduced with Pro Tools 6 in 2003; Automatic plug-in Delay Compensation (ADC), introduced with
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chips running at 100 MHz, each providing 25% more processing power than the Motorola 56301 chips mounted on MIX cards; this translated to about twice the power for a single card. A system could combine one HD Core card with up to two HD Process cards, supporting playback for 96/48/12 tracks at
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technology, which allowed routing of multiple digital audio streams between DSP cards. With TDM, up to four NuBus cards could be linked, obtaining a 16-track system, while multiple DSP-based plug-ins could be run simultaneously and in real-time. The wider bandwidth required to run the larger number
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Peter Gotcher felt that the software needed a significant rewrite. Pro Tools II, the first software release fully developed by Digidesign, followed in the same year and addressed its predecessor's weaknesses. The editor and the mixer were merged into a single Pro Tools application that utilized the
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Before 2022, two different perpetual licenses could be purchased: a standard edition for US$ 599 (informally called "Vanilla"), which provided all the key features for audio mixing and post-production, and a complete edition for US$ 2599 (officially called "Ultimate" and known as "HD" between 2002
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Audio can be routed to and from different outputs and inputs, both physical and internal. Internal routing is achieved using busses and auxiliary tracks; each track can have multiple output assignments. Virtual instruments are loaded on Instrument tracks—a specific type of track that receives MIDI
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Time can be measured and displayed on the timeline in different scales: bars and beats, time or SMPTE timecode (with selectable frame rates), audio samples, or film stock feet for audio-for-film referencing (based on the 35 mm film format). Tempo and meter changes can also be programmed; both
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Notable software features introduced with Pro Tools 10 were editable clip-based gain automation (Clip gain), the ability to load the session's audio data into RAM to improve transport responsiveness (Disk caching), quadrupled Automatic Delay Compensation length, audio fades processed in real-time,
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Pro Tools, offering a solid and reliable alternative to analog recording and mixing, eventually became a standard in professional studios throughout the decade, while editing features such as Beat Detective (introduced with Pro Tools 5.1 in 2001) and Elastic Audio (introduced with Pro Tools 7.4 in
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64 tracks with dual d24 support were introduced with Pro Tools 4.1.1 in 1998, while the updated Pro Tools | 24 MIX system provided three times more DSP power with the MIX Core DSP cards. MIXplus systems combined a MIX Core with a MIX Farm, obtaining a performance increase of 700% compared to a Pro
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They started selling the upgrade chips one year later under their new Digidrums label. Five different upgrade chips were available, offering different alternate drum styles. The chips, easily switchable with the original ones, enjoyed remarkable success between the Drumulator users, selling 60,000
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In 2022, Avid switched Pro Tools from a perpetual license to a subscription model. New users have to choose between three new plans: Pro Tools Artist, which costs $ 9.99 per month or $ 99 per year; Pro Tools Studio, which costs $ 39.99 per month or $ 299 per year; and Pro Tools Flex, which costs $
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Video files can be imported to one or more video tracks and organized in multiple playlists. Multiple video files can be edited together and played back in real-time. Video processing is GPU-accelerated and managed by the Avid Video Engine (AVE). Video output from one video track is provided in a
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Support for HD Accel systems, legacy HD interfaces, TDM and 32-bit AAX plug-ins was dropped due to their incompatibility with 64-bit architecture. A free starter edition providing the essential features of Pro Tools, called "First", was launched in 2015 and discontinued in December 2021 for being
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While consolidating its presence in professional studios, Digidesign began to target the mid-range consumer market in 1999 by introducing the Digi001 bundle, consisting of a rack-mount audio interface with eight inputs and outputs with 24-bit, 44.1/48 kHz capability and MIDI connections. The
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In 2010 Avid acquired Euphonix, manufacturer of the Artist Series, and System 5 control surfaces. They were integrated with Pro Tools along with the EuCon protocols. Avid S6 (2013) and Avid S3 (2014) control surfaces followed by merging the Icon and System 5 series. Pro Tools Dock (2015) was an
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Pro Tools 11, released in June 2013, switched from 32-bit to 64-bit software architecture with new audio and video engines, enabling the application and plug-ins to fully take advantage of system memory. The new audio engine (AAE) introduced support of offline bouncing and simultaneous mixdowns
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Pro Tools projects can be synchronized to the Avid Cloud and shared with other users on a track-by-track basis. Different users can simultaneously work on the project and upload new tracks or any changes to existing tracks (such as audio and MIDI clips, automation, inserted plug-ins, and mixer
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Dynamic Transport, Windows Configurations, Key Signature timeline ruler, MIDI selection enhancements, fade editing enhancements, continuously-resizable tracks, mixer configurations changes possible without stopping playback, mouse scroll wheel and right-click enhancements, Memory Location and
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Pro Tools workflow is organized into two main windows: the timeline is shown in the Edit window, while the mixer is shown in the Mix window. MIDI and Score Editor windows provide a dedicated environment to edit MIDI. Different window layouts, along with shown and hidden tracks and their width
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Pro Tools LE shared the same interface of Pro Tools HD but had a smaller track count (24 tracks with Pro Tools 5, extended to 32 tracks with Pro Tools 6 and 48 tracks with Pro Tools 8) and supported a maximum sample rate of 96 kHz (depending on the interface used). Some advanced software
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support and improved performance, Region groups, Instrument tracks, and real-time MIDI processing, introduced with Pro Tools 7 in 2006; VCA and volume trim, introduced with Pro Tools 7.2 in 2006; support for ten track inserts, MIDI Editor, and MIDI Score, introduced with Pro Tools 8 in 2009.
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With Pro Tools 10, Avid deployed a new plug-in format for both Native and HDX systems called AAX (an acronym for Avid Audio eXtension). AAX Native replaced RTAS plug-ins and AAX DSP, a specific format running on HDX systems, replaced TDM plug-ins. AAX was developed to provide the future
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real-time search in track inserts and I/O (busses and sends), multiple selection within I/O and interface menus, playlist navigation shortcuts added, Relative Grid mode extended to cut, copy, paste, and merge, retrospective MIDI record enhancements, Low Latency Monitoring enhancements
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Along with Pro Tools III, Digidesign launched the 888 interface, with eight channels of analog and digital I/O, and the cheaper 882 interface. The Session 8 system included a control surface with eight faders. A series of TDM plug-ins were bundled with the software, including
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Pro Tools 5 saw two substantial software developments: extended MIDI functionality and integration in 1999 (an editable piano-roll view in the editor; MIDI automation, quantize and transpose) and the introduction of surround sound mixing and multichannel plug-ins—up to the
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A second line of PCIe cards, called HD Native, provided low latency with a single FPGA chip but did not mount DSP (audio processing relied on the host system's CPU). Round trip latency at 96 kHz was 0.7 ms for HDX and 1.7 ms for HD Native (with a 64-sample buffer).
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When operating on a machine containing one or more HD Core, Accel, or Native cards, the software ran as Pro Tools HD with the complete HD feature set. In all other cases, it ran as Pro Tools 9 standard, with a smaller track count and some advanced features turned off.
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with Digidesign and ran on Digidesign's hardware. Deck could run four audio tracks with automation; MIDI sequencing was possible during playback and record, and one effect combination could be assigned to each audio track (2-band parametric equalizer, 1-band EQ with
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revamped user interface, support for 10 inserts per track, Playlist view, and enhanced track compositing tools, support for multiple automation lanes view, Elastic Pitch, MIDI Editor, Score Editor, AIR Creative Collection; Automatic Delay Compensation on sends (HD)
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timeline length extended to 24 hours, support for 32-bit float audio and mixed audio formats within the session, and the addition of Avid Channel Strip plug-in (based on Euphonix System 5 console's channel strip, following Avid's acquisition of Euphonix in 2010).
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In the mid-1990s, Digidesign started working on a studio device that could replace classic analog consoles and provide integration with Pro Tools. ProControl (1998) was the first Digidesign control surface, providing motorized, touch-sensitive faders, an analog
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multi-threading RTAS engine improves performance on multi-core systems, support for 10 sends per track, Instrument tracks, Region Groups, region looping, real-time MIDI processing, new session format with Mac/PC interoperability; 160 I/O at 96 kHz (HD)
2409:. Icon D-Control (2004) incorporated an HD Accel system and was developed for larger TV and film productions in mind. Command|8 (2004) and D-Command (2005) were the smaller counterparts of Control 24 and D-Control, connected with the host computer via USB; 1100:
chips running at 40 MHz. Multiple DSP cards could be added for additional processing power; each card could handle the playback of 16 tracks. A dedicated SCSI card was still required to provide the required bandwidth to support multiple-card systems.
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Sound Tools II was launched in 1992 with a new DSP card. Two interfaces were also released: Pro Master 20, providing 20-bit A/D conversion, and Audiomedia II, with improved digital converters and one Motorola 56001 processor running at 33.86 MHz.
1565:. Any automation type can be shown and edited in multiple lanes for each track. Track-based volume automation can be converted to clip-based automation and vice versa; automation of any type can also be copied and pasted to any other automation type. 1791:
power is needed. Transport, solo, and mute are controlled by a single system and with a single control surface. One system can also be designated for video playback to optimize performance. Pro Tools can synchronize to external devices using
1120:, Digidesign added PCI support with Pro Tools 3.21. The PCI version of the Disk I/O card incorporated a high-speed SCSI along with DSP chips, while the upgraded DSP Farm PCI card included four Motorola 56002 chips running at 66 MHz. 1127:-based PCs, for which PCI had become the standard internal communication bus. With the PCI version of Digidesign's Audiomedia card in 1997 (Audiomedia III), Sound Tools and Pro Tools could be run on Windows platforms for the first time. 1711:
stereo, or any other multichannel format. Multichannel mixdowns can be written as an interleaved audio file or in multiple mono files. Up to 24 sources of up to 10 channels each can be mixed down simultaneously—for example, to deliver
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were performed on hard drives, the software was still limited by their performance; densely edited tracks could cause glitches. However, the rapidly evolving computer technology allowed developments towards a multi-track sequencer.
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destructive editing integrated, fade improvements, Strip Silence, continuous playback during editing, independently resizable tracks, up to 26 track groups, automation extended to all mixer and plug-in parameters, new automation
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resolution of the TDM engine), thus improving dynamic range performance. Signal processing could be run on the embedded DSP, providing additional computational power and enabling near zero-latency for DSP-reliant plug-ins. Two
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implementation of 64-bit plug-ins, although 32-bit versions of AAX were still used in Pro Tools 10. TDM support was dropped with HDX, while Pro Tools 10 would be the final release for Pro Tools | HD Process and Accel systems.
1738:. AAF and OMF sequences embed audio and video files with their metadata; when opened by the destination application, session structure is rebuilt with the original clip placement, edits, and basic track and clip automation. 1589:
engine; pitches with timing and velocities are extracted through melodic, polyphonic, or rhythmic analysis algorithms. Pitch and rhythm of audio tracks can also be viewed and manipulated with the bundled Melodyne Essential.
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MIDI and audio clips can move or time-stretch to follow tempo changes ("tick-based" tracks) or maintain their absolute position ("sample-based" tracks). Elastic Audio must be enabled to allow time stretching of audio clips.
931:. They discussed with E-mu the opportunity of using the Emulator III as a platform for their updated software, but E-mu rejected this offer. Therefore, they decided to design both the software and the hardware autonomously. 943:, invited the two to participate in its development. Brooks designed a circuit board for the processor, then developed the software to make it work with Sound Designer. A beta version of the DSP was ready by December 1988. 908:
without copyright infringement. MacMusic contributed to Sound Designer's success by leveraging both the universal file format and developing the first online sample file download site globally, many years before the
1774:(LTC) and by one or more user-defined criteria (such as matching file length, file name, or scene and take numbers). An audio segment can be replaced from matching channels (for example, to replace audio from a 899:
between sampling keyboards of different manufacturers. This universal file specification, along with the printed source code to a 68000 assembly language interrupt-driven MIDI driver, was distributed through
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processors, offering increased processing power and 24 tracks of 24-bit audio (later increased to 32 tracks with a DAE software update). A SCSI accelerator was required to keep up with the increased data
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digital VCA groups, enhanced automation, enhanced track grouping system, extended support for contextual menus, Dubber and Field Recorder enhancements; support for multiple Video tracks (HD)
1203:. Two HD interfaces could be linked together for increased I/O through a proprietary connection. The base system was selling for US$ 12,000, while the full system was selling for US$ 20,000. 1199:
or 96 kHz sample rates (HD 192 and 96, replacing 888 and 882), along with an updated version of the software (Pro Tools 6) with new features and a redesigned GUI, developed for OS X and
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within a score editor. MIDI data such as note quantization, duration, transposition, delay, and velocity can also be altered non-destructively and in real-time on a track-per-track basis.
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up to 96 kHz sample rate, 16 tracks per type (audio, MIDI, Instrument, and auxiliary), 4 I/O channels, MIDI editor, Elastic Time, Elastic Pitch, Workspace, AAX Native and AudioSuite
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iLok Cloud support, Track Presets, assignable target playlist, retrospective MIDI record, MIDI editing enhancements, EQ Curve can be shown in the Mix window, improved Import Session Data
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Audio and MIDI clips can be moved, cut, and duplicated non-destructively on the timeline (edits change the clip organization on the timeline, but source files are not overwritten).
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number-one single to be recorded, edited, and mixed entirely within the Pro Tools environment, allowing a more meticulous and effortless editing workflow (especially on vocals).
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the same track data for any track set—a given processing chain, a collection of clips, or a group of tracks with their assignments—can be stored and recalled as Track Presets.
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C|24 (2007) was a revision of Control 24 with improved preamps, while Icon D-Control ES (2008) and Icon D-Command ES (2009) were redesigns of Icon D-Control and D-Command.
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integration and NEXIS optimization, Parallel Task Optimization (HD); Workspace and project enhancements; Smart Tool support for fade shapes; Cloud Collaboration (First)
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256–768 voices, 512 Instrument tracks, 512 aux inputs, 64 video tracks, 256–768 tracks at 48 kHz sample rates, 64–192 I/O channels (HDX systems with 1–3 HDX cards)
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Pro Tools has incorporated video editing capabilities, so users can import and manipulate high-definition video file formats such as XDCAM, MJPG-A, PhotoJPG, DV25,
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48/96/192 kHz sample rates (with a single HD Core card installed) and 128/64/24 tracks at 48/96/192 kHz sample rates (with one or two HD Process cards).
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showing MIDI notes and controller values for MIDI and Instrument tracks, a sequence of frame thumbnails for video tracks, audio levels for auxiliary, master and
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The combination of the hardware and the software was called Sound Tools. Advertised as the "first tapeless studio", it was presented on January 20, 1989, at the
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and one of Digidesign's major customers (25% of Sound Accelerator and Audiomedia cards produced was being bought by Avid). The operation was finalized in 1995.
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computer in 1984, the pair thought to design a more functional and flexible solution which could take advantage of a graphical interface. In collaboration with
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installed. Multiple tracks can be rendered at a time; it is also possible to render a specific timeline selection and define which range of inserts to render.
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Offline bouncing, Dynamic Plug-In processing optimizes session performance; up to 16 sources can be bounced simultaneously, advanced metering options (HD)
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in 1987, which provided card slots, a hard disk, and more capable memory, Brooks and Gotcher saw the possibility to evolve Sound Designer into a featured
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In 1983, the two friends, sharing an interest in music and electronic and software engineering, decided to study the memory mapping of the newly released
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flexible track routing (Ultimate), new UI customization parameters, support for Native Instruments Komplete Kontrol and Pro Tools | Carbon remote control
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PCI card or Thunderbolt interface, enables to run HD software on up to two HD (or HD-compatible) interfaces with low-latency performance and without DSP
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universal version with enhanced editing features through Mac's hardware (mix, crossfade, gain and equalization) and supporting a variety of samplers
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Pro Tools 9, released in November 2010, dropped the requirement of proprietary hardware to run the software. Any audio device could be used through
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Audio and video can be bounced together to a MOV file; video is transcoded with the DNxHD, DNxHR, Apple ProRes, and H.264 video codecs.
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96 voices, 512 Instrument tracks, 128 aux inputs, 1 video track, 128/64/32 tracks at 48/96/192 kHz sample rates (standard version)
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Clip Gain, disk cache, real-time fades, 4x maximum Automatic Delay Compensation, 24-hour timeline, support for mixed file formats and
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Pro Tools software is available in three subscription-based paid versions (Artist, Studio and Ultimate) and one free version (Intro).
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Plug-ins are processed in real-time with dedicated DSP chips (AAX DSP format) or using the host computer's CPU (AAX Native format).
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named HDX. Each card mounted 18 DSP processors, manufactured by Texas Instruments, allowing an increased computational precision (
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Sound Tools was bundled with Sound Designer II software, which was, at this time, a simple mono or stereo audio editor running on
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package was distributed with Pro Tools LE, a specific version of the software without DSP support, limited to 24 mixing tracks.
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The migration from traditional, tape-based analog studio technology to the Pro Tools platform took place within the industry:
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lines, gets most of the HD-only software features, and can be run on native systems with ASIO or Core Audio driver protocols
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sound replacement chips. The Drumulator was quite popular at that time, although it was limited to its built-in samples.
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The file format used by Sound Designer II (SDII) became eventually a standard for digital audio file exchange until the
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rack-mountable interface connected with a PCI card running a new feature-limited software line ("Light Edition") with
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full UI customization, interchangeable track width; full support of plug-in drag between tracks of different widths
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connections was made available later in 1989, while the Pro I/O interface came out in 1990 with 18-bit converters.
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system memory and improve performance while keeping the possibility to unfreeze them to make arrangement changes.
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features, such as Automatic Delay Compensation, surround mixing, multi-track Beat Detective, OMF/AAF support, and
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audio interface with up to 18 I/O channels, 4 mic preamps, 24-bit/96 kHz AD/DA, support for 32 tracks with
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Virtual MIDI keyboard; Dark Theme, Dolby Atmos, Dynamic Transport and waveform display performance improvements
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Track support, Dolby Atmos enhancements, improved MIDI editing and recording features, Batch renaming features
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free version with essential features, based on version 5, runs natively on OS 9, OS 8.6, Windows 98, Windows ME
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integrated MIDI and audio editing/mixing, MIDI piano-roll display, graphic MIDI velocity editing, MIDI quantize
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Mac-based 4-track digital production system handled by ProEdit (editing software) and ProDeck (mixing software)
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audio interface with 8 analog inputs, 24-bit/96 kHz converters, touch-sensitive control surface, running
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technology enables real-time effects to run as software plug-ins; up to 4 NuBus cards can be linked together
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for plug-in processing and 48-bit for mixing. Current HDX hardware systems, HD Native and native systems use
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2-channel and 4-channel USB interfaces/monitor controllers with 192 kHz AD/DA conversion developed by
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Loop Record, Half-Speed Record, Destructive Record, QuickPunch (punch-in and out recording during playback)
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Session data can be partially or entirely exchanged with other DAWs or video editing software that support
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Pro Tools 6.4 in 2004 and only available with TDM systems with HD Accel; a new implementation of RTAS with
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MIDI interface manufacturer Assimilation, which manufactured the first MIDI interface for the Mac in 1985.
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NuBus card equipped with 3 Motorola 56001 chips (40 MHz clock speed) for additional processing power
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with pitch preservation, fade-in/fade-out envelopes, and crossfades ("merging") between two sound files.
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audio performance. Like all digital audio workstation software, Pro Tools can perform the functions of a
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support for Audio to MIDI drag and drop from Workspace/Finder/File Explorer; Dolby Atmos ADM BWF export
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playback performance improvements, steep breakpoint smoothing option added, AAF importing improvements,
3549: 1430: 1364: 1223: 1196: 411: 403: 375: 206: 4510: 6482:"Avid Are Changing Pro Tools Pricing On July 1st 2019 - Is This Good Or Bad News For You? | Pro Tools" 4554: 3953:
2048 voices and 2048 audio tracks at all sample rates; Hybrid Engine support on HDX systems (Ultimate)
3090:
256 MIDI tracks, Groove Template, additional MIDI commands, Import Session Data replaces Import Tracks
1487:
chips handled track playback, monitoring, and internal routing, providing a lower round trip latency.
374:
up to 192 kHz are supported. Pro Tools supports mixed bit depths and audio formats in a session:
8166: 7923: 7808: 7743: 7725: 5625: 5369: 3257: 2904: 2410: 1694: 1639: 1635: 1024: 972: 351: 304: 202: 5194: 4424: 3813:
support for up to 130 outputs with Dolby Audio Bridge, multi-stem bounce in a single file (Ultimate)
3151:
cards extends track count to 192/96/36 tracks at 48/96/192 kHz sample rates (combined with one
1767:
numbers, tape or sound roll name, or production comments) can be accessed in the Workspace browser.
8199: 7768: 7504: 6392:"Pro Tools HD ends - Avid announce Pro Tools 2018.4 and rebrand Pro Tools HD as Pro Tools Ultimate" 5804: 4397: 3688: 3332: 1779: 1186:
High-resolution audio and consolidation of digital recording and mixing: Pro Tools | HD (2002–2011)
308: 185: 4614: 4270: 4268: 3174:
control surface, Automatic Delay Compensation, TrackPunch, input monitoring on single tracks (HD)
963:
processor. The card provided 16-bit playback and 44.1/48 kHz recording through a two-channel
7913: 7670: 6797: 6685: 5130: 5076: 5020: 3961:
support of HEVC, AAC, ALAC and greater-than-stereo track widths for QuickTime video import/export
3872: 3611: 2962:
software and hardware line adds support for 192 kHz and 96 kHz sample rates, runs with
2571: 1667: 1663: 1659: 1647: 1157: 991: 483:
99.99 per month or $ 999 per year. Later in 2022, Avid launched a free version: Pro Tools Intro.
6933: 6824: 5777: 5462: 4651: 4313: 5524: 5493: 5431: 3853:
Folder Tracks, Resources section added in System Usage, H.264 performance improvements extended
2893:
mid-level recording system with 24 tracks, 8 analog I/O channels, 2 microphone preamps, 24-bit
8269: 8204: 8126: 7974: 7853: 7778: 7655: 7541: 7533: 7508: 7496: 7481: 7469: 7456: 7446: 7152: 6586: 5597: 5555: 5338: 5025: 4924: 3964: 3546:
improved recording playback performance (disk cache, NAS support, disk scheduler improvements)
3520: 2050: 1529: 1172: 1148:. Digidesign dropped its proprietary SCSI controller in favor of commercially available ones. 968: 872:. This system, the first ancestor of Pro Tools, was released in 1985 at the price of US$ 995. 273: 249: 158: 142: 7524: 4783: 3184:
160 auxiliary tracks, 128 busses, Surround Panner support, selectable PFL/AFL solo paths (HD)
8289: 8284: 8254: 8234: 8214: 7949: 7888: 7883: 7838: 7818: 7788: 7705: 4735: 3578: 3299: 2680: 2457: 1595: 1562: 1545: 1117: 823: 476: 434: 197: 149: 5715: 5656: 1759:
Pro Tools reads embedded metadata in media files to manage multichannel recordings made by
1079:
In the same year, Digidesign announced that it merged into the American multimedia company
875:
Brooks and Gotcher rapidly ported Sound Designer to many other sampling keyboards, such as
8314: 8249: 8224: 7994: 7933: 7833: 7803: 7583: 7565: 7157: 6769: 6421: 4113: 2760: 2567: 1775: 1771: 1760: 1623: 1318: 1080: 830: 446: 367: 312: 269: 261: 241: 75: 7530:
The Art of Digital Music: 56 Visionary Artists and Insiders Reveal Their Creative Secrets
6880: 6741:"Product news from PLASA: Digidesign VENUE Live Sound Environment, D-Show Mixing Console" 5881: 4758: 4344: 1811:
and 2018), which unlocked functionality for advanced workflows and a higher track count.
323:
along with additional features that can only be performed in the digital domain, such as
5746: 5155: 4898: 4221: 178:
Chinese (Traditional and Simplified), English, French, German, Japanese, Korean, Spanish
8259: 8184: 8004: 7999: 7908: 7843: 7748: 7537: 6938: 6910: 6829: 6802: 6774: 6745: 6718: 6713: 6690: 6569: 5886: 5782: 5751: 5720: 5689: 5661: 5630: 5592: 5560: 5529: 5498: 5467: 5436: 5404: 5374: 5343: 5299: 5189: 4763: 4701: 4681: 4656: 4619: 4505: 4349: 4226: 4186: 4181: 4155: 4006: 3904:
support for low-latency AAX DSP mode (Hybrid Engine) with Pro Tools | Carbon interfaces
3142: 2847: 2506: 2479: 2453: 1792: 1651: 1627: 1207: 1140: 1097: 1084: 1044: 960: 936: 917: 909: 901: 892: 853: 438: 415: 407: 320: 5233: 8329: 8194: 7964: 7959: 7878: 7763: 4948:"Episode 19 : DAW Evolution III : Pro Tools – Past, Present, Future !" 3971: 3941: 3816: 2524:, 44.1 kHz or 48 kHz sample rate adopting the SDII proprietary audio format 1796: 1384: 1110: 1028: 869: 359: 6905: 8189: 8174: 8156: 8131: 7969: 7753: 7733: 7710: 5304: 4108: 4029: 3648:
increased track count, AFL/PFL solo modes, copy to sends, native HEAT support (HD)
3589:
plug-in support dropped in favor of 64-bit AAX format; support discontinuation for
3187: 2987:
PCI-based cards equipped with 9 Motorola 56361 DSP chips (100 MHz clock speed)
2542: 2538: 2521: 2391: 1712: 1655: 1544:
The timeline provides a graphical representation of all types of tracks: the audio
1164: 1136: 1131:
24-bit audio and surround mixing: Pro Tools | 24 and Pro Tools | 24 MIX (1997–2002)
1040: 987: 983: 924: 857: 833: 296: 265: 257: 7433:
Collins, Mike (2002). "2. The Evolution of Pro Tools – A Historical Perspective".
4676: 3088:
Digibase (workspace browser and database environment) for media/project management
3640:
available as monthly or yearly subscription; metadata tagging, updated I/O setup
1273:, which was equivalent to Pro Tools LE and could be run with M-Audio interfaces. 7873: 7442: 4150: 3963:
Playback Engine performance and stability improvements (Intel-based Macs only):
3797:
continuous playback on most timeline and track interactions, key commands added
3724: 2172: 1751:
status) or alterations to the project structure (such as tempo, meter, or key).
1671: 1582: 1464: 1219: 1215: 1123:
This change of architecture allowed the convergence of Macintosh computers with
861: 442: 387: 371: 336: 5908: 3908:
performance improvements of offline bounces and playback with low buffer sizes
3753:
first version to adopt year and month of release as a version numbering scheme
2413:(2005) was a similar system specifically designed for live sound applications. 8219: 8151: 7979: 7793: 7715: 7695: 4854: 4460: 4019: 3955:
256 tracks at all sample rates (Standard); 64 I/O channels at all sample rates
3820: 3735: 3103: 3057: 2877:
single-stroke key commands for editing, Region Replace, floating video window
2475: 2176: 1675: 1594:
can be viewed and edited on different lanes. MIDI tracks can also be shown in
1553: 1524: 1289: 1200: 1036: 888: 865: 450: 245: 71: 66: 54: 8079: 5029: 1305:
Advanced Instrument Research (AIR): built-in virtual instruments and plug-ins
1076:
expansion card developed by Grey Matter Response, called System Accelerator.
386:. It imports and exports MOV video files and ADM BWF files (audio files with 358:
or guitar amplifiers—can be added, adjusted, and processed in real-time in a
8309: 8304: 8279: 8229: 8209: 7984: 7954: 7928: 7918: 7868: 7813: 7783: 7758: 7460: 6416: 5856:"Pro Tools DigiRack Plug-Ins Guide: Version 5.0.1 for Macintosh and Windows" 3126: 3049: 2918: 2471: 2463: 2406: 1638:, and the track name. It also can show additional controls for the inserted 1619: 1314: 1091:
Pro Tools III: 48 tracks, DSP Farm cards and switch to PCI cards (1995–1997)
1047:
and the Video Slave drivers. The complete system was selling for US$ 6,000.
967:(AD In), while the DSP handled signal processing, which included a ten-band 952: 880: 876: 430: 426: 3876:
support for SDII conversion to BWF WAV on import (macOS only), support for
2751:
Edit window configurations can be saved and recalled with Memory Locations
3967:
support, low buffer sizes optimizations, limit number of real-time threads
1269:
in 2004–2005, Digidesign released a specific variant of Pro Tools, called
475:
floating-point summing. The software and the audio engine were adapted to
8244: 8179: 8146: 7828: 7798: 7738: 7690: 7675: 7665: 7608: 3895: 3871:
support for Ableton Link for timeline and transport synchronization over
3061: 2859: 2823: 2772:
interface line upgraded with 24-bit AD converters, 20-bit DA converters (
2395: 1643: 1615: 1610:
The virtual mixer shows controls and components of all tracks, including
1586: 1549: 1536:
settings, can be stored and recalled from the Window configuration list.
1259: 932: 280: 2698:
PCI card equipped with 4 Motorola 56002 chips (66 MHz clock speed)
2462:
dedicated ports of the original software were subsequently released for
1135:
With the release of Pro Tools | 24 in 1997, Digidesign introduced a new
17: 8294: 8274: 7893: 7863: 7858: 4288:"Sound Designer II audio file support with Pro Tools 10.3.6 and higher" 3659:, Disk Caching, advanced metering options unlocked to standard version 3235: 1266: 1230:
2007) redefined the workflow adopted in contemporary music production.
1139:
interface (the 888|24) and a new PCI card (the d24). The d24 relied on
995: 1528:
The timeline of Pro Tools 9 showing audio and MIDI tracks, running on
1463:
In October 2011, Avid introduced Pro Tools 10 and a new series of DSP
1039:
of 22.58 MHz and offering two analog and two digital channels of
7438: 4730: 3382:
portable USB interface with mini-jack stereo output and bundled with
3033: 1310: 999: 300: 3906:
512 Master faders, support for Dolby Atmos ADM BWF export (Ultimate)
2654:
16–48 voices on NuBus-based Mac systems (up to three cards linkable)
1693:
Audio, auxiliary, and Instrument tracks (or MIDI tracks routed to a
1214:
When Apple changed the expansion slot architecture of the Mac G5 to
6344:, p. 1341–1346, 59. Working with Field Recorders in Pro Tools. 6332:, p. 1333–1336, 59. Working with Field Recorders in Pro Tools. 6248:, p. 1000–1002, 45. Committing, Freezing, and Bouncing Tracks. 3528:(Avid Audio eXtension) plug-in format introduced with 64-bit ready 1055:
8 (for multichannel audio interfaces) and was selling for US$ 399.
256:. It is used for music creation and production, sound for picture ( 138: 3824: 3761:"Pro Tools | HD" software line rebranded as "Pro Tools | Ultimate" 3077: 2616:
editing and mixing software merged in a single application called
2530: 2502: 1523: 1191: 1124: 994:
was also possible. A two-channel digital interface (DAT-I/O) with
956: 860:, they developed a Mac-based visual sample editing system for the 837: 460:
mix engine, supported until 2011 with version 10, employed 24-bit
154: 46: 7600: 6236:, p. 995–999, 45. Committing, Freezing, and Bouncing Tracks. 1242:
Pro Tools | MIX hardware support was dropped with version 6.4.1.
947:
Digidesign Sound Tools and Sound Designer II software (1989–1990)
218: 8141: 8136: 7685: 7680: 3959:
support for delay compensation on side chains on non-HDX systems
3880: 3628:
free software line with essential features, cloud-based sessions
2593:
4–16 voices support in mixing using up to four cards/interfaces
1764: 1073: 1067:
In 1994, Pro Tools 2.5 implemented Digidesign's newly developed
1009:
file format took over a decade later. Since audio streaming and
913: 896: 288: 253: 8083: 7612: 6445:"Pro Tools HD Native and HDX Hardware - Do we still need them?" 5234:"Release dates and versions for Pro Tools HD/TDM (prior to v9)" 3996:
Apple Silicon support for HDX, HD Native and Avid Video Engine
2420:
iPad-based control surface running Pro Tools Control software.
2401:
Control 24 (2001) added 5.1 monitoring support and included 16
2394:
communication section, and connecting to the host computer via
7700: 4855:"Audiomedia I in/out specification - Avid Pro Audio Community" 3523:
DSP chips (350 MHz clock speed), can run AAX DSP plug-ins
3266:
with DSP and integrated playback and recording with Pro Tools
3029: 1478:
floating-point summing, versus the previous 24-bit and 48-bit
1116:
In 1996, following Apple's decision to drop NuBus in favor of
1006: 916:
modems and 100 MB of disk space with Red Ryder host on a 1 MB
419: 399: 379: 346:, and video tracks are graphically represented on a timeline. 7435:
Pro Tools for music production: recording, editing and mixing
5103:"Test Drive: The Digidesign Session 8 – Radio and Production" 3032:-powered audio interface with 2 analog inputs, 1 mic preamp, 6296:, p. 420–421, 20. Importing and Exporting Session Data. 5909:"Pro Tools | First: Discontinued - Avid Pro Audio Community" 4277:, p. 412–413, 21. Importing and Exporting Session Data. 3883:
audio import and playback; Cloud Collaboration improvements
3793:
384–96 voices on native systems (Ultimate), 1024 MIDI tracks
1763:
in production sound. All stored metadata (such as scene and
1018:
Deck, Pro Tools, Sound Tools II and Pro Tools II (1990–1994)
6032:, p. 837–840, 38. Time, Tempo, Meter, Key, and Chords. 5016:"Company News; Avid Technology Plans to Acquire Digidesign" 4373:"Pro Tools is now only available as a subscription service" 3940:
support for Sync X master clock/synchronization device and
3086:
Relative Grid mode, support for timeline vertical selection
4109:"Pro Tools | Ultimate - Audio Editing Software - Features" 3691:, updated Avid Video Engine, send to playback (Interplay) 6881:"Release dates and versions for Pro Tools (v9 and later)" 6667: 6665: 6652: 6650: 6648: 6646: 6644: 6631: 6629: 6604: 6602: 6164:, p. 1355–1357, 60. Working with Video in Pro Tools. 5295:"Recordin' "La Vida Loca": the making of a hard disk hit" 4837: 4835: 4833: 4831: 2995:
128/64/24 tracks at 48/96/192 kHz sample rates with
2533:
card connected to an external 2-channel AD converter and
1063:
Pro Tools II TDM: 16 tracks and real-time plug-ins (1994)
5056: 5054: 5052: 5050: 5048: 5046: 4818: 4816: 4814: 4812: 4810: 4808: 4806: 4804: 4536: 4534: 4532: 4530: 4528: 3667:
Commit, fade presets, batch fades, clip graphic overlay
2989:
96/48/12 tracks at 48/96/192 kHz sample rates with
2456:-based visual sample editing software developed for the 6573:. July 1997. Archived from the original on June 6, 2015 1280:
line was discontinued with the release of Pro Tools 9.
6188:, p. 1201–1203, 52. Pro Tools Setup for Surround. 4066: 4064: 4062: 7501:
Perfecting Sound Forever: The Story of Recorded Music
6539:"The History of Pro Tools - 1984 to 1993 | Pro Tools" 6509:"The History of Pro Tools - 2012 to 2018 | Pro Tools" 5269:"The History of Pro Tools - 2000 to 2007 | Pro Tools" 3699:
Clip Effects, Layered Editing, playlist improvements
3234:
standalone feature-limited product line bundled with
3084:
redesign, real-time plug-in insertion for TDM systems
6272:, p. 1408, 62. Working with Video in Pro Tools. 6056:, p. 653–664, 30. Editing Clips and Selections. 3863:
optimizations for session storage on cloud services
3481:
introduced (replaces the previous "blue" HD series)
2858:
first dedicated control surface for Pro Tools using
1770:
Analogous audio clips are identified by overlapping
864:
keyboard, called Sound Designer, released under the
8165: 8117: 8013: 7942: 7724: 7646: 3386:; support limited to 44.1/48 kHz sample rates 2520:stereo hard-disk recording and editing system with 213: 196: 184: 164: 148: 130: 104: 82: 65: 53: 7523: 6080:, p. 949–950, 43. Clip Gain and Clip Effects. 5685:"Digidesign Hybrid & Music Production Toolkit" 3519:configurations; each PCI card is equipped with 18 3274:second generation of the Mbox USB audio interface 3190:), new keyboard shortcuts, I/O setup improvements 2736:systems or without TDM hardware with limitations ( 2685:88x series interfaces with 8 channels I/O, 16-bit 1083:, developer of the digital video editing platform 6417:"Pro Tools - Music Editing Software - Comparison" 6380:, p. 1267, 57. Working with Synchronization. 6116:, p. 1011–1013, 46. Extract MIDI from Audio. 5368:Denten, Michael; Hawkins, Erik (September 2002). 2917:touch-sensitive control surface equipped with 24 959:card called Sound Accelerator, equipped with one 6591:: CS1 maint: bot: original URL status unknown ( 5655:Poyser, Debbie; Johnson, Derek (December 2002). 4084:"Pro Tools Operating System Compatibility Chart" 3707:project revision history, Workspace improvements 3331:plug-ins added, MIDI data can be exchanged with 3092:new DigiRack plug-ins, more powerful LE version 1284:Hardware-independent native systems: Pro Tools 9 111:Pro Tools 2023.12 / December 12, 2023 7205:"Pro Tools 2020.9 & 2020.9.1 Release Notes" 5071: 5069: 4482: 4314:"Ambisonics and VR/360 Audio in Pro Tools | HD" 4262:, p. 1280–1281, 57. Mixing to Dolby Atmos. 3422:guitar effects processor with Pro Tools LE DSP 1786:Multi-system linking and device synchronization 382:(including WAVE Extensible, RF64 and BW64) and 6368:, p. 1397, 62. Pro Tools Video Satellite. 6092:, p. 941, 43. Clip Gain and Clip Effects. 6008:, p. 947, 43. Clip Gain and Clip Effects. 5948:, p. 205–213, 12. Pro Tools Main Windows. 5936:, p. 187–190, 12. Pro Tools Main Windows. 5805:"Compare Pro Tools HDX vs Pro Tools HD Native" 3898:Essential software, audio to MIDI conversion, 1602:separate window or can be viewed full screen. 1096:processing; each card was equipped with three 8095: 7624: 3434:third generation, first full release by Avid 2938:8 audio tracks, 48 MIDI tracks, RTAS support 1516:"unviable to continue on a technical level". 1035:mounting one Motorola 56001 processor with a 8: 1865:Maximum voices, tracks, and hardware inputs 1206:Both HD Core and Process cards mounted nine 283:and in conjunction with a range of external 39: 4724: 4722: 4038:Comparison of multitrack recording software 3831:support for wave files, key commands added 2862:connection with microphone and line inputs 2683:-based Mac systems (up to 3 cards linkable) 2424:Timeline of Pro Tools hardware and software 1682:data in input and returns audio in output. 1313:'s complete line of virtual instruments in 1309:In response to Apple's decision to include 1246:Native systems: Pro Tools LE and Pro Tools 868:brand and inspired by the interface of the 8102: 8088: 8080: 8054: 7631: 7617: 7609: 6176:, p. 188, 12. Pro Tools Main Windows. 5960:, p. 190, 12. Pro Tools Main Windows. 4883:sfn error: no target: CITEREFMillner2009 ( 4731:"Consume the Minimum, Produce the Maximum" 3795:performance improvements (HDX / HD Native) 2291:Yes (includes 1 GB of free storage space) 1813: 1323: 490: 45: 38: 8041:Comparison of MIDI editors and sequencers 6104:, p. 929, 42. AudioSuite Processing. 5014:The Associated Press (October 26, 1994). 4990:"The History of Pro Tools - 1994 to 2000" 3202:modular control surface line with 16–32 ( 953:NAMM International Music & Sound Expo 7522:Battino, David; Richards, Kelli (2005). 3894:Dark Theme, Space Clips; integration of 2661:software editing functionality improved 2427: 1401: 1332: 6875: 6873: 6871: 6869: 6867: 6671: 6656: 6635: 6620: 6608: 6320:, p. 381, 19. Track Collaboration. 6284:, p. 19–23, 2. Pro Tools Concepts. 5060: 4878: 4841: 4822: 4637: 4070: 4058: 3463:full HD features can be purchased with 2970:interfaces providing 32–96 I/O channels 2509:chip, providing dedicated DSP hardware 1678:formats are also available for mixing. 7147: 7145: 7143: 7141: 7139: 7137: 7135: 7133: 6865: 6863: 6861: 6859: 6857: 6855: 6853: 6851: 6849: 6847: 6584: 6533: 6531: 6529: 6471:, p. 37–40, 5. Pro Tools Systems. 5740: 5738: 5709: 5707: 5650: 5648: 5619: 5617: 5615: 5549: 5547: 5518: 5516: 5487: 5485: 5456: 5454: 5425: 5423: 5394: 5392: 5332: 5330: 5328: 5326: 5317: 5262: 5260: 5258: 5256: 5254: 5178: 5176: 5125: 5123: 4983: 4981: 4979: 4977: 4975: 4973: 4971: 4969: 4935:: 56–58 – via www.muzines.co.uk. 4540: 4495: 4493: 4491: 4338: 4336: 4334: 4312:Sherbourne, Simon (October 18, 2017). 3709:software support for Pro Tools | MTRX 2948:surround mixing, Beat Detective (TDM) 2726:file editing features integrated into 1814: 818:graduates Evan Brooks, who majored in 279:Pro Tools operates both as standalone 8026:Comparison of free software for audio 6308:, p. 267–270, 14. Track Presets. 5771: 5769: 5582: 5580: 5578: 5363: 5361: 5228: 5226: 5224: 5222: 5220: 5218: 5216: 5214: 5212: 4578: 4576: 4574: 4572: 4570: 4568: 4450: 4448: 4446: 4444: 4442: 4175: 4173: 4144: 4142: 4140: 4138: 4136: 3839:bug fixes and stability improvements 3780:bug fixes and stability improvements 3763:bug fixes and stability improvements 2605:interface with 20-bit A/D conversion 2121:Batch Track/Clip rename, Space clips 1897: 1552:(when zoomed in) for audio tracks, a 848:Digidesign Sound Designer (1985–1989) 810:The beginnings: Digidrums (1983–1985) 772: 735: 637: 610: 578: 526: 339:, and faster-than-real-time mixdown. 7: 6468: 6377: 6365: 6353: 6341: 6329: 6317: 6305: 6293: 6281: 6269: 6257: 6245: 6233: 6221: 6209: 6197: 6185: 6173: 6161: 6149: 6137: 6125: 6113: 6101: 6089: 6077: 6065: 6053: 6044:, p. 16, 2. Pro Tools Concepts. 6041: 6029: 6017: 6005: 5996:, p. 1135–1138, 50. Automation. 5993: 5984:, p. 1125–1126, 50. Automation. 5981: 5969: 5957: 5945: 5933: 4784:"Pro Tools user since the beginning" 4274: 4259: 4247: 4207: 3855:support for Pro Tools | MTRX Studio 3552:resolution, interface improvements, 3468:added 7.0/7.1 surround support (HD) 3141:DSP cards expansion equipped with 9 2907:host-based processing (without DSP) 2068:Elastic Pitch, Track presets, ARA 2 1507:Switch to 64-bit architecture (2013) 1474:resolution for audio processing and 8021:Comparison of digital audio editors 6356:, p. 1387, 61. Satellite Link. 5861:. Digidesign, Inc. 2000. p. 18 5829:Hughes, Russ (September 22, 2014). 5267:Thornton, Mike (November 3, 2018). 4988:Thornton, Mike (November 3, 2018). 4782:Gotcher, Peter (February 1, 2004). 4729:Goldberg, Michael (December 1994). 4590:. February 25, 2009. Archived from 4561:(May 1986): 24 – via Muzines. 4210:, p. 7, 2. Pro Tools Concepts. 3457:"standard" version replaces LE and 2066:MIDI editor/keyboard, Elastic Audio 1394:synthesis and sample-based library 8336:Digital audio workstation software 4757:Lehrman, Paul D. (November 1990). 4121:from the original on July 25, 2019 3475:HD I/O, HD OMNI, HD MADI, SYNC HD 1622:, automation read/write controls, 912:use soared. The service used 2400- 25: 7405:"Pro Tools 2021.12 Release Notes" 7380:"Pro Tools 2021.12 Release Notes" 7355:"Pro Tools 2021.10 Release Notes" 7255:"Pro Tools 2020.12 Release Notes" 7230:"Pro Tools 2020.11 Release Notes" 7087:"Pro Tools 2019.12 Release Notes" 7061:"Pro Tools 2019.10 Release Notes" 6986:"Pro Tools 2018.12 Release Notes" 6507:Thornton, Mike (March 25, 2018). 6443:Thornton, Mike (August 9, 2018). 6260:, p. 1188–1190, 51. Mixdown. 6224:, p. 1058, 48. Basic Mixing. 6212:, p. 1046, 48. Basic Mixing. 6200:, p. 1057, 48. Basic Mixing. 6068:, p. 695, 44. Elastic Audio. 5831:"A-Z of Pro Tools - A is for AAX" 4700:Brooks, Evan (January 20, 2007). 3238:interfaces, same as Pro Tools LE 2846:20-bit digital interface with 16 1958:Auxiliary tracks/Routing folders 1630:buttons, arm record buttons, the 1448:real-time loop manipulation tool 1160:—with Pro Tools TDM 5.1 in 2001. 990:; digital audio acquisition from 433:, tempo maps, elastic audio, and 354:, and hardware emulators—such as 8064: 8063: 8053: 7330:"Pro Tools 2021.7 Release Notes" 7305:"Pro Tools 2021.6 Release Notes" 7280:"Pro Tools 2021.3 Release Notes" 7180:"Pro Tools 2020.5 Release Notes" 7112:"Pro Tools 2020.3 Release Notes" 7036:"Pro Tools 2019.6 Release Notes" 7011:"Pro Tools 2019.5 Release Notes" 6961:"Pro Tools 2018.7 Release Notes" 6152:, p. 780, 34. MIDI Editing. 6140:, p. 805, 36. Score Editor. 6128:, p. 787, 35. MIDI Editors. 5626:"Digidesign Pro Tools 8: Part 2" 4650:Lehrman, Paul D. (August 1989). 4584:"Sample Editors: Sound Designer" 4180:Thornton, Mike (February 2015). 4022: 3363:, Digibase browser enhancements 3145:chips (200 MHz clock speed) 2722:WAV and QuickTime file support; 1440:sampled classic electric pianos 240:(DAW) developed and released by 6390:Thornton, Mike (July 4, 2018). 6020:, p. 1160, 50. Automation. 5596:. December 1999. Archived from 5523:Price, Simon (September 2006). 5430:Thornton, Mike (January 2008). 4675:Mellor, David (November 1991). 4501:"Digidesign Past & Present" 4415:Payne, John (October 4, 2008). 4343:Wherry, Mark (September 2013). 3974:support for Pro Tools software 3969:Sync X and Sync HD improvements 3815:updated Avid Video Engine with 3347:new formats/variants of Mbox 2 3186:selectable solo mode (Latch or 2814:system configurations with one 1326:List of AIR Virtual Instruments 6798:"Pro Tools: What's New In 7.3" 5624:Mark, Wherry (February 2009). 5400:"Digidesign HD Accel PCI Card" 4613:Mellor, David (October 1988). 4555:"Sound Designer 2000 Software" 4456:"A brief history of Pro Tools" 1911:Simultaneous recording inputs 1459:Pro Tools | HDX (2011–present) 1072:of tracks was achieved with a 852:When Apple released its first 516:Sound Designer Universal (1.5) 410:, and audio from video files ( 333:time compression and expansion 1: 7990:Soundscape Digital Technology 7474:Electronic and Computer Music 6932:Wherry, Mark (January 2016). 6796:Thornton, Mike (April 2007). 6768:Inglis, Sam (November 2005). 6686:"What's new in Pro Tools 6.9" 5972:, p. 691, 32. Playlists. 5554:Wherry, Mark (January 2009). 5492:Wherry, Mark (January 2006). 4398:"Introducing Pro Tools Intro" 4371:Holt, Kris (April 27, 2022). 4220:Thornton, Mike (April 2009). 3934:HD driver updated to support 3675:Track Freeze, fade workflows 3465:Complete Production Toolkit 2 3210:) touch-sensitive faders and 2801:16–48 I/O channels, 64 voices 2622:DAE (Digidesign Audio Engine) 2330:AAF / OMF / MXF file support 2208:Offline bounce, Track freeze 2085:Score editor, Beat Detective, 1815:Pro Tools feature comparison 1109:, EQ, delay, modulation, and 394:, ACID and REX files and the 362:. 16-bit, 24-bit, and 32-bit 8361:Soundtrack creation software 8036:List of Linux audio software 6712:Wherry, Mark (August 2006). 6684:Thornton, Mike (July 2005). 5745:Inglis, Sam (January 2011). 5293:Daley, Dan (November 1999). 5101:Boss, Todd D. (March 1994). 4923:Waugh, Ian (November 1993). 4771:: 60–64 – via Muzines. 4702:"NAMM Library: Oral History" 4689:: 70–74 – via Muzines. 4664:: 60–63 – via Muzines. 4627:: 24–26 – via Muzines. 4559:Electronic & Music Maker 4553:Devereux, Brian (May 1986). 4509:. March 1995. Archived from 4250:, p. 1210, 53. Mixdown. 2776:), 20-bit AD/DA converters ( 2246:surround mixing, ADM export 2087:Input monitoring, Clip gain 471:resolution for plug-ins and 285:analog-to-digital converters 8381:Windows multimedia software 7470:"20. The Personal Computer" 5880:Wherry, Mark (March 2012). 5776:Thornton, Mike (May 2011). 4483:Battino & Richards 2005 4149:Wherry, Mark (April 2012). 3936:Message Signaled Interrupts 3902:import/export functionality 2759:24–48 or 32–64 channels of 2244:Dolby Atmos, Ambisonics VR, 2206:Plug-in delay compensation, 2020:32-bit float, 192 kHz 935:, which was working on its 814:Pro Tools was developed by 390:metadata); it also imports 8402: 8111:Digital audio workstations 6825:"Digidesign M Box 2 Micro" 5778:"Avid Pro Tools HD Native" 5525:"Digidesign Pro Tools 7.2" 5461:Price, Simon (July 2004). 5432:"Digidesign Pro Tools 7.4" 4615:"Sound Designer Universal" 3577:application upgraded with 3447:HEAT software add-on (HD) 3036:digital I/O, bundled with 2822:PCI cards equipped with 6 2313:Timecode ruler, AAC codec 1413:sampler with full library 1069:time-division multiplexing 923:With the release of Apple 32:Pro Tools (disambiguation) 29: 8376:MacOS multimedia software 8351:Electronic music software 8346:Music production software 8049: 7576:Pro Tools Reference Guide 7558:Pro Tools Reference Guide 7153:"What's New in Pro Tools" 5714:Inglis, Sam (June 2005). 5683:Inglis, Sam (June 2006). 5370:"Digidesign Pro Tools|HD" 5337:Price, Simon (May 2003). 4417:"The Software Chronicles" 3922: 3849: 3843: 3790: 3784: 3748: 3742: 3719: 3713: 3685: 3679: 3637: 3617: 3499: 3496: 3493: 3472: 3438: 3416: 3413: 3390: 3367: 3351: 3278: 3254: 3218: 3159: 3119: 3080:platform (OS 9 dropped), 3067: 3022: 3005: 2979:systems are based on one 2958: 2955: 2952: 2925: 2881: 2840: 2800: 2797: 2794: 2758: 2755: 2712: 2678: 2675: 2672: 2653: 2650: 2639: 2636: 2615: 2612: 2609: 2597: 2589: 2586: 2564: 2561: 2558: 2519: 2516: 2513: 2290: 2279: 2200: 2197: 2189: 2186: 2169: 2166: 2158: 2154:(Advanced video editing) 2140:Field recorder workflows 2138:AVE, Video editing tools, 2104:Audio to MIDI conversion 2060: 2049: 2046: 2043: 2035: 2024: 2019: 1988: 1980: 1977: 1952: 1938: 1901:2048 (native/HDX Hybrid) 1894: 1864: 1842: 1404: 1335: 955:. The system relied on a 941:digital signal processors 929:digital audio workstation 797: 792: 787: 767: 757: 752: 725: 720: 710: 705: 700: 690: 685: 675: 665: 657: 652: 627: 600: 595: 568: 558: 548: 543: 521: 511: 506: 496: 293:digital signal processors 238:digital audio workstation 191:Digital audio workstation 172: 126: 100: 44: 27:Digital audio workstation 8341:Audio recording software 6565:"Digidesign Pro Tools 4" 5556:"Digidesign Pro Tools 8" 5494:"Digidesign Pro Tools 7" 5339:"Digidesign Pro Tools 6" 4788:Avid Pro Audio Community 4652:"Digidesign Sound Tools" 3850:Pro Tools | MTRX Studio 3540:plug-ins in HD systems, 2505:card, equipped with one 2366:(sync up to 12 systems) 1832:Pro Tools Flex/Ultimate 1755:Field recorder workflows 1405:AIR Complete Collection 1355:electronic drum machine 1336:AIR Creative Collection 1297:version of Pro Tools 9. 1265:With the acquisition of 1190:Following the launch of 429:, and more. It features 317:multitrack tape recorder 7478:Oxford University Press 7468:Manning, Peter (2013). 4677:"Hands on: Sound Tools" 3323:Digibase enhancements, 3264:digital mixing consoles 3168:+12 dB fader range 3147:twice the power as the 2734:Pro Tools III NuBus/PCI 2719:Pro Tools Project Card 2693:converters, AES/EBU I/O 2640:Pro Tools II TDM (2.5) 2296:Session data importing 2225:VCA, AFL/PFL solo path, 2017:Bit depth, Sample rate 1925:(Native/HDX/HD Native) 1906:256/card (HDX classic) 1890:(mono/stereo/surround) 1885:(mono/stereo/surround) 1431:subtractive synthesizer 1375:sampled acoustic piano 1171:" (1999) was the first 1011:non-destructive editing 885:Sequential Prophet 2000 329:non-destructive editing 268:) and, more generally, 78:(previously Digidesign) 8031:List of music software 7640:Audio editing software 5463:"Pro Tools 6.4 Update" 5185:"Digidesign Pro Tools" 5183:Collins, Mike (1998). 5160:archive.digidesign.com 5135:archive.digidesign.com 5081:archive.digidesign.com 4925:"Digidesign Session 8" 4903:archive.digidesign.com 4043:List of music software 2901:, digital I/O and MIDI 1820:Subscription/Software 1778:with the audio from a 1532: 1317:in 2004 and following 1031:, delay with chorus). 820:electrical engineering 462:fixed-point arithmetic 113:; 9 months ago 88:; 35 years ago 7495:Milner, Greg (2009). 7409:avid.secure.force.com 7384:avid.secure.force.com 7359:avid.secure.force.com 7334:avid.secure.force.com 7309:avid.secure.force.com 7284:avid.secure.force.com 7259:avid.secure.force.com 7234:avid.secure.force.com 7209:avid.secure.force.com 6934:"Avid Pro Tools 12.3" 5716:"Pro Tools M-Powered" 5657:"Digidesign Digi 002" 5588:"Digidesign Digi 001" 4404:. September 28, 2022. 3581:architecture. 32-bit 3532:(32-bit still used); 3407:Digi 003 Rack + (LE) 2170:Up to 7.1.2 surround 1772:longitudinal timecode 1722:Session data exchange 1527: 1224:round-trip delay time 826:, and Peter Gotcher. 437:; supports mixing in 207:software-as-a-service 86:January 20, 1989 8119:Free and Open-Source 7809:KRISTAL Audio Engine 7648:Free and open-source 6749:. September 16, 2004 5408:. September 15, 2003 4952:DAW Bench Radio Show 4594:on February 25, 2009 3479:HD Series Interfaces 3262:new line of modular 2763:I/O support via the 2537:software running on 2440:Release information 2405:preamps designed by 2285:Cloud collaboration 2164:Multichannel mixing 2058:Artist bundle (100) 1843:Paid (subscription) 973:parametric equalizer 492:Pro Tools milestones 311:and to obtain lower 30:For other uses, see 8200:Cakewalk by BandLab 7769:Cakewalk by BandLab 7505:Granta Publications 7067:. February 19, 2020 6770:"Digidesign Mbox 2" 6545:. February 25, 2018 5915:. December 15, 2021 5882:"Avid Pro Tools 10" 4345:"Avid Pro Tools 11" 4009:support; bug fixes 3929:Pro Tools | Sync X 3891:Pro Tools | Carbon 3689:Cloud Collaboration 3372:Digi 003 Rack (LE) 3246:HD Accel PCIe (HD) 3122:Digi 002 Rack (LE) 2798:Pro Tools | 24 MIX 2620:with the component 2490:Sound Designer 1.5 1848:Subscription price 1816: 1780:lavalier microphone 1746:Cloud collaboration 1618:, input and output 1367:-style synthesizer 1347:with basic library 1328: 1222:connection reduced 1169:Livin' la Vida Loca 1152:Tools | 24 system. 1107:dynamics processing 493: 477:64-bit architecture 352:virtual instruments 41: 7914:Tracktion Waveform 7671:Gnome Wave Cleaner 7497:"8: Tubby's Ghost" 5747:"Avid Pro Tools 9" 5077:"DSP Farm - NuBus" 5021:The New York Times 4427:on October 4, 2008 4001:Pro Tools 2021.12 3989:Pro Tools 2021.10 3913:Pro Tools 2020.12 3888:Pro Tools 2020.11 3836:Pro Tools 2019.12 3810:Pro Tools 2019.10 3777:Pro Tools 2018.12 3554:Avid Channel Strip 3379:Mbox 2 Micro (LE) 3054:Pro Tools LE 5.3.2 2676:Pro Tools III PCI 2549:Sound Designer II 2493:Sound Accelerator 2227:Advanced metering 2047:Intro bundle (36) 1944:Instrument tracks 1793:SMPTE/EBU timecode 1695:virtual instrument 1640:virtual instrument 1533: 1324: 632:Pro Tools | 24 MIX 491: 356:microphone preamps 55:Original author(s) 8371:Audio engineering 8323: 8322: 8295:Steinberg WaveLab 8205:Digital Performer 8077: 8076: 7894:Steinberg WaveLab 7779:Digital Performer 7514:978-1-84708-605-1 7487:978-0-19-974639-2 7452:978-0-24-051943-2 6714:"Digidesign Icon" 6543:Production Expert 6513:Production Expert 6486:Production Expert 6449:Production Expert 6396:Production Expert 5835:Production Expert 5273:Production Expert 4994:Production Expert 4946:Curigliano, Vin. 4759:"Digidesign Deck" 4117:. July 25, 2019. 4013: 4012: 3979:Pro Tools 2021.7 3965:Intel Turbo Boost 3948:Pro Tools 2021.6 3926:Pro Tools 2021.3 3868:Pro Tools 2020.9 3860:Pro Tools 2020.5 3847:Pro Tools 2020.3 3802:Pro Tools 2019.6 3788:Pro Tools 2019.5 3768:Pro Tools 2018.7 3758:Pro Tools 2018.4 3746:Pro Tools 2018.1 3732:Pro Tools 12.8.2 3720:Pro Tools | MTRX 3622:Pro Tools | First 3536:plug-ins replace 3521:Texas Instruments 3344:Mbox 2 Mini (LE) 3335:scoring software 2983:adding up to two 2679:16–48 voices for 2625:4 voices support 2552:Sound Accelerator 2535:Sound Designer II 2528:Sound Accelerator 2500:Sound Accelerator 2382: 2381: 2280:Program features 2051:Celemony Melodyne 2044:Included plugins 2025:Production tools 1829:Pro Tools Studio 1826:Pro Tools Artist 1456: 1455: 1452: 1451: 1398: 1397: 1276:The Pro Tools LE/ 1027:, 1-band EQ with 969:graphic equalizer 807: 806: 783:Pro Tools | First 538:Sound Designer II 479:from version 11. 250:Microsoft Windows 231: 230: 175:List of languages 16:(Redirected from 8393: 8290:Steinberg Nuendo 8285:Steinberg Cubase 8255:MultitrackStudio 8235:MAGIX Samplitude 8215:FL Studio Mobile 8104: 8097: 8090: 8081: 8067: 8066: 8057: 8056: 7950:Adobe Soundbooth 7889:Steinberg Nuendo 7884:Steinberg Cubase 7839:MultitrackStudio 7819:Magix Samplitude 7789:FL Studio Mobile 7633: 7626: 7619: 7610: 7604: 7603: 7601:Official website 7587: 7581: 7569: 7563: 7551: 7527: 7518: 7491: 7464: 7420: 7419: 7417: 7415: 7401: 7395: 7394: 7392: 7390: 7376: 7370: 7369: 7367: 7365: 7351: 7345: 7344: 7342: 7340: 7326: 7320: 7319: 7317: 7315: 7301: 7295: 7294: 7292: 7290: 7276: 7270: 7269: 7267: 7265: 7251: 7245: 7244: 7242: 7240: 7226: 7220: 7219: 7217: 7215: 7201: 7195: 7194: 7192: 7190: 7176: 7170: 7169: 7167: 7165: 7149: 7128: 7127: 7125: 7123: 7118:. March 24, 2020 7108: 7102: 7101: 7099: 7097: 7083: 7077: 7076: 7074: 7072: 7057: 7051: 7050: 7048: 7046: 7032: 7026: 7025: 7023: 7021: 7007: 7001: 7000: 6998: 6996: 6982: 6976: 6975: 6973: 6971: 6957: 6951: 6950: 6948: 6946: 6929: 6923: 6922: 6920: 6918: 6906:"Avid HD Omni |" 6902: 6896: 6895: 6893: 6891: 6877: 6842: 6841: 6839: 6837: 6821: 6815: 6814: 6812: 6810: 6793: 6787: 6786: 6784: 6782: 6765: 6759: 6758: 6756: 6754: 6737: 6731: 6730: 6728: 6726: 6709: 6703: 6702: 6700: 6698: 6681: 6675: 6669: 6660: 6654: 6639: 6633: 6624: 6618: 6612: 6606: 6597: 6596: 6590: 6582: 6580: 6578: 6561: 6555: 6554: 6552: 6550: 6535: 6524: 6523: 6521: 6519: 6504: 6498: 6497: 6495: 6493: 6478: 6472: 6466: 6460: 6459: 6457: 6455: 6440: 6434: 6433: 6431: 6429: 6413: 6407: 6406: 6404: 6402: 6387: 6381: 6375: 6369: 6363: 6357: 6351: 6345: 6339: 6333: 6327: 6321: 6315: 6309: 6303: 6297: 6291: 6285: 6279: 6273: 6267: 6261: 6255: 6249: 6243: 6237: 6231: 6225: 6219: 6213: 6207: 6201: 6195: 6189: 6183: 6177: 6171: 6165: 6159: 6153: 6147: 6141: 6135: 6129: 6123: 6117: 6111: 6105: 6099: 6093: 6087: 6081: 6075: 6069: 6063: 6057: 6051: 6045: 6039: 6033: 6027: 6021: 6015: 6009: 6003: 5997: 5991: 5985: 5979: 5973: 5967: 5961: 5955: 5949: 5943: 5937: 5931: 5925: 5924: 5922: 5920: 5905: 5899: 5898: 5896: 5894: 5877: 5871: 5870: 5868: 5866: 5860: 5852: 5846: 5845: 5843: 5841: 5826: 5820: 5819: 5817: 5815: 5801: 5795: 5794: 5792: 5790: 5773: 5764: 5763: 5761: 5759: 5742: 5733: 5732: 5730: 5728: 5711: 5702: 5701: 5699: 5697: 5680: 5674: 5673: 5671: 5669: 5652: 5643: 5642: 5640: 5638: 5621: 5610: 5609: 5607: 5605: 5584: 5573: 5572: 5570: 5568: 5551: 5542: 5541: 5539: 5537: 5520: 5511: 5510: 5508: 5506: 5489: 5480: 5479: 5477: 5475: 5458: 5449: 5448: 5446: 5444: 5427: 5418: 5417: 5415: 5413: 5396: 5387: 5386: 5384: 5382: 5365: 5356: 5355: 5353: 5351: 5334: 5321: 5315: 5309: 5308: 5307:on June 4, 2011. 5303:. Archived from 5290: 5284: 5283: 5281: 5279: 5264: 5249: 5248: 5246: 5244: 5230: 5207: 5206: 5204: 5202: 5193:. Archived from 5180: 5171: 5170: 5168: 5166: 5156:"Audiomedia III" 5152: 5146: 5145: 5143: 5141: 5127: 5118: 5117: 5115: 5113: 5098: 5092: 5091: 5089: 5087: 5073: 5064: 5058: 5041: 5040: 5038: 5036: 5011: 5005: 5004: 5002: 5000: 4985: 4964: 4963: 4961: 4959: 4943: 4937: 4936: 4929:Music Technology 4920: 4914: 4913: 4911: 4909: 4895: 4889: 4888: 4876: 4870: 4869: 4867: 4865: 4851: 4845: 4839: 4826: 4820: 4799: 4798: 4796: 4794: 4779: 4773: 4772: 4754: 4748: 4747: 4745: 4743: 4726: 4717: 4716: 4714: 4712: 4697: 4691: 4690: 4672: 4666: 4665: 4647: 4641: 4635: 4629: 4628: 4610: 4604: 4603: 4601: 4599: 4588:Emulator Archive 4580: 4563: 4562: 4550: 4544: 4538: 4523: 4522: 4520: 4518: 4497: 4486: 4485:, p. 38–39. 4480: 4474: 4473: 4471: 4469: 4452: 4437: 4436: 4434: 4432: 4423:. Archived from 4412: 4406: 4405: 4394: 4388: 4387: 4385: 4383: 4368: 4362: 4361: 4359: 4357: 4340: 4329: 4328: 4326: 4324: 4309: 4303: 4302: 4300: 4298: 4284: 4278: 4272: 4263: 4257: 4251: 4245: 4239: 4238: 4236: 4234: 4217: 4211: 4205: 4199: 4198: 4196: 4194: 4177: 4168: 4167: 4165: 4163: 4146: 4131: 4130: 4128: 4126: 4105: 4099: 4098: 4096: 4094: 4080: 4074: 4068: 4032: 4027: 4026: 4025: 3497:Pro Tools | HDX 3460: 3300:software sampler 3289:Intel-based Macs 3229: 3011:SYNC, MIDI, PRE 3006:Pro Tools 5.3.1 2843:ADAT Bridge I/O 2706:888 I/O, 882 I/O 2498:compatible with 2458:E-Mu Emulator II 2428: 2385:Control surfaces 2061:Complete bundle 1860:US$ 99.99/month 1857:US$ 31.99/month 1823:Pro Tools Intro 1817: 1596:musical notation 1421:virtual drummer 1402: 1385:Hammond B3 organ 1333: 1329: 1292:on macOS or the 1279: 1272: 1249: 824:computer science 494: 227: 224: 222: 220: 150:Operating system 121: 119: 114: 96: 94: 89: 49: 42: 21: 8401: 8400: 8396: 8395: 8394: 8392: 8391: 8390: 8366:Sound recording 8326: 8325: 8324: 8319: 8315:Zynewave Podium 8225:Harrison Mixbus 8161: 8113: 8108: 8078: 8073: 8045: 8009: 7995:Soundscape R.Ed 7938: 7934:Zynewave Podium 7804:Harrison Mixbus 7720: 7642: 7637: 7599: 7598: 7595: 7590: 7579: 7572: 7561: 7554: 7548: 7525:"Peter Gotcher" 7521: 7515: 7494: 7488: 7467: 7453: 7432: 7423: 7413: 7411: 7403: 7402: 7398: 7388: 7386: 7378: 7377: 7373: 7363: 7361: 7353: 7352: 7348: 7338: 7336: 7328: 7327: 7323: 7313: 7311: 7303: 7302: 7298: 7288: 7286: 7278: 7277: 7273: 7263: 7261: 7253: 7252: 7248: 7238: 7236: 7228: 7227: 7223: 7213: 7211: 7203: 7202: 7198: 7188: 7186: 7178: 7177: 7173: 7163: 7161: 7151: 7150: 7131: 7121: 7119: 7110: 7109: 7105: 7095: 7093: 7085: 7084: 7080: 7070: 7068: 7059: 7058: 7054: 7044: 7042: 7034: 7033: 7029: 7019: 7017: 7009: 7008: 7004: 6994: 6992: 6984: 6983: 6979: 6969: 6967: 6959: 6958: 6954: 6944: 6942: 6931: 6930: 6926: 6916: 6914: 6904: 6903: 6899: 6889: 6887: 6879: 6878: 6845: 6835: 6833: 6823: 6822: 6818: 6808: 6806: 6795: 6794: 6790: 6780: 6778: 6767: 6766: 6762: 6752: 6750: 6739: 6738: 6734: 6724: 6722: 6711: 6710: 6706: 6696: 6694: 6683: 6682: 6678: 6670: 6663: 6655: 6642: 6634: 6627: 6619: 6615: 6607: 6600: 6583: 6576: 6574: 6563: 6562: 6558: 6548: 6546: 6537: 6536: 6527: 6517: 6515: 6506: 6505: 6501: 6491: 6489: 6488:. June 18, 2019 6480: 6479: 6475: 6467: 6463: 6453: 6451: 6442: 6441: 6437: 6427: 6425: 6415: 6414: 6410: 6400: 6398: 6389: 6388: 6384: 6376: 6372: 6364: 6360: 6352: 6348: 6340: 6336: 6328: 6324: 6316: 6312: 6304: 6300: 6292: 6288: 6280: 6276: 6268: 6264: 6256: 6252: 6244: 6240: 6232: 6228: 6220: 6216: 6208: 6204: 6196: 6192: 6184: 6180: 6172: 6168: 6160: 6156: 6148: 6144: 6136: 6132: 6124: 6120: 6112: 6108: 6100: 6096: 6088: 6084: 6076: 6072: 6064: 6060: 6052: 6048: 6040: 6036: 6028: 6024: 6016: 6012: 6004: 6000: 5992: 5988: 5980: 5976: 5968: 5964: 5956: 5952: 5944: 5940: 5932: 5928: 5918: 5916: 5907: 5906: 5902: 5892: 5890: 5879: 5878: 5874: 5864: 5862: 5858: 5854: 5853: 5849: 5839: 5837: 5828: 5827: 5823: 5813: 5811: 5803: 5802: 5798: 5788: 5786: 5775: 5774: 5767: 5757: 5755: 5744: 5743: 5736: 5726: 5724: 5713: 5712: 5705: 5695: 5693: 5682: 5681: 5677: 5667: 5665: 5654: 5653: 5646: 5636: 5634: 5623: 5622: 5613: 5603: 5601: 5600:on June 9, 2015 5586: 5585: 5576: 5566: 5564: 5553: 5552: 5545: 5535: 5533: 5522: 5521: 5514: 5504: 5502: 5491: 5490: 5483: 5473: 5471: 5460: 5459: 5452: 5442: 5440: 5429: 5428: 5421: 5411: 5409: 5398: 5397: 5390: 5380: 5378: 5367: 5366: 5359: 5349: 5347: 5336: 5335: 5324: 5316: 5312: 5292: 5291: 5287: 5277: 5275: 5266: 5265: 5252: 5242: 5240: 5232: 5231: 5210: 5200: 5198: 5197:on June 7, 2015 5182: 5181: 5174: 5164: 5162: 5154: 5153: 5149: 5139: 5137: 5131:"DSP Farm, PCI" 5129: 5128: 5121: 5111: 5109: 5100: 5099: 5095: 5085: 5083: 5075: 5074: 5067: 5059: 5044: 5034: 5032: 5013: 5012: 5008: 4998: 4996: 4987: 4986: 4967: 4957: 4955: 4945: 4944: 4940: 4922: 4921: 4917: 4907: 4905: 4899:"Audiomedia II" 4897: 4896: 4892: 4882: 4877: 4873: 4863: 4861: 4853: 4852: 4848: 4840: 4829: 4821: 4802: 4792: 4790: 4781: 4780: 4776: 4756: 4755: 4751: 4741: 4739: 4728: 4727: 4720: 4710: 4708: 4699: 4698: 4694: 4674: 4673: 4669: 4649: 4648: 4644: 4636: 4632: 4612: 4611: 4607: 4597: 4595: 4582: 4581: 4566: 4552: 4551: 4547: 4539: 4526: 4516: 4514: 4513:on June 6, 2015 4499: 4498: 4489: 4481: 4477: 4467: 4465: 4454: 4453: 4440: 4430: 4428: 4414: 4413: 4409: 4396: 4395: 4391: 4381: 4379: 4370: 4369: 4365: 4355: 4353: 4342: 4341: 4332: 4322: 4320: 4311: 4310: 4306: 4296: 4294: 4286: 4285: 4281: 4273: 4266: 4258: 4254: 4246: 4242: 4232: 4230: 4222:"Track Comping" 4219: 4218: 4214: 4206: 4202: 4192: 4190: 4179: 4178: 4171: 4161: 4159: 4148: 4147: 4134: 4124: 4122: 4107: 4106: 4102: 4092: 4090: 4082: 4081: 4077: 4069: 4060: 4051: 4028: 4023: 4021: 4018: 3995: 3970: 3968: 3962: 3960: 3958: 3956: 3954: 3939: 3933: 3907: 3905: 3903: 3875: 3854: 3814: 3796: 3794: 3762: 3752: 3717:Pro Tools 12.8 3708: 3704:Pro Tools 12.7 3696:Pro Tools 12.6 3683:Pro Tools 12.5 3672:Pro Tools 12.4 3664:Pro Tools 12.3 3653:Pro Tools 12.2 3645:Pro Tools 12.1 3629: 3606: 3594: 3547: 3545: 3544:still supported 3524: 3503: 3501: 3467: 3462: 3458: 3431:Mbox Mini (LE) 3430: 3428: 3371: 3343: 3342:Mbox 2 Pro (LE) 3302:plug-ins added 3282:Pro Tools 7.11 3225: 3199:ICON D-Command 3198: 3185: 3169: 3146: 3091: 3089: 3087: 3085: 3017: 3010: 3009:192 I/O, 96 I/O 2994: 2988: 2971: 2956:Pro Tools | HD 2937: 2902: 2876: 2850:input channels 2835: 2802: 2790:888|24, 882|20 2789: 2768: 2756:Pro Tools | 24 2750: 2748: 2745: 2731: 2707: 2703:Pro Tools 3.21 2694: 2684: 2660: 2655: 2624: 2598:Sound Tools II 2579: 2568:MIDI sequencing 2566: 2553: 2525: 2497: 2461: 2448:Sound Designer 2426: 2387: 2365: 2245: 2226: 2207: 2153: 2139: 2086: 2067: 1924: 1889: 1884: 1879: 1874: 1854:US$ 9.00/month 1805: 1788: 1776:boom microphone 1761:field recorders 1757: 1748: 1724: 1708: 1691: 1689:Track rendering 1608: 1579:Time stretching 1575: 1542: 1522: 1509: 1461: 1341:Structure Free 1307: 1286: 1277: 1270: 1251: 1247: 1236:multi-threading 1188: 1133: 1093: 1065: 1020: 977:time stretching 949: 850: 844:units overall. 831:E-mu Drumulator 812: 802:Pro Tools 2018+ 740:Pro Tools | HDX 489: 272:, editing, and 270:sound recording 262:post-production 242:Avid Technology 217: 180: 179: 176: 122: 117: 115: 112: 92: 90: 87: 83:Initial release 76:Avid Technology 60: 35: 28: 23: 22: 15: 12: 11: 5: 8399: 8397: 8389: 8388: 8383: 8378: 8373: 8368: 8363: 8358: 8356:Music software 8353: 8348: 8343: 8338: 8328: 8327: 8321: 8320: 8318: 8317: 8312: 8307: 8302: 8297: 8292: 8287: 8282: 8277: 8272: 8267: 8262: 8260:n-Track Studio 8257: 8252: 8247: 8242: 8237: 8232: 8227: 8222: 8217: 8212: 8207: 8202: 8197: 8192: 8187: 8185:Adobe Audition 8182: 8177: 8171: 8169: 8163: 8162: 8160: 8159: 8154: 8149: 8144: 8139: 8134: 8129: 8123: 8121: 8115: 8114: 8109: 8107: 8106: 8099: 8092: 8084: 8075: 8074: 8072: 8071: 8061: 8050: 8047: 8046: 8044: 8043: 8038: 8033: 8028: 8023: 8017: 8015: 8011: 8010: 8008: 8007: 8005:TC Works Spark 8002: 8000:Soundtrack Pro 7997: 7992: 7987: 7982: 7977: 7972: 7967: 7962: 7957: 7952: 7946: 7944: 7940: 7939: 7937: 7936: 7931: 7926: 7921: 7916: 7911: 7909:Total Recorder 7906: 7901: 7896: 7891: 7886: 7881: 7876: 7871: 7866: 7861: 7856: 7851: 7846: 7844:n-Track Studio 7841: 7836: 7831: 7826: 7821: 7816: 7811: 7806: 7801: 7796: 7791: 7786: 7781: 7776: 7771: 7766: 7761: 7756: 7751: 7749:Adobe Audition 7746: 7741: 7736: 7730: 7728: 7722: 7721: 7719: 7718: 7713: 7708: 7703: 7698: 7693: 7688: 7683: 7678: 7673: 7668: 7663: 7658: 7652: 7650: 7644: 7643: 7638: 7636: 7635: 7628: 7621: 7613: 7607: 7606: 7605:Avid Pro Tools 7594: 7593:External links 7591: 7589: 7588: 7570: 7552: 7546: 7538:Backbeat Books 7519: 7513: 7492: 7486: 7465: 7451: 7429: 7422: 7421: 7396: 7371: 7346: 7321: 7296: 7271: 7246: 7221: 7196: 7184:avid.force.com 7171: 7129: 7116:avid.force.com 7103: 7091:avid.force.com 7078: 7065:avid.force.com 7052: 7040:avid.force.com 7027: 7015:avid.force.com 7002: 6990:avid.force.com 6977: 6965:avid.force.com 6952: 6939:Sound on Sound 6924: 6911:Sound on Sound 6897: 6885:avid.force.com 6843: 6830:Sound on Sound 6816: 6803:Sound on Sound 6788: 6775:Sound on Sound 6760: 6732: 6719:Sound on Sound 6704: 6691:Sound on Sound 6676: 6661: 6640: 6625: 6613: 6598: 6570:Sound on Sound 6556: 6525: 6499: 6473: 6461: 6435: 6408: 6382: 6370: 6358: 6346: 6334: 6322: 6310: 6298: 6286: 6274: 6262: 6250: 6238: 6226: 6214: 6202: 6190: 6178: 6166: 6154: 6142: 6130: 6118: 6106: 6094: 6082: 6070: 6058: 6046: 6034: 6022: 6010: 5998: 5986: 5974: 5962: 5950: 5938: 5926: 5900: 5887:Sound on Sound 5872: 5847: 5821: 5796: 5783:Sound on Sound 5765: 5752:Sound on Sound 5734: 5721:Sound on Sound 5703: 5690:Sound on Sound 5675: 5662:Sound on Sound 5644: 5631:Sound on Sound 5611: 5593:Sound on Sound 5574: 5561:Sound on Sound 5543: 5530:Sound on Sound 5512: 5499:Sound on Sound 5481: 5468:Sound on Sound 5450: 5437:Sound on Sound 5419: 5388: 5357: 5344:Sound on Sound 5322: 5320:, p. 216. 5310: 5285: 5250: 5238:avid.force.com 5208: 5190:Sound on Sound 5172: 5147: 5119: 5093: 5065: 5042: 5006: 4965: 4938: 4915: 4890: 4881:, p. 216. 4871: 4846: 4844:, p. 389. 4827: 4800: 4774: 4764:Sound on Sound 4749: 4718: 4692: 4682:Sound on Sound 4667: 4657:Sound on Sound 4642: 4640:, p. 387. 4630: 4620:Sound on Sound 4605: 4564: 4545: 4543:, p. 245. 4524: 4506:Sound on Sound 4487: 4475: 4464:. May 30, 2011 4438: 4407: 4389: 4363: 4350:Sound on Sound 4330: 4304: 4292:avid.force.com 4279: 4264: 4252: 4240: 4227:Sound on Sound 4212: 4200: 4187:Sound on Sound 4182:"Working Late" 4169: 4156:Sound on Sound 4132: 4100: 4088:avid.force.com 4075: 4057: 4050: 4047: 4046: 4045: 4040: 4034: 4033: 4017: 4014: 4011: 4010: 4007:macOS Monterey 4004: 4002: 3998: 3997: 3992: 3990: 3986: 3985: 3982: 3980: 3976: 3975: 3951: 3949: 3945: 3944: 3930: 3927: 3924: 3920: 3919: 3916: 3914: 3910: 3909: 3892: 3889: 3885: 3884: 3869: 3865: 3864: 3861: 3857: 3856: 3851: 3848: 3845: 3841: 3840: 3837: 3833: 3832: 3811: 3807: 3806: 3803: 3799: 3798: 3791: 3789: 3786: 3782: 3781: 3778: 3774: 3773: 3769: 3765: 3764: 3759: 3755: 3754: 3749: 3747: 3744: 3740: 3739: 3733: 3729: 3728: 3721: 3718: 3715: 3711: 3710: 3705: 3701: 3700: 3697: 3693: 3692: 3686: 3684: 3681: 3677: 3676: 3673: 3669: 3668: 3665: 3661: 3660: 3654: 3650: 3649: 3646: 3642: 3641: 3638: 3636: 3632: 3631: 3626: 3624: 3619: 3615: 3614: 3608: 3603: 3601: 3597: 3596: 3575: 3573: 3570: 3566: 3565: 3562: 3558: 3557: 3498: 3495: 3491: 3490: 3487: 3483: 3482: 3476: 3473: 3470: 3469: 3455: 3453: 3449: 3448: 3445: 3443: 3442:Pro Tools 8.1 3440: 3436: 3435: 3432: 3424: 3423: 3420: 3417: 3415: 3411: 3410: 3408: 3405: 3402: 3401: 3397: 3395: 3392: 3388: 3387: 3380: 3376: 3375: 3373: 3368: 3365: 3364: 3358: 3356: 3355:Pro Tools 7.4 3353: 3349: 3348: 3345: 3340: 3337: 3336: 3320: 3318: 3317:Pro Tools 7.3 3314: 3313: 3310: 3308: 3307:Pro Tools 7.2 3304: 3303: 3285: 3283: 3280: 3276: 3275: 3272: 3268: 3267: 3260: 3255: 3252: 3251: 3247: 3244: 3240: 3239: 3232: 3230: 3220: 3216: 3215: 3200: 3197:ICON D-Control 3195: 3192: 3191: 3182: 3180: 3179:Pro Tools 6.9 3176: 3175: 3166: 3164: 3163:Pro Tools 6.4 3161: 3157: 3156: 3143:Motorola 56321 3139: 3138:HD Accel (HD) 3135: 3134: 3123: 3120: 3117: 3116: 3110:, support for 3100: 3098: 3097:Pro Tools 6.1 3094: 3093: 3074: 3072: 3069: 3065: 3064: 3046: 3045:Digi 002 (LE) 3042: 3041: 3026: 3023: 3020: 3019: 3013: 3012: 3007: 3003: 3002: 2957: 2954: 2950: 2949: 2946: 2944: 2943:Pro Tools 5.1 2940: 2939: 2934: 2932: 2930:Pro Tools Free 2927: 2923: 2922: 2915: 2912: 2909: 2908: 2891: 2890:Digi 001 (LE) 2888: 2883: 2879: 2878: 2873: 2871: 2868: 2864: 2863: 2856: 2852: 2851: 2844: 2841: 2838: 2837: 2832: 2831:Pro Tools 4.3 2828: 2827: 2818:and up to two 2799: 2796: 2792: 2791: 2786: 2785:Pro Tools 4.1 2782: 2781: 2757: 2753: 2752: 2724:Sound Designer 2720: 2717: 2714: 2710: 2709: 2704: 2700: 2699: 2677: 2674: 2670: 2669: 2666: 2663: 2662: 2652: 2651:Pro Tools III 2648: 2647: 2641: 2638: 2634: 2633: 2632:Audiomedia II 2630: 2627: 2626: 2614: 2611: 2607: 2606: 2599: 2595: 2594: 2591: 2590:Pro Tools 1.1 2588: 2584: 2583: 2581: 2575: 2574: 2563: 2560: 2556: 2555: 2550: 2546: 2545: 2518: 2515: 2511: 2510: 2507:Motorola 56001 2494: 2491: 2488: 2484: 2483: 2451: 2449: 2446: 2442: 2441: 2438: 2435: 2432: 2425: 2422: 2386: 2383: 2380: 2379: 2376: 2373: 2370: 2367: 2364:Satellite link 2361: 2360: 2357: 2354: 2351: 2348: 2344: 2343: 2340: 2337: 2334: 2331: 2327: 2326: 2323: 2320: 2317: 2314: 2310: 2309: 2306: 2303: 2300: 2297: 2293: 2292: 2289: 2286: 2282: 2281: 2277: 2276: 2273: 2270: 2267: 2264: 2260: 2259: 2256: 2253: 2250: 2247: 2241: 2240: 2237: 2234: 2231: 2228: 2222: 2221: 2218: 2215: 2212: 2209: 2203: 2202: 2199: 2198:Playback only 2196: 2192: 2191: 2188: 2185: 2181: 2180: 2168: 2165: 2161: 2160: 2156: 2155: 2150: 2147: 2144: 2141: 2135: 2134: 2131: 2128: 2125: 2122: 2118: 2117: 2114: 2111: 2108: 2105: 2101: 2100: 2097: 2094: 2091: 2088: 2082: 2081: 2078: 2075: 2072: 2069: 2063: 2062: 2059: 2055: 2054: 2048: 2045: 2041: 2040: 2037: 2034: 2031: 2030:Editing tools 2027: 2026: 2022: 2021: 2018: 2014: 2013: 2010: 2007: 2004: 2001: 1997: 1996: 1993: 1990: 1987: 1983: 1982: 1979: 1976: 1972: 1971: 1968: 1965: 1962: 1959: 1955: 1954: 1951: 1948: 1945: 1941: 1940: 1937: 1934: 1931: 1927: 1926: 1921: 1918: 1915: 1912: 1908: 1907: 1903: 1902: 1899: 1896: 1892: 1891: 1886: 1881: 1880:(mono/stereo) 1876: 1875:(mono/stereo) 1871: 1867: 1866: 1862: 1861: 1858: 1855: 1852: 1849: 1845: 1844: 1841: 1838: 1834: 1833: 1830: 1827: 1824: 1821: 1804: 1801: 1787: 1784: 1756: 1753: 1747: 1744: 1723: 1720: 1707: 1704: 1690: 1687: 1607: 1604: 1583:pitch shifting 1574: 1571: 1541: 1538: 1521: 1518: 1508: 1505: 1472:floating-point 1460: 1457: 1454: 1453: 1450: 1449: 1446: 1442: 1441: 1438: 1434: 1433: 1427: 1423: 1422: 1419: 1415: 1414: 1411: 1407: 1406: 1399: 1396: 1395: 1392: 1388: 1387: 1381: 1377: 1376: 1373: 1369: 1368: 1361: 1357: 1356: 1353: 1349: 1348: 1342: 1338: 1337: 1306: 1303: 1285: 1282: 1260:SMPTE Timecode 1250: 1244: 1208:Motorola 56361 1187: 1184: 1141:Motorola 56301 1132: 1129: 1098:Motorola 56001 1092: 1089: 1085:Media Composer 1064: 1061: 1045:SMPTE timecode 1019: 1016: 961:Motorola 56001 948: 945: 918:Macintosh Plus 910:World Wide Web 893:Ensoniq Mirage 849: 846: 811: 808: 805: 804: 799: 795: 794: 790: 789: 785: 784: 780: 779: 774: 770: 769: 765: 764: 759: 755: 754: 750: 749: 743: 742: 737: 733: 732: 727: 723: 722: 718: 717: 712: 708: 707: 703: 702: 698: 697: 692: 688: 687: 683: 682: 677: 673: 672: 670:Pro Tools | HD 667: 663: 662: 661:Pro Tools Free 659: 655: 654: 650: 649: 645: 644: 639: 635: 634: 629: 625: 624: 622:Pro Tools | 24 618: 617: 612: 608: 607: 602: 598: 597: 593: 592: 586: 585: 580: 576: 575: 570: 566: 565: 563:Sound Tools II 560: 556: 555: 550: 546: 545: 541: 540: 534: 533: 528: 524: 523: 519: 518: 513: 509: 508: 504: 503: 501:Sound Designer 498: 488: 485: 469:floating-point 456:The Pro Tools 439:surround sound 337:pitch shifting 321:mixing console 291:with on-board 229: 228: 215: 211: 210: 200: 194: 193: 188: 182: 181: 177: 174: 173: 170: 169: 166: 162: 161: 152: 146: 145: 132: 128: 127: 124: 123: 110: 108: 106:Stable release 102: 101: 98: 97: 84: 80: 79: 69: 63: 62: 57: 51: 50: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8398: 8387: 8386:1989 software 8384: 8382: 8379: 8377: 8374: 8372: 8369: 8367: 8364: 8362: 8359: 8357: 8354: 8352: 8349: 8347: 8344: 8342: 8339: 8337: 8334: 8333: 8331: 8316: 8313: 8311: 8308: 8306: 8303: 8301: 8298: 8296: 8293: 8291: 8288: 8286: 8283: 8281: 8278: 8276: 8273: 8271: 8268: 8266: 8263: 8261: 8258: 8256: 8253: 8251: 8248: 8246: 8243: 8241: 8238: 8236: 8233: 8231: 8228: 8226: 8223: 8221: 8218: 8216: 8213: 8211: 8208: 8206: 8203: 8201: 8198: 8196: 8195:Bitwig Studio 8193: 8191: 8188: 8186: 8183: 8181: 8178: 8176: 8173: 8172: 8170: 8168: 8164: 8158: 8155: 8153: 8150: 8148: 8145: 8143: 8140: 8138: 8135: 8133: 8130: 8128: 8125: 8124: 8122: 8120: 8116: 8112: 8105: 8100: 8098: 8093: 8091: 8086: 8085: 8082: 8070: 8062: 8060: 8052: 8051: 8048: 8042: 8039: 8037: 8034: 8032: 8029: 8027: 8024: 8022: 8019: 8018: 8016: 8012: 8006: 8003: 8001: 7998: 7996: 7993: 7991: 7988: 7986: 7983: 7981: 7978: 7976: 7973: 7971: 7968: 7966: 7965:Logic Express 7963: 7961: 7960:Ensoniq Paris 7958: 7956: 7953: 7951: 7948: 7947: 7945: 7941: 7935: 7932: 7930: 7927: 7925: 7922: 7920: 7917: 7915: 7912: 7910: 7907: 7905: 7904:Synapse Orion 7902: 7900: 7897: 7895: 7892: 7890: 7887: 7885: 7882: 7880: 7879:SpectraLayers 7877: 7875: 7872: 7870: 7867: 7865: 7862: 7860: 7857: 7855: 7852: 7850: 7847: 7845: 7842: 7840: 7837: 7835: 7832: 7830: 7827: 7825: 7822: 7820: 7817: 7815: 7812: 7810: 7807: 7805: 7802: 7800: 7797: 7795: 7792: 7790: 7787: 7785: 7782: 7780: 7777: 7775: 7772: 7770: 7767: 7765: 7764:Bitwig Studio 7762: 7760: 7757: 7755: 7752: 7750: 7747: 7745: 7742: 7740: 7737: 7735: 7732: 7731: 7729: 7727: 7723: 7717: 7714: 7712: 7709: 7707: 7704: 7702: 7699: 7697: 7694: 7692: 7689: 7687: 7684: 7682: 7679: 7677: 7674: 7672: 7669: 7667: 7664: 7662: 7659: 7657: 7654: 7653: 7651: 7649: 7645: 7641: 7634: 7629: 7627: 7622: 7620: 7615: 7614: 7611: 7602: 7597: 7596: 7592: 7585: 7578: 7577: 7573:Avid (2020). 7571: 7567: 7560: 7559: 7555:Avid (2019). 7553: 7549: 7547:0-87930-830-3 7543: 7539: 7535: 7534:San Francisco 7531: 7526: 7520: 7516: 7510: 7506: 7502: 7498: 7493: 7489: 7483: 7479: 7475: 7471: 7466: 7462: 7458: 7454: 7448: 7444: 7440: 7436: 7431: 7430: 7428: 7427: 7410: 7406: 7400: 7397: 7385: 7381: 7375: 7372: 7360: 7356: 7350: 7347: 7335: 7331: 7325: 7322: 7310: 7306: 7300: 7297: 7285: 7281: 7275: 7272: 7260: 7256: 7250: 7247: 7235: 7231: 7225: 7222: 7214:September 17, 7210: 7206: 7200: 7197: 7185: 7181: 7175: 7172: 7160: 7159: 7154: 7148: 7146: 7144: 7142: 7140: 7138: 7136: 7134: 7130: 7117: 7113: 7107: 7104: 7092: 7088: 7082: 7079: 7066: 7062: 7056: 7053: 7041: 7037: 7031: 7028: 7016: 7012: 7006: 7003: 6991: 6987: 6981: 6978: 6966: 6962: 6956: 6953: 6941: 6940: 6935: 6928: 6925: 6913: 6912: 6907: 6901: 6898: 6886: 6882: 6876: 6874: 6872: 6870: 6868: 6866: 6864: 6862: 6860: 6858: 6856: 6854: 6852: 6850: 6848: 6844: 6832: 6831: 6826: 6820: 6817: 6805: 6804: 6799: 6792: 6789: 6777: 6776: 6771: 6764: 6761: 6748: 6747: 6742: 6736: 6733: 6721: 6720: 6715: 6708: 6705: 6693: 6692: 6687: 6680: 6677: 6674:, p. 17. 6673: 6668: 6666: 6662: 6659:, p. 16. 6658: 6653: 6651: 6649: 6647: 6645: 6641: 6638:, p. 15. 6637: 6632: 6630: 6626: 6623:, p. 13. 6622: 6617: 6614: 6611:, p. 14. 6610: 6605: 6603: 6599: 6594: 6588: 6572: 6571: 6566: 6560: 6557: 6544: 6540: 6534: 6532: 6530: 6526: 6514: 6510: 6503: 6500: 6487: 6483: 6477: 6474: 6470: 6465: 6462: 6450: 6446: 6439: 6436: 6424: 6423: 6418: 6412: 6409: 6397: 6393: 6386: 6383: 6379: 6374: 6371: 6367: 6362: 6359: 6355: 6350: 6347: 6343: 6338: 6335: 6331: 6326: 6323: 6319: 6314: 6311: 6307: 6302: 6299: 6295: 6290: 6287: 6283: 6278: 6275: 6271: 6266: 6263: 6259: 6254: 6251: 6247: 6242: 6239: 6235: 6230: 6227: 6223: 6218: 6215: 6211: 6206: 6203: 6199: 6194: 6191: 6187: 6182: 6179: 6175: 6170: 6167: 6163: 6158: 6155: 6151: 6146: 6143: 6139: 6134: 6131: 6127: 6122: 6119: 6115: 6110: 6107: 6103: 6098: 6095: 6091: 6086: 6083: 6079: 6074: 6071: 6067: 6062: 6059: 6055: 6050: 6047: 6043: 6038: 6035: 6031: 6026: 6023: 6019: 6014: 6011: 6007: 6002: 5999: 5995: 5990: 5987: 5983: 5978: 5975: 5971: 5966: 5963: 5959: 5954: 5951: 5947: 5942: 5939: 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5082: 5078: 5072: 5070: 5066: 5063:, p. 11. 5062: 5057: 5055: 5053: 5051: 5049: 5047: 5043: 5031: 5027: 5023: 5022: 5017: 5010: 5007: 4995: 4991: 4984: 4982: 4980: 4978: 4976: 4974: 4972: 4970: 4966: 4953: 4949: 4942: 4939: 4934: 4930: 4926: 4919: 4916: 4904: 4900: 4894: 4891: 4886: 4880: 4875: 4872: 4860: 4856: 4850: 4847: 4843: 4838: 4836: 4834: 4832: 4828: 4825:, p. 10. 4824: 4819: 4817: 4815: 4813: 4811: 4809: 4807: 4805: 4801: 4789: 4785: 4778: 4775: 4770: 4766: 4765: 4760: 4753: 4750: 4738: 4737: 4732: 4725: 4723: 4719: 4707: 4703: 4696: 4693: 4688: 4684: 4683: 4678: 4671: 4668: 4663: 4659: 4658: 4653: 4646: 4643: 4639: 4634: 4631: 4626: 4622: 4621: 4616: 4609: 4606: 4593: 4589: 4585: 4579: 4577: 4575: 4573: 4571: 4569: 4565: 4560: 4556: 4549: 4546: 4542: 4537: 4535: 4533: 4531: 4529: 4525: 4512: 4508: 4507: 4502: 4496: 4494: 4492: 4488: 4484: 4479: 4476: 4463: 4462: 4457: 4451: 4449: 4447: 4445: 4443: 4439: 4426: 4422: 4418: 4411: 4408: 4403: 4399: 4393: 4390: 4378: 4374: 4367: 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3726: 3722: 3716: 3712: 3706: 3703: 3702: 3698: 3695: 3694: 3690: 3687: 3682: 3678: 3674: 3671: 3670: 3666: 3663: 3662: 3658: 3655: 3652: 3651: 3647: 3644: 3643: 3639: 3635:Pro Tools 12 3634: 3633: 3627: 3625: 3623: 3620: 3616: 3613: 3609: 3604: 3602: 3599: 3598: 3592: 3588: 3584: 3580: 3576: 3574: 3572:Pro Tools 11 3571: 3568: 3567: 3563: 3561:Pro Tools 10 3560: 3559: 3555: 3551: 3543: 3539: 3535: 3531: 3527: 3522: 3518: 3514: 3510: 3506: 3492: 3488: 3485: 3484: 3480: 3477: 3474: 3471: 3466: 3456: 3454: 3451: 3450: 3446: 3444: 3441: 3437: 3433: 3429:Mbox Pro (LE) 3426: 3425: 3421: 3418: 3412: 3409: 3406: 3404: 3403: 3398: 3396: 3393: 3389: 3385: 3381: 3378: 3377: 3374: 3370:Digi 003 (LE) 3369: 3366: 3362: 3361:Elastic Audio 3359: 3357: 3354: 3350: 3346: 3341: 3339: 3338: 3334: 3330: 3326: 3321: 3319: 3316: 3315: 3311: 3309: 3306: 3305: 3301: 3298: 3294: 3290: 3286: 3284: 3281: 3277: 3273: 3270: 3269: 3265: 3261: 3259: 3256: 3253: 3248: 3245: 3242: 3241: 3237: 3233: 3231: 3228: 3224: 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2592: 2585: 2582: 2577: 2576: 2573: 2569: 2557: 2554:Audiomedia I 2551: 2548: 2547: 2544: 2540: 2536: 2532: 2529: 2523: 2512: 2508: 2504: 2501: 2495: 2492: 2489: 2486: 2485: 2481: 2477: 2473: 2469: 2465: 2459: 2455: 2452: 2450: 2447: 2444: 2443: 2439: 2436: 2433: 2430: 2429: 2423: 2421: 2417: 2414: 2412: 2408: 2404: 2399: 2397: 2393: 2384: 2377: 2374: 2371: 2368: 2363: 2362: 2358: 2355: 2352: 2349: 2346: 2345: 2341: 2338: 2335: 2332: 2329: 2328: 2324: 2321: 2318: 2315: 2312: 2311: 2307: 2304: 2301: 2298: 2295: 2294: 2287: 2284: 2283: 2278: 2274: 2271: 2268: 2265: 2262: 2261: 2257: 2254: 2251: 2248: 2243: 2242: 2238: 2235: 2232: 2229: 2224: 2223: 2219: 2216: 2213: 2210: 2205: 2204: 2195:Clip effects 2194: 2193: 2183: 2182: 2179: 2178: 2174: 2163: 2162: 2159:Mixing tools 2157: 2151: 2148: 2145: 2142: 2137: 2136: 2132: 2129: 2126: 2123: 2120: 2119: 2115: 2112: 2109: 2106: 2103: 2102: 2098: 2095: 2092: 2089: 2084: 2083: 2079: 2076: 2073: 2070: 2065: 2064: 2057: 2056: 2052: 2042: 2038: 2032: 2029: 2028: 2023: 2016: 2015: 2011: 2008: 2005: 2002: 1999: 1998: 1994: 1991: 1986:Video tracks 1985: 1984: 1974: 1973: 1969: 1966: 1963: 1960: 1957: 1956: 1949: 1946: 1943: 1942: 1935: 1932: 1929: 1928: 1922: 1919: 1916: 1913: 1910: 1909: 1905: 1904: 1900: 1893: 1887: 1882: 1877: 1872: 1870:Audio tracks 1869: 1868: 1863: 1859: 1856: 1853: 1850: 1847: 1846: 1839: 1837:License type 1836: 1835: 1831: 1828: 1825: 1822: 1819: 1818: 1812: 1808: 1802: 1800: 1798: 1797:MIDI timecode 1794: 1785: 1783: 1781: 1777: 1773: 1768: 1766: 1762: 1754: 1752: 1745: 1743: 1739: 1737: 1733: 1729: 1721: 1719: 1716: 1714: 1705: 1703: 1699: 1696: 1688: 1686: 1683: 1679: 1677: 1673: 1669: 1665: 1661: 1657: 1653: 1649: 1645: 1641: 1637: 1633: 1629: 1625: 1621: 1617: 1613: 1605: 1603: 1599: 1597: 1591: 1588: 1584: 1580: 1572: 1570: 1566: 1564: 1561:time through 1559: 1555: 1551: 1547: 1539: 1537: 1531: 1526: 1519: 1517: 1513: 1506: 1504: 1500: 1496: 1492: 1488: 1486: 1481: 1477: 1473: 1470: 1466: 1458: 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817: 809: 803: 800: 796: 791: 786: 782: 781: 778: 775: 771: 766: 763: 760: 756: 751: 748: 745: 744: 741: 738: 734: 731: 728: 724: 719: 716: 713: 709: 704: 699: 696: 693: 689: 684: 681: 678: 674: 671: 668: 664: 660: 656: 651: 647: 646: 643: 640: 636: 633: 630: 626: 623: 620: 619: 616: 613: 609: 606: 605:Pro Tools PCI 603: 599: 594: 591: 590:Pro Tools III 588: 587: 584: 583:Pro Tools TDM 581: 577: 574: 571: 567: 564: 561: 557: 554: 551: 547: 542: 539: 536: 535: 532: 529: 525: 520: 517: 514: 510: 505: 502: 499: 495: 486: 484: 480: 478: 474: 470: 467: 463: 459: 454: 452: 448: 444: 440: 436: 432: 428: 423: 421: 417: 413: 409: 405: 401: 397: 393: 389: 385: 381: 377: 373: 369: 365: 361: 360:virtual mixer 357: 353: 349: 348:Audio effects 345: 340: 338: 334: 330: 326: 322: 318: 314: 310: 306: 302: 298: 294: 290: 286: 282: 277: 275: 271: 267: 263: 259: 255: 251: 247: 243: 239: 235: 226: 216: 212: 208: 204: 201: 199: 195: 192: 189: 187: 183: 171: 167: 163: 160: 156: 153: 151: 147: 144: 140: 136: 133: 129: 125: 109: 107: 103: 99: 85: 81: 77: 73: 70: 68: 64: 61:Peter Gotcher 58: 56: 52: 48: 43: 37: 33: 19: 8264: 8240:Making Waves 8190:Anvil Studio 8175:Ableton Live 8132:BespokeSynth 7970:Logic Studio 7848: 7824:Making Waves 7754:Anvil Studio 7734:Ableton Live 7575: 7557: 7529: 7500: 7473: 7434: 7426:Bibliography 7425: 7424: 7412:. Retrieved 7408: 7399: 7387:. Retrieved 7383: 7374: 7362:. Retrieved 7358: 7349: 7337:. Retrieved 7333: 7324: 7312:. Retrieved 7308: 7299: 7287:. Retrieved 7283: 7274: 7262:. Retrieved 7258: 7249: 7239:December 15, 7237:. Retrieved 7233: 7224: 7212:. Retrieved 7208: 7199: 7187:. Retrieved 7183: 7174: 7162:. Retrieved 7156: 7120:. Retrieved 7115: 7106: 7094:. Retrieved 7090: 7081: 7069:. Retrieved 7064: 7055: 7043:. Retrieved 7039: 7030: 7018:. Retrieved 7014: 7005: 6993:. Retrieved 6989: 6980: 6968:. Retrieved 6964: 6955: 6943:. Retrieved 6937: 6927: 6915:. Retrieved 6909: 6900: 6888:. Retrieved 6884: 6834:. Retrieved 6828: 6819: 6807:. Retrieved 6801: 6791: 6779:. Retrieved 6773: 6763: 6751:. Retrieved 6746:Mix Magazine 6744: 6735: 6723:. Retrieved 6717: 6707: 6695:. Retrieved 6689: 6679: 6672:Collins 2002 6657:Collins 2002 6636:Collins 2002 6621:Collins 2002 6616: 6609:Collins 2002 6575:. Retrieved 6568: 6559: 6549:November 11, 6547:. Retrieved 6542: 6516:. 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Retrieved 5405:Mix Magazine 5403: 5379:. Retrieved 5375:Mix Magazine 5373: 5348:. Retrieved 5342: 5313: 5305:the original 5300:Mix Magazine 5298: 5288: 5278:December 18, 5276:. Retrieved 5272: 5241:. Retrieved 5237: 5199:. Retrieved 5195:the original 5188: 5165:December 13, 5163:. Retrieved 5159: 5150: 5140:December 18, 5138:. Retrieved 5134: 5112:December 13, 5110:. Retrieved 5106: 5096: 5084:. Retrieved 5080: 5061:Collins 2002 5035:December 18, 5033:. Retrieved 5019: 5009: 4999:December 18, 4997:. Retrieved 4993: 4956:. Retrieved 4951: 4941: 4932: 4928: 4918: 4908:December 13, 4906:. Retrieved 4902: 4893: 4879:Millner 2009 4874: 4862:. Retrieved 4859:duc.avid.com 4858: 4849: 4842:Manning 2013 4823:Collins 2002 4791:. Retrieved 4787: 4777: 4768: 4762: 4752: 4740:. Retrieved 4734: 4709:. Retrieved 4705: 4695: 4686: 4680: 4670: 4661: 4655: 4645: 4638:Manning 2013 4633: 4624: 4618: 4608: 4598:December 13, 4596:. Retrieved 4592:the original 4587: 4558: 4548: 4515:. 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Retrieved 4087: 4078: 4073:, p. 9. 4071:Collins 2002 4053: 4052: 4030:Music portal 3823:support and 3621: 3590: 3586: 3582: 3553: 3550:32-bit float 3541: 3537: 3533: 3525: 3516: 3512: 3511:systems and 3508: 3504: 3478: 3464: 3452:Pro Tools 9 3419:Eleven Rack 3394:Pro Tools 8 3384:Pro Tools LE 3383: 3328: 3325:Signal Tools 3324: 3296: 3292: 3287:support for 3271:Mbox 2 (LE) 3243:Pro Tools 7 3226: 3222: 3211: 3207: 3203: 3171: 3170:support for 3152: 3148: 3131:Pro Tools LE 3130: 3114: 3102:support for 3076:support for 3071:Pro Tools 6 3053: 3038:Pro Tools LE 3037: 3000: 2996: 2990: 2984: 2980: 2976: 2972: 2967: 2963: 2959: 2929: 2886:Pro Tools LE 2885: 2870:Pro Tools 5 2848:ADAT optical 2819: 2815: 2811: 2807: 2803: 2777: 2773: 2769: 2764: 2761:24-bit audio 2741: 2737: 2733: 2727: 2723: 2716:Pro Tools 4 2695: 2656: 2621: 2617: 2602: 2601:support for 2539:Macintosh SE 2534: 2527: 2526:relies on a 2522:16-bit audio 2517:Sound Tools 2499: 2468:Prophet 2000 2418: 2415: 2400: 2392:control room 2388: 2171: 1930:MIDI tracks 1809: 1806: 1789: 1769: 1758: 1749: 1740: 1725: 1717: 1709: 1700: 1692: 1684: 1680: 1652:multichannel 1632:volume fader 1609: 1600: 1592: 1576: 1567: 1543: 1534: 1514: 1510: 1501: 1497: 1493: 1489: 1462: 1325: 1308: 1299: 1287: 1275: 1264: 1256: 1252: 1241: 1232: 1228: 1213: 1205: 1189: 1180: 1173: 1165:Ricky Martin 1162: 1154: 1150: 1134: 1122: 1115: 1103: 1094: 1078: 1066: 1057: 1053: 1049: 1033: 1021: 1004: 981: 950: 925:Macintosh II 922: 906: 874: 851: 842: 834:drum machine 828: 813: 801: 777:Pro Tools 12 776: 762:Pro Tools 11 761: 747:Pro Tools 10 746: 739: 729: 714: 694: 679: 669: 648:Pro Tools LE 641: 631: 621: 614: 604: 589: 582: 573:Pro Tools II 572: 562: 552: 537: 530: 515: 500: 481: 455: 449:sound using 424: 372:sample rates 341: 305:equalization 278: 258:sound design 233: 232: 165:Available in 67:Developer(s) 36: 8167:Proprietary 7874:Sound Forge 7726:Proprietary 7443:Focal Press 7096:January 29, 7045:November 1, 6945:February 6, 6917:February 6, 6890:February 3, 6809:February 5, 6725:February 5, 6697:February 4, 6577:February 6, 6518:January 28, 5865:October 23, 5814:January 31, 5789:February 5, 5758:February 4, 5727:February 5, 5668:February 5, 5604:February 6, 5567:February 4, 5536:February 4, 5505:February 4, 5474:February 4, 5443:February 4, 5381:February 4, 5350:February 4, 5318:Milner 2009 5243:February 3, 5201:February 6, 5086:February 7, 4864:January 12, 4541:Milner 2009 4517:January 13, 4356:February 5, 4162:February 5, 3725:Dolby Atmos 3214:DSP system 3206:) or 8–24 ( 3018:HD Process 2914:Control|24 2855:ProControl 2826:Onyx chips 2347:Disk cache 2184:Automation 2173:Dolby Atmos 1975:VCA tracks 1713:audio stems 1672:Dolby Atmos 1666:, 6.0/6.1, 1636:level meter 1620:assignments 1480:fixed-point 1445:Transfuser 1372:Mini Grand 1365:subtractive 1220:PCI Express 1216:PCI Express 862:Emulator II 816:UC Berkeley 730:Pro Tools 9 715:Pro Tools 8 695:Pro Tools 7 680:Pro Tools 6 642:Pro Tools 5 615:Pro Tools 4 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Index

ProTools
Pro Tools (disambiguation)

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Developer(s)
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C
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Assembly
Operating system
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Windows
Type
Digital audio workstation
License
Proprietary
software-as-a-service
www.avid.com/pro-tools
digital audio workstation
Avid Technology
Digidesign
Microsoft Windows
macOS
sound design
post-production
mixing
sound recording
mastering

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