508:
394:
915:. Bearden wanted to show how the water that is about to be poured on the subject being baptized is always moving, giving the whole collage a feel and sense of temporal flux. He wanted to express how African Americans' rights were always changing, and society itself was in a temporal flux at the time. Bearden wanted to show that nothing is fixed, and expressed this idea throughout the image: not only is the subject about to have water poured from the top, but the subject is also to be submerged in water. Every aspect of the collage is moving and will never be the same more than once, which was congruent with society at the time.
850:, Bearden started to experiment again, this time with forms of collage. After helping to found an artists group in support of civil rights, Bearden expressed representational and more overtly socially conscious aspects in his work. He used clippings from magazines, which in and of itself was a new medium, as glossy magazines were fairly new. He used these glossy scraps to incorporate modernity in his works, trying to show how African-American rights were moving forward, and so was his socially conscious art. In 1964, he held an exhibition he called
1244:
971:
represent
African-American rights; by replacing white characters with blacks, he attempts to defeat the rigidity of historical roles and stereotypes and open up the possibilities and potential of blacks. "Bearden may have seen Odysseus as a strong mental model for the African-American community, which had endured its own adversities and setbacks." By portraying Odysseus as black, Bearden maximizes the potential for empathy by black audiences.
4231:
892:'s (a New York City arts organization) emphasis on the idea that African Americans must reproduce their culture in their art. Bearden found this approach to be a burden on African artists, because he saw the idea as creating an emphasis on reproduction of something that already exists in the world. He used this new series to speak out against this limitation on Black artists, and to emphasize
567:
825:
3670:
3606:
622:, Bearden was a founding member of the art group known as Spiral, formed "for the purpose of discussing the commitment of the Negro artist in the present struggle for civil liberties, and as a discussion group to consider common aesthetic problems." The first meeting was held in Bearden's studio on July 5, 1963, and was attended by Bearden,
4243:
349:, he became the starting fullback for the school football team (1931-2) and then began pitching - first for the freshman team and eventually for the school's varsity baseball team. He was awarded a certificate of merit for his pitching at BU, which he hung with pride in subsequent homes throughout his life.
842:
Bearden had struggled with two artistic sides of himself: his background as "a student of literature and of artistic traditions, and being a black human being involves very real experiences, figurative and concrete," which was at combat with the mid-twentieth century "exploration of abstraction". His
531:
Bearden was focusing on the spiritual intent. He wanted to show ideas of humanism and thought that cannot be seen by the eye, but "must be digested by the mind". This is in accordance with his times, during which other noted artists created abstract representations of historically significant events,
527:
Bearden wanted to explore the emotions and actions of the crowds gathered around the
Crucifixion. He worked hard to "depict myths in an attempt to convey universal human values and reactions." According to Bearden, Christ's life, death, and resurrection are the greatest expressions of man's humanism,
384:
became the first Black player in major league baseball. There are conflicting sources as to whether Mack thought
Bearden was white or told Bearden he would have to pass for white. Despite the Athletics winning the World Series in 1929 and 1930, and the American League pennant in 1931, Bearden decided
1231:
was on
September 2, 2011 and the completed park opened in late August 2013. It is situated on a 5.2-acre (2.1 ha) parcel which is located in Third Ward between Church and Mint streets. Bearden lived near the new park for a time as a child, at the corner of what is now MLK Boulevard and Graham
970:
is returning home from his long journey. The viewer's eye is first captured by the main figure, Odysseus, situated at the center of the work and reaching his hand to his wife. All the figures are black, enlarging the context of the Greek legend. This is one of the ways in which
Bearden works to
918:
In "The Art of Romare
Bearden", Ruth Fine describes his themes as "universal". "A well-read man whose friends were other artists, writers, poets and jazz musicians, Bearden mined their worlds as well as his own for topics to explore. He took his imagery from both the everyday rituals of African
974:
Bearden said that he used collage because "he felt that art portraying the lives of
African Americans did not give full value to the individual. In doing so he was able to combine abstract art with real images so that people of different cultures could grasp the subject matter of the African
786:
somewhat realistically but does not fully follow pure realism, and distorts and exaggerates some parts of their bodies to "convey an experiential feeling or subjective disposition." Bearden said, "the Negro artists must not be content with merely recording a scene as a machine. He must enter
1266:
travelling exhibition of
Bearden's work and an accompanying series of lectures, readings, performances, and other events celebrating the artist. On display at the Miriam and Ira D. Wallach Gallery on Columbia's Morningside campus, and also at Columbia's Global Centers in Paris and Istanbul,
716:. The City of Berkeley then commissioned Bearden to create a mural for the City Council chambers. The sixteen-foot-wide mural, incorporating many visual aspects of the city in collage style, was installed in late 1973 and received positive reviews. It was taken down and loaned to a
937:
spokeswoman Judi McNeil said. "We don't have the wherewithal to be a caretaker of such a valuable piece." It would cost the agency more than $ 100,000 a year to insure the 60-by-13-foot (18.3 by 4.0 m) tile mural, McNeil said. Bearden was paid $ 90,000 for the project, titled
552:'s interpretations of Biblical stories, etc. Bearden depicted humanity through abstract expressionism after feeling he did not see it during the war. Bearden's work was less abstract than these other artists, and Sam Kootz's gallery ended its representation of him.
975:
American culture: The people. This is why his theme always exemplified people of color." In addition, he said that collage's technique of gathering several pieces together to create one assembled work "symbolizes the coming together of tradition and communities."
2379:
2066:
393:
33:
507:
4338:
385:
he did not want to hide his identity and chose not to play for the
Athletics. After two summers with the Boston Tigers, an injury made him rethink the attention he was giving to baseball and he put greater focus into his art, instead.
945:
Before his death, Bearden claimed the collage fragments aided him to usher the past into the present: "When I conjure these memories, they are of the present to me, because after all, the artist is a kind of enchanter in time."
1190:; it helps "to preserve and perpetuate the legacy of this preeminent American artist." As of 2015 it has been developing grant-giving programs aimed at funding and supporting children, young (emerging) artists, and scholars.
595:, whom he credits with introducing him to new ideas about space and composition which he used in painting. He also spent much time studying famous European paintings he admired, particularly the work of the Dutch artists
919:
American rural life in the south and urban life in the north, melding those
American experiences with his personal experiences and with the themes of classical literature, religion, myth, music and daily human ritual."
334:
As a child, Bearden played baseball in empty lots in his neighborhood. He enjoyed sports, throwing discus for his high school track team and trying out for football. After his mother became the New York editor for the
504:. The background of the painting is depicted in lighter jewel tones dissected with linear black ink. Bearden used these colors and contrasts because of the abstract influence of the time, but also for their meanings.
528:
because of the idea of him that lived on through other men. It is why Bearden focuses on Christ's body first, to portray the idea of the myth, and then highlights the crowd, to show how the idea is passed on to men.
1220:, Italy for the grand reopening gala (June 18, 1989) of the "new" library. She was honored at the ceremony for her contribution. The reinterpreted work is 9 feet (2.7 m) tall and 13.5 feet (4.1 m) wide.
732:. Following that tour it has been in storage while the City Hall building has awaited a seismic retrofit and the city council has been meeting elsewhere. A portion of the mural inspired the city's current logo.
500:. The body is in a central position and darkly contrasted with the highlighted crowds. The crowds of people are on the left and right, and are encapsulated within large spheres of bright colors of purple and
3823:
3354:
843:
frustration with abstraction won over, as he himself described his paintings' focus as coming to a plateau. Bearden then turned to a completely different medium at a very important time for the country.
693:
techniques changed over the years, and in later pieces he would use blown-up photostat photographic images, silk-screens, colored paper, and billboard pieces to create large collages on canvas and
221:. He had long supported young, emerging artists and he and his wife established the Bearden Foundation to continue this work, as well as to support young scholars. In 1987, Bearden was awarded the
930:
was estimated as worth $ 15 million, more than the cash-strapped transit agency expected. It raised questions about how it should be cared for once it is removed before the station is demolished.
4383:
778:
implies the importance of collaboration of black communities by depicting intimacy between two black women who are holding hands. Bearden's vernacular realism represented in the work makes
423:
for the Harlem office of the New York City Department of Social Services. Throughout his career as an artist, Bearden worked as a case worker off and on to supplement his income. During
4343:
4298:
681:
process. Building on the momentum from a successful exhibition of his photostat pieces at the Cordier and Ekstrom Gallery in 1964, Bearden was invited to do a solo exhibition at the
4373:
673:
Bearden's collage work began in 1963 or 1964. He first combined images cut from magazines and colored paper, which he would often further alter with the use of sandpaper, bleach,
4363:
3816:
356:. He tended to play with them during the BU baseball off-season and had opportunities to play both iconic Negro League and white baseball teams. For example, he pitched against
473:
and ethnic concerns" to what became known as his stylistic approach, which participated in the post-war aims of avant-garde American art. His works were exhibited at the
4318:
4208:
4203:
4198:
4193:
4188:
3809:
3782:
2510:
2353:
591:
In the late 1950s, Bearden's work became more abstract. He used layers of oil paint to produce muted, hidden effects. In 1956, Bearden began studying with a Chinese
4333:
4313:
3761:
3220:
Calos, Katherine (January 19, 2017). "VMFA's Bearden acquisition called a 'game-changer': Three Folk Musicians' collage will go on display in Richmond on Feb. l".
2270:
1301:
1488:. This appears to be more than a coincidence, as the name of Bearden's mother, Bessye (sic), is listed on the letterhead of an organization called, " Friends of
237:. After enrolling in P.S. 5 in 1917, on 141 Street and Edgecombe Avenue in Harlem, he attended P.S. 139 and then DeWitt Clinton High School. In 1927 he moved to
1319:
player, is often cited in art history books. It was shown at the VMFA for the first time in February 2017 in the museum's mid- to late 20th-century galleries.
808:. The article "examined the social and financial costs of racial discrimination during wartime and advocated for full integration of the American workplace."
3088:
709:
285:
4378:
3770:
209:
Bearden was the author or coauthor of several books. He also was a songwriter, known as co-writer of the jazz classic "Sea Breeze", which was recorded by
4368:
4308:
2575:
1258:
DC Moore Gallery currently represents the estate of Romare Bearden. The first exhibition of his works at the gallery was in September 2008. In 2014-15,
142:) (September 2, 1911 – March 12, 1988) was an American artist, author, and songwriter. He worked with many types of media including cartoons, oils, and
1640:
1636:
1212:. After Bearden's death Nanette Rohan, his widow, selected a 12-by-18-inch (300 mm × 460 mm) collage of his to be recreated in smalti (
438:
art. He produced paintings at this time in "an expressionistic, linear, semi-abstract style." He returned to Europe in 1950 to study philosophy with
2631:
2550:
1397:
4278:
3577:
520:
2041:
3703:
3512:
2129:
2091:
1236:. Her concepts were inspired by his multimedia collages. Fittingly, the park serves as an entryway to a minor league baseball stadium, BB&T
1403:
566:
2988:
2683:
492:. The eye of the viewer is drawn to the middle of the image first, where Bearden has rendered Christ's body. The body parts are stylized into
4358:
4353:
3474:
3451:
3430:
2246:
2199:
1599:
739:
in Kingston, NY. Andrews made prints with the help of printer assistants who had been taught printmaking by Wigfall, and he exhibited there.
3061:
319:
in 1936 and 1937. During this time he supported himself by working as a political cartoonist for African-American newspapers, including the
4348:
3628:
3743:
2476:
4328:
2970:
1768:
457:
Making major changes in his art, he started producing abstract representations of what he deemed as human, specifically scenes from the
273:
described him as "African American." His fair skin allowed him to cross boundaries which many other Black people were unable to access.
3368:
2319:
4273:
2931:
Gerber, Sanet. "Return of Odysseus by Romare Bearden." Welcome to DiscountASP.NET Web Hosting. GerberWebWork, n.d. Web. March 3, 2012.
1728:
956:, exemplifies Bearden's effort to represent African-American rights in a form of collage. This collage describes one of the scenes in
934:
721:
277:
234:
233:
Bearden was born September 2, 1911, in Charlotte. Bearden and his family moved to New York City when he was a toddler, as part of the
214:
3718:
1847:
245:
with his grandparents and then returned to New York City. The Bearden household soon became a meeting place for major figures of the
4323:
4293:
4288:
4135:
3654:
3589:
3541:
3493:
3401:
3243:
2738:
2295:
1935:
1616:
824:
655:
342:
281:
134:
2836:
2819:
1197:, a street was named after Bearden, intersecting West Boulevard on the west side of the city. Romare Bearden Drive is lined by the
854:, where he introduced his new collage style. These works were very well received and are generally considered to be his best work.
188:
community. After a period during the 1950s when he painted more abstractly, the theme reemerged in his collage works of the 1960s.
4303:
3748:
2160:
1740:
1632:
1590:
1570:
751:, New York. She later became an artist and critic. The couple eventually created the Bearden Foundation to assist young artists.
254:
2380:"Review | First the New Yorker profiled Romare Bearden. Then the artist and activist decided to tell his own story, in pictures"
2067:"Review | First the New Yorker profiled Romare Bearden. Then the artist and activist decided to tell his own story, in pictures"
1186:
The Romare Bearden Foundation was founded two years after his death. The non-profit organization is not only Bearden's official
4283:
316:
3738:
3281:
2866:
1751:
1644:
1484:(collage) This is eponymous with the musical composition by Bearden family friend, the "dean of jazz pianists" and composer,
1426:
729:
352:
While at Boston University he played for the Boston Tigers, a semi-professional, all Black team based in the neighborhood of
3779:
3680:
3035:
308:
at NYU. Bearden studied art, education, science, and mathematics graduating with a degree in science and education in 1935.
1951:
3126:
3010:
1716:
1198:
607:. He began exhibiting again in 1960. About this time he and his wife established a second home on the Caribbean island of
4221:
3754:
3573:
1734:
1308:
889:
300:(NYU), where he started to focus more on his art and less on athletics, and became a lead cartoonist and art editor for
257:, and also was the founder and president of the Colored Women's Democratic League. She was a New York correspondent for
1287:
3713:
3636:
3632:
3616:
194:
described Bearden as "the nation's foremost collagist" in his 1988 obituary. Bearden became a founding member of the
1409:
762:
described Bearden in its obituary as "one of America's pre-eminent artists" and "the nation's foremost collagist."
434:
After serving in the army, Bearden joined the Samuel Kootz Gallery, a commercial gallery in New York that featured
376:, brought a number of teammates to play a game against BU, Bearden gave up only one hit—impressing Athletics owner
3086:
3674:
2757:
2290:. Price, Richard, 1941-, Bearden, Romare, 1911-1988. Philadelphia: University of Pennsylvania Press. p. 18.
1894:
1710:
1653:
1228:
1194:
1005:
238:
147:
64:
3744:
Romare Bearden's public artwork at Westchester Square-East Tremont Avenue, commissioned by MTA Arts for Transit.
735:
During the 1970s, he participated in a community art space called Communications Village operated by printmaker
3724:
A finding aid to the Romare Bearden papers, 1937-1982, in the Archives of American Art, Smithsonian Institution
3560:
Who's Who in Colored America: A Biographical Dictionary of Notable Living Persons of African Descent in America
3104:
953:
642:, and William Pritchard. Woodruff was responsible for naming the group Spiral, suggesting the way in which the
420:
155:
3690:
2583:
1153:
904:
341:, he did some writing for the paper, including some stories about baseball. But once Bearden transferred from
888:, concentrates mostly on southern African-American life. He used these collages to show his rejection of the
407:
Bearden grew as an artist by exploring his life experiences. His early paintings were often of scenes in the
4086:
3882:
3728:
2954:
1502:
1497:
1263:
999:
983:
In addition to painting, collage, and athletics, Bearden enjoyed music and even composed a number of songs.
870:
717:
682:
579:
574:
416:
321:
3792:"Romare Bearden: A Black Odyssey," Columbia University Center for Teaching and Learning, September 22, 2015
1976:
West, Sandra L.. Encyclopedia of the Harlem Renaissance. United Kingdom, Facts On File, Incorporated, 2003.
3832:
2011:
1688:
1467:
1416:
1070:
923:
736:
667:
408:
369:
222:
199:
166:
2882:
1432:
1348:
1283:
847:
698:
631:
203:
169:. Later, he worked to express the humanity he felt was lacking in the world after his experience in the
496:
geometric shapes, yet are still too realistic to be concretely abstract; this work has a feel of early
1243:
4268:
4263:
4235:
4160:
3791:
3516:
3168:
2137:
2095:
1763:
1746:
1679:
1584:
858:
725:
713:
705:
489:
401:
365:
361:
337:
259:
3872:
1476:
1332:
1259:
1224:
836:
659:
651:
462:
443:
297:
269:
178:
159:
3714:"Romare Bearden: The Music in His Art, A Pictorial Odyssey" – by Ronald David Jackson, video, 2005
3685:
3195:
1315:, as part of the museum's permanent collection. The collage, which shows two guitar players and a
4175:
4130:
4019:
3973:
3963:
3065:
2504:
2264:
1900:
1852:
1511:
1422:
643:
428:
246:
190:
170:
3550:
Witkovsky, Matthew S. 1989. "Experience vs. Theory: Romare Bearden and Abstract Expressionism".
2912:
1818:
816:
serve as prime examples of the influence that Mexican muralists played in Bearden's early work.
2730:
2724:
2474:
1792:
4165:
4155:
3933:
3585:
3537:
3499:
3489:
3470:
3447:
3426:
3407:
3397:
3239:
2734:
2387:
2301:
2291:
2252:
2242:
2195:
1931:
1507:
1237:
1134:
1100:
1055:
771:
537:
533:
516:
470:
346:
289:
250:
4247:
4125:
4091:
3943:
3887:
3801:
3780:
Romare Bearden, "The Art of Romare Bearden Opens at the High Museum," ArtDaily, October 2012
2327:
1603:
1493:
1489:
1485:
1168:
686:
596:
458:
439:
305:
185:
104:
38:
364:
for a summer, and played exhibition games against teams such as the House of David and the
4145:
4106:
4014:
3994:
3918:
3867:
3796:
3786:
3765:
3092:
2895:
2823:
2480:
1085:
987:
600:
560:
541:
474:
381:
373:
353:
218:
1208:
Inside the Charlotte-Mecklenburg Main Library (310 N. Tryon Street) is Bearden's mosaic,
519:, his first art teacher and cousin, in 1944. Both Bearden and Alston were members of the
2817:
2490:
2488:
400:
cut-and-pasted cloth and paper with synthetic polymer paint on composition board, 1970,
4150:
4101:
4081:
4071:
4004:
3999:
3938:
3902:
3877:
3857:
3847:
3463:
3147:
1370:
1032:
857:
Bearden had numerous museum shows of his work since then, including a 1971 show at the
663:
647:
639:
627:
584:
556:
549:
210:
3708:
4257:
4140:
4076:
4030:
4009:
3953:
3928:
3862:
3852:
1300:
featuring four of Bearden's paintings during a first-day-of-issuance ceremony at the
1297:
1290:
1138:
994:
for which he wrote the script and music, and Bearden and Clyde Fox wrote the lyrics.
877:. In 2011, Michael Rosenfeld Gallery exhibited its second show of the artist's work,
748:
635:
623:
612:
555:
Bearden turned to music, co-writing the hit song "Sea Breeze", which was recorded by
451:
357:
151:
3723:
3461:
Romare Bearden; Ruth Fine; Mary Lee Corlett; National Gallery of Art (U.S.) (2003).
1271:
focused on the cycle of collages and watercolors Bearden completed in 1977 based on
4096:
4061:
4035:
3958:
1187:
1130:
1036:
493:
424:
412:
312:
3285:
2605:
3441:
3420:
3039:
2189:
1282:
For a 2005 U.S. postal stamp sheet commemorating ten important milestones of the
4170:
4056:
4051:
3923:
3897:
3892:
2913:"The Art of Romare Bearden: Collages Fuse Essence of Old Harlem, American South"
1955:
1217:
1115:
755:
646:
ascends upward as a symbol of progress. Over time the group expanded to include
608:
592:
545:
435:
377:
3698:
3185:, United States Postal Service, p 44-47, HarperCollins Publishers, New York, NY
2551:"Relocating Romare Bearden's Berkeley: Capturing Berkeley's Colorful Diversity"
3948:
3329:
2908:
2256:
1355:
1255:
Bearden's home in Harlem, New York is a Historic Landmark Preservation site.
1233:
1213:
1040:
927:
893:
694:
242:
3256:
2971:"Loften Mitchell, 82, Dramatist and Writer on Black Theater (Published 2001)"
2656:
2524:
2391:
747:
In 1954, at age 42, Bearden married Nanette Rohan, a 27-year-old dancer from
411:, and his style was strongly influenced by the Mexican muralists, especially
202:, formed to discuss the responsibility of the African-American artist in the
4066:
3411:
2632:"When an artist becomes a community: The life and work of Benjamin Wigfall""
2305:
1612:
1385:
1202:
798:
on casein on brown kraft paper mounted on board), which was commissioned by
678:
604:
447:
32:
2236:
1286:, Beardon's 1984 lithograph "The Lamp" was selected to illustrate the 1954
754:
Bearden died in New York City on March 12, 1988, due to complications from
3669:
3503:
1869:
296:, Boston University's student humor magazine. He continued his studies at
3307:
2285:
967:
708:
held a retrospective exhibition of Bearden's work, which traveled to the
674:
264:
143:
3173:
Columbia University Center for Teaching and Learning, September 22, 2015
1611:(collage) – 1964, Collection of w, New York. Used as album art for
962:
832:
795:
690:
666:, William Majors and Earle Miller. Stylistically the group ranged from
2956:
Catalog of Copyright Entries 1960 Dramas Jan-Dec 3D Ser Vol 14 Pts 3-4
881:, an intimate grouping of 21 collages produced between 1964 and 1983.
380:. Mack offered Bearden a place on the Athletics fifteen years before
4339:
Steinhardt School of Culture, Education, and Human Development alumni
1390:
1248:
869:
showing the work of the last fifteen years of his life; and the 2005
800:
619:
501:
497:
195:
3686:
The Art of Romare Bearden at the National Gallery of Art, Washington
2042:"ARTS IN AMERICA; Charlotte Acclaims Romare Bearden as a Native Son"
3797:
Romare Bearden at the Minneapolis Institute of Art, Minneapolis, MN
3635:
external links, and converting useful links where appropriate into
3562:(Third ed.). Who's Who in Colored America, Brooklyn, New York.
2354:"The Man Who Spurned a Baseball Career to Become a Renowned Artist"
1952:"National Gallery of Art: The Art of Romare Bearden - Introduction"
484:
a painting from his series of the Passion of Jesus (see Figure 1).
3968:
2115:
2113:
1316:
1272:
1242:
957:
823:
565:
506:
392:
174:
3308:"GFR Tapestry Program » Romare Bearden, "Recollection Pond""
184:
Bearden's early work focused on unity and cooperation within the
3196:"American Artist Romare Bearden's Work Honored on Forever Stamp"
2706:
Mercer, Kobena. "Romare Bearden, 1964; Collage as Kunstwollen."
3805:
2837:"Romare Bearden (1911–1988): Collage, A Centennial Celebration"
2710:. London: Institute of International Visual Arts, 2005. 124–45.
1367:
A History of African-American Artists. From 1792 to The Present
1311:
in Richmond announced acquisition of Romare Bearden's collage,
3599:
2916:
2238:
An American odyssey : the life and work of Romare Bearden
480:
During Bearden's success in the gallery, however, he produced
249:. His father, Howard Bearden, was a pianist. Romare's mother,
125:
3419:
East End/East Liberty Historical Society (January 16, 2008).
1722:
879:
Romare Bearden (1911–1988): Collage, A Centennial Celebration
611:. In 1961, Bearden joined the Cordier and Ekstrom Gallery in
3257:"Romare Bearden - John Simon Guggenheim Memorial Foundation"
2525:"Romare Bearden - John Simon Guggenheim Memorial Foundation"
3236:
100 Greatest African Americans: A Biographical Encyclopedia
2497:
A History of African-American Artists. From 1792 to present
119:
113:
3282:"NGA: The Art of Romare Bearden - Pittsburgh Memory, 1964"
2435:
Bearden, Romare (Howard), St. James Guide to Black Artists
1447:
James Weldon Johnson Award, Atlanta Chapter of NAACP, 1978
1232:
Street. The park design is based on work of public artist
326:
where he published a weekly cartoon from 1935 until 1937.
173:
during World War II on the European front. He returned to
311:
Bearden continued his artistic study under German artist
3584:. Philadelphia: University of Pennsylvania Press. 2006.
1631:(tapestry) – 1974–1990, 7 plus 1 artist's proof/8 made,
787:
wholeheartedly into the situation he wishes to convey."
615:, which would represent him for the rest of his career.
3624:
3619:
may not follow Knowledge (XXG)'s policies or guidelines
3384:
Bearden, Romare, Jerald L. Melberg, and Albert Murray.
3440:
Romare Bearden; Ruth Fine; Jacqueline Francis (2011).
2960:
United States Copyright Office. U.S. Govt. Print. Off.
2702:
2700:
677:
or paint. Bearden enlarged these collages through the
177:
in 1950 and studied art history and philosophy at the
4219:
3739:
Conjuring Bearden Exhibit at the Nasher Museum of Art
2927:
2925:
1415:
In 1987, the year before he died, he was awarded the
135:
3105:"Bearden Park Design - Support Romare Bearden Park!"
3011:"Branford Marsalis Quartet: Romare Bearden Revealed"
2989:"The Art of Romare Bearden: A Resource for Teachers"
2684:"The Art of Romare Bearden: A Resource for Teachers"
1444:
Frederick Douglas Medal, New York Urban League, 1978
1362:, Taylor & Francis, originally published in 1969
165:
He began his artistic career creating scenes of the
122:
110:
4384:
Members of the American Academy of Arts and Letters
4115:
4044:
3982:
3911:
3840:
2867:"Bearden Subway Mural Takes Pittsburgh by Surprise"
2495:Bearden, Romare & Henderson, Harry, P. (1993).
1496:. on piano, is included on the companion CD to the
1492:" An audio recording of Carolina Shout, featuring
1296:In 2011, the U.S. Postal Service released a set of
1022:
1014:
997:A selection of them can be heard on the 2003 album
720:Bearden retrospective in 2003 that traveled to the
431:, serving from 1942 until 1945, largely in Europe.
116:
107:
88:
72:
46:
23:
16:
American artist, author, and songwriter (1911–1988)
3693:A deeper look at an artist who refused to be white
3462:
3554:, Vol. 23, No. 2, Fiction Issue pp. 257–282.
3062:"Romare Bearden Foundation – Foundation Programs"
2944:. SegTech., December 5, 2011. Web. March 3, 2012.
2940:"Romare Bearden and Abstract Expressionist Art."
1848:Romare Bearden, Collagist and Painter, Dies at 75
477:gallery until it was deemed not abstract enough.
3771:Romare Bearden, "A Griot for a Global Village",
544:'s investigation of Northwest Coast Indian art,
4344:Baseball players from Charlotte, North Carolina
4299:United States National Medal of Arts recipients
3709:Romare Bearden Images: Hollis Taggart Galleries
2953:Library of Congress. Copyright Office. (1960).
450:. Bearden traveled throughout Europe, visiting
3148:"DC Moore Gallery, Romare Bearden artist page"
1302:Schomburg Center for Research in Black Culture
922:In 2008 a 1984 mural by Romare Bearden in the
899:In this series, one of the pieces is entitled
689:This heightened his public profile. Bearden's
4374:African-American United States Army personnel
3817:
3731:Bearden's 1967 collage and mixed media piece
2287:Romare Bearden : the Caribbean dimension
2215:"Romare Bearden Made Art Editor at College".
8:
4364:United States Army personnel of World War II
2509:: CS1 maint: multiple names: authors list (
2188:Schwartzman, Myron; Bearden, Romare (1990).
1930:. Durham: Duke University Press. p. 9.
571:The Black American in Search of His Identity
263:, an African-American newspaper. Romare had
37:Bearden in an army uniform, photographed by
2437:. Detroit: St. James Press. pp. 41–45.
3824:
3810:
3802:
3719:Romare Bearden Artwork Examples on AskART.
2726:Villa America: American Moderns, 1900-1950
2269:: CS1 maint: location missing publisher (
1441:Medal of the State of North Carolina, 1976
770:His early works suggest the importance of
31:
20:
3655:Learn how and when to remove this message
3036:"The Romare Bearden Foundation - Mission"
2235:Campbell, Mary Schmidt (August 8, 2018).
1842:
1840:
1641:York College, City University of New York
913:The Virgin Protectress of the Carthusians
563:. It is still considered a jazz classic.
4319:Lincoln University (Pennsylvania) alumni
3486:Romare Bearden: the prevalence of ritual
3386:Romare Bearden, 1970-1980: An Exhibition
3134:Mecklenburg County Park & Recreation
2861:
2859:
2758:"Factory Workers, Romare Howard Bearden"
2729:. Orange County Museum of Art. pp.
2499:. New York: Pantheon Books. p. 400.
1011:
933:"We did not expect it to be that much,"
865:, an exhibition of his prints, entitled
804:magazine to accompany an article titled
782:noteworthy; he describes two figures in
511:Bearden (right) discussing his painting
292:where he served as the art director for
4226:
3582:Romare Bearden: The Caribbean Dimension
3310:. Tapestrycenter.org. February 22, 1999
3238:. Amherst, New York. Prometheus Books.
3064:. Beardenfoundation.org. Archived from
3038:. Beardenfoundation.org. Archived from
1784:
952:, one of his collage works held by the
774:' unity and cooperation. For instance,
304:, the monthly journal of the secretive
276:In 1929, Romare Bearden graduated from
4334:Art Students League of New York alumni
4314:Artists from Charlotte, North Carolina
2891:
2880:
2502:
2428:
2262:
2035:
2033:
1903:from the original on December 11, 2021
1723:Art Museum of West Virginia University
1589:Pepper Jelly Lady (color lithograph),
1408:In 1978, Bearden was elected into the
1404:National Institute of Arts and Letters
3699:Marshall Arts presents Romare Bearden
3681:The Romare Bearden Foundation website
3513:"Romare Bearden Foundation Biography"
3388:. Charlotte, N.C.: Mint Museum, 1980.
3183:The 2005 Commemorative Stamp Yearbook
2752:
2750:
2718:
2716:
2663:. via newspapers.com. January 2, 1977
2630:Fendrich, Laurie (October 20, 2022).
2426:
2424:
2422:
2420:
2418:
2416:
2414:
2412:
2410:
2408:
2347:
2345:
2230:
2228:
2226:
2183:
2181:
2006:
2004:
2002:
1600:Pennsylvania Academy of the Fine Arts
1425:listed Romare Bearden on his list of
1247:A plaque at Romare Bearden's home in
488:is an abstract representation of the
288:, founded in 1854. He transferred to
7:
3330:"Soul Three - DMA Collection Online"
2576:"Berkeley - The City and Its People"
2000:
1998:
1996:
1994:
1992:
1990:
1988:
1986:
1984:
1982:
1921:
1919:
1917:
1864:
1862:
1398:American Academy of Arts and Letters
213:, a former high school classmate at
3735:(click on picture for larger image)
2549:Kroiz, Lauren (December 27, 2016).
2040:Kinzer, Stephen (October 2, 2002).
2016:Grove Art Online. Oxford Art Online
1769:List of Federal Art Project artists
1510:. – The
4379:20th-century American male artists
3755:Romare Bearden "The Storyteller,"
3488:. New York: Museum of Modern Art.
3443:Romare Bearden, American Modernist
3224:. No. Metro. pp. B1, B3.
2657:"Community Datebook: Art Exhibits"
2610:Berkeley Historical Plaque Project
1729:Madison Museum of Contemporary Art
1152:"Laughin' and Talkin' with Higg" (
935:Port Authority of Allegheny County
722:San Francisco Museum of Modern Art
469:, called a "debilitating focus on
14:
4369:African Americans in World War II
4309:20th-century American printmakers
3833:National Medal of Arts recipients
1617:...And Then You Shoot Your Cousin
1552:"Jammin' at the Savoy" (painting)
1345:Six Black Masters of American Art
330:Semi-professional baseball career
267:, Italian, and African ancestry.
253:, played an active role with the
4241:
4229:
3668:
3604:
3536:. Oxford University Press, Inc.
3422:Pittsburgh's East Liberty Valley
3170:Romare Bearden: A Black Odyssey,
2352:Parham, Jason (March 14, 2012).
2165:The Atlanta Journal-Constitution
1741:Minnesota Museum of American Art
1633:Mount Holyoke College Art Museum
1591:Minnesota Museum of American Art
1571:Minnesota Museum of American Art
1438:Ford Foundation Fellowship, 1973
255:New York City Board of Education
103:
3552:Black American Literature Forum
2194:. Harry N. Abrams. p. 58.
2119:Romare Bearden Foundation, 1990
1699:Wrapping it up at the Lafayette
1269:Romare Bearden: A Black Odyssey
1031:"I'm Slappin' Seventh Avenue" (
884:One of his most famous series,
4279:20th-century American painters
2799:Brenner Hinish and Moore, 2003
1752:Whitney Museum of American Art
1645:The Metropolitan Museum of Art
1567:Madonna and Child, (collage) –
1427:100 Greatest African Americans
1402:In 1972 he was elected to the
1396:In 1966 he was elected to the
1073:/Larry Douglas/Romare Bearden)
1015:
730:Whitney Museum of American Art
280:in Pittsburgh. He enrolled in
1:
3751:from the Studio Museum Harlem
2987:Carter, Richard, ed. (2003).
2835:Oisteanu, Valery (May 2011).
2723:Armstrong, Elizabeth (2005).
1717:Art Museum of Southeast Texas
1637:Port Authority of NY & NJ
1623:Prevalence of Ritual: Tidings
1199:West Boulevard Public Library
990:released the three act play,
284:, the nation's second oldest
4359:Painters from North Carolina
4354:African-American printmakers
4146:John Birks "Dizzy" Gillespie
3704:Bearden Foundation biography
3558:Yenser, Thomas, ed. (1932).
1926:O'Meally, Robert G. (2019).
1819:"Remembering Romare Bearden"
1735:Minneapolis Institute of Art
1309:Virginia Museum of Fine Arts
903:. Bearden was influenced by
697:. In 1970, he was awarded a
670:to social protest painters.
446:, under the auspices of the
419:. In 1935, Bearden became a
4349:Painters from New York City
3511:Romare Bearden Foundation.
3469:. National Gallery of Art.
3446:. National Gallery of Art.
3396:. New York: Chelsea House.
3234:Asante, Molefi Kete (2002).
3009:Wynn, Ron (March 7, 2020).
2661:Daily Freeman, Kingston, NY
1725:, Morgantown, West Virginia
1288:Brown v. Board of Education
523:stationed in New York City.
461:. He had evolved from what
4400:
4329:New York University alumni
2969:Gussow, Mel (2001-05-23).
2822:February 18, 2007, at the
1650:Return of the Prodigal Son
1410:National Academy of Design
942:It was installed in 1984.
790:In 1942, Bearden produced
286:historically Black college
198:-based art group known as
4274:African-American painters
4184:
4176:Dayton Hudson Corporation
3785:January 24, 2014, at the
3465:The Art of Romare Bearden
3284:. Nga.gov. Archived from
3091:January 14, 2014, at the
2869:. ARTINFO. April 25, 2008
2433:Valakos, Dorothy (1997).
2134:Romare Bearden Foundation
2018:. Oxford University Press
1954:. Nga.gov. Archived from
1928:The Romare Bearden Reader
1896:Jose Jose - Amar y Querer
1654:Albright-Knox Art Gallery
1365:with Harry Henderson, of
1216:) by Crovatto Mosaics in
1163:
1148:
1129:"Steppin' on the Blues" (
1125:
1110:
1095:
1080:
1065:
1050:
1027:
1019:
1006:Branford Marsalis Quartet
940:Pittsburgh Recollections.
875:The Art of Romare Bearden
148:Charlotte, North Carolina
65:Charlotte, North Carolina
30:
4324:Boston University alumni
4294:American modern painters
4289:American collage artists
3532:Vaughn, William (2000).
3484:Greene, Carroll (1971).
2682:Carter, Richard (2003).
2580:City of Berkeley website
1329:Lil Dan, the Drummer Boy
1223:The ground breaking for
954:Art Institute of Chicago
812:and its companion piece
536:'s commemoration of the
229:Early life and education
156:Pittsburgh, Pennsylvania
4304:Artists from Pittsburgh
3883:Dorothy Buffum Chandler
3764:April 19, 2014, at the
3534:Encyclopedia of Artists
3222:Richmond Times-Dispatch
3107:. Beardenfoundation.org
2996:National Gallery of Art
2708:Cosmopolitan Modernisms
2324:Smithsonian Institution
1793:"Romare Bearden at 100"
1687:(collage) – 1967,
1678:(collage) – 1968,
1583:(collage) – 1970,
1562:Last of the Blue Devils
1503:Romare Bearden Revealed
1498:National Gallery of Art
1466:(collage) – 1975,
1264:Smithsonian Institution
1000:Romare Bearden Revealed
911:on Zurbarán's painting
873:retrospective entitled
871:National Gallery of Art
743:Personal life and death
718:National Gallery of Art
683:Corcoran Gallery of Art
668:Abstract Expressionists
580:Afro-Atlantic Histories
575:National Gallery of Art
521:372nd Infantry Regiment
442:and art history at the
322:Baltimore Afro-American
4284:American male painters
3729:Columbus Museum of Art
3425:. Arcadia Publishing.
2890:Cite journal requires
2284:Price, Sally. (2006).
2161:"A giant gets his due"
1711:Pérez Art Museum Miami
1689:Saint Louis Art Museum
1576:Morning of the Rooster
1468:Honolulu Museum of Art
1417:National Medal of Arts
1412:as an Associate member
1343:with Harry Henderson,
1252:
950:The Return of Odysseus
839:
737:Benjamin Leroy Wigfall
618:In the early 1960s in
588:
524:
404:
370:Philadelphia Athletics
360:while playing for the
223:National Medal of Arts
3392:Brown, Kevin (1995).
3127:"Romare Bearden Park"
3042:on September 23, 2015
2479:May 10, 2007, at the
1433:Guggenheim Fellowship
1284:Civil Rights Movement
1246:
905:Francisco de Zurbarán
848:civil rights movement
827:
710:University Art Museum
699:Guggenheim Fellowship
569:
510:
465:, a reviewer for the
427:, Bearden joined the
396:
204:civil rights movement
158:, and graduated from
150:, Bearden grew up in
51:Romare Howard Bearden
3903:Hallmark Cards, Inc.
3677:at Wikimedia Commons
3625:improve this article
3519:on November 24, 2005
3150:. Dcmooregallery.com
2919:. 14 September 2003.
2465:Witkovsky, 1989: 260
2219:. February 27, 1932.
2092:"Bearden Foundation"
1764:African-American art
1747:Museum of Modern Art
1705:Selected collections
1680:Dallas Museum of Art
1602:, inspired the play
1585:Museum of Modern Art
1333:Simon & Schuster
1313:Three Folk Musicians
992:Star of the Morning,
966:, in which the hero
886:Prevalence of Ritual
863:Prevalence of Ritual
859:Museum of Modern Art
726:Dallas Museum of Art
714:Berkeley, California
706:Museum of Modern Art
417:José Clemente Orozco
402:Museum of Modern Art
366:Kansas City Monarchs
362:Pittsburgh Crawfords
260:The Chicago Defender
4087:Sydney J. Freedberg
3749:The Bearden Project
3637:footnote references
3068:on October 21, 2015
2790:Witkovsky 1989: 267
2781:Witkovsky 1989: 266
2456:Witkovsky 1989: 260
2447:Witkovsky 1989: 258
2330:on October 23, 2022
2140:on January 31, 2017
1958:on January 23, 2016
1899:, January 9, 2009,
1846:Fraser, C. Gerald.
1477:Library of Congress
1260:Columbia University
1225:Romare Bearden Park
1099:"B's Paris Blues" (
837:Library of Congress
660:Alvin Hollingsworth
463:Edward Alden Jewell
454:and other artists.
389:Career as an artist
317:Art Students League
298:New York University
278:Peabody High School
270:The Washington Post
215:Peabody High School
160:New York University
83:New York City, U.S.
4131:Alfred Eisenstaedt
4107:Obert Clark Tanner
4020:Robert Penn Warren
3974:Seymour H. Knox II
3964:Dominique de Menil
3848:Elliott Carter Jr.
3773:The New York Times
2975:The New York Times
2636:Two Coats of Paint
2046:The New York Times
1874:Bearden Foundation
1853:The New York Times
1823:Charlotte Magazine
1659:Rocket to the Moon
1598:(painting) –
1512:Mint Museum of Art
1475:(collage) – 1970,
1423:Molefi Kete Asante
1360:The Painter's Mind
1253:
1167:"Carolina Shout" (
926:subway station in
840:
662:, Calvin Douglas,
644:Archimedean spiral
634:, James Yeargans,
589:
525:
429:United States Army
405:
343:Lincoln University
282:Lincoln University
247:Harlem Renaissance
191:The New York Times
4217:
4216:
4166:Robert Motherwell
4156:Vladimir Horowitz
3969:Exxon Corporation
3934:Willem de Kooning
3691:Chicago Tribune:
3673:Media related to
3665:
3664:
3657:
3476:978-0-89468-302-2
3453:978-0-300-12161-2
3432:978-1-4396-3574-2
2841:The Brooklyn Rail
2378:Smee, Sebastian.
2248:978-0-19-062080-6
2201:978-0-8109-3108-4
2012:"Bearden, Romare"
1856:. March 13, 1988.
1825:. August 25, 2011
1797:The New Criterion
1737:, Minneapolis, MN
1719:, Beaumont, Texas
1629:Recollection Pond
1609:Pittsburgh Memory
1508:Branford Marsalis
1421:In 2002, scholar
1378:Honors and awards
1238:Charlotte Knights
1178:
1177:
1154:Jeff "Tain" Watts
1101:Branford Marsalis
1056:Jelly Roll Morton
890:Harmon Foundation
867:A Graphic Odyssey
772:African Americans
538:Spanish Civil War
534:Robert Motherwell
517:Charles H. Alston
347:Boston University
290:Boston University
96:
95:
61:September 2, 1911
4391:
4246:
4245:
4244:
4234:
4233:
4232:
4225:
4126:Katherine Dunham
4092:Roger L. Stevens
3944:Eva Le Gallienne
3888:Lincoln Kirstein
3873:Georgia O'Keeffe
3826:
3819:
3812:
3803:
3757:Art and Antiques
3672:
3660:
3653:
3649:
3646:
3640:
3608:
3607:
3600:
3563:
3547:
3528:
3526:
3524:
3515:. Archived from
3507:
3480:
3468:
3457:
3436:
3415:
3373:
3372:
3369:"Whitney Museum"
3365:
3359:
3358:
3351:
3345:
3344:
3342:
3340:
3326:
3320:
3319:
3317:
3315:
3304:
3298:
3297:
3295:
3293:
3288:on March 4, 2016
3278:
3272:
3271:
3269:
3267:
3253:
3247:
3232:
3226:
3225:
3217:
3211:
3210:
3208:
3206:
3192:
3186:
3180:
3174:
3166:
3160:
3159:
3157:
3155:
3144:
3138:
3137:
3131:
3123:
3117:
3116:
3114:
3112:
3101:
3095:
3084:
3078:
3077:
3075:
3073:
3058:
3052:
3051:
3049:
3047:
3032:
3026:
3025:
3023:
3021:
3006:
3000:
2999:
2993:
2984:
2978:
2967:
2961:
2951:
2945:
2938:
2932:
2929:
2920:
2906:
2900:
2899:
2893:
2888:
2886:
2878:
2876:
2874:
2863:
2854:
2851:
2845:
2844:
2832:
2826:
2815:
2809:
2806:
2800:
2797:
2791:
2788:
2782:
2779:
2773:
2772:
2770:
2768:
2754:
2745:
2744:
2720:
2711:
2704:
2695:
2694:
2688:
2679:
2673:
2672:
2670:
2668:
2653:
2647:
2646:
2644:
2642:
2627:
2621:
2620:
2618:
2616:
2602:
2596:
2595:
2593:
2591:
2586:on March 1, 2022
2582:. Archived from
2572:
2566:
2565:
2563:
2561:
2546:
2540:
2539:
2537:
2535:
2521:
2515:
2514:
2508:
2500:
2492:
2483:
2472:
2466:
2463:
2457:
2454:
2448:
2445:
2439:
2438:
2430:
2403:
2402:
2400:
2398:
2375:
2369:
2368:
2366:
2364:
2349:
2340:
2339:
2337:
2335:
2326:. Archived from
2320:"Romare Bearden"
2316:
2310:
2309:
2281:
2275:
2274:
2268:
2260:
2232:
2221:
2220:
2212:
2206:
2205:
2185:
2176:
2175:
2173:
2171:
2156:
2150:
2149:
2147:
2145:
2136:. Archived from
2126:
2120:
2117:
2108:
2107:
2105:
2103:
2094:. Archived from
2088:
2082:
2081:
2079:
2077:
2063:
2057:
2056:
2054:
2052:
2037:
2028:
2027:
2025:
2023:
2008:
1977:
1974:
1968:
1967:
1965:
1963:
1948:
1942:
1941:
1923:
1912:
1911:
1910:
1908:
1891:
1885:
1884:
1882:
1880:
1866:
1857:
1844:
1835:
1834:
1832:
1830:
1815:
1809:
1808:
1806:
1804:
1789:
1604:The Piano Lesson
1494:Harry Connick Jr
1490:James P. Johnson
1486:James P. Johnson
1169:James P. Johnson
1054:"Jungle Blues" (
1017:
1012:
828:Romare Bearden,
701:for Fine Arts.
687:Washington, D.C.
597:Johannes Vermeer
459:Passion of Jesus
440:Gaston Bachelard
398:Patchwork Quilt,
338:Chicago Defender
306:Eucleian Society
186:African-American
138:
132:
131:
128:
127:
124:
121:
118:
115:
112:
109:
79:
60:
58:
39:Carl Van Vechten
35:
21:
4399:
4398:
4394:
4393:
4392:
4390:
4389:
4388:
4254:
4253:
4252:
4242:
4240:
4230:
4228:
4220:
4218:
4213:
4180:
4136:Martin Friedman
4111:
4040:
4015:William Schuman
3995:Ella Fitzgerald
3978:
3919:Marian Anderson
3907:
3868:Louise Nevelson
3836:
3830:
3787:Wayback Machine
3766:Wayback Machine
3661:
3650:
3644:
3641:
3622:
3613:This article's
3609:
3605:
3598:
3570:
3568:Further reading
3557:
3544:
3531:
3522:
3520:
3510:
3496:
3483:
3477:
3460:
3454:
3439:
3433:
3418:
3404:
3391:
3381:
3376:
3367:
3366:
3362:
3353:
3352:
3348:
3338:
3336:
3328:
3327:
3323:
3313:
3311:
3306:
3305:
3301:
3291:
3289:
3280:
3279:
3275:
3265:
3263:
3255:
3254:
3250:
3233:
3229:
3219:
3218:
3214:
3204:
3202:
3194:
3193:
3189:
3181:
3177:
3167:
3163:
3153:
3151:
3146:
3145:
3141:
3129:
3125:
3124:
3120:
3110:
3108:
3103:
3102:
3098:
3093:Wayback Machine
3085:
3081:
3071:
3069:
3060:
3059:
3055:
3045:
3043:
3034:
3033:
3029:
3019:
3017:
3008:
3007:
3003:
2991:
2986:
2985:
2981:
2968:
2964:
2952:
2948:
2939:
2935:
2930:
2923:
2907:
2903:
2889:
2879:
2872:
2870:
2865:
2864:
2857:
2852:
2848:
2834:
2833:
2829:
2824:Wayback Machine
2816:
2812:
2807:
2803:
2798:
2794:
2789:
2785:
2780:
2776:
2766:
2764:
2756:
2755:
2748:
2741:
2722:
2721:
2714:
2705:
2698:
2686:
2681:
2680:
2676:
2666:
2664:
2655:
2654:
2650:
2640:
2638:
2629:
2628:
2624:
2614:
2612:
2604:
2603:
2599:
2589:
2587:
2574:
2573:
2569:
2559:
2557:
2555:BOOM California
2548:
2547:
2543:
2533:
2531:
2523:
2522:
2518:
2501:
2494:
2493:
2486:
2481:Wayback Machine
2473:
2469:
2464:
2460:
2455:
2451:
2446:
2442:
2432:
2431:
2406:
2396:
2394:
2384:Washington Post
2377:
2376:
2372:
2362:
2360:
2351:
2350:
2343:
2333:
2331:
2318:
2317:
2313:
2298:
2283:
2282:
2278:
2261:
2249:
2234:
2233:
2224:
2214:
2213:
2209:
2202:
2187:
2186:
2179:
2169:
2167:
2158:
2157:
2153:
2143:
2141:
2128:
2127:
2123:
2118:
2111:
2101:
2099:
2098:on May 23, 2013
2090:
2089:
2085:
2075:
2073:
2071:Washington Post
2065:
2064:
2060:
2050:
2048:
2039:
2038:
2031:
2021:
2019:
2010:
2009:
1980:
1975:
1971:
1961:
1959:
1950:
1949:
1945:
1938:
1925:
1924:
1915:
1906:
1904:
1893:
1892:
1888:
1878:
1876:
1868:
1867:
1860:
1845:
1838:
1828:
1826:
1817:
1816:
1812:
1802:
1800:
1791:
1790:
1786:
1777:
1760:
1707:
1581:Patchwork Quilt
1569:ca. 1968-1970,
1454:
1380:
1325:
1323:Published works
1262:hosted a major
1184:
1179:
1114:"Autumn Lamp" (
1086:Wynton Marsalis
1004:created by the
988:Loften Mitchell
981:
822:
810:Factory Workers
806:The Negro's War
792:Factory Workers
768:
745:
656:Reginald Gammon
601:Pieter de Hooch
561:Dizzy Gillespie
542:Jackson Pollock
475:Samuel M. Kootz
391:
382:Jackie Robinson
374:Mickey Cochrane
332:
235:Great Migration
231:
219:Dizzy Gillespie
136:
106:
102:
84:
81:
77:
68:
62:
56:
54:
53:
52:
42:
26:
17:
12:
11:
5:
4397:
4395:
4387:
4386:
4381:
4376:
4371:
4366:
4361:
4356:
4351:
4346:
4341:
4336:
4331:
4326:
4321:
4316:
4311:
4306:
4301:
4296:
4291:
4286:
4281:
4276:
4271:
4266:
4256:
4255:
4251:
4250:
4238:
4215:
4214:
4212:
4211:
4206:
4201:
4196:
4191:
4185:
4182:
4181:
4179:
4178:
4173:
4168:
4163:
4161:Czesław Miłosz
4158:
4153:
4151:Walker Hancock
4148:
4143:
4138:
4133:
4128:
4123:
4119:
4117:
4113:
4112:
4110:
4109:
4104:
4102:Francis Goelet
4099:
4094:
4089:
4084:
4082:Virgil Thomson
4079:
4074:
4072:Jerome Robbins
4069:
4064:
4059:
4054:
4048:
4046:
4042:
4041:
4039:
4038:
4033:
4028:
4027:Frances Fisher
4025:
4022:
4017:
4012:
4007:
4005:Alwin Nikolais
4002:
4000:Howard Nemerov
3997:
3992:
3990:Romare Bearden
3986:
3984:
3980:
3979:
3977:
3976:
3971:
3966:
3961:
3956:
3951:
3946:
3941:
3939:Agnes de Mille
3936:
3931:
3926:
3921:
3915:
3913:
3909:
3908:
3906:
3905:
3900:
3895:
3890:
3885:
3880:
3878:Leontyne Price
3875:
3870:
3865:
3860:
3855:
3850:
3844:
3842:
3838:
3837:
3831:
3829:
3828:
3821:
3814:
3806:
3800:
3799:
3794:
3789:
3777:
3768:
3759:, October 2012
3752:
3746:
3741:
3736:
3726:
3721:
3716:
3711:
3706:
3701:
3696:
3688:
3683:
3678:
3675:Romare Bearden
3663:
3662:
3617:external links
3612:
3610:
3603:
3597:
3596:External links
3594:
3593:
3592:
3569:
3566:
3565:
3564:
3555:
3548:
3542:
3529:
3508:
3494:
3481:
3475:
3458:
3452:
3437:
3431:
3416:
3402:
3394:Romare Bearden
3389:
3380:
3377:
3375:
3374:
3360:
3346:
3321:
3299:
3273:
3248:
3227:
3212:
3200:About.usps.com
3187:
3175:
3161:
3139:
3118:
3096:
3079:
3053:
3027:
3001:
2979:
2962:
2946:
2933:
2921:
2901:
2892:|journal=
2855:
2846:
2827:
2810:
2801:
2792:
2783:
2774:
2746:
2739:
2712:
2696:
2674:
2648:
2622:
2597:
2567:
2541:
2516:
2484:
2467:
2458:
2449:
2440:
2404:
2370:
2341:
2311:
2296:
2276:
2247:
2222:
2207:
2200:
2191:Romare Bearden
2177:
2151:
2121:
2109:
2083:
2058:
2029:
1978:
1969:
1943:
1936:
1913:
1886:
1858:
1836:
1810:
1783:
1782:
1781:
1776:
1773:
1772:
1771:
1766:
1759:
1756:
1755:
1754:
1749:
1744:
1743:, St. Paul, MN
1738:
1732:
1726:
1720:
1714:
1706:
1703:
1702:
1701:
1696:
1691:
1682:
1673:
1667:
1662:
1656:
1652: – 1967,
1647:
1626:
1620:
1606:
1593:
1587:
1578:
1573:
1564:
1559:
1553:
1550:
1544:
1538:
1532:
1526:
1520:
1514:
1482:Carolina Shout
1479:
1470:
1461:
1453:
1450:
1449:
1448:
1445:
1442:
1439:
1436:
1430:
1419:
1413:
1406:
1400:
1394:
1379:
1376:
1375:
1374:
1371:Pantheon Books
1363:
1352:
1337:
1336:
1324:
1321:
1298:Forever stamps
1275:'s epic poem,
1183:
1180:
1176:
1175:
1172:
1165:
1161:
1160:
1157:
1150:
1146:
1145:
1142:
1135:Jimmy O'Bryant
1127:
1123:
1122:
1119:
1112:
1108:
1107:
1104:
1097:
1093:
1092:
1089:
1082:
1078:
1077:
1074:
1067:
1063:
1062:
1059:
1052:
1048:
1047:
1044:
1033:Duke Ellington
1029:
1025:
1024:
1021:
1018:
1010:
980:
977:
924:Gateway Center
821:
818:
814:Folk Musicians
784:The Visitation
780:The Visitation
776:The Visitation
767:
764:
760:New York Times
744:
741:
664:Perry Ferguson
648:Merton Simpson
640:Richard Mayhew
628:Charles Alston
585:Washington, DC
577:'s showing of
573:(1969) at the
557:Billy Eckstine
550:Barnett Newman
513:Cotton Workers
467:New York Times
409:American South
390:
387:
331:
328:
251:Bessye Bearden
230:
227:
211:Billy Eckstine
167:American South
99:Romare Bearden
94:
93:
90:
89:Known for
86:
85:
82:
80:(aged 76)
76:March 12, 1988
74:
70:
69:
63:
50:
48:
44:
43:
36:
28:
27:
25:Romare Bearden
24:
15:
13:
10:
9:
6:
4:
3:
2:
4396:
4385:
4382:
4380:
4377:
4375:
4372:
4370:
4367:
4365:
4362:
4360:
4357:
4355:
4352:
4350:
4347:
4345:
4342:
4340:
4337:
4335:
4332:
4330:
4327:
4325:
4322:
4320:
4317:
4315:
4312:
4310:
4307:
4305:
4302:
4300:
4297:
4295:
4292:
4290:
4287:
4285:
4282:
4280:
4277:
4275:
4272:
4270:
4267:
4265:
4262:
4261:
4259:
4249:
4239:
4237:
4236:United States
4227:
4223:
4210:
4207:
4205:
4202:
4200:
4197:
4195:
4192:
4190:
4189:Complete list
4187:
4186:
4183:
4177:
4174:
4172:
4169:
4167:
4164:
4162:
4159:
4157:
4154:
4152:
4149:
4147:
4144:
4142:
4141:Leigh Gerdine
4139:
4137:
4134:
4132:
4129:
4127:
4124:
4122:Leopold Adler
4121:
4120:
4118:
4114:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4085:
4083:
4080:
4078:
4077:Rudolf Serkin
4075:
4073:
4070:
4068:
4065:
4063:
4060:
4058:
4055:
4053:
4050:
4049:
4047:
4043:
4037:
4034:
4032:
4031:Armand Hammer
4029:
4026:
4023:
4021:
4018:
4016:
4013:
4011:
4010:Isamu Noguchi
4008:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3988:
3987:
3985:
3981:
3975:
3972:
3970:
3967:
3965:
3962:
3960:
3957:
3955:
3954:Lewis Mumford
3952:
3950:
3947:
3945:
3942:
3940:
3937:
3935:
3932:
3930:
3929:Aaron Copland
3927:
3925:
3922:
3920:
3917:
3916:
3914:
3910:
3904:
3901:
3899:
3896:
3894:
3891:
3889:
3886:
3884:
3881:
3879:
3876:
3874:
3871:
3869:
3866:
3864:
3863:Martha Graham
3861:
3859:
3856:
3854:
3853:Ralph Ellison
3851:
3849:
3846:
3845:
3843:
3839:
3834:
3827:
3822:
3820:
3815:
3813:
3808:
3807:
3804:
3798:
3795:
3793:
3790:
3788:
3784:
3781:
3778:
3776:
3774:
3769:
3767:
3763:
3760:
3758:
3753:
3750:
3747:
3745:
3742:
3740:
3737:
3734:
3730:
3727:
3725:
3722:
3720:
3717:
3715:
3712:
3710:
3707:
3705:
3702:
3700:
3697:
3695:
3694:
3689:
3687:
3684:
3682:
3679:
3676:
3671:
3667:
3666:
3659:
3656:
3648:
3645:November 2015
3638:
3634:
3633:inappropriate
3630:
3626:
3620:
3618:
3611:
3602:
3601:
3595:
3591:
3590:0-8122-3948-2
3587:
3583:
3579:
3578:Richard Price
3575:
3572:
3571:
3567:
3561:
3556:
3553:
3549:
3545:
3543:0-19-521572-9
3539:
3535:
3530:
3518:
3514:
3509:
3505:
3501:
3497:
3495:0-87070-251-3
3491:
3487:
3482:
3478:
3472:
3467:
3466:
3459:
3455:
3449:
3445:
3444:
3438:
3434:
3428:
3424:
3423:
3417:
3413:
3409:
3405:
3403:0-7910-1119-4
3399:
3395:
3390:
3387:
3383:
3382:
3378:
3370:
3364:
3361:
3356:
3350:
3347:
3339:September 12,
3335:
3331:
3325:
3322:
3309:
3303:
3300:
3287:
3283:
3277:
3274:
3262:
3258:
3252:
3249:
3245:
3244:1-57392-963-8
3241:
3237:
3231:
3228:
3223:
3216:
3213:
3201:
3197:
3191:
3188:
3184:
3179:
3176:
3172:
3171:
3165:
3162:
3149:
3143:
3140:
3135:
3128:
3122:
3119:
3106:
3100:
3097:
3094:
3090:
3087:
3083:
3080:
3067:
3063:
3057:
3054:
3041:
3037:
3031:
3028:
3016:
3012:
3005:
3002:
2997:
2990:
2983:
2980:
2976:
2972:
2966:
2963:
2959:
2957:
2950:
2947:
2943:
2937:
2934:
2928:
2926:
2922:
2918:
2914:
2910:
2905:
2902:
2897:
2884:
2868:
2862:
2860:
2856:
2853:Greene, 1971.
2850:
2847:
2842:
2838:
2831:
2828:
2825:
2821:
2818:
2814:
2811:
2805:
2802:
2796:
2793:
2787:
2784:
2778:
2775:
2763:
2759:
2753:
2751:
2747:
2742:
2740:0-917493-41-9
2736:
2732:
2728:
2727:
2719:
2717:
2713:
2709:
2703:
2701:
2697:
2692:
2685:
2678:
2675:
2662:
2658:
2652:
2649:
2637:
2633:
2626:
2623:
2611:
2607:
2601:
2598:
2585:
2581:
2577:
2571:
2568:
2556:
2552:
2545:
2542:
2530:
2526:
2520:
2517:
2512:
2506:
2498:
2491:
2489:
2485:
2482:
2478:
2475:
2471:
2468:
2462:
2459:
2453:
2450:
2444:
2441:
2436:
2429:
2427:
2425:
2423:
2421:
2419:
2417:
2415:
2413:
2411:
2409:
2405:
2393:
2389:
2385:
2381:
2374:
2371:
2359:
2355:
2348:
2346:
2342:
2329:
2325:
2321:
2315:
2312:
2307:
2303:
2299:
2297:0-8122-3948-2
2293:
2289:
2288:
2280:
2277:
2272:
2266:
2258:
2254:
2250:
2244:
2240:
2239:
2231:
2229:
2227:
2223:
2218:
2211:
2208:
2203:
2197:
2193:
2192:
2184:
2182:
2178:
2166:
2162:
2159:Wang, Daren.
2155:
2152:
2139:
2135:
2131:
2125:
2122:
2116:
2114:
2110:
2097:
2093:
2087:
2084:
2072:
2068:
2062:
2059:
2047:
2043:
2036:
2034:
2030:
2017:
2013:
2007:
2005:
2003:
2001:
1999:
1997:
1995:
1993:
1991:
1989:
1987:
1985:
1983:
1979:
1973:
1970:
1957:
1953:
1947:
1944:
1939:
1937:9781478000440
1933:
1929:
1922:
1920:
1918:
1914:
1902:
1898:
1897:
1890:
1887:
1875:
1871:
1865:
1863:
1859:
1855:
1854:
1849:
1843:
1841:
1837:
1824:
1820:
1814:
1811:
1798:
1794:
1788:
1785:
1779:
1778:
1774:
1770:
1767:
1765:
1762:
1761:
1757:
1753:
1750:
1748:
1745:
1742:
1739:
1736:
1733:
1731:, Madison, WI
1730:
1727:
1724:
1721:
1718:
1715:
1712:
1709:
1708:
1704:
1700:
1697:
1695:
1692:
1690:
1686:
1683:
1681:
1677:
1674:
1671:
1668:
1666:
1663:
1660:
1657:
1655:
1651:
1648:
1646:
1642:
1638:
1634:
1630:
1627:
1624:
1621:
1618:
1614:
1610:
1607:
1605:
1601:
1597:
1594:
1592:
1588:
1586:
1582:
1579:
1577:
1574:
1572:
1568:
1565:
1563:
1560:
1557:
1554:
1551:
1548:
1545:
1542:
1539:
1536:
1533:
1530:
1527:
1524:
1521:
1518:
1515:
1513:
1509:
1505:
1504:
1499:
1495:
1491:
1487:
1483:
1480:
1478:
1474:
1471:
1469:
1465:
1462:
1459:
1456:
1455:
1451:
1446:
1443:
1440:
1437:
1434:
1431:
1428:
1424:
1420:
1418:
1414:
1411:
1407:
1405:
1401:
1399:
1395:
1392:
1389:, a club for
1388:
1387:
1382:
1381:
1377:
1372:
1368:
1364:
1361:
1357:
1353:
1350:
1346:
1342:
1341:
1340:
1334:
1330:
1327:
1326:
1322:
1320:
1318:
1314:
1310:
1307:In 2017, the
1305:
1303:
1299:
1294:
1292:
1291:Supreme Court
1289:
1285:
1280:
1278:
1274:
1270:
1265:
1261:
1256:
1250:
1245:
1241:
1239:
1235:
1230:
1226:
1221:
1219:
1215:
1211:
1206:
1204:
1200:
1196:
1191:
1189:
1181:
1173:
1170:
1166:
1162:
1158:
1155:
1151:
1147:
1143:
1140:
1139:Tommy Ladnier
1136:
1132:
1128:
1124:
1120:
1117:
1113:
1109:
1105:
1102:
1098:
1094:
1090:
1087:
1083:
1079:
1075:
1072:
1069:"Seabreeze" (
1068:
1064:
1060:
1057:
1053:
1049:
1045:
1042:
1038:
1034:
1030:
1026:
1013:
1009:
1007:
1003:
1001:
995:
993:
989:
984:
978:
976:
972:
969:
965:
964:
959:
955:
951:
947:
943:
941:
936:
931:
929:
925:
920:
916:
914:
910:
906:
902:
897:
895:
891:
887:
882:
880:
876:
872:
868:
864:
860:
855:
853:
849:
844:
838:
834:
831:
830:The Calabash,
826:
819:
817:
815:
811:
807:
803:
802:
797:
793:
788:
785:
781:
777:
773:
765:
763:
761:
757:
752:
750:
749:Staten Island
742:
740:
738:
733:
731:
727:
723:
719:
715:
711:
707:
704:In 1971, the
702:
700:
696:
692:
688:
684:
680:
676:
671:
669:
665:
661:
657:
653:
649:
645:
641:
637:
636:Felrath Hines
633:
629:
625:
624:Hale Woodruff
621:
616:
614:
613:New York City
610:
606:
602:
598:
594:
586:
582:
581:
576:
572:
568:
564:
562:
558:
553:
551:
547:
543:
539:
535:
529:
522:
518:
514:
509:
505:
503:
499:
495:
491:
487:
483:
478:
476:
472:
468:
464:
460:
455:
453:
449:
445:
441:
437:
432:
430:
426:
422:
418:
414:
410:
403:
399:
395:
388:
386:
383:
379:
375:
371:
367:
363:
359:
358:Satchel Paige
355:
350:
348:
344:
340:
339:
329:
327:
325:
323:
318:
314:
309:
307:
303:
299:
295:
291:
287:
283:
279:
274:
272:
271:
266:
262:
261:
256:
252:
248:
244:
240:
236:
228:
226:
224:
220:
216:
212:
207:
205:
201:
197:
193:
192:
187:
182:
180:
176:
172:
168:
163:
161:
157:
153:
152:New York City
149:
145:
141:
140:
130:
100:
91:
87:
75:
71:
66:
49:
45:
40:
34:
29:
22:
19:
4097:Brooke Astor
4062:Gordon Parks
4036:Sydney Lewis
4024:J. W. Fisher
3989:
3959:Eudora Welty
3772:
3756:
3733:La Primavera
3732:
3692:
3651:
3642:
3627:by removing
3614:
3581:
3574:Price, Sally
3559:
3551:
3533:
3521:. Retrieved
3517:the original
3485:
3464:
3442:
3421:
3393:
3385:
3363:
3349:
3337:. Retrieved
3333:
3324:
3314:November 15,
3312:. Retrieved
3302:
3292:November 15,
3290:. Retrieved
3286:the original
3276:
3264:. Retrieved
3260:
3251:
3235:
3230:
3221:
3215:
3203:. Retrieved
3199:
3190:
3182:
3178:
3169:
3164:
3154:November 15,
3152:. Retrieved
3142:
3133:
3121:
3111:November 15,
3109:. Retrieved
3099:
3082:
3072:November 15,
3070:. Retrieved
3066:the original
3056:
3046:November 15,
3044:. Retrieved
3040:the original
3030:
3020:February 12,
3018:. Retrieved
3014:
3004:
2995:
2982:
2974:
2965:
2955:
2949:
2942:Segmentation
2941:
2936:
2904:
2883:cite journal
2871:. Retrieved
2849:
2840:
2830:
2813:
2804:
2795:
2786:
2777:
2765:. Retrieved
2761:
2725:
2707:
2690:
2677:
2665:. Retrieved
2660:
2651:
2639:. Retrieved
2635:
2625:
2613:. Retrieved
2609:
2600:
2588:. Retrieved
2584:the original
2579:
2570:
2558:. Retrieved
2554:
2544:
2532:. Retrieved
2528:
2519:
2496:
2470:
2461:
2452:
2443:
2434:
2397:February 11,
2395:. Retrieved
2383:
2373:
2363:February 11,
2361:. Retrieved
2358:The Atlantic
2357:
2334:February 11,
2332:. Retrieved
2328:the original
2323:
2314:
2286:
2279:
2241:. New York.
2237:
2217:New York Age
2216:
2210:
2190:
2170:February 11,
2168:. Retrieved
2164:
2154:
2142:. Retrieved
2138:the original
2133:
2124:
2100:. Retrieved
2096:the original
2086:
2076:September 2,
2074:. Retrieved
2070:
2061:
2051:September 2,
2049:. Retrieved
2045:
2020:. Retrieved
2015:
1972:
1962:November 15,
1960:. Retrieved
1956:the original
1946:
1927:
1905:, retrieved
1895:
1889:
1879:February 11,
1877:. Retrieved
1873:
1851:
1829:February 24,
1827:. Retrieved
1822:
1813:
1803:February 24,
1801:. Retrieved
1796:
1787:
1698:
1694:The Woodshed
1693:
1684:
1675:
1669:
1664:
1658:
1649:
1628:
1622:
1608:
1596:Piano Lesson
1595:
1580:
1575:
1566:
1561:
1555:
1546:
1540:
1534:
1529:Falling Star
1528:
1522:
1516:
1501:
1500:Exhibition,
1481:
1473:The Calabash
1472:
1463:
1457:
1452:Works of art
1384:
1383:Founded the
1369:, New York:
1366:
1359:
1347:, New York:
1344:
1338:
1331:, New York:
1328:
1312:
1306:
1295:
1281:
1276:
1268:
1257:
1254:
1222:
1209:
1207:
1201:and rows of
1192:
1185:
1131:Lovie Austin
1037:Irving Mills
998:
996:
991:
985:
982:
973:
961:
949:
948:
944:
939:
932:
921:
917:
912:
908:
907:, and based
900:
898:
885:
883:
878:
874:
866:
862:
856:
851:
845:
841:
829:
813:
809:
805:
799:
791:
789:
783:
779:
775:
769:
759:
753:
746:
734:
703:
672:
632:Norman Lewis
617:
593:calligrapher
590:
578:
570:
554:
530:
526:
512:
485:
481:
479:
466:
456:
433:
425:World War II
413:Diego Rivera
406:
397:
351:
336:
333:
320:
313:George Grosz
310:
301:
293:
275:
268:
258:
239:East Liberty
232:
208:
189:
183:
164:
98:
97:
78:(1988-03-12)
18:
4269:1988 deaths
4264:1911 births
4171:John Updike
4057:Helen Hayes
4052:Saul Bellow
3924:Frank Capra
3898:Alice Tully
3893:Paul Mellon
3858:José Ferrer
3379:Works cited
3334:www.dma.org
3205:January 20,
2909:Ulaby, Neda
2767:January 28,
2762:artsmia.org
2606:"City Logo"
2144:January 27,
2130:"Biography"
2022:January 19,
1907:October 13,
1556:The Lantern
1293:decision.
1277:The Odyssey
1218:Spilimbergo
1214:glass tiles
1210:Before Dawn
1116:Doug Wamble
1071:Fred Norman
852:Projections
846:During the
766:Early works
756:bone cancer
609:St. Maarten
546:Mark Rothko
490:Crucifixion
471:Regionalist
436:avant-garde
421:case worker
378:Connie Mack
4258:Categories
3949:Alan Lomax
3523:October 4,
3261:www.gf.org
2808:Fine, 2004
2529:www.gf.org
2257:1046634115
1870:"TIMELINE"
1799:. May 2011
1775:References
1685:Summertime
1676:Soul Three
1672:(painting)
1558:(painting)
1549:(painting)
1541:The Family
1535:The Family
1531:(painting)
1517:Common Man
1460:(painting)
1356:Carl Holty
1339:coauthor:
1240:Ballpark.
1234:Norie Sato
1203:townhouses
1084:"J Mood" (
1041:Henry Nemo
928:Pittsburgh
894:modern art
728:, and the
695:fiberboard
515:with Pvt.
302:The Medley
243:Pittsburgh
146:. Born in
57:1911-09-02
4248:Biography
4067:I. M. Pei
3629:excessive
3015:JazzTimes
2873:April 28,
2505:cite book
2392:0190-8286
2265:cite book
2102:April 14,
1661:(collage)
1625:(collage)
1613:The Roots
1547:Fisherman
1523:The Dove,
1464:The Blues
1386:306 Group
1349:Doubleday
1229:Charlotte
1195:Charlotte
986:In 1960,
861:entitled
679:photostat
652:Emma Amos
605:Rembrandt
482:Golgotha,
448:G.I. Bill
372:catcher,
162:in 1935.
3783:Archived
3762:Archived
3412:29878239
3089:Archived
2820:Archived
2615:March 1,
2590:March 1,
2560:March 1,
2534:June 13,
2477:Archived
2306:65395208
1901:archived
1758:See also
1670:Showtime
1458:Abstract
968:Odysseus
960:'s epic
835:, 1970,
675:graphite
532:such as
494:abstract
486:Golgotha
444:Sorbonne
265:Cherokee
179:Sorbonne
144:collages
92:Painting
4222:Portals
3835:(1980s)
3623:Please
3615:use of
3266:June 5,
3136:. 2014.
2691:nga.gov
2667:May 17,
2641:May 17,
1393:artists
963:Odyssey
909:Baptism
901:Baptism
833:collage
820:Collage
796:gouache
691:collage
587:in 2022
548:'s and
452:Picasso
368:. When
354:Roxbury
315:at the
294:Beanpot
171:US Army
139:-mə-ree
3775:, 2011
3588:
3540:
3504:135988
3502:
3492:
3473:
3450:
3429:
3410:
3400:
3355:"MoMA"
3242:
2737:
2390:
2304:
2294:
2255:
2245:
2198:
1934:
1713:, Fla.
1665:She-Ba
1615:album
1543:, 1975
1537:, 1941
1519:, 1963
1435:, 1970
1391:Harlem
1351:, 1972
1335:, 2003
1251:, 2002
1249:Harlem
1188:estate
1182:Legacy
1023:Length
801:Forbes
758:. The
724:, the
620:Harlem
603:, and
502:indigo
498:Cubism
217:, and
200:Spiral
196:Harlem
67:, U.S.
41:, 1944
4209:2010s
4204:2000s
4199:1990s
4194:1980s
3130:(PDF)
2992:(PDF)
2687:(PDF)
1780:Notes
1506:, by
1354:with
1317:banjo
1273:Homer
1159:10:40
1091:10:48
1020:Title
979:Music
958:Homer
175:Paris
4116:1989
4045:1988
3983:1987
3912:1986
3841:1985
3586:ISBN
3576:and
3538:ISBN
3525:2005
3500:OCLC
3490:ISBN
3471:ISBN
3448:ISBN
3427:ISBN
3408:OCLC
3398:ISBN
3341:2022
3316:2015
3294:2015
3268:2024
3240:ISBN
3207:2020
3156:2015
3113:2015
3074:2015
3048:2015
3022:2021
2896:help
2875:2008
2769:2017
2735:ISBN
2669:2023
2643:2023
2617:2022
2592:2022
2562:2022
2536:2024
2511:link
2399:2021
2388:ISSN
2365:2021
2336:2021
2302:OCLC
2292:ISBN
2271:link
2253:OCLC
2243:ISBN
2196:ISBN
2172:2021
2146:2017
2104:2013
2078:2022
2053:2022
2024:2017
1964:2015
1932:ISBN
1909:2019
1881:2021
1831:2023
1805:2023
1525:1964
1373:1993
1174:2:35
1144:4:53
1121:2:52
1106:4:27
1076:6:13
1061:8:48
1046:2:01
559:and
415:and
154:and
73:Died
47:Born
3631:or
2917:NPR
1227:in
1193:In
1016:No.
712:in
685:in
583:in
345:to
137:ROH
4260::
3580:.
3498:.
3406:.
3332:.
3259:.
3198:.
3132:.
3013:.
2994:.
2973:.
2924:^
2915:,
2911:.
2887::
2885:}}
2881:{{
2858:^
2839:.
2760:.
2749:^
2733:.
2731:98
2715:^
2699:^
2689:.
2659:.
2634:.
2608:.
2578:.
2553:.
2527:.
2507:}}
2503:{{
2487:^
2407:^
2386:.
2382:.
2356:.
2344:^
2322:.
2300:.
2267:}}
2263:{{
2251:.
2225:^
2180:^
2163:.
2132:.
2112:^
2069:.
2044:.
2032:^
2014:.
1981:^
1916:^
1872:.
1861:^
1850:.
1839:^
1821:.
1795:.
1643:;
1639:;
1635:;
1358:,
1304:.
1279:.
1205:.
1164:9.
1149:8.
1126:7.
1111:6.
1096:5.
1081:4.
1066:3.
1051:2.
1028:1.
896:.
658:,
654:,
650:,
638:,
630:,
626:,
599:,
540:,
241:,
225:.
206:.
181:.
133:,
126:iː
114:oʊ
4224::
3825:e
3818:t
3811:v
3658:)
3652:(
3647:)
3643:(
3639:.
3621:.
3546:.
3527:.
3506:.
3479:.
3456:.
3435:.
3414:.
3371:.
3357:.
3343:.
3318:.
3296:.
3270:.
3246:.
3209:.
3158:.
3115:.
3076:.
3050:.
3024:.
2998:.
2977:.
2958:.
2898:)
2894:(
2877:.
2843:.
2771:.
2743:.
2693:.
2671:.
2645:.
2619:.
2594:.
2564:.
2538:.
2513:)
2401:.
2367:.
2338:.
2308:.
2273:)
2259:.
2204:.
2174:.
2148:.
2106:.
2080:.
2055:.
2026:.
1966:.
1940:.
1883:.
1833:.
1807:.
1619:.
1429:.
1171:)
1156:)
1141:)
1137:/
1133:/
1118:)
1103:)
1088:)
1058:)
1043:)
1039:/
1035:/
1008:.
1002:,
794:(
324:,
129:/
123:r
120:ə
117:m
111:r
108:ˈ
105:/
101:(
59:)
55:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
